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Littérature scientifique sur le sujet « Zombie firm »

Auteur : Grafiati

Publié le 9 mars 2023

Mis à jour le 10 mars 2023

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Articles de revues sur le sujet "Zombie firm"

Schivardi, Fabiano, Enrico Sette et Guido Tabellini. « Identifying the Real Effects of Zombie Lending ». Review of Corporate Finance Studies 9, n^o 3 (7 juillet 2020) : 569–92. http://dx.doi.org/10.1093/rcfs/cfaa010.

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Abstract The policy response to COVID-19 includes the provision of credit guarantees to firms, a provision that may generate zombie lending. According to the recent literature, the relative performance of healthy firms deteriorates as the fraction of zombies increases. We argue that this literature faces a serious identification problem, because firm performance is often used to define zombies (sometimes implicitly). We show that, under general conditions for the distribution of firm performance, the correlation between healthy firm performance and zombies is a mechanical consequence of an increase in the fraction of zombies with no causal meaning. (JEL E44, G21) Received June 2, 2020; editorial decision June 23, 2020 by Editor Uday Rajan.

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Caballero, Ricardo J., Takeo Hoshi et Anil K. Kashyap. « Zombie Lending and Depressed Restructuring in Japan ». American Economic Review 98, n^o 5 (1 novembre 2008) : 1943–77. http://dx.doi.org/10.1257/aer.98.5.1943.

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Large Japanese banks often engaged in sham loan restructurings that kept credit flowing to otherwise insolvent borrowers (which we call zombies). We examine the implications of suppressing the normal competitive process whereby the zombies would shed workers and lose market share. The congestion created by the zombies reduces the profits for healthy firms, which discourages their entry and investment. We confirm that zombie-dominated industries exhibit more depressed job creation and destruction, and lower productivity. We present firm-level regressions showing that the increase in zombies depressed the investment and employment growth of non-zombies and widened the productivity gap between zombies and non-zombies. (JEL G21, G32, L25)

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Jung, Ki-Hun, Jae-Ik Lee et Hyun-Sik Kim. « A Study on the Determinants of Zombie Firms : Based on Debt ». Korea International Trade Research Institute 18, n^o 6 (31 décembre 2022) : 385–98. http://dx.doi.org/10.16980/jitc.18.6.202212.385.

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Purpose – This study empirically analyzes the effect of debt on the risk of entering zombie firms. Design/Methodology/Approach – This study empirically analyzes using a logistic model as to whether debt acts as a determinant of zombie firms using Korea listed firms data from 2010 to 2021. The risk of entering a zombie firms uses the interest coverage ratio. If the interest coverage ratio is less than 1, the risk of entering a zombie firm is considered to have occurred. Using the debt growth ratio and changes in total borrowings and bonds payable to total assets (TBBP) as explanatory variables, we analyze whether the debt increases the possibility of entering zombie firms. Findings – First, debt increasing has significant and positive effects on the risk of entering zombie firms, which is a factor that prevents the firm from continuing business activities as profitability deteriorates due to increased financial costs. Second, while the ratio of debt increase has significant result only at a specific stage, the change in TBBP is significant in all stages. This implies that weak financial structure stability has a greater effect on the possibility of firm insolvency than the burden of interest increases. Research Implications – This study has the following contributions. First, we confirm whether debt can act as a determinant of zombie firms. Second, by analyzing debt growth and debt dependence, we confirm that the weakening of financial stability has a greater impact on the risk of entering a zombie firm than the increase in financial costs.

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Deng, Ming, et Jinbo Wang. « Why do zombie firms seldom die or resurrect ? The effect of government subsidies on the survival duration of China’s zombie firms ». Economics 16, n^o 1 (1 janvier 2022) : 212–28. http://dx.doi.org/10.1515/econ-2022-0029.

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Abstract One of the most important tasks in China’s supply-side structural reform is to effectively clean up zombie firms. Using industrial firm-level data in China from 1998 to 2007, we identified zombie firms in Chinese industrial sectors. Based on the identified zombie firms, we measured the survival duration of zombie firms and empirically studied the effect of fiscal subsidies on the survival duration of zombie firms by using survival analysis. Results revealed that fiscal subsidies significantly lengthened the survival duration of zombie firms. Specifically, fiscal subsidies not only reduced the possibility of zombie firms exiting the market, but more importantly, they reduced the possibility of zombie firms’ resurrection. Thus, fiscal subsidies do not contribute to the “death” or “resurrection” of zombie firms. These results are robust despite changing the identification method and the survival analysis method, and considering the endogeneity of fiscal subsidies. Our findings show that we should adhere to market-oriented mechanism in disposing zombie firms and cut off the channels that government transfuses to zombie firms by fiscal subsidies.

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Novita, Santi, Bambang Tjahjadi et Andry Irwanto. « ZOMBIE DAN DIVERSIFIKASI DALAM MASA KRISIS KEUANGAN GLOBAL ». Jurnal Reviu Akuntansi dan Keuangan 9, n^o 3 (3 décembre 2019) : 295. http://dx.doi.org/10.22219/jrak.v9i3.9904.

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This study aims to examine whether a firm with a higher degree of related diversification is less likely to have a zombie condition during the global financial crisis. The research sample is non-financial firms listed on the Indonesia Stock Exchange in the year of the global financial crisis from 2007-2009. Data are analyzed using logistic regression. The results of the study indicate that a firm with a higher degree of related diversification is less likely to have a zombie condition during the global financial crisis. Furthermore, the effect of this diversification proves to be higher for a firm with a domestic orientation than an international orientation

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Góra, Daniel. « Zjawisko firm zombie i jego przyczyny ». Ekonomia 25, n^o 3 (15 novembre 2019) : 9–23. http://dx.doi.org/10.19195/2084-4093.25.3.1.

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The causes of the existence of zombie firms The aim of this paper is to specify and describe the factors that contribute to the prevalence of zombie firms, defined as old, unprofitable, nearly insolvent firms which normally would exit the market. Based on the review of the literature, mostly published by the Organization for Economic Co-operation and Development OECD, the Bank for International Settlements BIS and central banks, we conclude that the main causes of the rise of zombie firms in the last 10–20 years have been loose monetary policy especially after the outbreak of the financial crisis of 2007–2008, weak banking sector, overbanking of economies, government subsidies to enterprises and weaknesses of insolvency law. We consider the zombification of economies as a highly important issue since zombie companies could be lowering the pace of capital formation, productivity and economic growth by raising entry barriers, curbing Schumpeterian creative destruction and misallocating capital.

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Carreira, Carlos, et Joana Lopes. « The Role of Different Types of Creditors on Zombie Firm Creation ». Notas Económicas, n^o 55 (7 décembre 2022) : 129–40. http://dx.doi.org/10.14195/2183-203x_55_6.

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Despite the key role of trade creditors as sources of finance, the literature on their impact on the proliferation of zombie firms is rare. This study examines whether suppliers, such as banks, engage in “evergreen” lending to zombie firms and whether their behavior differs from that of banks. We found that highly productive, larger and younger firms are less likely to become zombie firms. The behavior of suppliers is, in fact, different from that of banks; they are indeed more cautious in lending to zombie firms. Unlike suppliers, banks seem to have contributed to the rise of resource misallocation, a key explanation for the productivity slowdown in the new century.

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HUANG, STERLING, et GILLES HILARY. « Zombie Board : Board Tenure and Firm Performance ». Journal of Accounting Research 56, n^o 4 (4 juillet 2018) : 1285–329. http://dx.doi.org/10.1111/1475-679x.12209.

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Yakushenkov, Serguey N., et Olesya S. Yakushenkova. « The Zombie as a Mirror of Modern Mass Culture ». Corpus Mundi 2, n^o 4 (27 décembre 2021) : 15–39. http://dx.doi.org/10.46539/cmj.v2i4.52.

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Zombies were and still are one of the most important symbols of modern mass culture. The zombie discourse originated among African slaves brought to the sugar plantations in the Caribbean. In many ways, the narratives of the “living dead” were a reaction to the crisis phenomena of plantation life. This is evidenced by the rich comparative material presented on many peoples of the world. Such notions of invulnerability after formal death proved to be an important tool of resistance to new conditions caused by external threats. Termed “revitalization,” they were an important element of the Millennialist movements. While initially the sorcerers who could bring themselves back to life were central to these beliefs, in the following period the focus shifted to the victims of various manipulations, transformed into soulless beings. Leaving the environment of their original “habitat,” zombies took on a new life, occupying a firm place in modern mass culture. Having become a symbol of ruthless exploitation of man, relegated to the level of a machine appendage, zombies proved to be one of the most “productive” symbols. They reflected the main trends in the development of society and even began to function as instruments of philosophical reflection. All this allows us to consider zombies as an indicator of altered society, producing new “walking dead”. The metaphors associated with zombies allows us to conclude that the comprehension of zombies makes modern man begin to perceive them constructively, creating a new image, demonstrating the movement towards humanization.

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Acharya, Viral V., Tim Eisert, Christian Eufinger et Christian Hirsch. « Whatever It Takes : The Real Effects of Unconventional Monetary Policy ». Review of Financial Studies 32, n^o 9 (21 janvier 2019) : 3366–411. http://dx.doi.org/10.1093/rfs/hhz005.

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Abstract Launched in Summer 2012, the European Central Bank’s (ECB) Outright Monetary Transactions (OMT) program indirectly recapitalized European banks through its positive impact on periphery sovereign bonds. However, the stability reestablished in the banking sector did not fully translate into economic growth. We document zombie lending by banks that remained weakly capitalized even post-OMT. In turn, firms receiving loans used these funds not to undertake real economic activity, such as employment and investment, but to build cash reserves. Creditworthy firms in industries with a high zombie firm prevalence significantly suffered from this credit misallocation, which further slowed the economic recovery. Received March 21, 2018; editorial decision November 13, 2018 by Editor Philip Strahan. Authors have furnished an Internet Appendix, which is available on the Oxford University Press Web site next to the link to the final published paper online.

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Thèses sur le sujet "Zombie firm"

MATHU, SHARON. « Essays in Macro-Finance ». Doctoral thesis, Università degli Studi di Milano-Bicocca, 2020. http://hdl.handle.net/10281/291152.

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Questa tesi contiene tre saggi di macroeconomia e finanza. Il capitolo 1 è un'indagine sulle tecniche utilizzate per risolvere economie di agenti eterogenei con attriti finanziari in tempo continuo. Il capitolo 2 studia l'impatto delle imprese zombi sull'economia. Il capitolo 3 esplora come l'impatto delle non banche sull'economia.
This dissertation contains three essays in macroeconomics and finance. Chapter 1 is a survey of the techniques used to solve heterogeneous-agent economies with financial frictions in continuous time. Chapter 2 studies the impact of zombie firms on the economy. Chapter 3 explores how the impact of nonbanks on the economy.

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Dias, Marina Santos. « Determinants of zombie firms in the eurozone ». Master's thesis, Instituto Superior de Economia e Gestão, 2021. http://hdl.handle.net/10400.5/23400.

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Mestrado Bolonha em Finanças
Este trabalho pretende analisar os determinantes de empresas zombie. Empresas zombie são empresas que sobrevivem apesar de apresentarem resultados negativos continuamente. Este estudo utiliza uma definição principal (empresa deve ter mais de 10 anos e apresentar uma taxa de cobertura de juros inferior a 1 por três anos consecutivos) e uma definição alternativa (definição principal e apresentar um rácio Tobin’s q e um ROE inferior à média do sector, por três anos consecutivos). Empresas zombie representam um fenómeno negativo, pois resultam em efeitos negativos sobre a produtividade e crescimento de outras empresas. Assim, a questão principal é: “Quais são os determinantes de empresas zombie na Zona Euro?”. As conclusões poderão ajudar a identificar, prever e evitar empresas zombie. Concluímos que empresas zombie são frequentemente pequenas e médias empresas, com 40 anos e que laboram em Consumo, Indústria, Saúde e Tecnologia. A probabilidade de uma empresa ser zombie cresce com corrupção, rácio de dívida e intangíveis e decresce com competitividade, ROA e rácio de liquidez. Concluímos também que cerca de 11% e 5.5% das observações são empresas zombie, sob a definição principal e alternativa, respetivamente.
This paper aims to study zombie firms’ determinants. Zombie firms are firms who manage to survive although they keep reporting negative equity. This paper uses a primary zombie definition (firm over 10 years old with an ICR below 1 for three years in a row) and an alternative definition (primary definition and a Tobin’s q ratio and an ROE below-median within the sector, for three years in a row). Zombie firms are a negative phenomenon who result in negative effects on other firms’ productivity and growth. Thus, the research question is: “What are the determinants of zombie firms in the Eurozone?”. Conclusions can be used to identify, predict, and avoid zombie firms. We find that zombie firms are often SME, around 40 years old and mostly present in the Consumer Cyclicals, Industrials, Healthcare and Technology. The probability of a firm being a zombie grows with corruption, debt ratio and intangibles and decreases with competitiveness, current ratio, and ROA. We also find that zombie firms represent around 11% and 5.5% of our observations under the primary and alternative definitions, respectively.
info:eu-repo/semantics/publishedVersion

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Olivieri, Jennevie A. « Generation Z (#Zombies) ». Digital Commons at Loyola Marymount University and Loyola Law School, 2015. https://digitalcommons.lmu.edu/etd/162.

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Maye, Valerie Renee. « Reviving the Romantic and Gothic traditions in contemporary zombie fiction ». Thesis, State University of New York at Buffalo, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10255511.

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This paper combines concepts from Romantic and Gothic literature with ecocriticism in order to discuss eco-zombies in Mary Shelley’s Frankenstein as well as the film, 28 Days Later and the texts that follow the film: the graphic novel, 28 Days Later: The Aftermath by Steve Niles, and the comic books series, 28 Days Later, by Michael Alan Nelson. Throughout this paper, nature, primarily through the eco-zombie interpretation of it, is read as a character in order to determine how much agency nature has over the human characters within the texts and film being discussed. The use Todorov’s narrative theory, in this paper, depicts the plots of these stories, specifically the changes to the lives of these characters and how they are affected by nature in various ways, to depict nature’s ever growing assertiveness over the humans that encounter it as well as how those humans attempt to overcome the disruptions that nature places on their sense of self. Both Frankenstein’s monster and the infected in 28 Days Later, when seen as eco-zombies, and therefore granting agency to nature, exert power of humans through physically affecting them as well as mentally.

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Limberg, Sebastian [Verfasser]. « Fremderscheinungen : Der Zombie in Film, Literatur und Ethnologie / Sebastian Limberg ». Bonn : Universitäts- und Landesbibliothek Bonn, 2019. http://d-nb.info/1175444537/34.

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Sanna, Sandro <1989&gt. « Zombie firms in China : characteristics and effects on the economy ». Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/17058.

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The phenomenon of zombie firms has been deeply analysed in the recent years, mostly regarding their involvement in Japan’s economic stagnation in the 1990s. Nowadays is becoming a reason for concern all around the world, but its causes, the actors involved and their effects on the economy may vary wildly from country to country. The aim of this work is to analyse the characteristics of this type of entities in Mainland China, the identification methodology and recent attempts in managing the phenomenon.

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Murphy, Kayleigh F. « (Un)dead Japan : A genre analysis of the Japanese zombie film ». Thesis, Queensland University of Technology, 2015. https://eprints.qut.edu.au/89741/4/Kayleigh_Murphy_Thesis.pdf.

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This study is an in-depth examination of the stylistic and generic characteristics of the Japanese zombie film and its relations to Japanese horror cinema and the conventions and tropes of Western zombie movies more generally. Through generic analysis of key Japanese zombie films released over the last 15 years, this study establishes the sub-genre's ties to transnational production practices and cult cinema. The first monograph length study of this kind, this study provides insight into the growing sub-genre of Japanese zombie films while concurrently broadening current scholarship and understanding of the zombie film genre.

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Montali, Margherita <1992&gt. « Zombie Economy in China : A research on Chinese firms’ financial statements ». Master's Degree Thesis, Università Ca' Foscari Venezia, 2018. http://hdl.handle.net/10579/13285.

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With China’s economy growing at its slowest pace in 26 years, Chinese government has to deal with its huge, inefficient and indebted state-owned companies in order to reduce industrial overcapacity and make broader effort to restructure the economy. As much as the 13% of the Chinese listed companies are considered to be “zombie enterprises”: companies that continue to operate even though they are insolvent or near bankruptcy. This phenomenon has its roots in the misallocation of resources and capital, issue that is becoming crucial in post-industrial China. This has the consequence of distorting competition, as privately held firms do not have access to such sources of debt and cannot keep pace with their competitors’ low prices. My dissertation project is divided in two big section: the aim of the first one is to give an overview on the Chinese economy, analysing the China debt and the transition towards privatisation and a more market driven economy, in addition to a focus on the “zombie enterprises” phenomenon along with their distribution across regions, ownership and sectors. The second section focuses on the analysis and interpretation of Chinese zombie SOEs’ financial statement in order to underline possible trends and government interventions in the enterprises’ governance.

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Green, Jr Alan Edward. « the post- 9/11 aesthetic : repositioning the zombie film in the horror genre ». Scholar Commons, 2013. http://scholarcommons.usf.edu/etd/4798.

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This dissertation explores a body of films produced after the events of 9/11, and while examining this specific point of departure, the author presents the argument on the vast cultural relevancy of the omnipresent zombie. These films are interrogative and complex, offering the viewing audience a rich tapestry of interwoven meanings. Furthermore, the author suggests that the zombie trope has, in fact, left the genre altogether, reinserted into a style of films he labels as "non-zombie appropriation." Chapter 1 introduces the zombie genre as both part of the larger horror genre aesthetic and as its' own legitimate subgenre. The zombie has a rich cinematic history, going back more than seven decades; heretofore, the last decade continues to see an unabated release of the viewing world's favorite creature. Chapter 2 examines 28 Days Later and the sequel 28 Weeks Later as critical films functioning as works that refocus the zombie for the twenty-first century. As no serious discussion of filmic zombies can occur without the immeasurable significance of George A. Romero, chapter 3 concentrates on the auteur reclaiming a genre he helped to invent with his films Land of the Dead and Diary of the Dead. These two works show a director that refuses to rest on his laurels by encoding these films with rich post-9/11 concerns. In chapter 4, the examination of the disparate films Equilbruim and The Happening discuss the utilization of non-zombie appropriations, films with no discernible zombies, but for all intents and purpose, imitate that specific narrative. By way of conclusion, chapter 5 continues the non-zombie trope with the abstract (and indeed postmodern) They Came Back. The chapter ends with an augmentation of the framework and with other concerns for the argument. This dissertation should be of interest to both horror scholarship overall and zombie films in particular. It aims to provide a refined reading of a significant body of works and add to the current and critical legitimization to this important style of cinematic artistry.

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O'Donnell, Stephen. « The revenant signifier : the zombie in comics and cinema ». Thesis, University of Dundee, 2015. https://discovery.dundee.ac.uk/en/studentTheses/f415dc63-7ab3-4772-a697-54aa922547e2.

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This thesis explores the zombie’s rise to prominence in popular culture, with a focus on its development within the comics medium. The zombie is not just a ‘floating signifier’ (according to Jerrold E. Hogle), but a revenant signifier, actively and aggressively linking with existing concepts, and transforming them. The thesis also considers both the zombie figure and zombie genre within the parameters of several media – comics, television, film, and literature. The medium of comics is examined in detail as it has evolved through the influence of the zombie just as the zombie has been reshaped by each new representation. In contemporary horror comics, The Walking Dead series is not just commercially successful, it exploits properties of the medium (including panel arrangement, transitions, repetition, and the liminal space within the gutter) to thoroughly explore the metaphors and allusions that have been associated with the zombie. I discuss these metaphors by charting the zombie’s development. A lack of pre-twentieth century literary texts featuring this creature frustrates easy comparison with the monsters of Gothic fiction. Rather than evolving within the novel form, as its rival horror icons have done, the zombie has maintained a visual and visceral identity, maturing with each new incarnation, and becoming ever more gruesome: the walking corpses of ancient texts; a symbol of eternal slavery within Haitian Voodoo folklore; and its modern interpretation as violent and virulent monster. The recent notion of a zombie plague has redefined the creature as a representation of modern fears, and has led to ‘zombie apocalypse’ becoming a commonly-used fantasy scenario. The zombie’s connection to apocalyptic literature is simultaneously ancient and contemporary, with the creature being a signifier of social disorder and disrupted identity. While the emphasis throughout is on the shifting relations between media, comics are the main focus of this study. The symbolism present in the zombie, and the political and cultural ideas stemming from its slow maturation are revealed within The Walking Dead and sustained through the functions of the comics medium. Through the application of Scott McCloud’s comics theory, the closure between panels and the transition within the gutter enhance these ideas, and provide further understanding of the zombie as depicted in comics. The visual/textual relationship within comics is compared with Jacques Lacan’s modalities of consciousness, and the psychoanalytic reading provided here explores the crises of identity within the zombie, and within the fragmented narrative of the comics medium. Alternative psychoanalytic readings, and the physiology/pathology of the zombie itself are undertaken, revealing the creature to be responsive to Julia Kristeva’s concept of the abject, and Slavoj Zizek’s postmodern reworking of Lacanian ideas. The thesis also returns to notions of the Gothic, haunted spaces, and the role of suburbia in the zombie narrative. This is augmented with a study of intertextuality and the “revenant” status of the zombie, and of comics. Through incorporating the critical theory of Kristeva, Mikhail Bakhtin, and Jacques Derrida, and by positioning in parallel comics theorist Thierry Groensteen’s concepts of braiding and arthrology, I emphasise the operations of the zombie figure in the comic book, and other media, asserting that the zombie is a revenant signifier continually returning and transforming, never resting, but endlessly cannibalising and reconstructing debate about identity, morality, and society.

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Livres sur le sujet "Zombie firm"

Fürst, Michael. Untot : Zombie, Film, Theorie. München : Belleville, 2011.

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Zombies : The complete guide to the world of the living dead. London : Canary Press, 2010.

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Zombies : The complete guide to the world of the living dead. New York : Chartwell Books, 2010.

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White zombie : Anatomy of a horror film. Jefferson, N.C : McFarland & Co., 2001.

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Raphaël, Colson, et Sévéon Julien, dir. Zombies ! Lyon : Moutons électriques, 2009.

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Adams, Ted. Resident evil : Fire and ice. La Jolla, Calif : Wildstorm, 2009.

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Ted, Adams. Resident evil : Fire and ice. La Jolla, Calif : Wildstorm, 2009.

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Thoret, Jean-Baptiste. Politique des zombies : L'Amérique selon George A. Romero. Paris : Ellipses, 2007.

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Young, R. G. The encyclopedia of fantastic film : Ali Baba to Zombies. New York : Applause, 1997.

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Undead obsessed : Finding meaning in zombies. [Seattle, WA] : Booktrope, 2014.

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Chapitres de livres sur le sujet "Zombie firm"

Nakamura, Jun-ichi. « Evolution and Recovery of Zombie Firms : Japan’s Experience ». Dans SpringerBriefs in Economics, 7–36. Tokyo : Springer Japan, 2016. http://dx.doi.org/10.1007/978-4-431-55918-4_2.

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Berger, James. « Propagation and Procreation : The Zombie and the Child ». Dans Race, Gender, and Sexuality in Post-Apocalyptic TV and Film, 149–63. New York : Palgrave Macmillan US, 2015. http://dx.doi.org/10.1007/978-1-137-49331-6_12.

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Nakamura, Jun-ichi. « Sluggish Reallocation of Productive Resources After the Recovery of Zombie Firms ». Dans SpringerBriefs in Economics, 37–44. Tokyo : Springer Japan, 2016. http://dx.doi.org/10.1007/978-4-431-55918-4_3.

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Cooke, Jennifer. « Plague, Zombies and the Hypnotic Relation : Romero and After ». Dans Legacies of Plague in Literature, Theory and Film, 163–84. London : Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230235427_8.

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Burke, Lauren, et Hannah K. Chapman. « Casting Mr Collins ; Or How a Zombie Film Returned Us to the Novel ». Dans Austen After 200, 187–207. Cham : Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-08372-3_9.

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Nakamura, Jun-ichi. « Investment Behavior of Reputable Firms After the Recovery of Zombie Firms : “Conservatism” and the “Pseudo Financial Constraint Effect” ». Dans SpringerBriefs in Economics, 45–68. Tokyo : Springer Japan, 2016. http://dx.doi.org/10.1007/978-4-431-55918-4_4.

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Lavin, Melissa F., et Brian M. Lowe. « Cops and Zombies : Hierarchy and Social Location in The Walking Dead ». Dans Race, Gender, and Sexuality in Post-Apocalyptic TV and Film, 113–24. New York : Palgrave Macmillan US, 2015. http://dx.doi.org/10.1007/978-1-137-49331-6_9.

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McKenna, Mark. « ‘What film is your film like’ ? Negotiating authenticity in the distributive seriality of the Zombi franchise ». Dans Horror Franchise Cinema, 145–58. London : Routledge, 2021. http://dx.doi.org/10.4324/9780429060830-8.

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Camilletti, Fabio. « The Living Dead and the Dying Living : Zombies, Politics, and the ‘Reflux’ in Italian Culture, 1977–1983 ». Dans Posthumanism in Italian Literature and Film, 255–73. Cham : Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39367-0_12.

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Aldana Reyes, Xavier. « Promethean Myths of the Twenty-First Century : Contemporary Frankenstein Film Adaptations and the Rise of the Viral Zombie ». Dans Global Frankenstein, 167–82. Cham : Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-78142-6_10.

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Actes de conférences sur le sujet "Zombie firm"

Zaytsev, Pavel. « Modernism, Publicness, Zombification : Gestalt of "Worker" by E. Junger, And Phenomena of Contemporary Exploitative Culture ». Dans The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-17.

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The need for researching into ideological sources of contemporary exploitative culture is necessitated by both the outer edge of its interaction with other triggers of modernity, and the inner edge consisting in the answer to the following question: ‘what is an exploitative culture?’. The modernism era gave rise not only to global mass culture, but diverse oppositions of ‘privacy’ and ‘publicity’ categories in their key anthropological images. It seems to us to be no coincidence that exploitative culture is presented by researchers primarily in the anthropological dimension of race and sex. While considering the heroic characters proposed to be scaled for the era of modernism, it is necessary to account for the invariative content, which was reflected in gestalt of the ‘worker’ by E. Junger, and its particular historical variations. We pay our attention to the pedagogical system suggested by A. Makarenko, and the system of fostering actors of the future by V. Meyerhold as projects of the taylorisation of school and theater. The contemporary culture which, as a result of racial protests in the USA, has tended to be attributed with the predicate ‘exploitative’ reveals the exploitative meanings of the worker’s gestalt in the image of the zombie and the phenomenon of zombification associated with it. As a result of this study, conclusions were drawn regarding the continuity of the anonymous image of the ‘worker’ E. Junger and the film image of the zombie as one of modern culture’s most demanded anonymous generalised characters of the masses. Their affinity is as follows: the ‘worker’ of E. Junger is not a social, much less an economic category, it is the most common anthropological metaphore of ‘generic attributes’ to characterise the modernism era, like a zombie character in contemporary mass culture. However, if gestalt of ‘worker’ by E. Junger means the totality of creation of a new world, then the zombie character in contemporary mass culture is associated with the totality of devastation.

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Armas, Reinaldo, et Angel Higuerey. « Zombies Firms in Ecuador : The Case of Communication Firms ». Dans 2022 17th Iberian Conference on Information Systems and Technologies (CISTI). IEEE, 2022. http://dx.doi.org/10.23919/cisti54924.2022.9820515.

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Chen, Yongqiao, Yao Du, Yuchen Wu et Huiyu Zhou. « The study on zombie firms in China using modified FN-CHK method ». Dans 2017 4th International Conference on Industrial Economics System and Industrial Security Engineering (IEIS). IEEE, 2017. http://dx.doi.org/10.1109/ieis.2017.8078672.

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Rapports d'organisations sur le sujet "Zombie firm"

Colpan, Asli, et Randall Morck. Business Groups : Panics, Runs, Organ Banks and Zombie Firms. Cambridge, MA : National Bureau of Economic Research, juillet 2021. http://dx.doi.org/10.3386/w29035.

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Chari, Anusha, Lakshita Jain et Nirupama Kulkarni. The Unholy Trinity : Regulatory Forbearance, Stressed Banks and Zombie Firms. Cambridge, MA : National Bureau of Economic Research, février 2021. http://dx.doi.org/10.3386/w28435.

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