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Letteratura scientifica selezionata sul tema "1692-1770"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 5 febbraio 2022

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Articoli di riviste sul tema "1692-1770"

1

Molin, G., G. Salviulo e P. Guerriero. "A Crystal-Chemical Study of Remains found in the Tomb of Giuseppe Tartini (1692-1770)". Archaeometry 44, n. 1 (febbraio 2002): 107–16. http://dx.doi.org/10.1111/1475-4754.00046.

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2

Barnard, Toby. "Ireland and empire, 1692–1770. By C. I. McGrath. Pp xiv, 310. London: Pickering and Chatto. 2012. £60 hardback." Irish Historical Studies 38, n. 152 (novembre 2013): 723–24. http://dx.doi.org/10.1017/s0021121400002042.

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3

Graham, A. "Ireland and Empire, 1692-1770, by Charles Ivar McGrath * The Militia in Eighteenth-Century Ireland: In Defence of the Protestant Interest, by Neal Garnham". English Historical Review 128, n. 535 (27 novembre 2013): 1586–90. http://dx.doi.org/10.1093/ehr/cet302.

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4

Angus, Bill. "Going down to the crossroads: popular music and transformative magic". Popular Music 39, n. 2 (maggio 2020): 257–69. http://dx.doi.org/10.1017/s0261143020000379.

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If there is a single narrative that captures the modern understanding of transformative crossroads magic it is the spurious fable of the selling of Robert Johnson's soul. When, in the palaeoanthropology of 20th century rock and roll music, the biographers of the short-lived blues legend claimed that he had been down to the Dockery Plantation crossroads at midnight to sell his soul to the Devil in exchange for guitar skills, they were perhaps unwitting witnesses to the deep history of myth and ritual that has long been associated with the transformative space of the crossroads. They were not lacking in foresight, however, about the way in which such a claim would enhance their subject's credibility. The value of such a sulphurous reputation for a musician is not merely a recent phenomenon but also has historical precedents. A hundred years before Johnson (who lived 1911–1938), the guitarist and violinist Niccolo Paganini (1782–1840) was considered such a suspiciously devilish virtuoso that his audiences were reputed to cross themselves before his concerts in hope of protection from subtle demonic influence. One audience member even fled a concert after reporting seeing the Devil himself aiding Paganini's performance. Going a little further back, Giuseppe Tartini (1692–1770) explained of his best-known sonata, The Devil's Trill (1713), that he had ‘written down the piece after waking from a particularly vivid dream of the Devil playing a violin with ferocious virtuosity’, and claimed that it was ‘but a shadow of what he had witnessed in the dream, for he was unable to capture on the page the Devil's full intensity’. His long career was certainly not harmed by this youthful excursion into Hell.

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5

WALLS, PETER. "GIUSEPPE TARTINI (1692–1770) SONATE A VIOLINO SOLO; ARIA DEL TASSO Chiara Banchini (violin), Patrizia Bovi (soprano) Zig-Zag Territoires, ZZT080502, 2006/2007; one disc, 69 minutes - GIUSEPPE TARTINI (1692–1770), FRANCESCO MARIA VERACINI (1690–1768) THE DEVIL'S TRILL: SONATAS BY GIUSEPPE TARTINI [AND FRANCESCO MARIA VERACINI] Rodolfo Richter (violin), Susanne Heinrich (viola da gamba), Silas Standage (harpsichord), William Carter (archlute, baroque guitar) / Palladians Linn, CKD 292, 2008; one disc, 61 minutes". Eighteenth Century Music 7, n. 2 (30 luglio 2010): 314–16. http://dx.doi.org/10.1017/s1478570610000230.

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6

Sughra, Mariam, Farwa Fatima, Mouzma Marrium e Khizer Abbas. "Maternal health expenditures and health seeking behavior among lowest wealth quintile of the rural population in an under developed district of the Punjab, Pakistan". International Journal of Reproduction, Contraception, Obstetrics and Gynecology 7, n. 7 (27 giugno 2018): 2579. http://dx.doi.org/10.18203/2320-1770.ijrcog20182505.

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Background: Expenditures on maternal health is important factor to determine the health seeking behavior in pregnant women among the lowest economical section of Pakistan. This study was carried out determine the maternal health expenditures and health seeking behavior among lowest wealth quintile of rural Rahim Yar Khan.Methods: Sample Size: For this cross- sectional study, a total of 230 subjects were involved in the study from rural areas of Rahim Yar Khan including Basti Bahishti, Bah-o-Bahar and Chak 83/P. This study was comprised of duration of 06 months from 02/03/2016 to 04/09/2016. The head of Family (Husband) with monthly income less than 15000 Pakistani rupees (PKR) were included and marriage with in last 5 years with at alive delivery. While subjects having income more than 15000 PKR and not willing to participate in study were excluded from the study.Results: People with mean monthly income of PKR. 1176±4109 spent mean amount of PKR. 146442 ± 7747 on their marriages. While the mean expenses on treatment of complication in the last pregnancy were PKR. 35808±6771 and the amount saved for the treatment of complication was PKR. 2750±1157 only. Mean antenatal expenses were PKR. 1807±3335, Mean expenses on delivery were PKR. 7351±855 as compared to the money saved for delivery was PKR. 6115±1460. Mean expenses on complications during delivery were PKR. 1692±523. Mean expenses on postnatal care were PKR.8596±3597 while the mean amount used for treatment of postnatal complications were of PKR. 2451±560. Mean expenses on birth celebrations were of PKR. 7697±832.Conclusions: Present study reveals that there is a high financial cost of maternal health expenditures paid by the lowest wealth quintile in rural areas of Rahim Yar Khan when compared with the income of this quintile. Access of the people to the health sector is still limited due to low income of people, low health education and unavailability of health services in rural areas and even in 2017.

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7

CROSS, ERIC. "FRANCESCO NAVARA (fl. 1695–1699), COMPOSER X (fl. c1695), GIOVANNI LEGRENZI (1626–1690), TOMASO ALBINONI (1671–1751), GIUSEPPE VALENTINI (c1680–c1760), ANTONIO VIVALDI (1678–1741) THE RISE OF THE NORTH ITALIAN VIOLIN CONCERTO, 1690–1740 VOLUME 1. THE DAWN OF THE VIRTUOSO Adrian Chandler (violin), Mhairi Lawson (soprano)/La Serenissima/Adrian Chandler Avie AV2106, 2006; one disc, 78 minutes - ANTONIO VIVALDI (1678–1741) THE RISE OF THE NORTH ITALIAN VIOLIN CONCERTO, 1690–1740 VOLUME 2. ANTONIO VIVALDI: VIRTUOSO IMPRESARIO Adrian Chandler (violin), Mhairi Lawson (soprano), Sarah McMahon (violoncello), Gareth Deats (violoncello)/ La Serenissima/Adrian Chandler Avie AV2128, 2007; one disc, 77 minutes - ANTONIO VIVALDI (1678–1741), PIETRO LOCATELLI (1695–1764), GIOVANNI BATTISTA SAMMARTINI (1700/1701–1775), GIUSEPPE TARTINI (1692–1770) THE RISE OF THE NORTH ITALIAN VIOLIN CONCERTO, 1690–1740 VOLUME 3. THE GOLDEN AGE Adrian Chandler (violin)/La Serenissima/Adrian Chandler Avie AV2154, 2008; one disc, 80 minutes". Eighteenth Century Music 6, n. 2 (3 agosto 2009): 296–99. http://dx.doi.org/10.1017/s1478570609990121.

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8

"Ireland and empire, 1692-1770". Choice Reviews Online 50, n. 05 (1 gennaio 2013): 50–2878. http://dx.doi.org/10.5860/choice.50-2878.

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Tesi sul tema "1692-1770"

1

Caire, Elaine [UNESP]. "A história da origem da curva normal". Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/91024.

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Made available in DSpace on 2014-06-11T19:24:51Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-09-19Bitstream added on 2014-06-13T19:31:57Z : No. of bitstreams: 1 caire_e_me_rcla.pdf: 1389119 bytes, checksum: ea2e9b574c106bff7f9cf806fe23534b (MD5)
Esta investigação tem como objetivo a história da origem da curva normal identificando a contribuição de Abraham de Moivre na dedução da fórmula para a função densidade de distribuição normal. Serão analisados trechos de obras originais de Abraham de Moivre, Jacob Bernoulli, James Stirling
This research aims at the history of the origin of the normal curve identifying the contribution of Abraham de Moivre in deducing the formula for the density function of normal distribution. Parts of original works of Abraham de Moivre, Jacob Bernoulli, James Stirling will be analysed

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2

Wallace, Susan Murphree. "The Devil's trill sonata, Tartini and his teachings". 2003. http://wwwlib.umi.com/cr/utexas/fullcit?p3119653.

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3

Tartini, Giuseppe 1692-1770. "Six concertos for violin and string orchestra, 1733". 1986. http://web4.library.adelaide.edu.au/theses/09ARM/09armb949.pdf.

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4

Kwon, Yongsun 1974. "Structure and technique of the variation genre in selected violin sonatas of Corelli, Locatelli and Tartini". Thesis, 2006. http://hdl.handle.net/2152/12983.

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5

Kwon, Yongsun. "Structure and technique of the variation genre in selected violin sonatas of Corelli, Locatelli and Tartini". Thesis, 2006. http://hdl.handle.net/2152/2922.

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Libri sul tema "1692-1770"

1

McGrath, Charles Ivar. Ireland and Empire, 1692-1770. Taylor & Francis Group, 2016.

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2

McGrath, Charles Ivar. Ireland and Empire, 1692-1770. Routledge, 2015. http://dx.doi.org/10.4324/9781315653082.

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3

Ireland and Empire 1692-1770 (Empires in Perspective). Pickering & Chatto Ltd, 2008.

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