Thèses sur le sujet « Women artists – history – 20th century »
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Tvardovskas, Luana Saturnino 1983. « Dramatização dos corpos : arte contemporânea de mulheres no Brasil e na Argentina ». [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280015.
Texte intégralTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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Resumo: Esta tese aborda a poética visual de artistas brasileiras e argentinas, cujas obras de arte empreendem um discurso critico a violência material e simbólica de gênero, por meio de imagens do corpo. São focalizadas, a partir de uma perspectiva feminista, as artistas contemporâneas brasileiras Ana Miguel, Rosana Paulino e Cristina Salgado, e também as argentinas Silvia Gai, Claudia Contreras e Nicola Costantino que se utiliza de transfigurações, dramatizações e manipulações sobre imagens corporais como manobras transgressivas e de resistência. O trabalho será norteado teórica e metodologicamente pelos estudos feministas e pelo "pensamento da diferença", sobretudo por Michel Foucault e Gilles Deleuze
Abstract: This research approaches the visual poetics of Brazilian and Argentinian artists whose artworks undertake a critical discourse of violence of gender (material and symbolic) through images of the body. From a feminist perspective, we focus on the Brazilian contemporary artists Ana Miguel, Rosana Paulino and Cristina Salgado and also the Argentinian Silvia Gai, Claudia Contreras and Nicola Costantino. Their work deals with transfigurations, dramatizations and manipulations on body's images as transgressive maneuvers of resistance. The methodology of this work will be guided by the Feminist studies and by the Difference theory, especially by Michel Foucault and Gilles Deleuze
Doutorado
Historia Cultural
Doutora em História
Lewis, Joanne Rebecca. « Women artists in Botswana in the late 20th century ». Thesis, SOAS, University of London, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.525246.
Texte intégralFrantz, Susanne K. « ARTISTS AND GLASS : A HISTORY OF INTERNATIONAL STUDIO GLASS (SCULPTURE) ». Thesis, The University of Arizona, 1987. http://hdl.handle.net/10150/291668.
Texte intégralBaguley, Margaret Mary. « The deconstruction of domestic space ». Thesis, Queensland University of Technology, 1998. https://eprints.qut.edu.au/35896/1/35896_Baguley_1998.pdf.
Texte intégralSharp, Leslie N. « Women shaping shelter ». Diss., Georgia Institute of Technology, 2004. http://hdl.handle.net/1853/7268.
Texte intégralWillis, Avery Tinch. « Euripides' Trojan women : a 20th century war play in performance ». Thesis, University of Oxford, 2005. http://ora.ox.ac.uk/objects/uuid:bb57e1d3-b560-45f2-8cd9-64befab97bba.
Texte intégralMartyn, Elizabeth 1968. « Gender and nation in a new democracy : Indonesian women's organisations in the 1950s ». Monash University, Dept. of Politics, 2001. http://arrow.monash.edu.au/hdl/1959.1/9112.
Texte intégralChoi, Hoi-sze Elsie. « Working women in China and Japan in 20th century history : a comparative analysis / ». Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk:8888/cgi-bin/hkuto%5Ftoc%5Fpdf?B23425556.
Texte intégral葉翠蓮 et Chui-lin Yip. « Women's movement in Tianjin during the May Fourth Era= ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B31641453.
Texte intégralWernitznig, Dagmar. « No documents, no history : a political biography of Rosika Schwimmer (1877-1948) ». Thesis, University of Oxford, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.711810.
Texte intégralChoi, Hoi-sze Elsie, et 蔡凱詩. « Working women in China and Japan in 20th century history : a comparative analysis ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31952975.
Texte intégralVenkatesh, Archana. « Women, Medicine and Nation-building : The `Lady Doctor’ and Development in 20th century South India ». The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1588949464255362.
Texte intégralWallace, Aurora. « Of shadowboxing and straw-women : postfeminist texts and contexts ». Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26354.
Texte intégralYou, Xuesheng. « Women's employment in England and Wales, 1851-1911 ». Thesis, University of Cambridge, 2015. https://www.repository.cam.ac.uk/handle/1810/283968.
Texte intégralGrace, Elizabeth Ellen. « Women, nation, narration : a comparative study of Japanese and Korean proletarian women's writing from the interwar years (1918-1941) ». Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709209.
Texte intégralSteele, Helen. « The experiences of women in Vienna, 1944-1948 ». Thesis, Swansea University, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.678564.
Texte intégralSerbulo, Leanne Claire. « Women Adrift, Sporting Girls and the Unfortunate Poor : A Gendered History of Homelessness in Portland 1900-1929 ». PDXScholar, 2003. https://pdxscholar.library.pdx.edu/open_access_etds/741.
Texte intégralLi, Jing. « Self in community : twentieth-century American drama by women ». HKBU Institutional Repository, 2016. https://repository.hkbu.edu.hk/etd_oa/322.
Texte intégralBlack, Latoya R. « Breaking barriers : oral histories of 20th century African-American female journalists in Indiana ». Virtual Press, 2007. http://liblink.bsu.edu/uhtbin/catkey/1371196.
Texte intégralDepartment of Journalism
Cheng, Oi Man. « Model missives : epistolary guidebooks for women in early twentieth century China ». HKBU Institutional Repository, 2012. https://repository.hkbu.edu.hk/etd_ra/1466.
Texte intégralDounia, Margarita. « Your roots will be here, away from your home : migration of Greek women to Montreal 1950-1980 ». Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=81483.
Texte intégralBien que plusieurs travaux d'academiciens on analyse la perspective feminine de phenomenes migratoires, peu d'attention est attribue au cas des femmes de l'Europe du Sud (une categorie d'emigrants un favorise) comme les Grecs. En plus, plusieurs travaux ont echoue de creer une analyse profonde et sensitive vers feminite, que pourra surmonter les stereotypes, les prejuges et les preconceptions sur feminite. Cette approche aspire d'introduire une dimension analytique importante, cella du transnationalisme, concernant les roles sociaux, les identites et les activites des femmes emigrants grecques. Finalement les temoignages oraux atteint un role central pour le caractere et la realisation de cette these.
Datta, Anjali. « Rebuilding lives and redefining spaces : women in post-colonial Delhi, 1945-1980 ». Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708474.
Texte intégralMills, Pamela J. « Double vision : the dual roles of women on the homefront during World War II through the lens of government documentary films ». Virtual Press, 1992. http://liblink.bsu.edu/uhtbin/catkey/834129.
Texte intégralDepartment of History
Bell, Pamela. « Art that never was : representations of the artist in twentieth-century Australian fiction ». Thesis, The University of Sydney, 2003. http://hdl.handle.net/2123/7310.
Texte intégralPurdham, Medrie. « The encyclopedic imagination in the Canadian artist figure / ». Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85955.
Texte intégralFollowing an introduction that establishes modern and postmodern conceptions of the notion of aesthetic totality, this dissertation describes, in six Canadian works, the (untenable) radicalization of the self through the "encyclopedic" ideal. Chapter one considers Ernest Buckler's The Mountain and the Valley (1952) and notes that the protagonist's drive towards total representation is costly to his sense of authentic temporality. Chapter two identifies "total embodiment" as the governing poetic principle of P. K. Page's The Hidden Room (poems c.1942-1997), and suggests the relation of this ideal to Page's apparent creative crisis. Chapter three examines the ethics of all-inclusive representation in Leonard Cohen's Beautiful Losers (1966) and argues that the novel's vision of the world incorporated into a single body is a reflection of both the totalitarian politic of One Man and of apocalyptic-beatific "total identity." Chapter four looks at Margaret Atwood's Cat's Eye (1988) in terms of the trope of the "perverse museum" in Atwood's oeuvre. The novel's treatment of representation as exhibition figures identity as a matter of insatiable demonstration. Chapter five considers the "life-long" poems of Louis Dudek (Continuation c.1971-2001) and bpNichol (The Martyrology 1967-1988) as particularly marked cases of works that must continue until they have enfolded a coherent world-view into an all-encompassing subjectivity.
Each chapter stresses the counterintuitive quality of the "encyclopedic" ideal and demonstrates that a total yet coherent representation of the world seems inversely proportional to a coherent yet total representation of the self.
Madhani, Taslim. « Constructions of Muslim identity : women and the education reform movement in colonial India ». Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98555.
Texte intégralVieira, de Andrade Ana Lúcia. « Margen y centro : dramaturgia femenina Brasileña contemporánea ». Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38429.
Texte intégralScott, Codee. « A Woman's Place is at Work : The Rise of Women's Paid Labor in Five Texas Cities, 1900-1940 ». Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1011821/.
Texte intégralBoyer, Laura Kate. « The feminization of clerical work in early twentieth-century Montreal / ». Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37873.
Texte intégralI make three arguments about women's entrance into Montreal's white-collar workforce. First, I argue that this process created a new kind of "contact zone" within and beyond the white-collar workplace. In these spaces, people came together across cleaves of difference, and ideas about nationalism, class, religion, and language were negotiated in new ways. Secondly, I argue that women's entrance into this sector of the labour market was marked by contradiction. On the one hand, women were held responsible for bringing sexuality into the white-collar workplace, and were sexualized within corporate culture. On the other hand, ideas about "respectability" defined through sexual propriety and corporeal restraint were central to the corporate image as well as media representations of female clerical workers. Finally, I argue that the feminization of clerical work re-mapped relations of gender, class and space. In the highly modernized offices of the financial district, ideas about public womanhood competed. I argue that this change in labour helped legitimize representations of modern womanhood which were consummately urban in nature.
李仕芬 et Shi-fan Lee. « The male characters in the fiction of contemporary Taiwanese women writers ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31235979.
Texte intégralBaert, Renee. « Poetics of the body in feminist art : three modalities ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape16/PQDD_0022/NQ29882.pdf.
Texte intégralChen, Shuangli, et 陳霜麗. « Cultivating new ryōsai kenbo : St. Agnes' School in the Meiji period ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2015. http://hdl.handle.net/10722/209473.
Texte intégralpublished_or_final_version
Modern Languages and Cultures
Doctoral
Doctor of Philosophy
Callaway, Helen. « European women with the Colonial Service in Nigeria, 1900-1960 ». Thesis, University of Oxford, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670408.
Texte intégralCasey, Walter Thomas. « Unexpected Unexpected Utilities : A Comparative Case-Study Analysis of Women and Revolutions ». Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2728/.
Texte intégralNg, Po-chu, et 伍寶珠. « Writing about women and women's writing ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B36259019.
Texte intégralMcCann-Washer, Penny. « An American voice : the evolution of self and the awareness of others in the personal narratives of 20th century American women ». Virtual Press, 1997. http://liblink.bsu.edu/uhtbin/catkey/1063194.
Texte intégralDepartment of English
Breashears, Margaret Herbst. « An Analysis of Status : Women in Texas, 1860-1920 ». Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc279203/.
Texte intégralAustin, David L. « Women, Witchcraft, and Faith Healing : An Analysis of Syncretic Religious Development and Historical Continuity in 20th Century Zimbabwe ». Kent State University Honors College / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1620691659340769.
Texte intégralYang, Jing, et 杨静. « The construction of the Chinese woman in 1990s American cinema ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B43813185.
Texte intégralRocco, Patricia. « Performing female artistic identity : Lavinia Fontana, Elisabetta Sirani and the allegorical self-portrait in sixteenth and seventeenth-century Bologna ». Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99389.
Texte intégralYu, Yuen-yee Frankie, et 余婉兒. « Living on the margin ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B45015168.
Texte intégralMiknytė, Jurga. « The construction of the social role of women in public discourse in mid-19th – early 20th-century Lithuania ». Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2009. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2009~D_20091216_105340-12590.
Texte intégralVytautas Kavolis yra aktualizavęs tezę, kad požiūrio į moterį analizė yra svarbi ne tik socialinėms gyvenimo konkretybėms atskleisti, bet ir bendrosioms sociokultūrinėms bei sociopolitinėms laikotarpio tendencijoms išgryninti. Lietuvos istoriografijoje, nagrinėjančioje modernios visuomenės Lietuvoje formavimąsi XIX a. viduryje–XX a. pradžioje, itin daug dėmesio skiriama įvairių socialinių grupių sąmoningumo, aktyvumo visuomenėje žadinimui aptarti. Tačiau moters sąmoningumo konstravimas, jos socialinio vaidmens samprata šio laikotarpio viešajame diskurse Lietuvoje iki šiol išsamiau netyrinėti. Disertacijos tikslas – išanalizuoti moters socialinio vaidmens konstravimą viešajame diskurse XIX a. vidurio–XX a. pradžios Lietuvoje. Keliami uždaviniai išsiaiškinti: nuo kada viešajame diskurse XIX a. vidurio–XX a. pradžios Lietuvoje moteris pradedama vertinti kaip svarbi visuomenės procesų dalyvė; kokį moters socialinį vaidmenį XIX a. vidurio–XX a. pradžios Lietuvoje konstruoja skirtingų diskursų dalyviai; ar moters socialinio vaidmens konstravimui įtakos turi aptariamojo laikotarpio visuomenės sąranga ir jos pokyčiai; kiek ir kaip moters socialinio vaidmens konstravimą veikia pozityvizmo, nacionalizmo, liberalizmo, socializmo, krikščioniškosios demokratijos idėjų sklaida Lietuvoje. Tyrimas pradedamas XIX a. vidurio laikotarpiu, 5-uoju dešimtmečiu. Tuomet pirmą kartą modernėjančios Lietuvos istorijoje moteris tampa svarbiu ir populiariu viešųjų svarstymų objektu. Tyrimas baigiamas XX... [toliau žr. visą tekstą]
Kirk, Elizabeth Gail. « Neo-orientalism : ugly women and the Parisian avant-garde, 1905-1908 ». Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/28091.
Texte intégralArts, Faculty of
Art History, Visual Art and Theory, Department of
Graduate
Radford, Mary Therese. « The law and domestic violence against women : the history of law reforms in relation to domestic violence against women from the 18th to the 20th century and an analysis of women victims' needs in contemporary socio-legal discourse ». Thesis, University of Bradford, 1988. http://hdl.handle.net/10454/3875.
Texte intégralThompson, Susannah Ruth. « Birth pains : changing understandings of miscarriage, stillbirth and neonatal death in Australia in the Twentieth Century ». University of Western Australia. School of Humanities, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0150.
Texte intégralGossage, Ann. « Between the lines : the representation of Canadian women in English-language novels written by women in the 1930s ». Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=24085.
Texte intégral羅樂. « 摩登"閨秀" : 早期中國電影的儒家道德美學與現代性= Modern guixiu : Confucian moral aesthetics and Chinese modernity in early Chinese ». HKBU Institutional Repository, 2018. https://repository.hkbu.edu.hk/etd_oa/466.
Texte intégralGuenther, Irene. « Nazi "chic" ? Fashioning women in the Third Reich / ». Access restricted to users with UT Austin EID Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3032406.
Texte intégralAXINIA, Anca Diana. « Women and politics in the Romanian Legionary Movement ». Doctoral thesis, European University Institute, 2022. https://hdl.handle.net/1814/73796.
Texte intégralExamining Board: Professor Laura L. Downs, (European University Institute); Professor Pieter M. Judson, European University Institute); Professor Irina Livezeanu, (University of Pittsburgh); Professor Kevin Passmore, (University of Cardiff)
This thesis examines women’s participation in the Legionary Movement or Iron Guard, a far-right, anti-Semitic movement active in interwar Romania. Over four chapters, I analyze how the participation of women changed over time, the different forms this participation took, and how these different forms shaped and redefined political relations within the movement. The first chapter focuses on women’s participation in the student activism that characterized Romanian universities throughout the interwar period. University politics played a major role in the origins, development, and self-image of the Legionary Movement. The chapter follows the evolution of the movement’s use of university politics through the lens of increasing female participation. The second chapter is entirely devoted to the exploration of family relations in the Legionary Movement’s ideology and experience. In the third chapter, I analyze the open support or sympathy for the Legionary Movement held among the intellectual elites of Bucharest, the aristocracy, and, finally, among some feminist circles. Gender and class dynamics are inseparable in the analysis of the political beliefs and activity of the women protagonists of this chapter, whose support of or sympathy for the Legion complicates the notion of membership and opens different perspectives on the intersection of gender and class within the movement. Finally, the fourth chapter explores the adoption and adaptation by some legionary women and, especially, by the more formal feminine section, of violence as a form of political action. What emerges from this study is the experimental nature of women’s participation, the constant redefinition of its forms and limits. Moving in an ideological framework designed for them by men, women found their space(s) of agency at the interplay of discourse and practice, through the opportunities for political action offered by the complexity of lived experience.
Chan, U. Wai. « An autonomous and unautonomous body : the making of Macau's female working class, 1957-1989 ». Thesis, University of Macau, 2012. http://umaclib3.umac.mo/record=b2590567.
Texte intégral