Tesi sul tema "1865-1936 – Criticism and interpretation"
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Estus, Steven Clark. "Home and who: A rhetorical analysis of Rudyard Kipling's "Tiger! tiger!' and "Letting in the jungle"". CSUSB ScholarWorks, 2003. https://scholarworks.lib.csusb.edu/etd-project/2343.
Testo completoMillard, Michèle. "An analysis of the critical discourse on the work of Eva Hesse /". Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61138.
Testo completoFor the most part, Chapter One concerns critics' Modernist analyses of Hesse's relationship to Minimalism and their progression towards a criticism based on non-formalist, non-hierarchical theories of style. There is also a short discussion on the linkage created between Hesse's art and specific psychological traumas in her life. Included as well is an explanation of the changing conception of originality and the critic's dilemma in confronting private content through the strictures of public dialogue.
Chapter Two investigates critical discussions of experience, how art was apprehended and how meaning was transmitted.
Chapter III involves a feminist debate on the issues of gender. The content of Hesse's work was analyzed in psycho-biographical terms and within the framework of her identity as a female artist in western culture.
And finally, the thesis concludes by pointing out the evolution of criticism into a distinct, independent discipline whereby the critic articulates the theoretical contexts in which the artwork exists, but then extends in into a broader cultural setting where the critic analyzes the significance of such positions taken, its relationship to the past and future implications.
Roberts, Timothy Paul English UNSW. "Little terrors:the child???s threat to social order in the Victorian bildungsroman". Awarded by:University of New South Wales. English, 2005. http://handle.unsw.edu.au/1959.4/23930.
Testo completoRemington, Rachel. "Personal identity in the novels of Max Frisch and Luigi Pirandello". Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=30208.
Testo completoStratford, Madeleine. "Entre les mots et les silences : la crise créative (et existentielle) dans la dernière phase de la poésie de Ingeborg Bachmann et de Alejandra Pizarnik". Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19611.
Testo completoEve, Vivian Jeanette. "An "unobtrusive art" : Elizabeth Gaskell's use of place in Ruth, North and South, and Wives and Daughters". Thesis, Rhodes University, 1989. http://hdl.handle.net/10962/d1001824.
Testo completoZhang, Zhaoyi. "Lu Xun : the Chinese "Gentle" Nietzsche = Lu Xun : Zhongguo "wen he" de Nicai". Frankfurt ; New York : Peter Lang, 2001. http://www.loc.gov/catdir/toc/fy02/2001038644.html.
Testo completoFindlay, Isobel. "Reading for reform : history, theology, and interpretation and the work of Elizabeth Gaskell and Charles Kingsley". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ29935.pdf.
Testo completoQuarrie, Cynthia. "Laminations : nostalgia and the undifferentiated narrator in three novels by A.S.Byatt". Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79805.
Testo completoMy methodology is outlined in the first section, wherein I place a reading of Byatt's work within the context of contemporary debate regarding the ethics of representation. Then I treat each novel separately, since each is a self-contained novelistic experiment with a different form of literary realism.
In the end I conclude that Byatt's use of polyvocality and multiple histories help us to come to terms with nostalgia for the self-present self, by showing us that it haunts every narrative (and anti-narrative) and is a coercive figure in every life.
Pearce, Margaret. "A.S. Byatt : writing feminist issues". Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26302.
Testo completoZeiss, Elizabeth Anne. "The subject between texts in Alejandra Pizarnik's poetry". Access restricted to users with UT Austin EID, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3037034.
Testo completoRoza, Alexandra M. "Towards a modern Canadian art 1910-1936 : the Group of Seven, A.J.M. Smith and F.R. Scott". Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=20178.
Testo completoSwartz, Laura A. "Occulture : W.B. Yeats' prose fiction and the late ninteenth- and early twentieth-century occult revival". CardinalScholar 1.0, 2010. http://liblink.bsu.edu/uhtbin/catkey/1560843.
Testo completoOcculture : occultism and the occult revival -- The occult trilogy : self and space in an occult context -- The speckled bird : sacralizing Ireland.
Department of English
Brady, Bronwyn. "The idea of gaiety in Yeats's lyric poetry". Thesis, Rhodes University, 1990. http://hdl.handle.net/10962/d1015642.
Testo completoDunzweiler, Krista J. "Saving America's gays and lesbians from hell : a fantasy theme criticism of the anti-gay rhetoric of the far-right". Scholarly Commons, 2000. https://scholarlycommons.pacific.edu/uop_etds/536.
Testo completoGagné, Marie 1961. "1968, théorie et praxis de "Tel quel" dans "Logiques" et "Nombres" de Sollers". Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63765.
Testo completoDe, Gruchy John. "W.B. Yeats's Japan : more myth than reality". Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=50844.
Testo completoCheng, Maorong. "Literary modernity : Studies in Lu Xun and Shen Congwen". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0018/NQ46330.pdf.
Testo completoManicom, David 1960. "Romantic nationalism and the unease of history : the depiction of political violence in Yeats's poetry". Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=75915.
Testo completoSarrinikolaou, Irene School of Media Film & Theatre UNSW. "The ontological status of Pirandello???s metacharacters: six characters in search of a Platonic author". Awarded by:University of New South Wales. School of Media, Film & Theatre, 2006. http://handle.unsw.edu.au/1959.4/25974.
Testo completoGutsche-Miller, Sarah. "The reception of Carl Nielsen as a Danish National Composer". Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19661.
Testo completoGrimes, Linda S. "William Butler Yeats' transformations of eastern religious concepts". Virtual Press, 1987. http://liblink.bsu.edu/uhtbin/catkey/530371.
Testo completoDepartment of English
車明星. "魯迅小說中的 人 : 吶喊 、 彷徨 初探 = The Being in Lu Xun's shortstory". Thesis, University of Macau, 2005. http://umaclib3.umac.mo/record=b1636171.
Testo completoDivett, Andrew Brennan. "Musical Ekphrasis in the Poetry of Nicolás Guillén, Federico García Lorca, and Langston Hughes". Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc955012/.
Testo completoDuncan, Dawn E. (Dawn Elaine). "Language and Identity in Post-1800 Irish Drama". Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc277916/.
Testo completoLovato, Maria Vitória Canesin. "Um signo em desenvolvimento: o conceito de self na filosofia de C. S. Peirce no período de 1865 a 1870". Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21055.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
This dissertation intends to investigate the discussions involving the concept of self in the philosophy of the young Charles Sanders Peirce (1834-1914) between 1865 and 1870. Although the thoughts are from his youth years, we will present arguments to show those were years that brought debates of underlying importance for us to understand how and from which theoretical and methodological contexts the theme self emerges. Since 1865, Peirce reasons the relationship between logic and psychology, and argues, explicitly, for a non-psychological position for logic. Within this context, a strong criticism of introspection is born, and it reveals a detachment from the cartesian spirit and the inclination to understand the process of thinking as intuitive or dependable of psychic factors. In general, the criticism of psychologism in logic will demand a revision of the idea of subjectivity and, more specifically, of the self under new philosophical horizons. Therefore, under his then early theory of signs and his social approach to epistemology, Peirce will negate a notion of self characterized by complete individuality and introspection, opening way to a new and positive characterization of subjectivity buoyed by an objective logic, where all knowledge, including of ourselves, proceed in a mediate way and in reference to an outside world. It’s during the years we study in this dissertation that some of the most important – and most commented – characterizations of the self as a sign and of the self as mere negation, if a separate existence is considered, appear. Along this study we will see that, even under the scope if his early logic investigations between 1865 and 1870, Peirce already admitted to a social and opened understanding of the self, giving way to a new approach, one that is broader and sympathetic to less selfish visions
Esta dissertação procura investigar as discussões em torno do conceito de self na filosofia do jovem Charles Sanders Peirce (1834 -1914), durante o período de 1865 até 1870. Apesar de tratar-se de pensamentos de sua juventude, buscaremos argumentar que esses anos trazem debates de fundamental importância para entendermos como e de quais contextos teóricos e metodológicos a temática sobre o self emerge. Desde 1865, Peirce discute a relação da lógica com a psicologia, defendendo explicitamente uma posição não psicológica da lógica. Nesse contexto, já aparece uma forte crítica à introspecção, revelando o afastamento do espírito do cartesianismo e da tendência a entender o processo de pensamento como intuitivo ou dependente de fatores psíquicos. De maneira geral, a crítica ao psicologismo na lógica demandará uma revisão da ideia de subjetividade e, mais especificamente, a de self sob novos horizontes filosóficos. Assim, sob sua ainda inicial teoria dos signos e sua abordagem social da epistemologia, Peirce negará uma noção de self caracterizada pela completa individualidade e introspecção, abrindo caminho para uma caracterização nova e positiva da subjetividade balizada por uma lógica objetiva, onde inclusive o conhecimento de nós mesmos procede de maneira mediata e em referência ao mundo externo. É no ínterim dos anos estudados nesse trabalho que aparecem as importantes – e muito comentadas – caracterizações do self como um signo e do self como uma mera negação, se considerado como uma existência separada. No percurso deste estudo veremos que, mesmo sob o escopo de suas iniciais investigações lógicas, durante os anos de 1865 a 1870, Peirce já admitia um entendimento social e aberto do self, abrindo caminho para uma nova abordagem mais ampla e solidária que distanciase de visões egoístas
楊海一. "卡夫卡和魯迅比較研究 = A comparative study on Kafka and Luxun". Thesis, University of Macau, 2005. http://umaclib3.umac.mo/record=b1636183.
Testo completo張燁. "A traducao literal como instrumento de mudanca : o tradutor Lu Xun". Thesis, University of Macau, 2009. http://umaclib3.umac.mo/record=b2129840.
Testo completoEngelbrecht, Schalk Willem Petrus. "Utopie, filosofie en hermeneutiek : 'n verkenning van die denke van Gianni Vattimo". Thesis, Stellenbosch : Stellenbosch University, 2003. http://hdl.handle.net/10019.1/53708.
Testo completoENGLISH ABSTRACT: Utopia, Philosophy and Hermeneutics Exploring the thought of Gianni Vattimo Article I: The End of Utopia An explanation for the rise of distopia in popular culture with reference to the ideas of Gianni Vattimo In this article the development of utopianism is described by tracing it back to its original classical form, following it through its modernistic form and finally describing distopia as the postmodern form of utopia. Using the ideas of Gianni Vattimo, distopia is interpreted as the creative embodiment of the "counterfinality of reason". In this way distopia acts as a critique of modem rationalism. The question is raised if it is possible to speak of "the end of utopia" in postmodern times. It is concluded that utopian thought remains and functions as a necessary fiction in postmodern ethics. Article II: An Appropriate Postmodern Philosophy A discussion of the hermeneutics of Gianni Vattimo The aim of this article is to discuss the radical hermeneutics proposed by the Italian philosopher Gianni Vattimo. Vattimo declares a radicalization of hermeneutics to be the only consistent, persuasive and valid approach to the postmodern conditions of existence we find ourselves in today. In order to explain what this approach entails, and how Vattimo justifies it, this article discusses his interpretation of the history (and end) of modernity, as well as his proposals for a new task for philosophy, and for a postmodern ethics.
AFRIKAANSE OPSOMMING: Utopie, Filosofie en Hermeneutiek 'n Verkenning van die denke van Gianni Vattimo Artikel I: Die Einde van Utopie 'n Verklaring vir die opkoms van distopie in populêre kultuur aan die hand van die idees van Gianni Vattimo Hierdie artikel beskryf die ontwikkeling van utopianisme deur die oorspronklike klassieke en latere modernistiese vorme daarvan na te gaan, en uiteindelik distopie te beskryf as die postmoderne vorm van utopie. Met verwysing na die denke van Gianni Vattimo word distopie geïnterpreteer as die kreatiewe beliggaming van die "kontrafinaliteit van rede". Op hierdie manier lewer distopie kritiek op moderne rasionalisme. Die vraag word gevra na die moontlikheid daarvan om te kan praat van "die einde van utopie" in postmoderne tye, en uiteindelik word tot die gevolgtrekking gekom dat utopiese denke steeds 'n rol het om te speel as 'n noodsaaklike fiksie binne 'n postmoderne etiek. Artikel II: 'n Gepaste Postmoderne Filosofie 'n Bespreking van die hermeneutiek van Gianni Vattimo Die doel van hierdie artikel is om die Italiaanse filosoof Gianni Vattimo se voorstel vir 'n radikale hermeneutiek te bespreek. Vattimo is oortuig daarvan dat 'n radikalisering van hermeneutiek die enigste konsekwente, oortuigende en geldige benadering is tot die postmoderne bestaanstoestande waarbinne ons onsself vandag bevind. In 'n poging om te verduidelik wat hierdie benadering behels, en hoe Vattimo dit regverdig, word sy interpretasie van die geskiedenis (en einde) van moderniteit bespreek, asook sy voorstelle vir 'n nuwe taak vir die filosofie, en vir 'n postmoderne etiek.
Gagas, Jonathan. "Late Modernist Schizophrenia: From Phenomenology to Cultural Pathology". Diss., Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/263194.
Testo completoPh.D.
My dissertation demonstrates how representations of schizophrenic characters in novels can combat widespread misuses of psychiatric terms and help readers empathize with mentally ill people if we read these novels with some understanding of psychiatry and the psychoanalysis that influenced them. I undertake a critical genealogy of the schizophrenia concept's migration from the mental health professions to fiction, concentrating on the period from the German invasion of Paris in June 1940 to the events of May 1968, with some attention to contemporary uses of the schizophrenia concept by cultural theorists. Experimental novelists writing during the apogee and aftermath of National Socialism from the 1940s to the 1970s represent schizophrenia as they understood it to express the painful emotions produced by World War II's challenge to the value of experimental writing. In the postwar fiction of Samuel Beckett (1906-1989) and Georges Perec (1936-1982), imitating schizophrenia results in careful disclosures of disintegrating life-worlds: in Beckett's case, the dissolution of the James Joyce circle and the communities of modernist exiles it exemplified, which the German invasion of Paris destroyed; in Perec's case, the deaths of his parents in the defense of France and the Holocaust, and the annihilated six million Jews including his mother. Reading Beckett and Perec's novels develops readers' abilities to empathize with both schizophrenic people and the loved ones of Holocaust victims. While those who avoided the concentration camps like Perec did not experience their horrors firsthand, losing relatives and other loved ones transformed their lives, just as losing two thirds of its Jewish population devastated European culture despite reticence to acknowledge the Holocaust's monstrous effects in the postwar years. Late modernist fiction can thus both help readers understand the Holocaust's cultural impact and foster the skills necessary to understand experiences of severe mental disorder. Such empathic understanding is more humane than romanticizing or stigmatizing schizophrenia or other mental illnesses, and it helps us register the Holocaust's degradation of humanity anew rather than walling off this event in the past or regarding it solely as a Jewish issue. Late modernist fiction provides a more precise, caring alternative to the romanticizing/stigmatizing binary perpetuated by postwar cultural theorists because, from the 1930s to the 1970s, the fiction gradually transitions from reinforcing that binary to enabling empathy for traumatized and mentally ill people. Such fiction anticipated recent phenomenologies of schizophrenia - real experiences of distress and impairment rather than socially constructed concepts of madness - and traumatic shame, an emotional experience of oneself or one's community as inadequate in response to failure, especially the Holocaust as a failure of European culture and modernity. Both traumatic shame and severe mental disorder can make the body conspicuous, alienate people from their cultures, and disintegrate structures of salience and belonging that make sustained relationships and projects possible. Recent existential-phenomenological theories of mental disorder enable reintegrating schizophrenia representation in fiction into the history of literary modernism, especially its concern with historical forces disrupting the minds of individuals. These theories explain changes in mentally ill people's sense of possibilities for developing themselves and relating to others, from the way they experience their bodies to the way they use language. Hence I use these theories to demonstrate how knowledge of schizophrenia enabled post-Holocaust novelists to travesty and transform earlier novelists' uses of fictional minds to interrogate cultural change.
Temple University--Theses
Brooks, John C. "Unity, Ecstasy, Communion: The Tragic Perspective of W.B. Yeats". Thesis, North Texas State University, 1988. https://digital.library.unt.edu/ark:/67531/metadc331259/.
Testo completoTasis, Moratinos Eduardo. "El exilio en la poesía de Tomás Segovia y Angelina Muñiz Huberman". Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1886.
Testo completoYoo, Baekyun. "Religion and Politics in the Poetry of W.B. Yeats". Thesis, University of North Texas, 1997. https://digital.library.unt.edu/ark:/67531/metadc278080/.
Testo completoCasagrande, Giuliano Tommasini 1980. "Deus, a alma imaterial e a dúvida global : as ¿Meditações¿ cartesianas à luz da crítica de Schlick e Carnap aos enunciados metafísicos". [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281922.
Testo completoDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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Resumo: Nas Meditações, Descartes faz uso de todos os argumentos céticos imagináveis com o objetivo de abalar as crenças em que se baseia a visão natural de mundo e descobrir se há alguma verdade infensa à dúvida. Após constatar a existência indubitável do eu pensante e determinar sua natureza, Descartes procura salvar, por meio da demonstração da existência de um Deus veraz, o valor objetivo das idéias sensíveis. Neste trabalho, partindo da premissa de que o único subjetivismo autêntico é originário de uma dúvida cética como a cartesiana, investigaremos a hipótese de que tal solo da subjetividade é desprovido de sentido porque a atitude crítica de avaliação do conhecimento de que ele resulta pressupõe uma ordem de generalização e de abrangência naturalmente insustentáveis. Para tanto, utilizaremos a crítica de Schlick e Carnap às proposições externas (globais). Com efeito, a dúvida cartesiana não diz respeito a uma parcela do mundo, mas ao mundo em sua totalidade. O problema estaria na extensão da dúvida e no caráter espiritual atribuído ao ego. De maneira análoga, o conceito de um Deus metafísico (indiferente aos elementos do sistema do mundo empírico) estaria sujeito à mesma acusação de falta de sentido formulada por Schlick-Carnap
Abstract: In his Meditations, Descartes employs all imaginable skeptical arguments in order to shake the beliefs that ground the natural worldview and to find if there is some truth beyond doubt. After discovering the indubitable existence of the thinking self and determining its nature, Descartes tries to save, by demonstrating the existence of a truthful God, the objective value of sensible ideas. In this work, assuming that the only genuine subjectivism comes from a skeptical doubt like Descartes', we will investigate the hypothesis that such subjectivism is devoid of any sense, because the critical attitude of evaluation of knowledge from where it results presupposes a naturally unsustainable generalization and scope. In order to do that, we will employ the critique of external (global) propositions developed by Schlick and Carnap. Indeed, the Cartesian doubt is not related to a part of the world, but to the world as whole. The problem would lie in the extent of doubt and in the spiritual character assigned to the ego. In the same way, the concept of a metaphysical God, indifferent to the elements of the empirical framework, would be subjected to the same accusation of lack of sense formulated by Schlick-Carnap
Mestrado
Filosofia
Mestre em Filosofia
Pagel, Amber Noelle. ""How Can We Know the Dancer from the Dance?": Cognitive Poetics and the Poetry of William Butler Yeats's". Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc984126/.
Testo completo嚴吳嬋霞. "魯迅與中國兒童文學的發展". Thesis, University of Macau, 1987. http://umaclib3.umac.mo/record=b1636197.
Testo completoWhite, Deborah. "Masculine constructions : gender in twentieth-century architectural discourse : 'Gods', 'Gospels' and 'tall tales' in architecture". Title page, contents and abstract only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phw5834.pdf.
Testo completo"中德現代文化想像對話: 尼采思想在中國的詮釋". 2000. http://library.cuhk.edu.hk/record=b5895815.
Testo completo"2000年8月"
論文 (哲學碩士)--香港中文大學, 2000.
參考文獻 (leaves 89-97)
附中英文摘要.
"2000 nian 8 yue"
Zhuang Weihong.
Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2000.
Can kao wen xian (leaves 89-97)
Fu Zhong Ying wen zhai yao.
Chapter 一、 --- 引論 --- p.4
Chapter i. --- 現代槪念的構成 --- p.4
Chapter ii. --- 追求「現代」的文化史 --- p.6
Chapter iii. --- 理論結構 --- p.7
Chapter iv. --- 硏究限制 --- p.8
Chapter 二、 --- 中國現代化研究的重新審視 --- p.10
Chapter 1. --- 五四硏究的文獻回顧 --- p.10
Chapter i. --- 充滿意識形態的研究論題 --- p.10
Chapter ii. --- 反傳統主義論爭的由來 --- p.12
Chapter iii. --- 中心性硏究的批判 --- p.13
Chapter 2. --- 研究方法:哲學詮釋學 --- p.15
Chapter i. --- 效果歷史的形成
Chapter ii. --- 視界融合法則 --- p.17
Chapter iii. --- 詮釋的極限 --- p.19
Chapter 3. --- 現代文化想像的結構 --- p.21
Chapter 4. --- 「尼采與中國」的研究回顧 --- p.22
Chapter 5. --- 小結 --- p.24
Chapter 三、 --- 尼采在中國:視界融合的開始 --- p.26
Chapter 1. --- 尼采´ؤ與痛苦作戰的命途 --- p.27
Chapter i. --- 尼采的生平 --- p.27
Chapter ii. --- 尼采的思想 --- p.28
Chapter 2. --- 尼采在中國的歷史 --- p.31
Chapter 3. --- 五四知識份子詮釋尼采的特徵 --- p.34
Chapter i. --- 傳統成見下的詮釋:尼采作爲「反傳統」的符號 --- p.35
Chapter ii. --- 傳統成見下的詮釋:尼采作爲現代的符號 --- p.37
Chapter iii. --- 進化的呼喚 --- p.39
Chapter 4. --- 小結 --- p.40
Chapter 四、 --- 魯迅與尼采話語 --- p.42
Chapter 1. --- 魯迅與尼采的邂逅 --- p.43
Chapter i. --- 魯迅鬥爭的一生 --- p.43
Chapter ii. --- 前人的成果 --- p.44
Chapter iii. --- 尼采影響魯迅的程度 --- p.45
Chapter 2. --- 視界融合的準備:尼采與魯迅的現代文化藍圖 --- p.45
Chapter i. --- 魯迅的尼采話語 --- p.45
Chapter ii. --- 早期魯迅與尼采 --- p.49
Chapter iii. --- 精神戰士的讚歌 --- p.50
Chapter iv. --- 個人主義的疑惑 --- p.51
Chapter 3. --- 小結 --- p.53
Chapter 五、 --- 魯迅、尼采與傳統:從理解到融合 --- p.55
Chapter 1. --- 魯迅的尼采詮釋結構 --- p.55
Chapter 2. --- 進化論-雙重危機之下的超人「前見」 --- p.56
Chapter i. --- 尼采與終極關懷 --- p.57
Chapter ii. --- 魯迅的「前見」:虛無主義在中國 --- p.58
Chapter iii. --- 〈傷逝〉:終極關懷的雙重文本 --- p.59
Chapter iv. --- 呼喚力量的超人 --- p.62
Chapter V. --- 魯迅的超人心理意象:進化的超人 --- p.63
Chapter 3. --- 憐憫的弔詭-傳統「前見」下的超人 --- p.65
Chapter i. --- 超人與庸眾的矛盾 --- p.65
Chapter ii. --- 人道主義與超人的矛盾 --- p.66
Chapter iii. --- 超人與聖人的矛盾:一個心理分析 --- p.61
Chapter 4. --- 超人眼中的中國傳統 --- p.70
Chapter i. --- 超人和聖人之間的調和 --- p.70
Chapter ii. --- 〈狂人日記〉:庸眾與傳統 --- p.72
Chapter iii. --- 庸眾性心意圖象:魯迅文化心理的結構性分析 --- p.74
Chapter iv. --- 傳統徘徊於正負之間 --- p.75
Chapter v. --- 哀其不幸、怒其不爭:魯迅的現代文化意象 --- p.75
Chapter 5. --- 小結 --- p.80
Chapter 六、 --- 前瞻:尼采在中國一個未完的計劃 --- p.82
Chapter 1. --- 超人-一個被遺忘的現代想像 --- p.83
Chapter 2. --- 中國的後現代濫觴 --- p.84
Chapter 2. --- 傳統及現代 --- p.86
Chapter 2. --- 尼采在中國:一個未完成的計劃 --- p.87
參考書目 --- p.89
Raths, Tobias. "Der gebrauch von Pneuma in soteriologischen kontexten In den Paulinischen briefen und im Johannesevangelium (The usage of Pneuma in soteriological contexts in the Pauline epistles and in the gospel of John)". Diss., 2006. http://hdl.handle.net/10500/1865.
Testo completo"技術時代的翻譯與寫作: 以本雅明的「技巧」槪念重新測繪鲁迅的寫作地圖". 2000. http://library.cuhk.edu.hk/record=b5895835.
Testo completo"2000年8月"
論文 (哲學碩士)--香港中文大學, 2000.
參考文獻 (leaves 133-146)
附中英文摘要.
"2000 nian 8 yue"
Zhang Lijun.
Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2000.
Can kao wen xian (leaves1 133-146)
Fu Zhong Ying wen zhai yao.
Chapter 緒論
Chapter 第一節 --- 硏究目的及方法 --- p.1-6
Chapter 第二節 --- 硏究背景及簡介 --- p.6-8
Chapter 上篇 --- 文字的拱廊與時間的影象´ؤ´ؤ論魯迅的直譯與雜文
Chapter 第一節 --- 引言 --- p.9-13
Chapter 第二節 --- 翻譯與希望一一論魯迅的「直譯」 --- p.14-34
Chapter 第三節 --- 解剖圖說與歷史照相學 一一論魯迅的「雜文」 --- p.34-59
Chapter 第四節 --- 小結 --- p.59-61
Chapter 下篇 --- 可技術複製性時代的傳統技藝´ؤ´ؤ論魯迅作品中的「破壞」 與「救贖」
Chapter 第一節 --- 引言 --- p.62-63
Chapter 第二節 --- 傳統經驗的「不可傳遞性」 --- p.63-67
Chapter 第三節 --- 「幻燈片事件」中的技術與暴力 --- p.67-78
Chapter 第四節 --- 病態國民照相 ´ؤ´ؤ論魯迅小說中的媒體經驗 --- p.79-100
Chapter 第五節 --- 從〈懷舊〉到《故事新編》 ´ؤ´ؤ魯迅小說寫作中的「傳統技巧」 與「救贖」 --- p.100-128
Chapter 第六節 --- 小結:「破壞」與「救贖」 --- p.128-131
結語 --- p.132
參考書目 --- p.133-146
Guadalupe, de Jesús Raúl. "Intelectuales, literatura y sociedad civil en la novelística de Mario Vargas Llosa". 2002. http://hdl.handle.net/2152/11001.
Testo completoKeefer, James Robinson. "Dynasties of demons : cannibalism from Lu Xun to Yu Hua". Thesis, 2002. http://hdl.handle.net/2429/13094.
Testo completoSorensen, Susan D. "Verbal and visual language and the question of faith in the fiction of A.S. Byatt". Thesis, 1999. http://hdl.handle.net/2429/10097.
Testo completoMeihuizen, Nicholas Clive Titherley. "Yeats and individuation : an exploration of archetypes in the work of W.B. Yeats". Thesis, 1992. http://hdl.handle.net/10413/11300.
Testo completoMeda, Anna Rosa. "Teatro dei miti in Pirandello e D'Annunzio". Thesis, 1992. http://hdl.handle.net/10500/17426.
Testo completoD'Annunzio and Pirandello both as men and as artists can only be placed at the opposite ends of the cultural scene of their times. Yet, it is in myth that their antithetical works finally converge. This study, therefore, analyzes myth in three of D'Annunzio's tragedies where the mythical dimension is more apparent (The dead city, Iorio/s daughter and Fedra) and in the trilogy of myths by Pirandello, which brings his work to its ultimate expression. For both authors the need for myth is born of the painful awareness of modern man's crisis: relative values, a divided personality and no sense of direction. In the timeless and universal dimension of myth it is still possible to achieve totality. The Junghian theory of the archetypes of the collective unconscious, of which myths are cultural manifestations, has proved to be an analytical tool of great importance. By giving access to the deepest level of the texts beyond their cultural and historical layers, it brings to light the otherwise elusive meaning of archetypal images and motives, revealing the true nature of art to be not just the work of an individual but also of collective man. The works, different as they may be, when compared in this perspective have nevertheless yielded some important common conclusions, not only on D'Annunzio and Pirandello as writers but also on their role within the society they lived in and, by extension, our own. For both of them myth, even in a modern context, means essentially the overcoming of the fragmentation, the relativity and the mediocrity of contemporary life. However, in the process of recapturing this mythical dimension, myth itself is bound to be modified. Because it mirrors the modern psyche, it not only interprets its deepest present needs, but also points to its future ones. The central position occupied in their works by the subconscious, emerging from behind the powerful image of the primordial Great Mother, points the way to future psychological development and to the need to regain access to the deepest levels of the human psyche so that its opposing forces, subconscious and consciousness, can meet and be reconciled.
Classics & Modern European Languages
D. Litt. et Phil. (Italian)
Castro, María Elena. "El conflicto entre la realidad y el deseo en la poesía surrealista de la Generación del 27". 2001. http://hdl.handle.net/2152/10711.
Testo completoHeil, Katrina Marie 1976. "Modern tragedy in the absence of God : an analysis of Unamuno and Buero Vallejo". 2006. http://hdl.handle.net/2152/13116.
Testo completoMarais, Johannes Lodewyk. "'n Ondersoek na die aard van en opvattings oor Eugene N. Marais se wetenskaplike prosa (Afrikaans)". Thesis, 2001. http://hdl.handle.net/2263/22896.
Testo completoMyers, Nathan C. ""Yeats" : fashioning credibility, canonicity and ethnic identity through transnational appropriation". 2012. http://liblink.bsu.edu/uhtbin/catkey/1698517.
Testo completoDepartment of English
Ruiz, María Regina. "The permeability of history and literature in Santa Evita and La fiesta del Chivo". Thesis, 2005. http://repositories.lib.utexas.edu/bitstream/handle/2152/1704/ruizm80119.pdf.
Testo completo