Thèses sur le sujet « Women in the motion pictures »
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Van, Liew Maria. « Democratic women : gender, national discourse and the cinema of post-Franco Spain / ». Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1997. http://wwwlib.umi.com/cr/ucsd/fullcit?p9820983.
Texte intégralAich, Priyanka. « The construction and (re)presentation of Indian women in recent mainstream western cinema ». Pullman, Wash. : Washington State University, 2009. http://www.dissertations.wsu.edu/Thesis/Fall2009/p_aich_112309.pdf.
Texte intégralTitle from PDF title page (viewed on Feb. 12, 2010). "Edward R. Murrow College of Communication." Includes bibliographical references (p. 107-115).
Watkins, Jessica. « From fallen women to risen heroines representations of gender and sexuality in American film, 1929-1942 / ». Huntington, WV : [Marshall University Libraries], 2005. http://www.marshall.edu/etd/descript.asp?ref=539.
Texte intégralMejía, Glenda. « The representation of women in revolutionary Cuban cinema / ». [St. Lucia, Qld.], 2005. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe19376.pdf.
Texte intégralKwok, Crystal Lee, et 郭錦恩. « Ghosts and goddesses : women, cinema, & ; the image ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31950978.
Texte intégralWilliams, Tami Michelle. « Beyond impressions the life and films of Germaine Dulac from aesthetics to politics / ». Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1467886421&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Texte intégralYang, Jing. « The construction of the Chinese woman in 1990s American cinema ». Click to view the E-thesis via HKUTO, 2010. http://sunzi.lib.hku.hk/hkuto/record/B43813185.
Texte intégralO'Skea, Doreen Lynn. « Perpetual girlhood : what the movies have taught us about ourselves : a content analysis of Best Actress Academy Award-winning films from 1961-1997 ». Virtual Press, 1999. http://liblink.bsu.edu/uhtbin/catkey/1133726.
Texte intégralDepartment of Journalism
Kwok, Crystal Lee. « Ghosts and goddesses : women, cinema, & ; the image / ». Hong Kong : University of Hong Kong, 1995. http://sunzi.lib.hku.hk/hkuto/record.jsp?B14040220.
Texte intégralWong, Shuk-han Mary. « New Chinese cinemas and feminine writings ». Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21779041.
Texte intégralDrake, Susan Wiebe. « María Félix the last great Mexican film diva : the representation of women in Mexican film, 1940-1970 / ». Connect to resource, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1118953316.
Texte intégralTitle from first page of PDF file. Document formatted into pages; contains viii, 177 p. Includes bibliographical references (p. 165-177). Available online via OhioLINK's ETD Center
Field, Emma. « Only a trickle ? : blood in detail and three women's films / ». Connect to this title online, 2003. http://adt.lib.utas.edu.au/public/adt-TU20050315.093920.
Texte intégralSu, Xin. « Ideas of film authorship : a study of theories and concepts of agency and subjectivity in film authorship, with a conclusion on the possible configuration of a future theoretical model of feminist film authorship ». HKBU Institutional Repository, 2010. https://repository.hkbu.edu.hk/etd_ra/1101.
Texte intégralCarver, Mary Heather. « Autobiography in performance : cinematic representation of women's lives / ». Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.
Texte intégralKretschmar, Kelly Benshoff Harry M. « Framing femininity as insanity representations of mental illness in women in post-classical Hollywood / ». [Denton, Tex.] : University of North Texas, 2007. http://digital.library.unt.edu/permalink/meta-dc-3654.
Texte intégralO'Reilly, Kevin Joseph. « Between hotel mama and petrol station manager : the represatations of women's realities in a selection of African films ». Thesis, Nelson Mandela Metropolitan University, 2008. http://hdl.handle.net/10948/789.
Texte intégralDavis, William. « To make the better film movies, women's clubs and the fight over censorship in the American South, 1907-1934 / ». View electronic thesis, 2008. http://dl.uncw.edu/etd/2008-3/davisw/williamdavis.pdf.
Texte intégralCui, Shuqin. « A cross-cultural analysis of gender and representation in Chinese new cinema ». online access from Digital Dissertation Consortium access full-text, 1996. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9624592.
Texte intégralLam, Suk-yin, et 林淑燕. « The construct of masculinity and femininity in John Woo and Stanley Kwan's films ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31951144.
Texte intégralRubaba, Protas Pius. « The influence of feminist communication in creating social transformation : an analysis of the films Moolaadé (Ousmane Sembène) and Water (Deepa Mehta) ». Thesis, Nelson Mandela Metropolitan University, 2009. http://hdl.handle.net/10948/888.
Texte intégralWard, Katherine. « Tracing the heroine in masculine spectacle : gender, technology, and the role of the destroyer in recent American film ». Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56771.
Texte intégralI examine masculinity and aggression in Vietnam films, arguing that masculinity must struggle to renew its privilege and its illusion of purity.
Finally, I examine combat roles for women where the heroines have accessed "male" technology to become subjects of the social act. I conclude that these representations offer a possible female subjectivity and resistance to patriarchal assimilation only when the ambivalence and fragility of that subjectivity is recognized.
Lewis, Alanna. « The political and educational implications of gender, class and race in Hollywood film : holding out for a female hero ». Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=21233.
Texte intégralIn this discursive analysis, I trace specific themes from the feminist and film literature to provide a critical overview of the chosen films, with a view to establishing educational possibilities for the complex issues dealt with in this study.
San, Filippo Maria. « Having it both ways bisexualities/bi-textualities and contemporary crossover cinema / ». Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1495959301&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Texte intégralLeung, Yee-man Yvonne. « Ideology and the performance of gender in Chinese cinema ». Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25262038.
Texte intégralHui, Suet-hung. « Subversive females : the politics of defiance in Zhang Yimou's films / ». Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20059966.
Texte intégralHo, Kin-wai. « Cult of the fragmented body : establishing a feminine identity in popular cinema / ». Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22200277.
Texte intégralKarceski, Julie Wilkins Lee. « Smart, sultry and surly a textual analysis of the portrayal of women scientists in film, 1962 - 2005 / ». Diss., Columbia, Mo. : University of Missouri--Columbia, 2009. http://hdl.handle.net/10355/6663.
Texte intégralPhillips, Julie D. « Rape myths in the American movie industry : a content analysis and feminist criticism ». Virtual Press, 1995. http://liblink.bsu.edu/uhtbin/catkey/941729.
Texte intégralDepartment of Journalism
Simpson, Catherine. « Imagined geographies : women's negotiation of space in contemporary Australian cinema, 1988-98 ». Thesis, Simpson, Catherine (2000) Imagined geographies : women's negotiation of space in contemporary Australian cinema, 1988-98. PhD thesis, Murdoch University, 2000. https://researchrepository.murdoch.edu.au/id/eprint/312/.
Texte intégralSimpson, Catherine. « Imagined geographies : women's negotiation of space in contemporary Australian cinema, 1988-98 / ». Simpson, Catherine (2000) Imagined geographies : women's negotiation of space in contemporary Australian cinema, 1988-98. PhD thesis, Murdoch University, 2000. http://researchrepository.murdoch.edu.au/312/.
Texte intégralPugsley, Bronwen E. « Challenging perspectives : documentary practices in films by women from Francophone Africa ». Thesis, University of Nottingham, 2012. http://eprints.nottingham.ac.uk/12658/.
Texte intégralWong, Shuk-han Mary, et 黃淑嫻. « New Chinese cinemas and feminine writings ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B43894410.
Texte intégralNgan, Ka-hing, et 顏加興. « Gender representation in Zhang Yimou's films ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B45007640.
Texte intégralLam, Suk-yin. « The construct of masculinity and femininity in John Woo and Stanley Kwan's films ». Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B17390801.
Texte intégralCoe, Jason George. « Left behind by history : complicating narrative, modernity in the mundane, and reading history through womenin "feeling of life films" ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hub.hku.hk/bib/B48539533.
Texte intégralpublished_or_final_version
Literary and Cultural Studies
Master
Master of Arts
Lo, Po-yee, et 勞保儀. « Middle-aged women in search of female identities and new visions of home : a study of Ann Hui's films ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2014. http://hdl.handle.net/10722/206613.
Texte intégralpublished_or_final_version
Literary and Cultural Studies
Master
Master of Arts
Akhter, Fahmida. « Fragmented memory, incomplete history : women and nation in war films of Bangladesh ». Thesis, University of Essex, 2017. http://repository.essex.ac.uk/20049/.
Texte intégralKretschmar, Kelly. « Framing Femininity as Insanity : Representations of Mental Illness in Women in Post-Classical Hollywood ». Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc3654/.
Texte intégralHo, Kin-wai, et 何堅慧. « Cult of the fragmented body : establishing a feminine identity in popular cinema ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31952616.
Texte intégralWong, Bik-wan Flora, et 黃碧雲. « Criminality of women in Hong Kong films : fromthe 1960's to the 1990's ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31977960.
Texte intégralHui, Suet-hung, et 許雪紅. « Subversive females : the politics of defiance in Zhang Yimou's films ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31951648.
Texte intégralLeung, Yee-man Yvonne, et 梁以文. « Ideology and the performance of gender in Chinese cinema ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31953633.
Texte intégralYang, Jing, et 杨静. « The construction of the Chinese woman in 1990s American cinema ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B43813185.
Texte intégralMoser, Evelyn Christine Busch. « Heroines in western films / ». abstract and full text PDF (free order & ; download UNR users only), 2005. http://0-wwwlib.umi.com.innopac.library.unr.edu/dissertations/fullcit/3209133.
Texte intégral"August 2005." Includes bibliographical references (leaves 237-246). Online version available on the World Wide Web. Library also has microfilm. Ann Arbor, Mich. : ProQuest Information and Learning Company, [2005]. 1 microfilm reel ; 35 mm.
Ngan, Ka-hing. « Gender representation in Zhang Yimou's films / ». View the Table of Contents & ; Abstract, 2005. http://sunzi.lib.hku.hk/hkuto/record/B34614424.
Texte intégralBoyke, Kimberly M. « El cambio del rol de la mujer en la sociedad española dentro del cine : un estudio de películas entre 1999 a 2007 / ». Abstract Full Text (HTML) Full Text (PDF), 2009. http://eprints.ccsu.edu/archive/00000560/02/2000FT.htm.
Texte intégralThesis advisor: Paloma Lapuerta. "... in partial fulfillment of the requirements for the degree of Master of Arts in Spanish." Includes bibliographical references (leaves 60-63). Also available via the World Wide Web.
Hofmann, Ingrid. « Deadly seductions : femme fatales in 90's film noir ». Title page, table of contents and abstract only, 1998. http://web4.library.adelaide.edu.au/theses/09ARM/09armh713.pdf.
Texte intégralIp, Wing Cheung. « Shaw in blue, women in nude : Li Han-Hsiang's fengyue films in 1970s ». HKBU Institutional Repository, 2007. http://repository.hkbu.edu.hk/etd_ra/872.
Texte intégralStill, Kara B. « The Dance / ». Electronic version (PDF), 2004. http://dl.uncw.edu/etd/2004/stillk/karastill.pdf.
Texte intégralLio, Man Cheng. « 'Apple, rose, ice" :An analysis of the changes to Disney princess ». Thesis, University of Macau, 2018. http://umaclib3.umac.mo/record=b3952598.
Texte intégral