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1

Śarmā, Haradvārī Lāla. Indian aesthetics and aesthetic perspectives. Meerut: Mansi Prakashan, 1990.

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2

Goldblatt, David, Lee B. Brown e Stephanie Patridge. Aesthetics. A cura di David Goldblatt, Lee B. Brown e Stephanie Patridge. 4 [edition]. | New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315303673.

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3

Maynard, Patrick, e Susan L. Feagin. Aesthetics. Oxford: Oxford University Press, 1997.

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4

Kit Wah Man, Eva, e Jeffrey Petts. Comparative Everyday Aesthetics. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463723367.

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Abstract (sommario):
Leading international scholars present analysis and case studies from different cultural settings, East and West, exploring aesthetic interest and experience in our daily lives at home, in workplaces, using everyday things, in our built and natural environments, and in our relationships and communities. A wide range of views and examples of everyday aesthetics are presented from western philosophical paradigms, from Confucian and Daoist aesthetics, and from the Japanese tradition. All indicate universal features of human aesthetic lives together with their cultural variations. Comparative Everyday Aesthetics is a significant contribution to a key trend in international aesthetics for thinking beyond narrow art-centered conceptions of the aesthetic. It generates global discussions about good, aesthetic, everyday living in all its various aspects. It also promotes aesthetic education for personal, social, and environmental development and presents opportunities for global collaborative projects in philosophical aesthetics.
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5

Jennifer, McMahon, a cura di. Aesthetics and material beauty: Aesthetics naturalized. New York: Routledge, 2007.

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6

McMahon, Jennifer A. Aesthetics and material beauty: Aesthetics naturalized. London: Routledge, 2007.

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7

Machon, Josephine. (Syn)aesthetics. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230236950.

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8

Berry, David M., e Michael Dieter, a cura di. Postdigital Aesthetics. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137437204.

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9

Simpson, Taylor J. Aesthetic Aesthetics. Lulu Press, Inc., 2010.

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10

Notions of the Aesthetic and of Aesthetics. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2014.

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11

Notions of the Aesthetic and of Aesthetics: Essays on Art, Aesthetics, and Culture. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2014.

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12

Ahlberg, Lars-Olof. Notions of the Aesthetic and of Aesthetics: Essays on Art, Aesthetics, and Culture. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2014.

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13

Ahlberg, Lars-Olof. Notions of the Aesthetic and of Aesthetics: Essays on Art, Aesthetics, and Culture. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2014.

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14

Ahlberg, Lars-Olof. Notions of the Aesthetic and of Aesthetics: Essays on Art, Aesthetics, and Culture. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2014.

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15

Adorno, Theodor W., Wieland Hoban e Eberhard Ortland. Aesthetics. Polity Press, 2017.

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16

Huron, David. Aesthetics. A cura di Susan Hallam, Ian Cross e Michael Thaut. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780198722946.013.19.

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17

Huron, David. Aesthetics. A cura di Susan Hallam, Ian Cross e Michael Thaut. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199298457.013.0014.

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Abstract (sommario):
Aesthetics is commonly defined as the study of beauty, and its opposite, ugliness. Some philosophers conceive of aesthetics as applying solely to the arts or to artistic experience. Beginning in the 1960s, the field of cognitive science became increasingly influential in the philosophy of mind. While much of this influence relates to the nature of thought, reasoning, and consciousness, the impact of cognitive science has expanded to other areas of philosophy, including aesthetics. This article focuses on how cognitive science influences modern thinking in musical aesthetics. It argues that cognitive neuroscience is poised to overtake philosophical aesthetics: rather than influencing aesthetic philosophy, aesthetic philosophy is receding to a sideline ‘advisory’ role, while cognitive science takes an unaccustomed leadership position.
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18

Forster, Michael N. Aesthetics. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199588367.003.0007.

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Abstract (sommario):
Aesthetics, or the philosophy of literature and art, was one of Herder’s main focuses. By valorizing these areas of culture (in comparison with others such as science and religion) and in several other ways he prepared the ground for German Romanticism. He also established many principles of great intrinsic importance: rejecting apriorism and systematization in aesthetics in favor of an empirical, non-systematic approach; insisting that arts such as sculpture and painting express meanings and therefore require interpretation; recognizing the central role of genre not only in literature but also in such arts; perceiving the deep historical, cultural, and even individual variability of literature and art in respect of semantic content, genre, moral values, and aesthetic values, plus the major implications this variability has for both interpretation and evaluation; developing a set of radical views concerning beauty; and emphasizing the importance of literature and art as means of moral pedagogy.
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19

Lyas, Dr Colin, e Colin Lyas. Aesthetics. Routledge, 2002. http://dx.doi.org/10.4324/9780203136829.

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20

Rueger, Alexander. Aesthetics. Oxford University Press, 2011. http://dx.doi.org/10.1093/oxfordhb/9780199556137.003.0011.

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21

Wilson, Eric G. Aesthetics. Oxford University Press, 2010. http://dx.doi.org/10.1093/oxfordhb/9780195331035.013.0041.

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22

Speer, Andreas. Aesthetics. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780195379488.013.0031.

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23

Goldblatt, David. Aesthetics. Routledge, 2016. http://dx.doi.org/10.4324/9781315509693.

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24

Charlton, W. Aesthetics. Routledge, 2016. http://dx.doi.org/10.4324/9781315626048.

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25

Aesthetics. Oxford University Press, 2019.

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26

Aesthetics. St. Martin's Press, 1989.

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27

Aesthetics. Armonk, N.Y: M.E. Sharpe, 1998.

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28

Aesthetics. Creative Media Partners, LLC, 2023.

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29

Tirupati, Rao B. Aesthetics. Bharatiya Kala Prakashan,India, 2005.

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30

Lyas, Colin. Aesthetics. Taylor & Francis Group, 2002.

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31

Hartmann, Nicolai, e Eugene Kelly. Aesthetics. de Gruyter GmbH, Walter, 2014.

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32

Hartmann, Nicolai, e Eugene Kelly. Aesthetics. de Gruyter GmbH, Walter, 2014.

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33

Hartmann, Nicolai, e Eugene Kelly. Aesthetics. De Gruyter, Inc., 2014.

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34

Balfour, Michael, Sheila Preston e Gareth White. Aesthetics. Bloomsbury Publishing Plc, 2015.

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35

Walton, Kendall. Aesthetics. Princeton University Press, 2021.

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36

Kivy, Peter. Aesthetics. Blackwell Publishing Limited, 2004.

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37

Hartmann, Nicolai, e Eugene Kelly. Aesthetics. de Gruyter GmbH, Walter, 2017.

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38

Lyas, Colin. Aesthetics. Taylor & Francis Group, 2002.

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39

Manns, James W. Aesthetics. Taylor & Francis Group, 1998.

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40

Lyas, Colin. Aesthetics. Taylor & Francis Group, 2002.

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41

Adorno, Theodor W. Aesthetics. Polity Press, 2017.

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42

Aesthetics. 1997.

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43

Aesthetics. London: UCL Press, 1997.

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44

Aesthetics. Bloomsbury Publishing Plc, 2008.

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45

Aesthetics. Routledge, 2006.

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46

Aesthetics. Bloomsbury Publishing Plc, 2015.

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47

Aesthetics. Totem Books, 2010.

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48

Aesthetics. de Gruyter, 2014.

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49

Adorno, Theodor W. Aesthetics. Polity Press, 2017.

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50

Hamilton, Andy. Aesthetics and Music (Continuum Aesthetics). Continuum International Publishing Group, 2007.

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