Bibliografie tematiche / 1924-1973

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Letteratura scientifica selezionata sul tema "1924-1973"

Autore: Grafiati
Pubblicato: 4 giugno 2021
Ultima modifica: 30 gennaio 2023

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Articoli di riviste sul tema "1924-1973"

1

KUWAHARA, GREGORY K., e STEPHEN A. MARSHALL. "A revision of the Australian species of Howickia Richards (Diptera: Sphaeroceridae: Limosininae)". Zootaxa 5192, n. 1 (3 ottobre 2022): 1–152. http://dx.doi.org/10.11646/zootaxa.5192.1.1.

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Abstract (sommario):
Howickia Richards, 1951, the largest genus of Sphaeroceridae in Australia, is revised to include 43 species, including all wingless Australian species of the family. The following new species are described: H. acicula (TAS), H. auricoma (VIC), H. biantenna (TAS), H. cruspica (VIC), H. erythrocephala (NSW), H. flagella (TAS), H. grandisterna (TAS), H. holti (NSW), H. irwini (NSW), H. loligo (TAS), H. notechis (TAS), H. nuda (NSW), H. pertusa (TAS), H. pinnula (TAS), H. pseudovittata (NSW, QLD), H. robustaseta (NSW), H. tricolor (NSW), H. truemani (TAS), H. wamini (NSW, QLD, TAS, WA), and H. xanthocephala (QLD, NSW). The genera Apterobiroina Papp, 1979, Australimosina Papp, 2008, Bentrovata Richards, 1973, Monteithiana Richards, 1973, Popondetta Richards, 1973, and Otwayia Richards, 1973 are treated as new synonyms of Howickia. Howickia is redefined and placed in the context of a key to genera of Sphaeroceridae in Australia, the Australian species of Howickia are keyed, and a morphological phylogeny is given for the Australian species. The following new combinations are given: Howickia australis (Papp, 1979) comb. nov., Howickia cynthia (Richards, 1973) comb. nov., Howickia dealata (Richards, 1973) comb. nov., Howickia flavipes (Papp, 2021) comb. nov., Howickia flaviterga (Richards, 1973) comb. nov., Howickia flavithorax (Papp, 2021) comb. nov., Howickia regalis (Richards, 1973) comb. nov., Howickia sabina (Richards, 1973) comb. nov., Howickia truncata (Papp, 2021) comb. nov., Paralimosina nasalis (Richards, 1973) comb. nov. (formerly in Pseudocollinella Duda, 1924), Pseudopterogramma fenestrata (Richards, 1973) comb. nov. (originally as Leptocera (Limosina) Macquart, 1835, transferred to Biroina Richards, 1973 by Marshall in Roháček et al. (2001)), and Pleuroseta dorrigonis (Richards, 1973) comb. nov. (formerly in Biroina). A new name, Howickia neoregalis nom. nov. is proposed for H. regalis Marshall, 2014, junior homonym of H. regalis (Richards, 1973). The following genera are newly recorded from Australia: Chaetopodella Duda, 1920, Paralimosina Papp, 1973, Pachytarsella Richards, 1963, Parapterogramma Papp, 2008, Philocoprella Richards, 1929, Piliterga Papp, 2008, Pterogrammoides Papp, 1972, Spelobia Spuler, 1924, and Spinilimosina Roháček, 1983.
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2

Powell, Mike. "A tribute to Amílcar Cabral, 12 September 1924–20 January 1973". Review of African Political Economy 20, n. 58 (novembre 1993): 61–63. http://dx.doi.org/10.1080/03056249308704020.

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3

Warchałowski, Krzysztof. "Szkoły katolickie w obowiązujących konkordatach z państwami europejskimi". Prawo Kanoniczne 41, n. 3-4 (20 dicembre 1998): 199–247. http://dx.doi.org/10.21697/pk.1998.41.3-4.08.

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Abstract (sommario):
In riasunto possiamo dire che le gestioni riguardanti l'educatione cattolica vengono regolati dai concordati con i seguenti paesi europei: Austria (1933 e 1962); Spagna (1979); Malta (1991); Germania (1933); Baviera (1924 /attualizzato nel 1968 e 1974/ 1966, 1970); Niedersachsen (1965, 1973, 1993); Renania-Palatinato (1969, 1973); Nordreno-Westfalia (1984), Saarland (1975, 1985); Portogallo (1940); Italia (1984); Israel (1993); Polonia (1993 ratificato 1998). Le regolazioni riguardano le seguenti questioni: I) Lo status delle scuole cattoliche; 2) I programmi delle scuole acttoliche; 3) I finanziamenti statali; sovvenzioni materiali, sovvenzioni personali, sovvenzioni investitive. 4) Gli insegnanti delle scuole cattoliche; 5) Gli allunni delle scuole cattoliche; 6) 11 contrailo delle scuole cattoliche; 7) Il diritto di conferire certificati e diplomi.
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4

KOMAI, TOMOYUKI, e YOSHIHISA FUJITA. "A new stygiobiont species of Macrobrachium (Crustacea: Decapoda: Caridea: Palaemonidae) from an anchialine cave on Miyako Island, Ryukyu Islands". Zootaxa 1021, n. 1 (22 luglio 2005): 13. http://dx.doi.org/10.11646/zootaxa.1021.1.2.

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Abstract (sommario):
A new stygiobiont species of the caridean genus Macrobrachium Bate, 1864 is described on the basis of two male specimens from an anchialine cave on Miyako Island, southern Ryukyu Islands. The new species, M. miyakoense, is compared with other five stygiobiont species of the genus characterized by a reduced eye, i.e. M. cavernicola (Kemp, 1924), M. villalobosi Hobbs, 1973, M. acherontium Holthuis, 1977, M. microps Holthuis, 1978, and M. poeti Holthuis, 1984. It is the first representative of stygiobiont species of Macrobrachium from East Asian waters.
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Graf, Franz, e Giulia Marino. "Restoration of the Petite Maison, Corseaux, 1924, Le Corbusier and Pierre Jeanneret. Construction Practice as Research". LC - 50 Years After, n. 53 (2015): 18–23. http://dx.doi.org/10.52200/53.a.we5292w8.

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Abstract (sommario):
The Petite Maison, or the villa Le Lac was built by Le Corbusier and Pierre Jeanneret at Corseaux, near Vevey, in 1924 for the parents of the former. Various modifications were made from then until 1973. The exteriors, façades, gardens and enclosures of this emblematic work were repaired and restored based on detailed research of the fabric and a well judged program of conservation which concluded in June 2015. This essay reports on some of the specifics of the project, the construction itself, the problems of ageing that the architects had to address, and the most recent conservation works (2013–15).
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6

Bogan, Arthur E. "Stability of Recent Unionid (Mollusca: Bivalvia) Communities Over the Past 6000 Years". Paleontological Society Special Publications 5 (1990): 112–36. http://dx.doi.org/10.1017/s2475262200005463.

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Abstract (sommario):
Historically, the greatest freshwater bivalve species diversity in the world was in the Tennessee, Cumberland and Alabama River systems. The Tennessee River System had 94 and the Cumberland River System had 85 taxa reported (Starnes and Bogan, 1988). Ortmann (1918, 1924, 1925, 1926), Wilson and Clark (1914), Neel and Allen (1964), van der Schalie (1939, 1973) and van der Schalie and van der Schalie (1950) documented this diverse fauna. However, even in the early days of this century these authors noted the decline in the mussel populations and the loss of species from certain rivers (e.g. Ortmann, 1909a, 1918).
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7

Ryan, Dennis. "Dating Hemingway's Early Style/Parsing Gertrude Stein's Modernism". Journal of American Studies 29, n. 2 (agosto 1995): 229–40. http://dx.doi.org/10.1017/s0021875800020843.

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Abstract (sommario):
In the relatively short history of Hemingway studies, a significant controversy has erupted as to how early and to what degree Gertrude Stein influenced Ernest Hemingway's early style. The earlier commentators (whose works date roughly from 1952 to 1973) agree that Gertrude Stein significantly influenced Hemingway's early style from 1921 to 1924. For instance, Philip Young writes that “similarities between his prose and hers suggest indeed that he learned a lot. What she had tried to do in the days when Hemingway was a boy was remarkably like what the young man was going one day to try to do, too.” Charles Fenton concurs, writing that Hemingway responded to Stein's method “between 1922 and 1924, the period of Miss Stein's greatest personal importance to him.” Carlos Baker reports that Stein provided sound advice and that “nearly any 23-year-old author could profit by it,” which is “what Hemingway did whenever he sat down at the typewriter.” Finally, Sheldon Grebstein concludes that “Hemingway brought [Stein's] experiments to fruition and made it [her style] a major resource of his style.”
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8

Stănescu, Mihai, e Cristina Amarie. "Catalogue of the Type Specimens of the “Prof. Ioan Nemeş” Lepidoptera Collection, The Museum of Natural Sciences Dorohoi (Botoşani County, Romania)". Travaux du Muséum National d’Histoire Naturelle “Grigore Antipa” 56, n. 2 (1 dicembre 2013): 185–203. http://dx.doi.org/10.2478/travmu-2013-0014.

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Abstract (sommario):
Abstract The collection which belonged to the Prof. Ioan Nemeș (1924-2009), currently curated at the Museum of Natural Sciences Dorohoi (Botoșani County), is one of the most important and valuable collections of Lepidoptera preserved in a Romanian museum. Within this collection, a number of 47 type specimens have been identified, on which the descriptions of 28 species and other infraspecific taxa from 5 Lepidoptera families: Nepticulidae, Coleophoridae, Tortricidae, Crambidae and Geometridae have been based. All these specimens were collected from the territory of Romania. Some of the identified type specimens belong to taxa with doubtful status, whose original descriptions are poor and superficial. The discovery of these type specimens finally allowed assessing the status of several taxa, and the following new synonymies are proposed: Ancylis uncella (Denis & Schiffermüller, 1933) = Ancylis bucovinella Peiu & Nemeş, 1969 nov. syn.; Epiblema foenella (Linnaeus, 1758) = Epiblema foenella f. fracta Popescu-Gorj & Nemeş, 1965 nov. syn.; Pelochrista decolorana ( Freyer, 1842) = Pseudeucosma alexinschiana Peiu & Nemeş, 1968 nov. syn.; Nascia cilialis ( Hübner, 1 796) = Calamotropha olarui Nemeş, 1972 nov. syn.; Scopula (Calothysanis) subpunctaria (Herrich-Schäffer, 1847) = Scopula peiui Olaru, 1973 nov. syn.; Idaea pallidata (Denis & Schiffermüller, 1775) = Sterrha constantineanui Olaru, 1973 nov. syn.; Idaea elongaria (Rambur, 1833) = Sterrha nemesi Olaru, 1973 nov. syn.
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9

Foley, Deirdre. "‘Their proper place’: women, work and the marriage bar in independent Ireland, c. 1924–1973". Social History 47, n. 1 (2 gennaio 2022): 60–84. http://dx.doi.org/10.1080/03071022.2022.2009692.

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10

Volosach, Marina V. "Mining flies (Diptera: Agromyzidae) – phytophages of honeysuckles (Lonicera L.) and snowberries (Symphoricarpos Duhamel) in green areas in Belarus". Journal of the Belarusian State University. Biology, n. 1 (6 marzo 2020): 47–54. http://dx.doi.org/10.33581/2521-1722-2020-1-47-54.

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Abstract (sommario):
According to the results of investigations, carried out in 2016–2019, it was found that in the conditions of green areas of Belarus, honeysuckles (Lonicera L.) and snowberries (Symphoricarpos Duhamel) has been damaged by larvae of 6 species of mining flies (Diptera: Agromyzidae): Aulagromyza cornigera (Griffiths, 1973), Aulagromyza hendeliana (Hering, 1926), Aulagromyza luteoscutellata (de Meijere, 1924), Chromatomyia aprilina (Goureau, 1851), Chromatomyia lonicerae (Robineau-Desvoidy, 1851), Chromatomyia periclymeni (Hendel, 1922). The basic data on trophic relations, the main characteristics of ecology, the distribution in the conditions of Belarus, and the pattern of damages causing by larvae to leaf plates of honeysuckles and snowberries are presented.
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Più fonti

Tesi sul tema "1924-1973"

1

Ortiz, de Rozas Marilú. "La maison imaginaire, la demeure face à l'histoire crépusculaire dans la littérature chilienne contemporaine". Paris 3, 2001. http://www.theses.fr/2001PA030108.

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Abstract (sommario):
La maison, un métasymbole, permet d'effectuer une analyse riche et profonde des textes littéraires. Elle permet de créer "l'effet personnage" et de suggérer une époque historique, une société déterminée. Les représentations de la demeure sont omniprésentes dans les récits de Pablo Neruda, José Donoso et Isabel Allende, trois représentants de la littérature chilienne contemporaine. La demeure apparaît aussi dans l'oeuvre d'auteurs plus récents, ce qui confirme la persistence du thème. La construction d'une demeure imite les rites de création de l'univers et se situe au centre de celui-ci. Toutes se posent sur des ruines. Une maison est le lieu où se développe une famille et a pour but de transcender le temps. Parfois elle ne peut résister au destin tragique de l'homme, à sa crépuscularité. Elle peut évoluer avec les personnages (la maison historique) ou sombrer avec l'un d'entre eux (la maison individuelle). .
The house, as a metasymbol, can be used as a tool for rich and profound analysis of literary texts. It helps to build the identity of the characters, while creating an image of the period and its society. The house is very frequently represented in the works of three contemporary Chilean authors, Pablo Neruda, José Donoso and Isabel Allende. It still serves as a source of inspiration for younger writers and poets. Buildings a house is an imitation of the act of creation of the universe, at whose center it stands. Everything is built upon its ruins. The house is where a family grows ; its purpose is to transcend time. Sometimes it is unable to resist the tragic destiny of humanity : death. It can evolve with the characters (the historic house), or desappears when one of them dies (the individual house). .
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2

Carneiro, Raimundo Fábio Gomes. "Literatura e desvendamento: uma leitura de Avalovara, de Osman Lins". reponame:Repositório Institucional da UFC, 2017. http://www.repositorio.ufc.br/handle/riufc/25622.

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Abstract (sommario):
CARNEIRO, Raimundo Fábio Gomes. Literatura e desvendamento: uma leitura de Avalovara, de Osman Lins. 2017. 166f. – Dissertação (Mestrado) – Universidade Federal do Ceará, Pós-Graduação em Letras, Fortaleza (CE), 2017.
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Este estudo apresenta uma leitura do romance Avalovara (1973) de Osman Lins (1924-1978) a partir da perspectiva da relação do texto literário com a realidade contextual de sua escrita e publicação Aceitando a premissa de que a criação artística encontra-se em uma complexa relação com os fatores sociais que envolvem seu autor sua construção e sua veiculação e que por isso traz em si uma espécie de reflexo estético desses mesmos fatores analisaremos o texto de Lins em busca de perceber como esse diálogo se estabelece em Avalovara De modo a observar como a referida obra dialoga como objeto artístico com as circunstâncias externas a ela contribuindo para o desvendamento de aspectos sociais além do âmbito estético bem como para a percepção da peculiar consciência estética e ética do autor na construção de sua ficção Para realizar tal intento contaremos principalmente com o apoio teórico do pensador marxista Adolfo Sánchez Vázquez (1965) do escritor e filósofo francês Jean-Paul Sartre (1948) e das próprias ideias do escritor em estudo acerca da relação do criador de arte com a sociedade em que se insere contidas em seus trabalhos fora do âmbito da ficção.
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3

Ruget, Nathalie. "Le retentissement des mots dans les oeuvres électroacoustique de Luciano Berio, Bruno Maderna, Luigi Nono et le concept de résonnance sémantique". Paris 4, 2007. http://www.theses.fr/2007PA040039.

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Abstract (sommario):
Au sortir de la deuxième guerre mondiale, musique et technologie se rejoignent et, à travers les recherches conjuguées de différents domaines scientifiques, une réflexion nouvelle s’amorce sur l’évolution de la création humaine et sur le concept d’outil. Le questionnement relatif à l’histoire de la création s’affine, à travers lequel la notion de sémantique se démultiplie. Notre étude traite du concept de résonance sémantique. Elle élabore ce concept en mettant d’abord en perspective les étapes marquantes au début du XXe siècle dans le traitement du texte (travail sonore des poètes, théâtre et opéra radiophonique, psychanalyse), puis en décrivant, d’une part dans le champ scientifique, l’émergence des sciences cognitives depuis la première cybernétique et l’apport de leurs travaux pour les processus de création et de perception, et d’autre part dans le champ musical, les recherches aux studios de Paris, Cologne, Berlin et Milan. Sont ensuite mis en regard de manière approfondie, sous l’angle de la résonance sémantique, le texte et la musique dans certaines pièces électroacoustiques de Luciano Berio (Ritratto di città, C’è musica e musica, Chants parallèles, Visage, Laborintus 2), Bruno Maderna (Ritratto di città, Invenzione su una voce, Ages, Don Perlimplin, Ausstrahlung) et Luigi Nono (Das atmende Klarsein, Quando stanno morendo, Omaggio a György Kurtág, Risonanze erranti), des années 1950 aux années 1980
In the aftermath of World War II, music and technology met and, through the combined research of several scientific fields, new reflections arose regarding musical creation and the concepts of tools. The questioning about the history of creation is refined, widening the notion of semantics. Our study deals with the concept of semantic resonance. It develops this concept first by putting into perspective the main stages of the processing of text in the early twentieth century (the work of poets on sound, the theater and radio opera, psychoanalysis), then by describing, in the scientific field, the rise of the cognitive sciences since the first cybernetics and the contribution of their work on the processes of creation and perception, and, in the music field, the research in the studios in Paris, Cologne, Berlin and Milan. Within the framework of semantic resonance previously developed in the dissertation, a thorough parallel is then established between the text and music in some electroacoustic works by Luciano Berio (Ritratto di città, C’è musica e musica, Chants parallèles, Visage, Laborintus 2), Bruno Maderna (Ritratto di città, Invenzione su una voce, Ages, Don Perlimplin, Ausstrahlung) and Luigi Nono (Das atmende Klarsein, Quando stanno morendo, Omaggio a György Kurtág, Risonanze erranti), spanning from the fifties to the eighties
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4

Dutrisac, Myrtô. "Claude Lefort, Leo Strauss, lecteurs de Machiavel : la philosophie, l'écriture et le politique". Paris, EHESS, 2006. http://www.theses.fr/2006EHES0080.

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Abstract (sommario):
Au fondement de ce travail, il y a une interrogation sur la relation entre philosophie et politique. C'est en étudiant la rencontre de Claude Lefort et Leo Strauss avec Machiavel que l'on aborde cette relation. Comment Machiavel expose-t-il ses idées et quels effets cela a-t-il sur la pensée et la politique moderne ? Le travail de Machiavel, tel que présenté par Lefort et par Strauss, s'offre comme un outil, un « matériau » permettant de réfléchir - avec ou contre lui - à un événement politique en particulier, celui du développement du totalitarisme ou de ce que Strauss appelle la « tyrannie moderne ». L'expérience totalitaire peut-elle être appréhendée comme l'échec ou, au contraire, comme l'aboutissement de l'œuvre machiavélienne ? Ce questionnement nous conduit au cœur de la pensée politique de Lefort et de Strauss, il permet de créer entre eux un éclairant dialogue sur le politique et sur le rôle de la philosophie. En somme, de faire émerger un nouvel outil pour penser le monde
The subject of this dissertation is the relationship between philosophy and politics. It is by studying Claude Lefort and Leo Strauss' interpretations of Machiavelli that I choose to examine this relation. How does Machiavelli present his ideas, and what does this mean for modern thought and modern politics ? I used Machiavelli's work, as it is described by Lefort and by Strauss, as a "material", and attempted to think "with" or "against" it. The event I analysed is the development of totalitarianism, or of what Strauss calls "modern tyranny". Is totalitarianism the result of or, on the contrary, does it suppose the non-accomplishment of the possibilities opened up by Machiavelli ? These questions bring us back to Lefort and Strauss' own political ideas and allow us to create between them a fruitful dialogue on politics and on the role of philosophy - dialogue wich is, therefore, another "material" wich we can use to understand the world
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Baptista, Cauê Augusto Maia. "Representação e resistência : a ditadura militar brasileira em Avalovara (1973), de Osman Lins". reponame:Repositório Institucional da UnB, 2013. http://repositorio.unb.br/handle/10482/15122.

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Abstract (sommario):
Dissertação (mestrado)—Universidade de Brasília, Programa de Pós-Graduação em Teoria Literária e Literaturas, 2013.
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A presente dissertação propõe a análise dos recursos estilísticos e narrativos utilizados na representação da ditadura militar brasileira no romance Avalovara (1973), em que Osman Lins condensa toda sua força criadora e sua postura crítica, na realização de obra que homenageia o rigor do ordenamento cósmico, sem abrir mão do compromisso ético de resistência à opressão de seu tempo histórico. Servirão de bússola para esta investigação as funções textuais do ser sobrenatural Iólipo, mais completa alegoria da opressão e da esterilidade militares. _______________________________________________________________________________________ ABSTRACT
This paper proposes the analysis of stylistic and narrative resources used in the representation of the Brazilian military dictatorship in the novel Avalovara (1973), in which Osman Lins condenses all his creative power and his critical stance, in performing work that honors the rigor of cosmic ordering, without giving up the ethical commitment of resistance to the oppression of his historical time. Serve as a compass for this investigation the textual functions of the supernatural being Iólipo, the more complete allegory of oppression and military sterility.
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6

Lavergne, Lucie, e Lucie Lavergne. "L'écriture poétique, d'espaces et de rythmes : regards croisés sur six recueils de la poésie hispanophone contemporaine : Rubén Darío, Cantos de vida y esperanza (1905) ; Juan Ramón Jiménez, Diario de un poeta reciencasado (1916) ; Rafael Alberti, Marinero en tierra (1924) ; Vicente Aleixandre, Espadas como labios (1932) ; Pere Gimferrer, Arde el mar (1966) ; Leopoldo María Panero, Teoría (1973)". Phd thesis, Université Blaise Pascal - Clermont-Ferrand II, 2011. http://tel.archives-ouvertes.fr/tel-00942945.

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Par les analyses croisées de six recueils de la poésie hispanophone du XXe siècle, cette thèse se propose de définir l'écriture poétique à travers son rythme. Ce dernier est envisagé relation avec la notion d'espace. Partant de l'association traditionnelle du rythme et de la métrique, la première partie observe comment l'espace métrique de l'écriture versifiée, par sa structure, ses frontières, met en jeu la loi et sa transgression. En revanche, la seconde partie considère l'espace comme " substance ", c'est-à-dire qu'elle observe l'écriture dans son déroulement même, d'abord langagier et phrastique. Centrée sur la figure de la ligne, cette seconde conception du rythme implique également la temporalité, contenue dans les mots (les verbes), et engendrée par l'agencement des phrases. Dans les recueils, cependant, la linéarité est parfois disloquée par différents phénomènes ayant trait au langage (dissolution de la syntaxe), au vers (enjambements, échelonnement) et à la spatialisation. Le dernier chapitre de la seconde partie est donc consacré à la visibilité de l'écriture sur la page. Cette dernière, corps de l'écriture, révèle dans le poème le corps de l'écrivant. C'est sur le sujet et ses différents visages et représentations que se centre notre dernière partie. Le rythme apparaît, enfin, comme une mosaïque d'espaces du discours et d'espaces de sens (et d'images) qui implique tout autant le locuteur que le lecteur.
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Lavergne, Lucie. "L’écriture poétique, d’espaces et de rythmes : regards croisés sur six recueils de la poésie hispanophone contemporaine : Rubén Darío, Cantos de vida y esperanza (1905) ; Juan Ramón Jiménez, Diario de un poeta reciencasado (1916) ; Rafael Alberti, Marinero en tierra (1924) ; Vicente Aleixandre, Espadas como labios (1932) ; Pere Gimferrer, Arde el mar (1966) ; Leopoldo María Panero, Teoría (1973)". Thesis, Clermont-Ferrand 2, 2011. http://www.theses.fr/2011CLF20021/document.

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Abstract (sommario):
Par les analyses croisées de six recueils de la poésie hispanophone du XXe siècle, cette thèse se propose de définir l’écriture poétique à travers son rythme. Ce dernier est envisagé relation avec la notion d’espace. Partant de l’association traditionnelle du rythme et de la métrique, la première partie observe comment l’espace métrique de l’écriture versifiée, par sa structure, ses frontières, met en jeu la loi et sa transgression. En revanche, la seconde partie considère l’espace comme « substance », c’est-à-dire qu’elle observe l’écriture dans son déroulement même, d’abord langagier et phrastique. Centrée sur la figure de la ligne, cette seconde conception du rythme implique également la temporalité, contenue dans les mots (les verbes), et engendrée par l’agencement des phrases. Dans les recueils, cependant, la linéarité est parfois disloquée par différents phénomènes ayant trait au langage (dissolution de la syntaxe), au vers (enjambements, échelonnement) et à la spatialisation. Le dernier chapitre de la seconde partie est donc consacré à la visibilité de l’écriture sur la page. Cette dernière, corps de l’écriture, révèle dans le poème le corps de l’écrivant. C’est sur le sujet et ses différents visages et représentations que se centre notre dernière partie. Le rythme apparaît, enfin, comme une mosaïque d’espaces du discours et d’espaces de sens (et d’images) qui implique tout autant le locuteur que le lecteur
Through the combined analysis of six poem books of contemporary Spanish poetry, this thesis aims to define poetic writings and its rhythm. Rhythm is considered in relation with the notion of space. Starting with the traditional association of rhythm and meter, the first part studies how the metrical space of the writing of verses, with its structures and boundaries, involves the law and its transgression. On the other hand, the second part considers space as a “substance”: poetic writing is analyzed through its development in the language and sentences. Centered on the figure of the “line”, the second conception of rhythm also implies temporality, which is included in the words themselves (the verbs) and generated by the combination of the sentences. However, in the poem books, sometimes linearity is deconstructed by different phenomenon that deal with language (the dissolution of syntaxes), verse (the enjambment, the dissemination on various lines), and the page. The last chapter is dedicated to the visibility of writing on the page. As a concretization of the writing act, the page is also a revelation of the writer of the poem. Our third and last part is centered on the subject, its different faces and representations. Rhythm appears, at last, as a mosaic of discursive and semantic spaces that imply the speaker as much as the reader
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Dufayet, Nathalie. "Le temps recommencé : fictions du mythe et écritures fantastiques dans les oeuvres de Gautier, Kafka, Ray, Lovecraft, Tolkien et Borges". Poitiers, 2007. http://www.theses.fr/2007POIT5028.

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L'appréhension moderne du temps se vide de ses attributs traditionnels : le sacré et la transcendance. Les anciennes réponses des oeuvres mythiques à l'angoisse de la fin et au fantasme de victoire sur l'entropie et sur la mort sont rejetées : le temps circulaire, l'immortalité et l'éternité. Mais ces phénomènologies révolues "ci-gîssent" dans le fantastique moderne, notamment chez Gautier, Kafka, Ray, Lovecraft, Tolkien et Borges. Sauf pour Tolkien, ces cadavres sacrés sont des moyens et non des fins grâce auxquels ils initient une priorité et une tradition esthétiques communes : faire valoir notre plaisir à imaginer l'existence réécrite autrement. Tous organisent ainsi un renouvellement du temps et, par là, une résistance de l'imaginaire face aux dérives de la pensée née de la nouvelle fascination pour la rationalité, la matérialité et la linéarité ; le tout en réécrivant les mythes puis leurs évolutions ultérieures, les métaphysiques
Modern perceptions of time are divested of their traditional attributes : sacredness and transcendance. Previous responses of mythical works of art to the anxiety of the end and to the fantasm of victory over entropy and death are rejected : circular time, immortality, eternity. But these outgrown phenomenologies are "subjacent" to modern fantastic genre, especially to Gautier, Kafka, Ray, Lovecraft, Tolkien and Borges. Except for Tolkien, these sacred corpses are means and not ends through which to initiate a common aesthetic priority and tradition : the value of our pleasure in imagining existence rewritten differently. Thus, they all organise a process of time renewal and, through this, a resistance of the imagination to the thought of their time, originating from the fascination for rationality, materiality and linearity ; all this by rewriting myths and their mataphysical outcomes
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Balbino, Ana Cristina Alves. "Da Lapa aos porões da ditadura: as experiências de Raphael Martinelli (1939-1973)". Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21074.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-05-09T13:40:17Z No. of bitstreams: 1 Ana Cristina Alves Balbino.pdf: 3166881 bytes, checksum: 93b0eda175156109920849b8b3df0546 (MD5)
Made available in DSpace on 2018-05-09T13:40:17Z (GMT). No. of bitstreams: 1 Ana Cristina Alves Balbino.pdf: 3166881 bytes, checksum: 93b0eda175156109920849b8b3df0546 (MD5) Previous issue date: 2018-03-23
Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPq
The recent history of our country is formed by institutional violence and disregard for the rule of law. The experiences of those who have faced dictatorial impositions should be examples of the struggle for a better country. In this way, Raphael Martinelli's memoirs become important for the understanding of the period for this research, from 1939 to 1973. Trade unionism, especially in the Santos Jundiaí railroad, and the struggle against the civil-military dictatorship established after 1964, are examples of topics to be reflected and observed, so that we can review concepts and values today. This work attempts to trace a biography of political activist Raphael Martinelli, who has his life summarized in: a quick pass for youth football, the team of the São Paulo Athletic Club, current National Athletic Club, the experience of being a railroad in the São Paulo Railway, the presidency of the Railroad Workers' Union in São Paulo and the National Federation of Railroad Workers, head of the CGT, political persecution with the 1964 coup, participation in the National Liberation Action (ALN) and imprisonment in 1971, in Operation Bandeirante (Oban). The documentation used for this research is summarized in the biography “Iron Stations: Raphael Martinelli”; documents from your personal collection, such as police records, videos, interviews. To know the history of Martinelli is to get in touch with moments of political and social changes of our country. Its context of life is marked by four central points, that divided the chapters of this thesis: soccer, railroad, syndicalism and armed struggle. The themes are discussed from their experiences and memories. Through them we can see other possibilities, from a country that at the moment when it was learning to discuss democratic issues, such as the Basic Reforms, proposed by President João Goulart; and the relations between workers through their main representation, the union, suffered a heavy blow, with the seizure of power by the military, backed by civilian sectors, as wealthy landowners
A história recente de nosso país é formada pela violência institucional e pelo desrespeito ao estado de direito. As experiências daqueles que enfrentaram as imposições ditatoriais devem ser exemplo da luta por um país melhor. Dessa maneira, as memórias de Raphael Martinelli tornam-se importantes para o entendimento do período destinado à esta pesquisa, 1939 a 1973. O sindicalismo, em especial na ferrovia Santos Jundiaí, e a luta contra a ditadura civil-militar, instaurada a partir de 1964, são exemplos de temas a serem refletidos e observados, de maneira que possamos rever conceitos e valores nos dias de hoje. Nesse trabalho, tentamos traçar uma biografia do militante político Raphael Martinelli, cuja vida pode ser resumida em: uma passagem rápida pelo futebol na juventude, no time do São Paulo Athletic Clube, atual Nacional Atlético Clube; a experiência de ser ferroviário na São Paulo Railway; a presidência do Sindicato dos Ferroviários, em São Paulo; e da Federação Nacional dos Ferroviários; dirigente do Comando Geral dos Trabalhadores (CGT); a perseguição política com o golpe de 1964; a participação na Ação Libertadora Nacional (ALN); e a prisão em 1971, na Operação Bandeirante (Oban). A documentação que utilizamos para essa pesquisa resume-se na biografia “Estações de Ferro: Raphael Martinelli”; em documentos de seu acervo pessoal, tais como: fichas policiais, vídeos, entrevistas. Conhecer a história de Martinelli é entrar em contato com momentos de mudanças políticas e sociais de nosso país. Seu contexto de vida é marcado por quatro pontos centrais, que dividiram os capítulos desta tese: futebol, ferrovia, sindicalismo e luta armada. Os temas são discutidos a partir de suas experiências e memórias. Por meio delas, torna-se possível observarmos outras possibilidades de um país que – no momento em que estava aprendendo a discutir questões democráticas, como as Reformas de Base, propostas pelo presidente João Goulart, e as relações entre trabalhadores, por meio de sua principal representação, o sindicato – sofreu um duro golpe, com a tomada do poder pelos militares, apoiados por setores civis, como ricos proprietários
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Dryansky, Larisa. "Déplacements : les usages de la cartographie et de la photographie dans l'art américain des années 1960 et du début des années 1970 : les cas de Mel Bochner, Douglas Huebler, Dennis Oppenheim, Ed Ruscha et Robert Smithson". Paris 1, 2011. http://www.theses.fr/2011PA010557.

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A travers les cas de cinq artistes (Mel Bochner, Douglas Huebler, Dennis Oppenheim, Ed Ruscha et Robert Smithson), il s'agit, dans cette étude, de rendre compte de la diversité et de la complexité des usages de la cartographie et de la photographie dans l'art américain des années 1960 et du début des années 1970, une période marquée par la remise en question de la définition formaliste de l’œuvre d'art. Loin de n'avoir, dans ce contexte, qu'une fonction documentaire - interprétation qui a prévalu jusqu'ici -, cartes et photographies, ainsi que nous le démontrons, jouent un rôle fondamental dans l' exploration de modalités différentes de la perception et la recherche de voies nouvelles pour l'art. Dans la première partie de la thèse, nous examinons comment le recours à la cartographie et au médium photographique s'articule à la problématique de la réintroduction de la temporalité dans les oeuvres d'art qui est au cœur de la crise du modèle moderniste. Dans un deuxième temps, nous traitons de la relation au paysage en montrant en quoi cartes et photographies participent d'une réflexion sur la redéfinition de l' abstraction en lien avec le réel. La troisième partie porte sur les façons dont les techniques et les représentations cartographiques et photographiques servent à interroger les conceptions habituelles de l'espace, et ce à un moment où l'art investit de nouveaux sites. Nous envisageons de la sorte tant les usages conceptuels que matériels de la cartographie et de la photographie.
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Libri sul tema "1924-1973"

1

1948-, Tuele Nicholas, e Nowosad Frank S, a cura di. Ciccimarra: Richard Ciccimarra, 1924-1973. [Victoria, B.C.]: Art Gallery of Greater Victoria, 1988.

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Basaldella, Dino. Dino Basaldella: Opere dal 1924 al 1973. Roma: Edizioni della Cometa, 2009.

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Giuseppe, Appella, Madonna delle virtù (Church : Matera, Italy) e San Nicola dei Greci (Church : Matera, Italy), a cura di. Dino Basaldella: Opere dal 1924 al 1973. Roma: Edizioni della Cometa, 2009.

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Sousa, Julião Soares. Amílcar Cabral (1924-1973): Vida e morte de um revolucionário africano. [Lisboa]: Spleen edições, 2011.

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Robert, Julio Canessa. Quiebre y recuperación del orden institucional en Chile: El factor militar, 1924-1973. [Santiago]: Emérida Ediciones, 1995.

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Picasso, Pablo. Picasso's paintings, watercolours, drawings and sculpture: A comprehensive illustrated catalogue 1885-1973. : 1922-1924. San Francisco, Calif: Alan Wofsy Fine Arts, 1996.

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ʻAbd Allāh al-Ṭāʼī, 1924-1973 wa-riyādat al-kitābah al-adabīyah al-ḥadīthah fī ʻUmān. ʻAmmān: Dār al-Janādirīyah lil-Nashr wa-al-Tawzīʻ, 2009.

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Elza, Betty. A little book of remembrance: Members of two disbanded chapters, National Society, Daughters of the American Revolution : Brookville Chapter, 1899-1996 : Summerville Chapter, 1924-1973. Chicora, PA: Mechling Bookbindery, 2010.

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Heroic diplomacy: Sadat, Kissinger, Carter, Begin and the quest for Arab-Israeli peace. New York: Routledge, 1999.

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Overweight sensation: The life and comedy of Allan Sherman. Waltham, Mass: Brandeis University Press, 2013.

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Capitoli di libri sul tema "1924-1973"

1

Singh, Vipan Pal. "Cabral, Amílcar (1924–1973)". In The Palgrave Encyclopedia of Imperialism and Anti-Imperialism, 1–5. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-91206-6_297-1.

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Singh, Vipan Pal. "Cabral, Amílcar (1924–1973)". In The Palgrave Encyclopedia of Imperialism and Anti-Imperialism, 279–83. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-29901-9_297.

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Basto, Maria-Benedita. "Cabral, Amílcar (1924-1973)". In Histoire globale des socialismes, 819–27. Presses Universitaires de France, 2021. http://dx.doi.org/10.3917/puf.keuch.2021.01.0819.

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"AMÍLCAR LOPES CABRAL (1924-1973 )". In Africlopedia: 50 claves para entender un continente, 27–32. Universidad del Externado, 2017. http://dx.doi.org/10.2307/j.ctv18msq32.6.

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Silva, Patricio. "The Chilean Developmental State: Political Balance, Economic Accommodation, and Technocratic Insulation, 1924–1973". In State and Nation Making in Latin America and Spain, 284–314. Cambridge University Press, 2018. http://dx.doi.org/10.1017/9781316995785.013.

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