Articoli di riviste sul tema "Actor training"
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Hodge, Alison. "Actor Training". Studies in Theatre and Performance 20, n. 3 (gennaio 2000): 184–87. http://dx.doi.org/10.1080/14682761.2000.10807037.
Testo completoRewa, Natalie. "Actor Training". Canadian Theatre Review 78 (marzo 1994): 3. http://dx.doi.org/10.3138/ctr.78.fm.
Testo completoBarclay, Kari. "Willful Actors: Valuing Resistance in American Actor Training". Journal of Dramatic Theory and Criticism 34, n. 1 (2019): 123–41. http://dx.doi.org/10.1353/dtc.2019.0027.
Testo completoChow, Broderick D. V. "An actor manages: actor training and managerial ideology". Theatre, Dance and Performance Training 5, n. 2 (4 maggio 2014): 131–43. http://dx.doi.org/10.1080/19443927.2014.908141.
Testo completoRajaravivarma, K. R., e Suresh Chandra Das. "THERUKUTHU AS A TRAINING METHOD FOR CONTEMPORARY THEATRE ACTOR". ShodhKosh: Journal of Visual and Performing Arts 3, n. 2 (30 luglio 2022): 115–22. http://dx.doi.org/10.29121/shodhkosh.v3.i2.2022.147.
Testo completoForsythe, James. "Spirituality in Actor Training". Theatre Research in Canada 17, n. 1 (gennaio 1996): 67–82. http://dx.doi.org/10.3138/tric.17.1.67.
Testo completoForsythe, James. "Spirituality in Actor Training". Theatre Research in Canada 17, n. 1 (gennaio 1996): 67–82. http://dx.doi.org/10.3138/tric.17.1.67.
Testo completoZazzali, Peter. "Utopia in Actor Training". Performance Research 25, n. 8 (16 novembre 2020): 25–32. http://dx.doi.org/10.1080/13528165.2020.1930777.
Testo completoBarton, Robert. "Therapy and Actor Training". Theatre Topics 4, n. 2 (1994): 105–18. http://dx.doi.org/10.1353/tt.2010.0081.
Testo completoHurt, Melissa. "Yoga and actor training". Voice and Speech Review 10, n. 2-3 (settembre 2016): 205–7. http://dx.doi.org/10.1080/23268263.2016.1333200.
Testo completoTessari, Roberto. "Actor Training in Italy". New Theatre Quarterly 4, n. 14 (maggio 1988): 181–92. http://dx.doi.org/10.1017/s0266464x00002712.
Testo completoMcCaw, Dick. "Yoga and Actor Training". Theatre, Dance and Performance Training 7, n. 1 (2 gennaio 2016): 124–26. http://dx.doi.org/10.1080/19443927.2016.1148933.
Testo completoRea, Ken. "Diagrams in actor training". Theatre, Dance and Performance Training 7, n. 2 (3 maggio 2016): 327–28. http://dx.doi.org/10.1080/19443927.2016.1210918.
Testo completoCronin, Bernadette. "Yoga and actor training". Studies in Theatre and Performance 36, n. 2 (18 febbraio 2016): 191–92. http://dx.doi.org/10.1080/14682761.2016.1140946.
Testo completoStamatiou, Evi. "Pierre Bourdieu and actor training: towards decolonising and decentering actor training pedagogies". Theatre, Dance and Performance Training 13, n. 1 (2 gennaio 2022): 96–114. http://dx.doi.org/10.1080/19443927.2021.1943509.
Testo completoAvila, Roxana, e David Korish. "Intensive Actor Training in Costa Rica". New Theatre Quarterly 20, n. 1 (5 gennaio 2004): 87–90. http://dx.doi.org/10.1017/s0266464x03220364.
Testo completoEspinosa, Micha. "The expressive actor, integrated voice, movement, and actor training". Voice and Speech Review 10, n. 1 (2 gennaio 2016): 83–85. http://dx.doi.org/10.1080/23268263.2016.1228795.
Testo completoHingorani, Dominic. "Ethnicity and actor training: A British Asian actor prepares". South Asian Popular Culture 7, n. 3 (ottobre 2009): 165–78. http://dx.doi.org/10.1080/14746680903125515.
Testo completoBailey, Erika. "Arthur Lessac’s embodied actor training". Voice and Speech Review 10, n. 1 (2 gennaio 2016): 85–89. http://dx.doi.org/10.1080/23268263.2016.1183876.
Testo completoPratt Cooney, Mary, e Shlomo Sawilowsky. "Process Drama and Actor Training". Youth Theatre Journal 19, n. 1 (maggio 2005): 55–70. http://dx.doi.org/10.1080/08929092.2005.10012576.
Testo completoSobkin, V. S., T. A. Lykova e M. V. Siyan. "Actor Training: Competencies or Aptitude". Cultural-Historical Psychology 18, n. 4 (2022): 90–101. http://dx.doi.org/10.17759/chp.2022180409.
Testo completoAllain, Paul. "Digital perspectives for actor training". Tekstualia 1, n. 76 (22 marzo 2024): 177–92. http://dx.doi.org/10.5604/01.3001.0054.4482.
Testo completoGee, Emma, e Matt Hargrave. "A proper actor? The politics of training for learning disabled actors". Theatre, Dance and Performance Training 2, n. 1 (marzo 2011): 34–53. http://dx.doi.org/10.1080/19443927.2011.545252.
Testo completoChristmann, Mark, Tanja Jacobs e David Wright. "Dialogue on Training". Canadian Theatre Review 78 (marzo 1994): 8–12. http://dx.doi.org/10.3138/ctr.78.002.
Testo completoKassab, Eva S., Dominic King, Louise M. Hull, Sonal Arora, Nick Sevdalis, Roger L. Kneebone e Debra Nestel. "Actor training for surgical team simulations". Medical Teacher 32, n. 3 (gennaio 2010): 256–58. http://dx.doi.org/10.3109/01421590903514648.
Testo completoGreyeyes, Michael. "Signal Theatre, Creation, and Actor Training". Canadian Theatre Review 165 (gennaio 2016): s1—s2. http://dx.doi.org/10.3138/ctr.165.001b.
Testo completoZazzali, Peter. "Actor Training in New York City". PAJ: A Journal of Performance and Art 35, n. 1 (gennaio 2013): 49–56. http://dx.doi.org/10.1162/pajj_a_00124.
Testo completoWedderburn, Eve. "Violence in Martial Arts Actor Training". Performance Research 21, n. 3 (3 maggio 2016): 84–91. http://dx.doi.org/10.1080/13528165.2016.1176741.
Testo completoMitas, Jen. "The Politics of American Actor Training". Theatre, Dance and Performance Training 2, n. 2 (settembre 2011): 277–78. http://dx.doi.org/10.1080/19443927.2011.615566.
Testo completoDaugherty, Diane, e Phillip B. Zarrilli. "Asian Martial Arts in Actor Training". Asian Theatre Journal 13, n. 1 (1996): 135. http://dx.doi.org/10.2307/1124311.
Testo completoHwang, Seokha. "A Study on the Training Methods for Strengthening the Presence of Actors through Traditional Asian Performing and Martial Arts: Focusing on the Barba, Zarrilli". Korean Society of Culture and Convergence 45, n. 7 (31 luglio 2023): 867–78. http://dx.doi.org/10.33645/cnc.2023.07.45.07.867.
Testo completoKapsali, Maria. "Rethinking actor training: training body, mind and … ideological awareness". Theatre, Dance and Performance Training 4, n. 1 (marzo 2013): 73–86. http://dx.doi.org/10.1080/19443927.2012.719834.
Testo completoCorrigan, Roberta, e Cyndie Odya-Weis. "The comprehension of semantic relations by two-year-olds: an exploratory study". Journal of Child Language 12, n. 1 (febbraio 1985): 47–59. http://dx.doi.org/10.1017/s030500090000622x.
Testo completoLucanu, Tudor. "One Conscience or More: Is the Actor more than one at a Time?" Studia Universitatis Babeş-Bolyai Dramatica 65, n. 2 (30 ottobre 2020): 243–60. http://dx.doi.org/10.24193/subbdrama.2020.2.12.
Testo completoKarki Kshetri, Dibendra Bahadur. "Seeking Stanislavski Techniques of Actor Training in Nepalese Context from His Book An Actor Prepares". Journal of Development and Social Engineering 8, n. 01 (31 dicembre 2022): 29–38. http://dx.doi.org/10.3126/jdse.v8i01.54265.
Testo completoYu, Hanfei, Jian Li, Yang Hua, Xu Yuan e Hao Wang. "Cheaper and Faster: Distributed Deep Reinforcement Learning with Serverless Computing". Proceedings of the AAAI Conference on Artificial Intelligence 38, n. 15 (24 marzo 2024): 16539–47. http://dx.doi.org/10.1609/aaai.v38i15.29592.
Testo completoJeong, Min Young. "Study on Acting System for Training Actor". Journal of acting studies 9 (30 giugno 2017): 1–20. http://dx.doi.org/10.26764/jas.2017.9.1.
Testo completoPeters, Charlie. "Queering Actor Training and Supporting Gender Dissidence". Canadian Theatre Review 189 (1 gennaio 2022): 84–86. http://dx.doi.org/10.3138/ctr.189.016.
Testo completoHayes, Janys. "GESTURE IN ACTOR TRAINING: EMBODIED PARTIAL NARRATIVES". Southern Semiotic Review, n. 11 (20 dicembre 2019): 82–95. http://dx.doi.org/10.33234/ssr.11.6.
Testo completoClinton, Craig. "Training the Actor: Belasco and Mrs Carter". Nineteenth Century Theatre and Film 29, n. 1 (maggio 2002): 66–79. http://dx.doi.org/10.7227/nctf.29.1.5.
Testo completoBelshaw, Diana. "An Approach to Actor Training—Humber Theatre". Canadian Theatre Review 160 (ottobre 2014): s1—s16. http://dx.doi.org/10.3138/ctr.160.001b.
Testo completoMoore, Tracey. "Rethinking Actor Training for the iPhone Generation". Teaching Artist Journal 15, n. 2 (3 aprile 2017): 68–76. http://dx.doi.org/10.1080/15411796.2017.1340708.
Testo completoBeeman, William O., e Mohammad B. Ghaffari. "Acting Styles and Actor Training in Taziyeh". TDR/The Drama Review 49, n. 4 (dicembre 2005): 48–60. http://dx.doi.org/10.1162/105420405774762943.
Testo completoArmstrong, Eric. "Efficacy in phonetics training for the actor". Voice and Speech Review 10, n. 1 (2 gennaio 2016): 36–52. http://dx.doi.org/10.1080/23268263.2017.1282676.
Testo completoFreeman, John. "Performance studies, actor training and boutique borrowing". Studies in Theatre & Performance 33, n. 1 (1 gennaio 2013): 77–90. http://dx.doi.org/10.1386/stap.33.1.77_1.
Testo completoAllain, Paul. "Physical actor training 2.0: new digital horizons". Theatre, Dance and Performance Training 10, n. 2 (4 maggio 2019): 169–86. http://dx.doi.org/10.1080/19443927.2019.1609074.
Testo completoCurnett, Ethan Jacob. "Identity and the Rhythms of Actor Training". ISSUE Special Vol (2022): 141–43. http://dx.doi.org/10.33671/isssicur.
Testo completoMontanini, Lorenzo. "SITI Training: Viewpoints and the Suzuki Method for Cross-Cultural Collaboration". New Theatre Quarterly 40, n. 1 (febbraio 2024): 48–61. http://dx.doi.org/10.1017/s0266464x23000349.
Testo completoHolstrom, Chris. "Moving Towards an Actor-Based Model for Subject Indexing". NASKO 7, n. 1 (23 settembre 2019): 120. http://dx.doi.org/10.7152/nasko.v7i1.15631.
Testo completoLiu, Lingjie, Marc Habermann, Viktor Rudnev, Kripasindhu Sarkar, Jiatao Gu e Christian Theobalt. "Neural actor". ACM Transactions on Graphics 40, n. 6 (dicembre 2021): 1–16. http://dx.doi.org/10.1145/3478513.3480528.
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