Articoli di riviste: "18th century"

1

Bond, Ann. "18th-Century". Musical Times 127, n. 1726 (dicembre 1986): 711. http://dx.doi.org/10.2307/964690.

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2

O'Loughlin, Niall. "18th-Century Concertos". Musical Times 128, n. 1728 (febbraio 1987): 92. http://dx.doi.org/10.2307/964790.

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3

O'Loughlin, Niall. "18th-Century oboe". Musical Times 126, n. 1712 (ottobre 1985): 609. http://dx.doi.org/10.2307/964930.

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4

O'Loughlin, Niall. "18th-Century Sonatas". Musical Times 128, n. 1731 (maggio 1987): 278. http://dx.doi.org/10.2307/965132.

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5

O'Loughlin, Niall. "18th-Century Wind". Musical Times 129, n. 1749 (novembre 1988): 604. http://dx.doi.org/10.2307/966798.

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6

Brown, Raymond. "18th-CENTURY BAPTISTS". Baptist Quarterly 43, n. 7 (luglio 2010): 434–36. http://dx.doi.org/10.1179/bqu.2010.43.7.005.

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7

Boyd, Malcolm. "18th-Century Vocal". Musical Times 126, n. 1703 (gennaio 1985): 33. http://dx.doi.org/10.2307/962448.

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8

Boyd, Malcolm. "18th-Century Concertos". Musical Times 126, n. 1704 (febbraio 1985): 101. http://dx.doi.org/10.2307/963482.

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9

O'Loughlin, Niall. "18th-Century Sonatas". Musical Times 126, n. 1708 (giugno 1985): 354. http://dx.doi.org/10.2307/964045.

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10

Crawford, Tim. "18th-century lutes". Early Music XXII, n. 3 (agosto 1994): 527–29. http://dx.doi.org/10.1093/earlyj/xxii.3.527.

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11

Baker, Geoffrey. "18th-century Peru". Early Music 33, n. 4 (1 novembre 2005): 732. http://dx.doi.org/10.1093/em/cah127.

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12

Ledbetter, David. "18th-century singing treatises". Early Music XXIV, n. 1 (febbraio 1996): 160–62. http://dx.doi.org/10.1093/earlyj/xxiv.1.160.

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13

Keefe, Simon P. "Late 18th-century aesthetics". Early Music XXVI, n. 2 (maggio 1998): 339–41. http://dx.doi.org/10.1093/earlyj/xxvi.2.339.

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14

Parker, Kate. "Recovering 18th‐century erotica". Literature Compass 16, n. 3-4 (14 marzo 2019): e12508. http://dx.doi.org/10.1111/lic3.12508.

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15

Bergman, Norman A. "NOTABLE 18TH CENTURY PNEUMATICISTS". Anesthesiology 89, Supplement (settembre 1998): 86A. http://dx.doi.org/10.1097/00000542-199809030-00002.

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16

Powell, A. "18th-century woodwind intonation". Early Music XX, n. 4 (1 novembre 1992): 701–3. http://dx.doi.org/10.1093/em/xx.4.701-a.

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17

Chavarría, Vicente. "18th-century explorers in the 19th century". Early Music 46, n. 4 (novembre 2018): 702–5. http://dx.doi.org/10.1093/em/cay077.

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18

Halloran, Brian M. "Jesuits in 18th-century Scotland". Innes Review 52, n. 1 (giugno 2001): 80–100. http://dx.doi.org/10.3366/inr.2001.52.1.80.

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19

KRUH, LOUIS. "18TH CENTURY SHORTHAND EXPERT NEEDED". Cryptologia 10, n. 1 (gennaio 1986): 60–62. http://dx.doi.org/10.1080/0161-118691860831.

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20

Ord-Hume, Arthur W. J. G. "18th-century performances on record". Early Music XXII, n. 4 (novembre 1994): 700–704. http://dx.doi.org/10.1093/earlyj/xxii.4.700.

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21

Carter, Edward R. "ASTHMA BEFORE THE 18TH CENTURY". Pediatric Annals 28, n. 4 (1 aprile 1999): 209–13. http://dx.doi.org/10.3928/0090-4481-19990401-04.

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22

Kormondy, Edward J. "Erasmus Darwin, 18th-Century Polymath". American Biology Teacher 73, n. 2 (1 febbraio 2011): 68–71. http://dx.doi.org/10.1525/abt.2011.73.2.3.

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Erasmus Darwin was a founding member of the Lunar Society of Birmingham, the members of which were referred to as “Lunaticks.” He is here described as a polymath, an 18th-century “natural philosopher” who was a physician, scientist (with interests in botany, zoology, meteorology, chemistry, among others), inventor, and poet who also advanced quite profound evolutionary ideas two generations prior to those of his grandson, Charles Robert Darwin.

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23

Boylston, AW. "Early 18th century evidence synthesis". Journal of the Royal Society of Medicine 109, n. 8 (agosto 2016): 294. http://dx.doi.org/10.1177/0141076816651205.

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24

Sheldon, David A. "The conceptgalantin the 18th century". Journal of Musicological Research 9, n. 2-3 (ottobre 1989): 89–108. http://dx.doi.org/10.1080/01411898908574612.

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25

Starling, P. "18th Century Eye Testing Spectacles". Journal of the Royal Army Medical Corps 148, n. 2 (1 giugno 2002): 209. http://dx.doi.org/10.1136/jramc-148-02-18a.

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26

Adams, Monni. "18th-Century Kuba King Figures". African Arts 21, n. 3 (maggio 1988): 32. http://dx.doi.org/10.2307/3336440.

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27

Hewson, John. "An 18th-century Missionary Grammarian". Historiographia Linguistica 21, n. 1-2 (1 gennaio 1994): 65–76. http://dx.doi.org/10.1075/hl.21.1-2.04hew.

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Summary Until the publication of the Micmac grammar of Father Pacifique (1939, 1990), the only published grammar of Micmac was that of Father Pierre-Antoine Maillard (c. 1710–1762), which although it was written early in the 18th century, was not published until the middle of the 19th century (1864). This work has formed the basis of all subsequent linguistic analysis of Micmac, since the missionary priests used it to help them learn the language, and Father Pacifique, in his 1939 grammar (which is today used as a handbook by those learning the language) acknowledges his profound debt to his distinguished predecessor.

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28

Stevens, D. "Musicians in 18th-century Venice". Early Music XX, n. 4 (1 novembre 1992): 703. http://dx.doi.org/10.1093/em/xx.4.703-a.

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29

Cantillo Lucuara, Mayron E. "The 18th-Century Common. A Public Humanities Website for Enthusiasts of 18th-Century Studies". Restoration: Studies in English Literary Culture, 1660-1700 47, n. 1 (settembre 2022): 175–80. http://dx.doi.org/10.1353/rst.2022.0018.

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30

Draguşin, Miruna. "IMPORTANT STAGES IN THE TRADITIONAL ARTISTIC EDUCATION IN THE 18TH CENTURY – 20TH CENTURY". International Multidisciplinary Scientific Conference on the Dialogue between Sciences & Arts, Religion & Education 2, n. 2 (2018): 318–24. http://dx.doi.org/10.26520/mcdsare.2018.2.318-324.

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31

Lagoshina, N. A. "Irish identity in the 18th century". LOCUS: people, society, culture, meaning 11, n. 4 (2020): 74–85. http://dx.doi.org/10.31862/2500-2988-2020-11-4-74-85.

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32

Alcoforado, M. J., J. M. Vaquero, R. M. Trigo e J. P. Taborda. "Early Portuguese meteorological measurements (18th century)". Climate of the Past 8, n. 1 (29 febbraio 2012): 353–71. http://dx.doi.org/10.5194/cp-8-353-2012.

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Abstract. Natural proxies, documentary evidence and instrumental data are the only sources used to reconstruct past climates. In this paper, we present the 18th century meteorologists (either Portuguese or foreigners) who made the first observations at several sites in Continental Portugal, Madeira Island and Rio de Janeiro (Brazil), from 1749 until 1802. Information is given concerning observation site, variables observed, measurement period, methods of measurements and sources (both manuscript and printed). Some examples from the data usefulness are given: rainfall variability in Madeira (1749–1753) and in continental Portugal (1781–1793) was reconstructed, allowing to extend towards the late 18th century the well known negative correlation between the NAO index and seasonal rainfall. Furthermore, previously unpublished data for 1783–1784 have allowed analysing the consequences of the Lakagígar eruption in Portugal: foggy and haze days are referred to in summer 1783, but unlike the hot summer observed in northern and central Europe, temperatures in Portugal were lower than average. Additionally, observations from Rio de Janeiro in Brazil show that the Lakagígar consequences may well have spread to sectors of the Southern Hemisphere. Although the series are short, the data have been used for climate reconstruction studies and may also be useful to improve the quality of large scale reconstruction datasets.

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33

Sakurai, Y. "Southeast Asia in the 18th Century". Southeast Asia: History and Culture, n. 24 (1995): 136–40. http://dx.doi.org/10.5512/sea.1995.136.

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34

안봉환. "The Clerical Clothing of 18th Century". Catholic Theology ll, n. 31 (dicembre 2017): 299–347. http://dx.doi.org/10.36515/ctak..31.201712.299.

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35

Machado, Ana Raquel, e Rosário Salema de Carvalho. "FRAME SIMULATIONS IN 18TH CENTURY AZULEJOS". ARTis ON, n. 2 (12 febbraio 2016): 42–53. http://dx.doi.org/10.37935/aion.v0i2.39.

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The present article is the result of an ongoing research project and aims to draw attention to simulated azulejo frames. On the one hand, these decorative elements isolate the compositions, closing them in on themselves. On the other hand, simulated azulejo frames help integrate with the tile decoration they are part of, which in turn is part of a global decorative system in line with the concept of artistic totality typical of the Baroque period. This article will examine the various solutions that resort to this kind of frame, known as canvas-frame, including decorative elements, plastic compositions and their effects or consequences for the overall decorations. Finally, the focus will turn to future research directions, based on the systematic cataloguing of the known examples.

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36

Milne, I. "18th and 19th century dietary advice". Journal of the Royal College of Physicians of Edinburgh 44, n. 4 (2014): 347. http://dx.doi.org/10.4997/jrcpe.2014.421.

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37

Flamm, Eugene S. "Percivall Pott: an 18th century neurosurgeon". Journal of Neurosurgery 76, n. 2 (febbraio 1992): 319–26. http://dx.doi.org/10.3171/jns.1992.76.2.0319.

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✓ This paper examines neurosurgery in the 18th century and suggests that the origins of the specialty can be recognized at the time when surgeons began to use the neurological status of the patient as a guide for surgical intervention. Percivall Pott (1714–1788) was one of the leading surgeons in London in the 18th century. He is remembered through eponyms of Pott's puffy tumor, Pott's fracture, and Pott's disease. A review of his writings and those of his contemporaries indicates that these surgeons were aware of the importance of changes in level of consciousness after head injury. The recognition and significance of the lucid interval was described and understood as a neurosurgical sign in the 18th century. Because of Pott's pre-eminence in the surgery of his time through his writings and lectures, he should be considered one of the founders of neurosurgery as a separate surgical discipline.

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38

Musson, R. M. W. "An unknown 18th century seismological manuscript". Bulletin of the Seismological Society of America 80, n. 4 (1 agosto 1990): 1026–27. http://dx.doi.org/10.1785/bssa0800041026.

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39

Шишкова, Е. Г., К. Ф. Самосюк, А. О. Дивлеткильдеева, О. Л. Смоляницкая, С. В. Хаврин, К. С. Чугунова, И. А. Григорьева e Я. Р. Уразаева. "Restoration of 18th century Chinese album". Iskusstvo Evrazii [The Art of Eurasia], n. 4(23) (29 dicembre 2021): 254–69. http://dx.doi.org/10.46748/arteuras.2021.04.020.

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Цель данного исследования — познакомить специалистов, занимающихся изучением и реставрацией произведений китайской живописи, с опытом, полученным в Государственном Эрмитаже. В процессе изучения текстов «Альбома рисунков. Путешествие императора Цяньлуна на юг Китая» хранителем К.Ф. Самосюк была установлена дата его создания — 1751–1758 годы. Альбом с китайской живописью был исследован всесторонне: проведены физико-химические и биологические исследования, которые позволили определить методику его реставрации. В России мало информации о реставрации альбомов такого рода. Исследование и реставрация китайской живописи осложняется хрупкостью материалов — бумаги и шелка, а также утонченностью техники живописи, поэтому были выбраны неразрушающие методы исследования без взятия проб. Рассматривались также этические проблемы. Были применены физический, химический и биологический анализы для определения подходящего метода реставрации. Биологические исследования подтвердили необходимость замены старых, обветшавших страниц альбома новыми. Для реставрации и сохранения альбома были использованы традиционные китайские методы реставрации и собственный опыт. Об исследовании и реставрации китайской живописи и каллиграфии, помещенных в альбомы, не так много информации. Наряду с другими источниками впервые в отечественной практике было использовано «Иллюстрированное руководство по монтированию китайской каллиграфии и живописи» Янь Гуйжуна, 2013. В статье также рассматривается проблема адаптации альбомов с живописью и каллиграфией к новым требованиям хранения и экспонирования графики. Изменение исторической формы монтирования листов с изображениями было вызвано сильным разрушением конструкции альбома. Новая форма хранения позволила выставлять альбом отдельными листами на различных тематических выставках с возможностью их ротации на экспозиции. В данной статье показан логический ход выбора методики реставрации, основанный на результатах исследований памятника и сочетании традиционных и современных методов реставрации. The aim of the article is to share our experience of restoring the Album of Drawings. The Emperor Qian Long’s Tour of Inspection to Southern China. Curator K.F. Samosyuk has dated the album to 1751–1758. There is little information in Russia on restoring albums of this kind. Restoration of painting on paper and silk is complicated by the fragility of the support material and painting technique; we therefore chose non – destructive research methods without taking samples. Ethical problems were also considered. For the first time we used physical, chemical and biological analysis to determine the appropriate restoration method. Biological research led us to replace old, faded album pages with new ones. We then used traditional Chinese restoration methods and our own experience to restore and preserve the album. Along with other sources, for the first time in Russia, Yan Guirong’s Illustrated Instructions for the Mounting of Chinese Calligraphy and Painting, 2013 was used. The key factor, though, was the experience we gained during research secondments at Shanghai Museum. We also examine the problem of adapting painting and calligraphy albums to new requirements for the preservation and exhibiting of graphic art. Historically, album pages with illustrations were mounted in pairs and glued together. Because of the album’s severe state of deterioration we decided to mount the pages on separate sheets. This new form of preservation has enabled separate pages from the album to be shown at differently – themed exhibitions and for rotation to take place. The article shows the logical process involved in choice of restoration method based on our research findings and a combination of traditional and modern restoration methods. Chinese painting, calligraphy, album, Chinese paper, Chinese silk, conservation, restoration, physical and chemical research, biological research, exhibiting, oriental painting, State Hermitage Museum

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40

Wilson, Anthony. "17th- and Early 18th-Century France". Musical Times 136, n. 1826 (aprile 1995): 195. http://dx.doi.org/10.2307/1004174.

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41

Schalow, Paul, e C. Andrew Gerstle. "18th Century Japan: Culture and Society." Monumenta Nipponica 45, n. 3 (1990): 363. http://dx.doi.org/10.2307/2384912.

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42

제송희. "A Study of 18th-century Banchado". KOREAN JOURNAL OF ART HISTORY 273, n. 273 (marzo 2012): 101–32. http://dx.doi.org/10.31065/ahak.273.273.201203.004.

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43

Alcoforado, M. J., J. M. Vaquero, R. M. Trigo e J. P. Taborda. "Early Portuguese meteorological records (18th century)". Climate of the Past Discussions 7, n. 5 (19 ottobre 2011): 3399–448. http://dx.doi.org/10.5194/cpd-7-3399-2011.

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Abstract. Natural proxies, documentary evidence and instrumental data are the main sources used to reconstruct past climates. In this paper, we present the 18th century meteorologists (either Portuguese or foreigners), who made the first observations at several sites in Continental Portugal, Madeira Island and Rio de Janeiro (Brazil), from 1749 until 1802. Information is given concerning observation site, variables observed, measurement period, methodologies and sources (both manuscript and printed). Some examples from the data usefulness are given: rainfall variability in Madeira (1749–1753) and in Continental Portugal (1781–1793) was reconstructed, allowing to extend towards the late 18th century the well known negative correlation between the NAO index and seasonal rainfall. Furthermore, previously unpublished data for 1783–1784 has allowed analysing the consequences of the Laki eruption in Portugal: foggy and haze days are referred to in summer 1783, but unlike the hot summer observed in Northern and Central Europe, temperatures in Portugal were lower than average. Additionally, observations from Rio de Janeiro in Brazil show that the Laki consequences may well have spread to sectors of the Southern Hemisphere. Although the series are short, the data will be used for climate reconstruction studies focused in Southern Portugal and are also useful to improve the quality of large scale reconstruction datasets.

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44

Ganz, Jeremy C. "Head Injuries in the 18th Century". Neurosurgery 73, n. 1 (luglio 2013): 167–76. http://dx.doi.org/10.1227/01.neu.0000429851.45073.a8.

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45

Marker, Gary. "The Ambiguities of the 18th Century". Kritika: Explorations in Russian and Eurasian History 2, n. 2 (2001): 241–52. http://dx.doi.org/10.1353/kri.2008.0094.

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46

Wirtschafter, Elise Kimerling. "Power and the 18th-Century Nobility". Kritika: Explorations in Russian and Eurasian History 15, n. 3 (2014): 657–64. http://dx.doi.org/10.1353/kri.2014.0044.

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47

Rjéoutski, Vladislav. "Key Concepts in 18th-Century Russia". Kritika: Explorations in Russian and Eurasian History 21, n. 2 (2020): 319–25. http://dx.doi.org/10.1353/kri.2020.0014.

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48

Carroll, Jerome. "William James and 18th-century anthropology". History of the Human Sciences 31, n. 3 (9 maggio 2018): 3–20. http://dx.doi.org/10.1177/0952695118764060.

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This article discusses the common ground between William James and the tradition of philosophical anthropology. Recent commentators on this overlap have characterised philosophical anthropology as combining science (in particular biology and medicine) and Kantian teleology, for instance in Kant’s seminal definition of anthropology as being concerned with what the human being makes of itself, as distinct from what attributes it is given by nature. This article registers the tension between Kantian thinking, which reckons to ground experience in a priori categories, and William James’s psychology, which begins and ends with experience. It explores overlap between James’s approach and the characteristic holism of 18th-century philosophical anthropology, which centres on the idea of understanding and analysing the human as a whole, and presents the main anthropological elements of James’s position, namely his antipathy to separation, his concerns about the binomial terms of traditional philosophy, his preference for experience over substances, his sense that this holist doctrine of experience shows a way out of sterile impasses, a preference for description over causation, and scepticism. It then goes on to register the common ground with key ideas in the work of anthropologists from around 1800, along with some references to anthropologists who come in James’s wake, in particular Max Scheler and Arnold Gehlen, in order to reconceptualise the connection between James’s ideas and the tradition of anthropological thinking in German letters since the late 18th-century, beyond its characterisation as a combination of scientific positivism and teleology.

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49

Schwarz, Katharina A., e Roland Pfister. "Scientific Psychology in the 18th Century". Perspectives on Psychological Science 11, n. 3 (maggio 2016): 399–407. http://dx.doi.org/10.1177/1745691616635601.

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50

Stevens, Denis. "ICONOGRAPHY: Musicians in 18th-century Venice". Early Music XX, n. 3 (agosto 1992): 403–8. http://dx.doi.org/10.1093/earlyj/xx.3.403.

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Articoli di riviste sul tema "18th century"

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