Bibliografie tematiche / Aenid

Letteratura scientifica selezionata sul tema "Aenid"

Autore: Grafiati
Pubblicato: 4 giugno 2021
Ultima modifica: 30 gennaio 2023

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Articoli di riviste sul tema "Aenid"

1

Conte, Gian Biagio. "Uno stile per l’Eneide". Hermes 150, n. 3 (2022): 351. http://dx.doi.org/10.25162/hermes-2022-0022.

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2

Lake, Keely. "Vergil Aeneid 1, and: Vergil Aeneid 2, and: Vergil Aeneid 3". Mouseion: Journal of the Classical Association of Canada 10, n. 1 (2010): 110–12. http://dx.doi.org/10.1353/mou.2010.0018.

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3

Bender, Henry V., e R. D. Williams. "The Aeneid". Classical World 83, n. 1 (1989): 71. http://dx.doi.org/10.2307/4350539.

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4

Perl, J. M. "The Aeneid". Common Knowledge 14, n. 1 (1 gennaio 2008): 175–77. http://dx.doi.org/10.1215/0961754x-2007-065.

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Barnes, W. R. "Aeneid VII". Classical Review 55, n. 1 (marzo 2005): 118–20. http://dx.doi.org/10.1093/clrevj/bni069.

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Hardie, Philip. "Aeneid XI". Classical Review 55, n. 1 (marzo 2005): 120–22. http://dx.doi.org/10.1093/clrevj/bni070.

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7

Goh, Ian. "THE END OF THE BEGINNING: VIRGIL'S AENEID IN OVID, AMORES 1.2". Greece and Rome 62, n. 2 (10 settembre 2015): 167–76. http://dx.doi.org/10.1017/s0017383515000042.

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Abstract (sommario):
It is well known that Ovid's Amores begin with a reference to Virgil's Aeneid in the very first word, arma (‘weapons’, Am. 1.1.1 = Verg. Aen. 1.1), which implies that the elegist had been composing epic before Cupid, by stealing a foot, apparently forced him to write elegy. In spite of this incapacitation at the hands of the love god, Ovid continues to toy with Virgil's epic by making the first two poems of his collection of elegiacs into a mini-Aeneid, or – to be precise – by making the second poem of the collection into the second half of the Aeneid. One result is that the three-book edition of Amores threatens to be over even before it has begun. Another is that Ovid can be identified with the Latin enemies, on the wrong side of history, from the Aeneid. I restrict the argument largely to what can be observed in Amores 1.2, leaving aside, for instance, the possibility that Ovid shot by Cupid's arrow in 1.1 might be thought comparable to Dido, similarly shot and causing Aeneas to dally in Carthage with her in Aeneid 4.
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Mitchell, Jack. "William Morris' Synthetic Aeneids: Virgil as Physical Object". Translation and Literature 24, n. 1 (marzo 2015): 1–22. http://dx.doi.org/10.3366/tal.2015.0181.

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William Morris' Aeneid translation of 1875 (The Aeneids of Virgil) is today criticized for its archaism and anachronism; it ought rather to be read as a deliberate layering of historical periods in the reception of the Roman epic. This strategy of historical layering is paralleled in Morris' other Aeneid project of the early 1870s, an original illuminated vellum codex of the poem in Latin, which also telescopes the historical trajectory of the source text by the layering of historical styles and details. Morris' translation should be understood as a similarly ambitious, if more democratic, attempt to create a ‘cumulative’ Aeneid.
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Scibetta, Concetta, e Enrique Eguiarte. "‘Confesiones’ 5, 15 de Agustín. Una reescritura a modo de palimpsesto". Augustinus 54, n. 212 (2009): 219–35. http://dx.doi.org/10.5840/augustinus200954212/21311.

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The article studies the lexical parallelism between the text of Conf 5,15 and the Aeneid. From this parallel, semantic and semiotic conclusions are drawn, to show that one of the texts which lies under Conf 5, 15 as an hypotext is the text of Virgil’s Aeneid, books IV-VI.
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Heerink, Mark. "Van Troje naar Rome". Lampas 50, n. 1 (1 gennaio 2017): 53–74. http://dx.doi.org/10.5117/lam2017.1.005.heer.

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Summary Book 3 of Virgil’s Aeneid has always been evaluated quite negatively, and scholars have been surprised by the Homeric fantasy world that is presented. This article will present a metapoetical reading of Aeneid 3, explaining the striking nature of the book, which is interpreted as commenting on Virgil’s relationship with Homeric epic.
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Tesi sul tema "Aenid"

1

Carter, Matthew Abbott Sebastian. "Aeneid 3 : a critical reassessment". Thesis, University of Oxford, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.432056.

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2

Rogerson, Anne Isabella. "Reading Ascanius and the Aeneid". Thesis, University of Cambridge, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.615233.

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3

Nash, Calypso. "Philosophical readings in Virgil's Aeneid". Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:0a5a33f4-fe6b-4e7e-a712-41731a7ac42c.

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Abstract (sommario):
This study examines how and why Virgil makes reference to philosophy and engages with contemporary philosophical debate in the Aeneid. Each of the six chapters has a different philosophical focus, and offers literary analyses of the poem that are supported and enriched by situating it within its philosophical context. Cicero and Lucretius are our principal sources for Roman philosophy during the 1st c. BC, and Stoics, Epicureans and Academics were the most influential philosophical schools. The topics I explore include: the relationship between words, especially names, and their referents; the characterization of fate in the Aeneid as Stoic, and the meaning of F/fortuna; Virgil's engagement with Lucretius' explanation of visual perception, which I argue embodies a refutation of the materialism integral to Epicurean philosophy; and, given that Cicero and Lucretius provide the first extant references to 'free will' (libera ... voluntas Lucr. 2.256-7; voluntate libera Cic. Fat. 20) in Western literature, the articulation of this concept in the Aeneid. I conclude that Virgil's use of philosophy is both politically and poetically motivated: he shows that poetry and literature are valuable philosophical and political tools by demonstrating that our experience of reality is fundamentally mediated through language and texts.
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Harrison, S. J. "A commentary on Vergil, Aeneid 10". Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670380.

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5

Navot, Alon. "Similes of the real in Virgil's Aeneid /". View online version; access limited to Brown University users, 2005. http://wwwlib.umi.com/dissertations/fullcit/3174648.

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Erasmo, Mario. "The death of Turnus in the "Aeneid"". Thesis, University of Ottawa (Canada), 1990. http://hdl.handle.net/10393/5592.

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Goldschmidt, Nora. "Shaggy crowns : Ennius' Annales and virgil's aeneid". Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.530032.

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8

Mac, Góráin Fiachra. "Tragedy and the Dionysiac in Virgil's Aeneid". Thesis, University of Oxford, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.508377.

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9

Harris, Bryn. "Vergil's fictions : paradox and anomaly in the Aeneid". Thesis, University of Oxford, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.568528.

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Abstract (sommario):
This thesis uses philosophy of fiction to analyse episodic fictions in Vergil' s Aeneid. I argue that due to repeated lapses in the narrative framework, individual episodes seem to constitute deviant 'worlds' of their own, rather than incorporated insets. This fragmentation militates against the Aeneid's claims to a universalized totality. Chapter 1 uses ancient and modem theories of fiction to argue that mythical narratives are incomplete discourses lacking metalinguistic information about how they should be interpreted and made true. I propose that critical approaches seek to solve this anomaly by framing myths in new pragmatic structures. The question I pose is whether the Aeneid, in its incorporation of other narratives, propagates or corrects the pragmatic incompleteness of archaic material. To answer it I consider a series of adventitious fictions which test the narrative's incorporating frame. Chapter 2 concerns Aeneas and Sinon as inset narrators: are they just characters speaking or rival narrators creating their own separate worlds? Chapter 3 focuses on Book 3' s incorporation of the literary world of romance within the world of the Aeneid. I argue that Vergil moves away from paradox as mimetic representation of fantastical things, and embraces logical paradox. A prime example of the latter is Achaemenides, the traveller across fictional worlds. Chapter 4 is on the catabasis. It again accents metapoetry, arguing for Hades as a storehouse in which abstract fictions achieve embodied existence, while also detecting an equivalence between the changed realities of fiction and the changed realities of mystical experience. Chapter 5 considers ecphrasis as an incorporation of a rival representational world within the poem. I argue that the physical boundary separating artwork from narrative thematizes the boundaries, constantly lapsing, between Vergil's representational world and that of the rival artificer. Due to the lapses, the poem becomes an unframable multiplicity of contradictory worlds.
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Nelis, Damien P. "The Aeneid and the Argonautica of Apollonius Rhodius". Thesis, Queen's University Belfast, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.297280.

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Libri sul tema "Aenid"

1

Virgil. Aeneid. Oxford: Oxford University Press, 2007.

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2

Nix, Garth. Aenir. New York: Scholastic, 2001.

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3

Virgil. Aeneid. Cambridge: Cambridge University Press, 2012.

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4

Virgil. Aeneid. Cambridge [England]: Cambridge University Press, 1994.

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5

Virgil. Aeneid. New Haven: Yale University Press, 2009.

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6

Virgil. Aeneid. Indianapolis: Hackett Pub. Co., 2005.

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7

Virgil. Aeneid. Cambridge [England]: Cambridge University Press, 1994.

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8

Nix, Garth. Aenir. London: HarperCollins Children's Books, 2009.

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9

Virgil. Aeneid. New York: Dover Publications, 1995.

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10

Virgil. Aeneid. Oxford: Oxford University Press, 2008.

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Capitoli di libri sul tema "Aenid"

1

O'Hara, James J. "The Unfinished Aeneid?" In A Companion to Vergil's Aeneid and its Tradition, 96–106. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444318050.ch7.

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2

Herrmann, Erik H. "Luther’s Divine Aeneid". In Lutherjahrbuch 85. Jahrgang 2018 Lutherjahrbuch 85. Jahrgang 2018, 85–109. Göttingen: Vandenhoeck & Ruprecht, 2018. http://dx.doi.org/10.13109/9783666874505.85.

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3

Booth, Allyson. "“laquearia”: Virgil’s Aeneid". In Reading The Waste Land from the Bottom Up, 85–90. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137482846_17.

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4

Maro], Virgil [Publius Vergilius. "Aeneid". In Vergil: Aeneid 10, a cura di Stephen J. Harrison. Oxford University Press, 1997. http://dx.doi.org/10.1093/oseo/instance.00077957.

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Maro], Virgil [Publius Vergilius. "Aeneid". In Oxford World's Classics: Virgil: Aeneid, a cura di Frederick Ahl e Elaine Fantham, 1–2. Oxford University Press, 2008. http://dx.doi.org/10.1093/oseo/instance.00080362.

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6

"Aeneid". In A Companion to the Study of Virgil, 101–216. BRILL, 1995. http://dx.doi.org/10.1163/9789004217591_005.

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7

Solodow, Joseph B. "Aeneid". In The World of Ovid's Metamorphoses, 110–56. University of North Carolina Press, 1988. http://dx.doi.org/10.5149/northcarolina/9780807854341.003.0005.

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8

Stewart, Jon. "Virgil’s Aeneid". In The Emergence of Subjectivity in the Ancient and Medieval World, 236–60. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198854357.003.0010.

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Abstract (sommario):
Chapter 9 begins by introducing Virgil as an epic poet in the tradition of Homer. An account is given of Virgil’s goal to provide Rome with a great national epic during the time of Augustus Caesar. In order to legitimate Rome’s claim to power, Virgil traces the history of Rome back to the hero Aeneas from the Trojan War. An account is given of Virgil’s treatment of the fall of Troy and Aeneas’ love affair with Queen Dido. Aeneas’ character as a hero differs from that of the Homeric heroes in the sense that he is inwardly divided between his personal inclination and his greater sense of duty for the future of Rome. This picture of an inward division recognizes a subjective element, which was not clearly present among the Homeric heroes. An account is also given of Virgil’s portrayal of divine justice and the Underworld. This is contrasted to the account given by Homer in Book XI of the Odyssey. Virgil’s account reveals a greater sensitivity towards the individual and one’s specific actions and responsibility.
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"3. Aeneid". In Classical Presences: Newly Recovered English Classical Translations, 1600–1800. Oxford University Press, 2018. http://dx.doi.org/10.1093/oseo/instance.00251314.

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10

"The Aeneid". In Greek and Roman Hell, 41–52. Italica Press, Inc., 2019. http://dx.doi.org/10.2307/j.ctvfxv90b.17.

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Atti di convegni sul tema "Aenid"

1

Ding, Duo, Jhih-Rong Gao, Kun Yuan e David Z. Pan. "AENEID". In the 48th Design Automation Conference. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/2024724.2024902.

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2

Shi, Liang, e Torbjorn Wigren. "AECID Fingerprinting Positioning Performance". In GLOBECOM 2009 - 2009 IEEE Global Telecommunications Conference. IEEE, 2009. http://dx.doi.org/10.1109/glocom.2009.5425928.

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3

Wurzenberger, Markus, Florian Skopik, Giuseppe Settanni e Roman Fiedler. "AECID: A Self-learning Anomaly Detection Approach based on Light-weight Log Parser Models". In 4th International Conference on Information Systems Security and Privacy. SCITEPRESS - Science and Technology Publications, 2018. http://dx.doi.org/10.5220/0006643003860397.

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4

Ribera Torró, Esteve. "KUÉLAP VIRTUAL: VIRTUALIZACIÓN DE UNA CIUDADELA PREINCA EN LOS ANDES AMAZÓNICOS DEL PERÚ MEDIANTE FOTOGRAFÍA ESFÉRICA, MODELADO 3D E IMPRESIÓN 3D". In ARQUEOLÓGICA 2.0 - 8th International Congress on Archaeology, Computer Graphics, Cultural Heritage and Innovation. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/arqueologica8.2016.3567.

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Between 2010 and 2012, under the International Cooperation for Development, a virtual archeology project was realized in Amazonian Andes of Peru. The project was carried out with collaboration from Universitat Politécnica de València (UPV) and the Agencia Española de Cooperación Internacional al Desarrollo (AECID), with archeologists taking part in Proyecto Especial Kuélap (PEK). The goal was to create a virtualization of Kuélap, an important monumental citadel constructed by the ancient Chachapoya society. The fruits of the project was the website “kuelapvirtual.com", that offers an interactive virtual visit (like street view) as well as geographical and archaeological information of interest. Furthermore, a virtual 3D reconstruction was created from blueprints, topographic data available and assistance from archaeologists. The 3d digital model made the fabrication of a two prototipes: an archaeological model in scale 1:750 and a topographical model in scale 1:17500, obtained through 3D printing at the Department of Engineering Projects at Universitat Politècnica de València.
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Sáinz Guerra, José Luis, Rosario del Caz Enjuto, Miguel Camino Solorzano, Felix Jové e Jonathan Orozco. "Análisis de los mecanismos que actúan en el desarrollo y transformación de las ciudades latinoamericanas y europeas de tamaño intermedio: estudio comparativo entre Manta, Ecuador y Valladolid, España". In Seminario Internacional de Investigación en Urbanismo. Barcelona: Instituto de Arte Americano. Universidad de Buenos Aires, 2013. http://dx.doi.org/10.5821/siiu.5872.

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Dos equipos de las universidades Laica Eloy Alfaro de Manabí, Ecuador, y de Valladolid, España están desarrollando una investigación conjunta con el apoyo financiero de la AECID. La investigación profundiza en el análisis de los mecanismos a través de los cuales las ciudades de tamaño intermedio en dos países, Ecuador y España, se transforman. Se realiza un análisis de ambas ciudades y las vías a través de las cuales se han ido formando, desmenuzando los procesos decisorios que materializan la ciudad. Tras estos análisis podemos señalar la diferente naturaleza de ambos espacios urbanos e identificar los mecanismos comunes y aquellos que son diferentes. En relación a la forma en la que se toman las decisiones se analizan en particular los siguientes apartados: a) La construcción de las grandes infraestructuras que ordenan el territorio b) Las políticas de vivienda. c) Las políticas de equipamientos públicos. d) La sostenibilidad en cada una de las ciudades. La utilidad del estudio es grande, pues la comparación de diversos elementos y características de ambas ciudades nos permite valorar el peso y el papel que juegan en la formación de cada ciudad. Two teams from the University Laica Eloy Alfaro de Manabí, Ecuador, and the University of Valladolid, Spain are developing a joint research project with the financial support of the AECID. This research work makes an in depth analysis of the mechanisms through which intermediate size cities in two different countries, Ecuador and Spain, are transformed. An analysis of both cities is carried out, including the ways in which they were formed, breaking down the decision-making processes that lead to the city as it is today. Following these analyses we can point out the different nature of both urban spaces and identify the common mechanisms and those that are different. As for the way in which decisions are made, we analyse in particular the following aspects: e) The construction of large infrastructures f) The housing policy. g) The public services and facilities policy. h) The sustainability of each of the cities. This study has a great utility as it compares diverse elements and characteristics of both cities and allows us to evaluate the weight and the role such characteristics play in the formation of each city.
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