Letteratura scientifica selezionata sul tema "1819-1880"
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Articoli di riviste sul tema "1819-1880"
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عباس هلال فرهود. "رؤية جورج إليوت الأخلاقية في سيلاس مارنر". Journal of the College of Basic Education 15, n. 60 (13 dicembre 2022): 1–8. http://dx.doi.org/10.35950/cbej.v13i60.6975.
Testo completoAbstract (sommario):
ترتكز شهرة جورج إليوت (1819-1880) بشكل أساسي على رواياتها آدم بيدي 1859 ، The Mill on the Floss 1860 ، Silas Marner 1861 and ميدل مارش 1871. في آدم بيدي ، يفحص جورج إليوت القيادة قوى شخصياتها الذين يعانون من أنانيتهم الذاتية ونفسهم
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Žigon, Tanja. "Matej Cigale (1819–1889) als Übersetzer von Schulbüchern". Acta Neophilologica 53, n. 1-2 (26 novembre 2020): 167–82. http://dx.doi.org/10.4312/an.53.1-2.167-182.
Testo completoAbstract (sommario):
Der Jurist und Sprachforscher Matej Cigale (1819–1889) ging in die slowenische Kulturgeschichte vor allem als Redakteur der slowenischen Ausgabe des Reichsgesetzblattes und als Vater der slowenischen Rechtsterminologie ein. Doch hat sich Cigale auch auf anderen Gebieten einen Namen gemacht: Wegen seiner ausgezeichneten Sprachkenntnisse wurde ihm die Herausgabe des deutsch-slowenischen Wörterbuches (1860) anvertraut, er legte eine gesammelte slowenisch-deutsche Wissenschaftsterminologie (1880) vor, wirkte als Aushilfskorrektor im k.k. Schulbücherverlag und gab selbst einige Schulbücher heraus. Im vorliegenden Beitrag wird vor allem seine Übersetzung des Heufler’schen Schulbuches für den Erdkundeunterricht (1861) untersucht: Es wird den Fragen nachgegangen, wie Cigales Übersetzung beim Zielpublikum aufgenommen wurde, auf welche Probleme Cigale beim Übersetzen gestoßen ist, welcher Strategien er sich bediente und wie sich die von ihm eingeführte Terminologie durchgesetzt hat.
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Hunting, Penelope. "George Eliot née Mary Anne Evans (1819–1880): In sickness and in health". Journal of Medical Biography 27, n. 4 (16 aprile 2019): 242–43. http://dx.doi.org/10.1177/0967772019842435.
Testo completo
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Zapata Villegas, Víctor Vladimir, e Arley Fabio Ossa Montoya. "Nociones y conceptos de "escuela" en Colombia, en la sociedad republicana (1819-1880)". Revista Iberoamericana de Educación 45 (1 settembre 2007): 177–90. http://dx.doi.org/10.35362/rie450733.
Testo completoAbstract (sommario):
Este trabajo indaga en las nociones y conceptos de "escuela" en Colombia durante el período 1819-1880, caracterizado por el afán de instaurar el modelo republicano de gobierno después del predominio del modelo colonial y monárquico español. La investigación, realizada a partir de la incursión en fuentes abordadas con un claro sesgo hermenéutico, se orientó hacia la recuperación de una memoria crítica que indaga en el horizonte de la historia de los conceptos de Reinhart Koselleck. El artículo presenta una significación preferente por el concepto colectivo de historia, en el que determinadas formas y modos de "asimilar la experiencia aparecen sobre todo con la historia experimentada como un tiempo nuevo", y en el que los análisis buscan la "constitución lingüística de experiencias del tiempo allí donde aparecieron en la realidad pasada", explicando en ellos el "contexto socio-histórico, para remarcar el eje de empuje pragmático-lingüístico, político-lingüístico y la dimensión histórico-antropológica" inherente a toda conceptualización (Koselleck, 1993, p.16). Se cruzan en el texto, pues, elementos provenientes de la historia de las ideas, la filosofía y el pensamiento político y social en torno a la institución escolar en la sociedad republicana.
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Korasaki, Vanesca, Fernando Z. Vaz-de-Mello, Rodrigo F. Braga, Ronald Zanetti e Julio Louzada. "Taxocenose de Scarabaeinae (Coleoptera: Scarabaeidae) em Benjamin Constant, AM". Acta Amazonica 42, n. 3 (settembre 2012): 423–32. http://dx.doi.org/10.1590/s0044-59672012000300015.
Testo completoAbstract (sommario):
As espécies de Scarabaeinae coletadas em seis diferentes sistemas de uso da terra em Benjamin Constant, AM, Brasil, são listadas com comentários gerais sobre os gêneros e espécies registradas. Os besouros foram capturados com armadilhas do tipo pitfall iscadas com fezes humanas. Foram coletados 6792 indivíduos pertencentes a 63 espécies, 18 gêneros e seis tribos (Ateuchini, Canthonini, Coprini, Oniticellini, Onthophagini e Phanaeini). As espécies mais frequentes foram Pseudocanthon aff. xanthurus (Blanchard 1845), Eurysternus caribaeus (Herbst 1789), Eurysternus hypocrita Balthasar 1939, Onthophagus aff. acuminatus Harold 1880, Onthophagus aff. haematopus Harold 1875 e Onthophagus aff. bidentatus (Drapiez 1819). Foi encontrado um novo gênero de Scarabaeinae ainda não descrito e provavelmente outras espécies novas.
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RATCLIFFE, BRETT C. "Lectotype designations in the New World Gymnetini (Coleoptera: Scarabaeidae: Cetoniinae)". Zootaxa 729, n. 1 (18 novembre 2004): 1. http://dx.doi.org/10.11646/zootaxa.729.1.1.
Testo completoAbstract (sommario):
Lectotypes are designated for the following species-group names of New world Gymnetini. Genus Allorrhina Burmeister, 1842: A. baeri Bourgoin, 1911; A. gounellei Bourgoin, 1911; A. nickerli Moser, 1911; A. soror Moser, 1911; and A. tridentata Moser, 1908. Genus Amithao Thomson, 1878: Cotinis cavifrons Burmeister, 1842; Desicasta metallica Janson, 1885; and Cotinis erythropus moreletii Blanchard, 1850. Genus Astroscara Sch rhoff, 1937: G. flavoradiata Moser, 1918. Genus Blaesia Burmeister, 1842: B. subrugosa Moser, 1905. Genus Gymnetis MacLeay, 1819: G. aureotorquata Bourgoin, 1912; G. balzarica Janson, 1880; G. bouvieri Bourgoin, 1912; G. callispila Bates, 1889; G. chanchamayensis Pouillaude, 1913; G. chontalensis Janson, 1875; G. colombiana Pouillaude, 1913; G. coturnix Burmeister, 1842; G. difficilis Burmeister, 1842; G. dysoni Schaum, 1848; G. ecuadoriensis Pouillaude, 1913; Cetonia flava Weber, 1801; G. limbolaniata Pouillaude, 1913; G. mathani Pouillaude, 1913; G. meleagris Burmeister, 1842; G. nigrina Bates, 1886; G. olivina Pouillaude, 1913; Paragymnetis rubrocincta Sch rhoff, 1937; G. poecila Schaum, 1848; G. punctipennis Burmeister, 1842; G. radiicollis Burmeister, 1847; G. ramulosa Bates, 1872; G. salicis Bates, 1889; G. scheini Sch rhoff, 1937; P. burmeisteri Sch rhoff, 1937; G. vandepolli Bates, 1889; G. variabilis Moser, 1921; and G. zikani Moser, 1921. Genus Heterocotinis Mart nez, 1948: G. terminata Gory and Percheron, 1833. Genus Hoplopyga Thomson, 1880: G. aequatorialis Moser, 1918; G. boliviensis Moser, 1918; G. foeda Schaum, 1848; and G. peruana Moser, 1912. Genus Marmarina Kirby, 1827: Cetonia insculpta Kirby, 1819; G. tigrina Gory and Percheron, 1833; and Maculinetis litorea Sch rhoff, 1937. Lectotype designation, label data, and type depository are given for each species. A photograph of the lectotype is provided for most species. Commentary clarifying the status of the type series is given for some species.
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Soofastaei, Elaheh, e Sayyed Ali Mirenayat. "Character Analysis of Maggie in George Eliot’s The Mill on the Floss". International Letters of Social and Humanistic Sciences 54 (giugno 2015): 72–76. http://dx.doi.org/10.18052/www.scipress.com/ilshs.54.72.
Testo completoAbstract (sommario):
George Eliot (1819-1880), famous British Victorian novelist, has illustrated many great fictions that one of them is The Mill on the Floss in which Maggie Tulliver, as the key character, lives in a family in which she has been discriminated against by her family members and even other people in the society because of the blackness of her eyes and hair, and her dark skin. People know her as an evil girl because of the blackness that she owns. But oppositely, Maggie tries to change their negative views to her by being kind and having good behavior. This paper has an analytic review on this character in this novel to explore her personality, behavior, and responsibility and the reactions of her family and other characters to Maggie.
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Pereira, Paulo Henrique Rodrigues, e Caio Henrique Dias Duarte. "A BIBLIOTECA PESSOAL DO VISCONDE DO RIO BRANCO". PontodeAcesso 16, n. 3 (29 dicembre 2022): 467–82. http://dx.doi.org/10.9771/rpa.v16i3.52320.
Testo completoAbstract (sommario):
O presente artigo busca analisar a construção e o diálogo de ideias na política do Brasil Império, a partir do acervo específico da biblioteca particular de José Maria da Silva Paranhos, Visconde do Rio Branco (1819-1880), figura síntese da elite imperial. Considerando sua influência em processos como a construção da Paz Platina e a Lei do Ventre Livre, as marcas de proveniência e as anotações de sua biblioteca, hoje no acervo do Ministério das Relações Exteriores no Rio de Janeiro, serão interpretadas e relacionadas com sua atuação política, diplomática e jurídica, além de sua formação intelectual e diálogo com outros atores da época. Com isso, procura-se demonstrar um panorama da construção da história e dos eventos de seu tempo a partir de sua relação com os livros e de seu ex-libris a suas notas e correções.
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SHAVRIN, ALEXEY V. "Two new species and faunistic records of the genus Mannerheimia Mäklin, 1880 from India, Nepal and China, and additional notes on some eastern Palaearctic species of Omaliinae Macleay, 1825 (Coleoptera: Staphylinidae)". Zootaxa 5319, n. 4 (27 luglio 2023): 524–36. http://dx.doi.org/10.11646/zootaxa.5319.4.3.
Testo completoAbstract (sommario):
New taxonomic and faunistic data for four species of the genus Mannerheimia Mäklin, 1880 from India, Nepal and China are provided. Two new species from the Himalayan Region are described and illustrated: M. prolongata sp.n. (India, Uttarakhand) and M. punctatissima sp.n. (Eastern Nepal, Taplejung). The distribution map for both new species is given. Faunistic and diagnostic data for several species of Omaliinae Macleay, 1825 from the Eastern Palaearctic Region are also given. New diagnostic data for Acrolocha rogeri Shavrin, 2017 and Amphichroum telnovi Shavrin, 2021 are provided. Depositories of the type material for three species of the genus Anthobium Leach, 1819 are clarified. The modified distributional maps for Amphichroum pindarense Champion, 1920, A. telnovi and A. anthobioides Champion, 1925 are provided. Several species are recorded from the certain area for the first time: Acidota crenata (Fabricius, 1792) from Kyrgyzstan, Acrulia inflata (Gyllenhal, 1813) from Maritime Province of Russia, Amphichroum pindarense from Nepal, A. telnovi from India, and M. hartmanni Shavrin, 2018 from the eastern part of Nepal (Solukhumbu).
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Öğünç, Ömer. "BETTING, SELF-TRANSFORMATION AND SINFUL RESPECTABILITY: PARADOXICAL RELIGIOUSNESS IN SILAS MARNER". Karadeniz Uluslararası Bilimsel Dergi, n. 62 (25 maggio 2024): 1–14. http://dx.doi.org/10.17498/kdeniz.1472790.
Testo completoAbstract (sommario):
One of the leading authors of the Victorian era with her important novels well known for realistic depictions of the nineteenth-century English society and providing an insight into the psychology of her characters, George Eliot (1819-1880) focuses on social arena in the early decades of the era with Silas Marner (1861) that juxtaposes a lower-class protagonist with middle class norms and represents a highly controversial account of religious and social interaction. Eliot’s Silas Marner is preceded by Adam Bede (1860) and The Mill on the Floss (1860), both of which are masterpieces for Victorian novel, and it is one of the lesser works due to its popularity back in the day. However, the novel invites a critical analysis due to the representation of the dynamics between religious faith and devotion to ethics resulting from the infamous decision and the fate that befalls on the protagonist Silas. Silas Marner marks a controversial point in the understanding of Victorian religiousness due to the protagonist’s association of faith with the result of his betting. Therefore, the novel is analysed as an account of paradoxical middle-class values based on the dichotomy between the highly promoted religious understanding and the infamous fate of Silas following his adherence to social and religious teachings. Through social criticism, the aim of this study is to demonstrate that the notions of individuality and individual’s happiness traditionally represented in Victorian fiction have been deceptive and misleading from the beginning of the industrial era.
Tesi sul tema "1819-1880"
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Law-Viljoen, Bronwyn. "A hermeneutical study of the Midrashic influences of biblical literature on the narrative modes, aesthetics, and ethical concerns in the novels of George Eliot". Thesis, Rhodes University, 1993. http://hdl.handle.net/10962/d1002279.
Testo completoAbstract (sommario):
The thesis will examine the influence of Biblical literature on some of the novels of George Eliot. In doing so it will consider the following aspects of Eliot criticism: current theoretical debate about the use of midrash; modes of discourse and narrative style; prophetic language and vision; the influence of Judaism and Jewish exegetical methods on Adam Bede, "The Lifted Veil", The Mill on the Floss, Felix Holt, and Daniel Deronda. Literary critics have, for a long time, been interested in the influence of the Bible and Biblical hermeneutics on literature and the extent to which Biblical narratives and themes are used typologically and allegorically in fiction has been well researched. In this regard, the concept of midrash is not a new one in literary theory. It refers both to a genre of writing and to an ancient Rabbinic method of exegesis. It has, however, been given new meaning by literary critics and theoriticians such as Frank Kermode, Harold Bloom, and Jacques Derrida. In The Genesis of Secrecy, Kermode gives a new nuance to the word and demonstrates how it may be used to read not only Biblical stories but secular literature as well. It is an innovative, self-reflexive, and intricate hermeneutic processs which has been used by scholars such as Geoffrey Hartman and Sanford Budick, editors of Midrash and Literature, a seminal work in this thesis. Eliot's interest in Judaism and her fascination with religion, religious writing, and religious characters are closely connected to her understanding of the novelist's role as an interpreter of stories. In this regard, the prophetic figure as poet, seer, and interpreter of the past, present, and future of society is of special significance. The thesis will investigate Eliot's reinterpretation of this important Biblical type as well as her retelling of Biblical stories. It will attempt to establish the extent to which Eliot's work may be called midrash, and enter the current debate on how and why literary works have been and can be interpreted. It will address the questions of why Eliot, who abjures normative religious faith, has such a profound interest in the Bible, how the Bible serves her creative purposes, why she is interested in Judaism, and to what extent the latter informs and permeates her novels.
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Fontes, Janaina Gomes. "George Eliot : a maternidade ressignificada". reponame:Repositório Institucional da UnB, 2014. http://repositorio.unb.br/handle/10482/15531.
Testo completoAbstract (sommario):
Tese (doutorado)—Universidade de Brasília, Instituto de Letras, Departamento de Teoria Literária e Literaturas,Programa de Pós-Graduação em Literatura, 2014.Submitted by Albânia Cézar de Melo (albania@bce.unb.br) on 2014-04-30T14:08:57Z No. of bitstreams: 1 2014_JanainaGomesFontes.pdf: 1834313 bytes, checksum: 0629da2461016856df2d73659acaad1e (MD5)
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O presente trabalho objetiva analisar o tema da maternidade nos romances da escritora inglesa do século XIX Mary Ann Evans, que publicou sua obra sob o pseudônimo de George Eliot. Embora a maternidade seja um tema constante em sua produção ficcional, ela não tem sido suficientemente explorada nos inúmeros estudos críticos que identifiquei sobre a obra da escritora. O foco desses estudos quase nunca se volta para suas personagens femininas, para suas experiências, apesar de os romances de Eliot nos apresentarem uma rica variedade de mulheres de diversas classes sociais da sociedade vitoriana, com diferentes e complexas experiências, inclusive a da maternidade. Eliot, que optou por não ter filhos, retrata mães em diversas situações, apresentando desde aquelas mulheres que exercem o papel de mães tradicionais, até mulheres que se tornam transgressoras dos valores da época e desafiam esse papel. Objetivo analisar a representação da maternidade em seus sete romances – Adam Bede (1859), Silas Marner (1860), The Mill on the Floss (1861), Romola (1863), Felix Holt, The Radical (1866), Middlemarch (1874) e Daniel Deronda (1876) – desenvolvendo novas leituras de sua produção ficcional, a partir da perspectiva dos estudos feministas e de gênero. Com esse estudo, espero contribuir para novas perspectivas sobre esse tema e para a problematização e desconstrução de valores e mitos patriarcais. ______________________________________________________________________________ ABSTRACT
The present work aims to analyze the theme of motherhood in the novels of the 19th century English writer Mary Ann Evans, who published her writings under the pseudonym George Eliot. Although motherhood is a recurrent theme in her fictional production, it has not been sufficiently explored in the innumerable critical studies I identified about her work. The focus almost never is on her female characters, on their experiences, though Eliot’s novels present a rich variety of women of diverse social classes of Victorian society, with different and complex experiences, including motherhood. Eliot, who opted against having children, portrays mothers in different situations, presenting those women who perform the role of traditional mothers and women who become transgressors of the values of the epoch and defy this role. I intend to analyze the representation of motherhood in her seven novels – Adam Bede (1859), Silas Marner (1860), The Mill on the Floss (1861), Romola (1863), Felix Holt, The Radical (1866), Middlemarch (1874) e Daniel Deronda (1876) – developing new readings of her fictional production, from the perspective of the feminist and gender studies. With this study I hope to contribute to new perspectives of this theme and to the problematization and deconstruction of patriarchal values and myths.
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Koo, Seung-Pon. "The Politics of Sympathy: Secularity, Alterity, and Subjectivity in George Eliot's Novels". Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc12145/.
Testo completoAbstract (sommario):
This study examines the practical and political implications of sympathy as a mode of achieving the intercommunicative relationship between the self and the other, emphasizing the significance of subjective agency not simply guided by the imperative category of morality but mainly enacted by a hybrid of discourses through the interaction between the two entities. Scenes of Clerical Life, Eliot's first fictional narrative on illuminating the intertwining relation of religion to secular conditions of life, reveals that the essence of religion is the practice of love between the self and the other derived from sympathy and invoked by their dialogic discourses of confession which enable them to foster the communality, on the grounds that the alterity implicated in the narrative of the other summons and re-historicizes the narrative of the subject's traumatic event in the past. Romola, Eliot's historical novel, highlights the performativity of subject which, on the one hand, locates Romola outside the social frame of domination and appropriation as a way of challenging the universalizing discourses of morality and duty sanctioned by the patriarchal ideology of norms, religion, and marriage. On the other hand, the heroine re-engages herself inside the social structure as a response to other's need for help by substantiating her compassion for others in action. Felix Holt, the Radical, Eliot's political and industrial novel, investigates the limits of moral discourse and instrumental reason. Esther employs her strategy of hybridizing her aesthetic and moral tastes in order to debilitate masculine desires for moral inculcation and material calculation. Esther reinvigorates her subjectivity by simultaneously internalizing and externalizing a hybrid of tastes. In effect, the empowerment of her subjectivity is designed not only to provide others with substantial help from the promptings of her sympathy for them, but also to fulfill her romantic plot of marriage.
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Henri-Lepage, Savoyane. "Traduire les voix dans The mill on the Floss de George Eliot". Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=81495.
Testo completoAbstract (sommario):
The Mill on the Floss, by Victorian novelist George Eliot, is a polylinguistic novel in Bakhtine's sense of the word in that it integrates the linguistic diversity of the society which it depicts. This novel published in 1860 was translated six times into French but never enjoyed a great reception in France. We examine three translations in this thesis: the first is by Francois D'Albert-Durade (1863), the second is by Lucienne Molitor (1957) and the last is by Alain Jumeau (2003).D'Albert-Durade's translation evacuates the linguistic diversity in order to shape the novel to the requirements of the target literary polysystem. Molitor, by homogenising the eliotian prose, turns the canonised English novel into a French popular novel. Jumeau, for his part, by rehabilitating the peasant sociolect in his translation, marks the beginning of a rehabilitation movement of George Eliot in France. This study, through the analysis of the voice of a few key characters, attempts to follow the French "translative journey" of The Mill on the Floss.
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Tang, Maria. "Les fils du texte : trame et dechirure dans les romans de george eliot". Paris 3, 1996. http://www.theses.fr/1997PA030004.
Testo completoAbstract (sommario):
Dans une de ses metaphores recurrentes, celle du tissage, george eliot associe l'activite symbolique de l'ecrivain au travail du tissage. Dans l'oeuvre de la romanciere victorienne, un fil est tendu non seulement vers l'analogie traditionnelle entre tissage et ecriture, mais aussi vers ce qui transforme et remet en cause la validite de cette metaphore de la creation artistique. Cette etude developpe la metaphore etymologique du texte comme tissage sous les trois aspects d'une thematique, d'une ideologique et d'une poetique. La recherche suit les differentes lignes inspirees par les dimensions multiples du "fil". La premiere partie, "trames de vie, trames de mots", etudie la fonction heuristique du fil en tant qu'instrument d'exploration de la fiction eliotienne. La deuxieme partie, "au fil de l'eau : derives du sens", s'interesse a quelques variantes structurelles du fil dans l'imaginaire eliotien, comme le fleuve, la foule et la sympathie. L'etude de la sympathie debouche sur la valorisation de l'affiliation par rapport a la filiation, et cette remise en cause de la filiation fait l'objet de la troisieme partie, "filiations, transmissions, representations". La derniere partie, "du corps plein a l'entre-deux", est centree sur le corps, comme l'expression d'une dechirure, de la negativite constitutive de la representation et de l'ecritureIn a recurrent metaphor, george eliot associates the symbolic activity of the writer with that of the weaver. Yet her novels are informed not only by the traditional analogy between writing and weaving, but also by the transformation and problematisation, the "entanglement", of this received metaphor of artistic creation. The etymological bond between the textile and the textual, and the underlying cultural assumptions common to the structure and construction of both, invite an exploration of the motif of the thread as a paradigm of narrativity. Part one studies the heuristic function of the thread as an instrument of narrative investigation in the fiction of george eliot. Part two focuses on some of the structural variants of the thread in eliot's novels, such as the river, the crowd and the eliotian notion of sympathy. The analysis of "sympathy" discerns a preference for affiliation over filiation in the novels, and this undermining of filiation and of genealogical structures in general is the subject of part three. Finally, part four examines the recurrent imagery of the body lacerated, divided and cut asunder as the expression of the negativity which is constitutive of the act of writing and representation
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Routier, Hélène. "D’une esthétique métakitsch sur la scène contemporaine : évolution de la notion de kitsch et son usage au second degré dans des mises en scène d’opérettes de Jacques Offenbach au XXIe siècle". Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA005.
Testo completoAbstract (sommario):
Le spectacle vivant actuel fait la part belle à des représentations légères, divertissantes, qui jouent avec le mauvais goût et intègrent la culture de masse. Il se dégage alors de certaines mises en scène, à la valeur artistique pourtant indéniable, une tonalité qui amène à les qualifier de kitsch. Or, selon Hermann Broch, le kitsch est “l’anti-art” par excellence. Cette contradiction tient au fait que, lorsque le kitsch est envisagé à distance, comme l'ont démontré Susan Sontag et Guy Scarpetta, à un second degré, il peut accéder à l’art. Pour qualifier de kitsch une représentation sans que cela renvoie à un jugement de valeur dépréciatif et afin de comprendre les modalités de ce renversement, il faut au préalable identifier le kitsch. En s’appuyant sur les définitions de cette notion par des penseurs comme Walter Benjamin ou Clement Greenberg et sur les descriptions des propriétés du kitsch par Abraham Moles et Christophe Genin, cette thèse s'arrête, notamment, sur le rôle du processus autoréflexif de la métathéâtralité. Celle-ci permet en effet au kitsch, en se dénonçant comme tel, de devenir un outil scénique qui produit une esthétique que nous appelons métakitsch. Dans l’objectif de saisir concrètement les enjeux, les effets et les limites de cette esthétique, l’opérette s'est avérée le genre théâtral le plus propice. Aussi la deuxième partie de cette étude est-elle centrée, d’une part sur quatre œuvres de Jacques Offenbach par un même metteur en scène, Laurent Pelly, de l’autre sur l’analyse comparative de quatre représentations de La Belle Hélène d’Offenbach par des metteurs en scène différents. Il en ressort que l’utilisation du kitsch, qui offre une grande liberté aux metteurs en scène, engendre des spectacles souvent ironiques, voire caustiques, hybrides, éclectiques et ludiques. L’utilisation du kitsch, de l'anti-art dans l'art, semble répondre aux besoins de renouveau du publicModern live shows tend to be light and fun affairs which integrate with bad taste and popular culture. Some stagings, which possess an undeniable artistic value, have emerged with a tone that one could call kitsch. According to Hermann Broch, kitsch is the "anti-art". This contradiction arises because, as Susan Sontag and Guy Scarpetta have demonstrated, when kitsch is considered at a distance, with irony, it can be considered art. To call a show kitsch in a non-pejorative manner, and in order to understand the manner of this reversal, one must first define kitsch. Based on the definitions of this notion by thinkers like Walter Benjamin and Clement Greenberg and the descriptions of the properties of kitsch by Abraham Moles and Christophe Genin, this dissertation will notably end with the role of the self-reflexive process of metatheatre. This allows kitsch, in identifying it as such, to become a tool for the stage that produces an aesthetic that we call metakitsch. In terms of concretely defining the stakes, the effects and the limits of this aesthetic, the operetta has proved to be the most suitable theatrical genre. The second part of this study is centered, on the one hand, on four works by Jacques Offenbach presented by the same director, Laurent Pelly, and on the other, on a comparative analysis of four representations of La Belle Helene by Offenbach, presented by different directors. It will emerge that the use of kitsch, which offers a great deal of freedom to directors, produces spectacles that are often ironic, even caustic, hybrid, eclectic and playful. The use of kitsch, of anti-art in art, seems to meet the public's need for something new
7
Boulerial, Leila. "Mise en scène de l'acte et morale de la personne dans les romans de George Eliot". Paris 3, 2001. http://www.theses.fr/2001PA030087.
Testo completoAbstract (sommario):
Afin de mieux cerner les mécanismes qui régissent la pensée et l'acte, George Eliot donne naissance dans ses romans à des personnages qui semblent dans un premier temps préservés des aléas du hasard et de l'imprévu. A la suite de multiples éléments imprévisibles de changement, les personnages se retrouvent contrariés dans leur quiétude habituelle. Qu'ils l'approuvent ou non les personnages sont contraints d'agir. Ce n'est qu'à ce prix qu'ils parviennent à se démarquer de la société à laquelle ils appartiennent. Leurs actes sont déterminés par le hasard, l'hérédité, leur milieu social mais aussi leur libre arbitre. Les personnages s'interrogent ensuite sur leur responsabilité quant à ce qu'ils ont volontairement ou involontairement entrepris. Ce sont précisément les conséquences de leurs actes qui confirment soit leur responsabilité ou leurs absence de reponsabilité. .In order to reveal the mechanisms directing thoughts and acts, George Eliot presents characters in her novel which seem at first sight to be sheltered from the misfortunes of chance and the unexpected. Owing to numerous unpredictable causes of change, the peacefulness of the caracters'lives is disturbed. Whether they like it or not, they are forced to act. It is only at this cost that they are able to mark themselves out from the society they belong to. Their acts are shaped by chance, heredity, their social milieu and also their free will. Then comes the questioning of their responsibility with regard to what they have undertaken, deliberately or not. It is precisely the consequences of their acts which confirm t eir responsibility. .
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Henchey, Karen. "The keen, settled mind : the language of the citizens in George Eliot's fiction". Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=66141.
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Vitaglione, Daniel. "George Eliot and George Sand : a comparative study". Thesis, University of St Andrews, 1990. http://hdl.handle.net/10023/15069.
Testo completoAbstract (sommario):
The thesis is a comparative study of George Eliot and George Sand. Numerous references to Sand in Eliot's correspondence, as well as in Lewes's criticism, show that the link between the two female authors was more profound than suspected. Lewes and Sand met and corresponded for a few years and his art theory is greatly indebted to Sand's novels. Sand also exerted a profound influence on Eliot's intellectual and artistic development before Eliot met Lewes. Sand was her "divinity." However, it is Lewes who encouraged Eliot to follow in Sand's footsteps. The thesis is thematic and compares first the impact of Sand's religious novels such as Spiridion and Lélia. Then their social thought is examined, with novels such as Le pêche de Monsieur Antoine and Felix Holt, the Radical. The third part deals with their conception of art, with special attention to the doctrine of Realism and to Sand's rustic novels. Their conception of women is also examined as well as their position on the question of woman's liberation. Finally, I compare their views of the complex relationship between femaleness and literature, in the light of recent feminist criticism.
10
Goninet, Philippe. "La collaboration Meilhac - Halevy - Offenbach". Tours, 1994. http://www.theses.fr/1994TOUR2042.
Testo completoAbstract (sommario):
A partir de 1862, un compositeur déjà célèbre et joue dans le monde entier, Jacques Offenbach commence à travailler en collaboration avec deux librettistes, Henri Meilhac et Ludovic Halévy. Ce travail exceptionnel a permis en quelques années l'avènement d'un genre vocal original et typiquement français : l'opéra-bouffe ; du brésilien, une simple pièce en un acte écrite en 1863, à "La Boulangère a des écus" en 1875, six chefs-d’œuvre ont vu le jour : "La Belle Hélène" (1864), "Barbe-bleue" (1866), "La Vie parisienne" (1866), "La Grande-duchesse de Gerolstein" (1867), "La Périchole" (1868), "Les Brigands" (1869). Notre démarche est tout d'abord chronologique ; la place de ces auteurs dans leur temps est évoquée, la genèse de ces pièces est établie avec précision, faisant apparaitre leur état avant l'édition en se basant notamment sur les livrets de censure. Nous montrons ensuite la richesse culturelle dissimulée dans les livrets : chaque pièce révèle une quantité gigantesque d'allusions théâtrales, littéraires, poétiques, voire philosophiques, comme si sa substance même était un tissu de citations allant du Grand siècle à l'époque contemporaine. La partie musicale réalise une synthèse de ces paramètres : comment mettre en musique un texte aussi riche ? Après avoir établi l'allure générale d'un opéra-bouffe, montrant ses formes instrumentales et vocales, nous nous attachons à mettre en lumière l'originalité de la prosodie ; la musique met en scène des mots qui ont déjà une valeur musicale : Offenbach est aussi librettiste, et ses librettistes, Halévy en particulier, connait la langue musicale. Le rire en musique est sans doute la facette la plus spectaculaire de ce travail.
Libri sul tema "1819-1880"
1
Vargas, Karim León. La república, 1819-1880. Bogotá, Colombia: Editorial Universidad del Rosario, 2019.
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2
Luez, Philippe. Jacques Offenbach (1819-1880): Musicien européen. Anglet: Séguier, 2001.
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3
Rayhrer, Annemarie. Karl Christian Planck, 1819-1880: Bibliographie. Stuttgart: Württembergische Landesbibliothek, 1987.
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4
Neale, Catherine. George Eliot, Middlemarch. London, England: Penguin Books, 1989.
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5
1947-, Peck John, a cura di. Middlemarch, George Eliot. New York: St. Martin's Press, 1992.
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Rodríguez Jiménez, Pablo. La República, 1819-1880. Universidad del Rosario, 2019. http://dx.doi.org/10.12804/ll9789587843248.
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Elliott, George. Middlemarch. Creative Media Partners, LLC, 2012.
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8
Elliott, George. Middlemarch. Creative Media Partners, LLC, 2012.
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9
Hardy, Barbara. George Eliot: A Critic's Biography. Bloomsbury Publishing Plc, 2006.
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10
Stevenson, Juliet, e George Elliott. Middlemarch. Howes Limited, W. F., 2013.
Cerca il testo completoCapitoli di libri sul tema "1819-1880"
1
Cantwell, Nancy Marck. "“A Woman Whom Men Could More Than Love”: Transfiguring the Unlovely in George Eliot (1819–1880)". In Biographical Misrepresentations of British Women Writers, 249–64. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-56750-1_14.
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2
"George Eliot (1819–1880)". In London, 402. Harvard University Press, 2015. http://dx.doi.org/10.2307/j.ctv22jnsm7.92.
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3
"Front Matter". In La República, 1819-1880, 1–7. Editorial Universidad del Rosario, 2019. http://dx.doi.org/10.2307/j.ctvx5w86p.1.
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Garnica, Armando Martínez. "ESTADO Y FUNCIÓN PÚBLICA EN LA REPÚBLICA". In La República, 1819-1880, 69–80. Editorial Universidad del Rosario, 2019. http://dx.doi.org/10.2307/j.ctvx5w86p.10.
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Polo, Marco Manuel Forero. "LA ECONOMÍA DEL SIGLO XIX". In La República, 1819-1880, 83–90. Editorial Universidad del Rosario, 2019. http://dx.doi.org/10.2307/j.ctvx5w86p.11.
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Mesa, Gloria Patricia Lopera. "LOS RESGUARDOS INDÍGENAS Y LA CUESTIÓN AGRARIA EN EL SIGLO XIX". In La República, 1819-1880, 91–100. Editorial Universidad del Rosario, 2019. http://dx.doi.org/10.2307/j.ctvx5w86p.12.
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Espinosa, Iván. "LA ABOLICIÓN DE LA ESCLAVITUD". In La República, 1819-1880, 101–10. Editorial Universidad del Rosario, 2019. http://dx.doi.org/10.2307/j.ctvx5w86p.13.
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Guerrero, José David Cortés. "ESTADO-IGLESIA EN COLOMBIA EN EL SIGLO XIX". In La República, 1819-1880, 111–20. Editorial Universidad del Rosario, 2019. http://dx.doi.org/10.2307/j.ctvx5w86p.14.
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Carvajal, Beatriz Castro. "LA ASISTENCIA SOCIAL A LOS POBRES Y DESVALIDOS EN LAS PRIMERAS DÉCADAS DE LA COLOMBIA REPUBLICANA". In La República, 1819-1880, 121–30. Editorial Universidad del Rosario, 2019. http://dx.doi.org/10.2307/j.ctvx5w86p.15.
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Ardila, Daniel Gutiérrez. "UN SIGLO DE PARTIDOS". In La República, 1819-1880, 133–44. Editorial Universidad del Rosario, 2019. http://dx.doi.org/10.2307/j.ctvx5w86p.16.
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