Bibliographies thématiques / Woman's story

Littérature scientifique sur le sujet « Woman's story »

Auteur : Grafiati
Publié le 26 juillet 2024

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Articles de revues sur le sujet "Woman's story"

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Ireland, Susan, Annie Ernaux et Tanya Leslie. « A Woman's Story ». World Literature Today 78, no 3/4 (2004) : 115. http://dx.doi.org/10.2307/40158572.

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Babirye, Sarah. « A Ugandan woman's story ». Transformation : An International Journal of Holistic Mission Studies 15, no 4 (octobre 1998) : 2–3. http://dx.doi.org/10.1177/026537889801500402.

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Fredricks, Nancy. « Melville and the Woman's Story ». Studies in American Fiction 19, no 1 (1991) : 41–54. http://dx.doi.org/10.1353/saf.1991.0009.

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Renn, Kristen A. « A Woman's Education ». About Campus : Enriching the Student Learning Experience 8, no 1 (mars 2003) : 30–32. http://dx.doi.org/10.1177/108648220300800108.

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Price, Catherine, Madonna Swan et Mark St Pierre. « Madonna Swan : A Lakota Woman's Story. » Journal of American History 79, no 3 (décembre 1992) : 1223. http://dx.doi.org/10.2307/2080918.

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Gómez García, Heiner Fabián, et Erika Natalia Morales Parada. « A Common Traditional Woman's Life Story ». Enletawa Journal 14, no 1 (1 juillet 2021) : 144–46. http://dx.doi.org/10.19053/2011835x.13094.

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Schulte, Steve, et Mark St Pierre. « Madonna Swan : A Lakota Woman's Story ». Western Historical Quarterly 26, no 1 (1995) : 91. http://dx.doi.org/10.2307/971299.

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Blave Gómez, Raquel. « The Blithedale Romance. A Woman's Story ». Babel – AFIAL : Aspectos de Filoloxía Inglesa e Alemá, no 31 (16 décembre 2022) : 31–49. http://dx.doi.org/10.35869/afial.v0i31.4296.

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Although it does not seem to be particularly groundbreaking in today’s world, I contend in this essay that the story Nathaniel Hawthorne tells in The Blithedale Romance was radically forward-thinking for his contemporary society. Analyzing it from a contemporary perspective, some feminist scholars have argued that the depiction of female characters is misogynist. In addition, the narrator is often considered to be unreliable and, as such, a failure. Drawing mainly on the theory of Foucault, this article argues that Hawthorne uses an unreliable narrator to interrogate patriarchal monologic discourses and to create a narrative space for the voice of Zenobia, the book’s feminist character, to be heard. Gender and genre considerations are particularly intertwined in the text. Thus, while Coverdale’s narrative empowers Zenobia’s voice, Hawthorne’s use of romance challenges established genre conventions. I claim that The Blithedale Romance challenges patriarchal authority by presenting Zenobia as a more reliable and powerful voice than that of the male narrator.
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Ner-David, Haviva. « Reclaiming Our Tumah : One Woman's ?Blood Story ? » Bridges : A Jewish Feminist Journal 12, no 1 (avril 2007) : 104–13. http://dx.doi.org/10.2979/bri.2007.12.1.104.

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Frost, Ruth. « Graced, Gifted and Gay : One Woman's Story ». Dialog : A Journal of Theology 40, no 1 (mars 2001) : 33–39. http://dx.doi.org/10.1111/0012-2033.00053.

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Thèses sur le sujet "Woman's story"

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Porter, Carol M. « Resilience, one woman's story ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ60243.pdf.

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Quitete, Jane Baptista. « Mulheres cuidando de mulheres : uma relação entre sujeitos ». Universidade do Estado do Rio de Janeiro, 2007. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=748.

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Estudo decorrente da inquietação profissional da autora, frente à incoerência de algumas profissionais de saúde diante de uma proposta de assistência humanizada à população feminina. O discurso direciona-se para o protagonismo da mulher. Mas, no cotidiano, continuam a controlar e manipular as condutas. Sendo assim, defini como questão de pesquisa: o papel que a Enfermeira assume no encontro de cuidar-cuidado com a mulher/usuária dos serviços de saúde, em face aos novos/renovados paradigmas da assistência em saúde, no campo da saúde da mulher. Os objetivos são: descrever o papel assumido pela Enfermeira na relação de cuidar; identificar como a Enfermeira se compreende nessa relação de cuidado; e discutir como as práticas de cuidado da Enfermeira evidenciam o papel que assume na relação de cuidar. Trata-se de uma pesquisa descritiva com abordagem qualitativa utilizando o método história de vida, mais precisamente a life story. As sujeitas da pesquisa foram 12(doze) Enfermeiras Obstétricas que vivenciam diretamente o cuidado da população feminina. A técnica utilizada foi a entrevista aberta aplicada por meio da pergunta: Fale-me o que você considera importante a respeito de sua vida como mulher e que tenha relação com o cuidar de mulheres. Para análise dos dados obtidos, utilizou-se a análise temática dos discursos. Foi utilizado multi-referencial teórico, que incluiu Daniel Bertaux, Robby Davis-Floyd, Marie Françoise Collière, Milton Mayeroff, entre outros. A análise dos dados permitiu a identificação de três categorias: as mulheres que eu vejo em mim quando me encontro com a mulher que cuido; a mulher cuidando de outra mulher o eu com a outra; o poder (in)visível na vida das mulheres. A interpretação das categorias evidencia que as mulheres enfermeiras estão descobrindo-se mulheres a cada novo encontro de cuidado, vivenciam uma crise paradigmática no cotidiano do cuidado, assumem o protagonismo no cuidado por não reconhecerem as mulheres/usuárias como sujeito e por submetê-las às regras institucionais e/ou valores individuais, que estão em busca de empoderamento de si e das mulheres que cuidam. Vivenciando a relação humana por meio da troca de experiências, podemos aprender e crescer como seres humanos, como mulheres e como cidadãs. Portanto, é preciso que ocorra uma mudança de mentalidade na mulher Enfermeira para que seu cuidado não reflita preconceito, mas uma ação de respeito, de crescimento e de troca.
This is a study resulting from the authors professional worry while facing the incoherence of some health professionals considering a humanized aid proposal to the feminine populations. The speech points out the woman's principal role, but daily they continue to control and to manipulate the conducts. From this perspective the research question was: what role the Nurse takes in the caring relationship with the health service woman/user, considering the new/renewed paradigms of the aid in woman's health area. The objectives are: to describe the role taken by the Nurse in the relationship of caring; to identify how the nurse is understood in this caring relationship; and to discuss how the nurses practices evidence the role that they take in this relationship of caring. This is a descriptive study with qualitative approach using the life story method. The research subjects were 12 (twelve) Obstetric Nurse that works caring to the feminine population caring. The used technique was an open-ended interview starting through question: "Tell me what you consider important regarding your life as woman and its relationship with taking care of women". For data analysis obtained the thematic speech analysis was used. Theoretical multi-referencial to analysis was used, including Daniel Bertaux, Robby Davis-Floyd, Marie Françoise Collière, Milton Mayeroff, among others. Data analysis has allowed the identification of three categories: the women that I see inside myself when I am with the woman whom I take care; the women taking care of another woman - me with the other; the (in)visible power in the women's life. The interpretation of these categories points to: nurses are discovering themselves as women at each new caring meeting; they experience a paradigmatic crisis in the daily of caring, they take the principal role in caring because they do not recognize women/users as subject and they use to submit them to the institutional rules and/or individual values; nurses are in search of their own empowerment and also for the women that care about. We believed that living the human relationship through the experience exchange we can learn and grow as human beings, women and citizens. Therefore, it is necessary that nurses change their minds in order to not show prejudice in their attitude, but a respect action, development and interchange.
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Zulu, Sibongile Maria. « Successful ways of managing schools : a story of a woman principal ». Diss., University of Pretoria, 2016. http://hdl.handle.net/2263/60989.

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This is a qualitative study that explores the strategies used by a woman principal to build a successful high school. Despite the plethora of gender supportive policies in South Africa women are still underrepresented in school management positions. Those who do shatter the glass ceiling face gender discrimination resulting from societal and cultural stereotypes. This study aims to tell the story of a woman principal who battled social, patriarchal and institutional odds and still succeeded as a leader. The findings reveal that the principal relied on her womanly attributes of caring, empathy, knowing the community and involving parents. In demonstrating support for the community in which she worked and in having the courage to care she was able to transform her school. This study shows that caring is a form of power. She is a transformational leader who managed to change the school culture from being dysfunctional to being successful. Collaboration and staff development are the other strategies that led to the success of the school managed by Debra, the woman principal in this study. Narrative inquiry as qualitative research approach was employed in order to explore the experiences of Debra, as the principal in this study is named. Purposive sampling was used for the selection of the participant. Data was collected by means of in-depth and semi-structured interviews supported by school documents. Transformational Leadership Theory, as described by Bass (1999), provided guidance for conceptualizing and analysing the leadership strategies used by the principal. The transformational leader promotes followers' innovation by considering their developmental needs while providing support and coaching through charisma, inspiration, intellectual stimulation and individualised consideration.
Dissertation (MEd)--University of Pretoria, 2016.
Education Management and Policy Studies
MEd
Unrestricted
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Wall, Sharon. « Disability and well-being?h[microform] :, the story of an aboriginal woman ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ60257.pdf.

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Ozer, Mirkena. « A Story of One's Own : Creative Narratives about Muslim Women in Turkey ». Digital Archive @ GSU, 2013. http://digitalarchive.gsu.edu/wsi_theses/33.

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Writing fiction within a feminist framework is a helpful way in bringing up women’s issues to a wider readership that is not necessarily familiar with feminist scholarship. Through creative narrative an author can dispel misunderstandings, correct misconceptions and represent underrepresented women who have been rendered invisible or pushed to the margins by hegemonic discourses. My novella tells the story of a group of Muslim women doing community work in Turkey. Navigating their way in contemporary Turkey, these women dispel the upheld literary stereotypes of Muslim women. Through their work and dedication, these women show that they are not victims of a suppressive religion, or escapees from an oppressive culture. Instead they see themselves as participants in a noble cause for the benefit of the wider society. The impetus for their service is drawn from the main sources of their religion: Quran and the example of the prophet Muhammad.
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Campbell, Micah Sean. « Using a Life History Approach to Explore the Identity of a Woman Diagnosed with Alzheimer's Disease : The Life of Mary ». Thesis, Virginia Tech, 1999. http://hdl.handle.net/10919/33599.

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This study utilized life history as a methodological tool to explore the identity formation of Mary, a woman in her eighties who is diagnosed with Alzheimer's disease. The results of this study showed that Mary's sense of self was greatly influenced by her childhood experiences. Five predominate themes emerged in the interview process: Mary's admiration for her father, her willingness to share wisdom, her career as a beautician, her role as a mother, and her devotion as a wife. The Dynamical Identity Model was constructed to help further illustrate Mary's identity development and the model served as a basis to describe possible outcomes in Mary's life, as a woman diagnosed with Alzheimer's disease. Her story reveals that Mary has a wonderful disposition about life and, even though she was diagnosed with this disease, she does not perceive the disease as threatening.
Master of Science
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Marquis, Kathryn E. « What about Walter ? : polity, power, and obedience in the Griselda story / ». Connect to online version, 2006. http://ada.mtholyoke.edu/setr/websrc/pdfs/www/2006/170.pdf.

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Castañeda-Mayo, Judith. « Understanding the figure of the Mexican woman academic : a story of success and constraint ». Thesis, University of East Anglia, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.430704.

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Banda, Roselyn Chigonda. « EVERY WOMAN HAS A STORY : NARRATIVES OF SOUTHERN AFRICAN WOMEN IN U.S. HIGHER EDUCATION ». Miami University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=miami1429373672.

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Jablonski, Evelyn. « The Liquid Nature of Self in Maxine Kingston’s Autobiographical Story The Woman Warrior ». Cleveland State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=csu1429542991.

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Livres sur le sujet "Woman's story"

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Aging, National Institute on, dir. Menopause, one woman's story, every woman's story : Companion, 2003. [Bethesda, Md.] : National Institute on Aging, 2003.

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Aging, National Institute on, dir. Menopause, One Woman's Story, Every Woman's Story, August 2003. [S.l : s.n., 2005.

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Ernaux, Annie. A woman's story. New York : Seven Stories Press, 2003.

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Ernaux, Annie. A woman's story. London : Quartet, 1990.

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Ernaux, Annie. A woman's story. New York : Ballantine Books, 1992.

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Ernaux, Annie. A woman's story. New York : Four Walls Eight Windows, 1991.

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Hawkes, Fiona. A woman's story. Mullaghmore ? : The author, 1998.

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Sisk, Laura. Laura : One woman's story--every woman's fear. Washington, DC : Review and Herald Pub. Association, 1990.

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Pember, Phoebe Yates. A Southern woman's story. Columbia : University of South Carolina Press, 2002.

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Aging, National Institute on, dir. Menopause : One woman's story, every woman's story : a resource for making healthy choices. Washington, DC : [Distributed by] The Superintendant of Documents, Government Printing Office, 2001.

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Chapitres de livres sur le sujet "Woman's story"

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Goffman, Carolyn. « INTRODUCTION ». Dans Behind Turkish Lattices : The Story of a Turkish Woman's Life, xi—xxxvi. Piscataway, NJ, USA : Gorgias Press, 2004. http://dx.doi.org/10.31826/9781463210083-002.

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Hallgrímsdóttir, Guðný. « One woman, one story ». Dans A Tale of a Fool ?, 4–20. Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series : Microhistories : Routledge, 2019. http://dx.doi.org/10.4324/9781315162409-1.

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Liggins, Emma, Andrew Maunder et Ruth Robbins. « New Woman Short Stories ». Dans The British Short Story, 66–90. London : Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-30080-4_4.

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Eagleton, Mary. « Tell Me a Story ». Dans Figuring the Woman Author in Contemporary Fiction, 76–94. London : Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230502215_5.

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Kong, Susie. « Nursing – A Woman's Profession ». Dans Her Story, 80–83. DL PUBLISHING / WORLD SCIENTIFIC, 2005. http://dx.doi.org/10.1142/9789812775214_0019.

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Ong, Elizabeth S. « Transcending Borders – Migrating Gains And Pains From a Woman's Perspective ». Dans Her Story, 58–59. DL PUBLISHING / WORLD SCIENTIFIC, 2005. http://dx.doi.org/10.1142/9789812775214_0014.

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Harwell, Osizwe Raena Jamila. « A Novel Beginning : Campbell’s Emergence as a Fiction Writer with Your Blues Ain’t Like Mine ». Dans This Woman's Work. University Press of Mississippi, 2016. http://dx.doi.org/10.14325/mississippi/9781496807588.003.0003.

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Chapter three deepens Campbell’s story by considering the emergence of her first novel Your Blues Ain’t Like Mine. The content of Your Blues is connected to racial consciousness and concern for racial violence that Campbell develops as a college student during the Black Liberation period. The recurrent themes in Your Blues reveal a direct relationship to Campbell’s activism at the University of Pittsburgh. Finally, the chapter also highlights the emergence of Campbell’s signature style of integrating specific historical, social, and political themes into all her fictional writing.
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Cook, Joana. « Introduction ». Dans A Woman's Place, 1–48. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197506554.003.0001.

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The introduction starts at 9/11 and provides a background of the consequences and implications of September 11 and the events that followed in the U.S. Global War on Terror (GWOT), highlighting a key gap in current analysis -- women as agents, partners and targets of counterterrorism. It discusses the importance of examining women through the cases of Afghanistan, Iraq, Yemen and Syria referenced throughout the book. It introduces the original framework developed in this book that allows readers to unpick how, where and why women became visible in the discourses and practices of counterterrorism. These include: the categories of 'women' in US counterterrorism discourses the 'factors' that impacted how women evolved in US counterterrorism practices and the justifications stated when including women. The story of women in counterterrorism is demonstrated to bring to light broader tensions in the GWOT. Finally, a summary of each chapter of the book is provided.
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Magnus, Shulamit S. « A Biography of a Person and a Book ». Dans A Woman's Life, 1–5. Liverpool University Press, 2015. http://dx.doi.org/10.3828/liverpool/9781906764524.003.0001.

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This introductory chapter provides an overview of Pauline Wengeroff and her Memoirs of a Grandmother: Scenes from the Cultural History of the Jews of Russia in the Nineteenth Century. Wengeroff's two volumes are extraordinary on many grounds. As their full title proclaims, she writes the history of an era in Jewish experience, coupling her story and that of her family with that of Russian Jewry in the time of its transition from tradition to modernity. In Memoirs, Wengeroff gives a rich depiction of traditional Jewish society in Russia with a particular focus on the religious practices and piety of women. She tells a dramatic tale of the dissolution of traditionalism in this society from the perspective of women, marriage, and families. Indeed, she argues for the cultural power of women, though not as a feminist. Focusing on Wengeroff's adolescent and adult life, this book traces how Memoirs of a Grandmother came to be in the form in which it is found.
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« By My Tears I Tell a Story/The “Absent” War ». Dans The Woman's Film of the 1940s, 147–75. Routledge, 2014. http://dx.doi.org/10.4324/9780203506585-12.

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Actes de conférences sur le sujet "Woman's story"

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Miao, Huaiming. « DO THEY UNDERSTAND, FALL IN LOVE OR MEET OCCASIONALLY ? TWO WAYS OF ADAPTATION OF PIPA XING BY OPERA ». Dans 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.05.

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It is now known that there are seven opera works adapted from Bai Juyi’s poem Pipa xing. Although the story of Pipa woman is not recorded in historical books and it is difficult to distinguish the true from the false, Pipa Xing still provides good story materials for opera creation. The story of Pipa Xing, which is adapted from opera, can be divided into two types: one is the reunion of lovers, and the other is the lamentation of life experience. There is a key plot difference between the two types of stories, that is, whether Bai Juyi knew the pipa girl before they met. The judgment of these two types of stories depends on the perspective of observation.
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Gunawan Susandi, Deny. « The Image of Modern Woman in A.S. Laksana’s Bidadari yang Mengembara Short Story ». Dans International Conference on Culture and Language in Southeast Asia (ICCLAS 2017). Paris, France : Atlantis Press, 2018. http://dx.doi.org/10.2991/icclas-17.2018.41.

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Korneev, A. V. « DIVINE LITURGY AS A PRETEXT OF THE STORY «THE OLD WOMAN» BY DANIIL KHARMS ». Dans Proceedings of the IX (XXIII) International Scientific and Practical Conference of Young Scientists. TSU Press, 2022. http://dx.doi.org/10.17223/978-5-907572-04-1-2022-84.

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Ferrari, Ambra, et Paolo Soraci. « Ludonarrative Dissonance in The Last of Us Part II : Attempting to Create Empathy with a Villain ». Dans 8th International Conference on Human Interaction and Emerging Technologies. AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002709.

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In Story-based videogames, the Author has an intended story he wishes to communicate to the player and carefully constructs it to arouse specific sentiments, such as empathy towards characters, which support the development of the narrative as he had imagined it. However, the main obstacle of interactive narratives is reconciling intended storylines with the players’ always unique sense-making of the narrated events. In this paper, we investigate this matter by analyzing the post-apocalyptic videogame The Last of Us Part II (Naughty Dog, 2020). The plot unexpectedly sees Joel, the main character of the first installment and fatherly figure to co-protagonist young woman Ellie, killed by a woman named Abby under Ellie’s eyes. After the murder, players suddenly switch from controlling Ellie to playing as Abby for a long section of the game, with the authorial intent to show them her side of the story. After about 10 hours, the game reaches a climax in which the player is forced to attempt to kill Ellie while still controlling Abby.This videogame is particularly interesting in the attempt of creating empathy towards videogames characters, as the intended target of the sympathy (i.e., Abby) was initially introduced as a villain in the story. To study this matter in-depth, we have selected the three most viewed gameplay videos on YouTube commented by English-speaking players and the three most viewed commented by Italian speakers. Successively, performance and discourse analysis were performed on the gameplay sections immediately before and during the climax. We have independently analyzed the six videos and identified shared recurring themes.In the section before the climax, players are shown the bodies of Abby’s friends killed by Ellie: a dog, a man, and a pregnant woman. Remorse was often demonstrated by players at the sight of the dog’s body, yet some players justified the human killings. Interestingly, five out of six players manifested their dissent with the authorial choice of the climax, verbally and physically refusing to harm Ellie. Most players across the two languages engaged in verbal protests and self-sabotage, such as intentionally running out of ammunition, making noise to be discovered by Ellie, and ultimately and deliberately seeking death as Abby, leading to multiple intentional game overs. Besides, most players praised Ellie and her craftiness, skill, and speed. This indicates that these players’ empathy towards Abby, however present to some extent, was apparently not strong enough to justify killing Ellie.These results give relevant insights about storytelling in videogames and the creation of empathy, underlining the importance of discriminating between the creation of cognitive and emotional empathy. That is, even though players cognitively commiserated Abby because of the suffering she endured, they were apparently too emotionally attached to Ellie to let this feeling prevail. Finally, the climax section can act as a starting point for an interesting discourse related to breaking the contract between an author unintentionally disincentivizing the player to do well and a player who refuses to play according to the rules.
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Asmarani, Ratna. « The Alienating Job of the Female Protagonist in Hsi Hsi’s Short Story Entitled A Woman Like Me ». Dans Proceedings of the First International Conference on Culture, Literature, Language Maintenance and Shift, CL-LAMAS 2019, 13 August 2019, Semarang, Central Java, Indonesia. EAI, 2019. http://dx.doi.org/10.4108/eai.13-8-2019.2290205.

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Țigriș, Simona-Luiza. « Directive Speech Acts in the Story Tell the Truth … by Nicholasa Mohr ». Dans Language for International Communication. University of Latvia Press, 2023. http://dx.doi.org/10.22364/lincs.2023.11.

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The story Tell the Truth… is part of the book el Bronx Remembered which was written by Nicholasa Mohr, the first Nuyorican woman who had her literary works published in the United States of America. El Bronx Remembered was first published in 1975 and it draws attention to the ‘Great Migration’ of Puerto Ricans to New York in the 1950s. The stories reflect the hardships of Puerto Rican migrants through the eyes of characters who are children, teenagers and young adults. The story Tell the Truth… depicts a conversation between a lawyer, Mr. Crane, and Vickie, a 13-year-old teenager. The purpose of this article is to identify the type and structure of the directive speech acts that the lawyer uses strategically in order to persuade the teenager to confess to her mother’s alleged involvement in illegal activities. Bach and Harnish’s (1979) classification of speech acts will be taken into account in the methodology, as well as Blum-Kulka and Olshtain’s (1984) description of the linguistic realization patterns of requests. Brown and Levinson’s (1987) Politeness Theory is taken into consideration, too. Supportive moves (Placencia, 2020) and hedges (Fraser, 2010) are identified in the conversation as well. Moreover, the analysis also reveals if adjacency pairs (Schegloff, 2007) are formed through the teenager’s answers. Mr. Crane uses requestives, questions and requirements in his initiating interventions. He resorts to directives in the form of yes/no questions and he also uses negations in their structure. He uses multiple directives that follow one another so as to put pressure on the teenager. The lawyer threatens the teenager’s negative face, while the teenager threatens the lawyer’s positive face. It can be noticed that he can rarely assign her the turn, so the adjacency pairs question-answer and request-granting/rejection are seldom formed. The story Tell the Truth… could be considered a story in which both characters do not tell the truth, as various speech acts infringe on the sincerity condition.
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Altmann, Judith, Nathalie Bashian et Wolfgang Schmitt. « #1041 A success story of pembrolizumab in a woman with small cell carcinoma of the hypercalcemic type of the ovary ». Dans ESGO 2023 Congress. BMJ Publishing Group Ltd, 2023. http://dx.doi.org/10.1136/ijgc-2023-esgo.696.

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Dimitrakopoulou, Georgia. « �NOVELLA GRECA.� ?. SERAO�S 19TH CENTURY GREECE. ITS REALITIES AND ITS ANTITHESES ». Dans 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s10.17.

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In the short story Novella Greca, in her book: Fior di Passione, 1888, the author M. Serao narrates the true story of Calliope Stavro, the heroine (Calliopi Stavrou in Greek), in Leucade - Santa Maura (Lefkada - Agia Mavra in Greek), an island of the Ionian Sea, in 19th century Greece. At that time, the country was just freed from the Turkish occupation, trying to recover from more than 400 years of slavery and subjugation to the Ottoman Empire. Calliope Stavro represents the woman of her time, imprisoned in the small society of her island, suffocated, asphyxiated, disillusioned and unfulfilled. Thus, she decides to commit suicide not having a way out in her island, which although it is a naturally beautiful place due to its greenery, it is a barren rock �thrown� into the Ionian Sea without any promising future for its inhabitants. Serao realistically exposes the true story of the heroine�s female identity, whose death signifies her suffocation within the patriarchal society of her time. The writer presents the outlets of human existence, the small society of the island, the negative influence of the heroine�s microcosm, which mostly depends on the raisin trade, its production and export, with which almost all the males of the island are preoccupied, since it provided a profitable income in that time. Faced with the crushing reality of her life, the non-existence of love, no romance, male dominance, and indifference, even misogynism, she chooses death, she surrenders to her doomed destiny and the futility of existence, because she is not allowed to live a free life according to her will. Her fatal fall from Lefkata�s cape, where in ancient times there was a temple of god Apollo, god of music, light, and patron of the arts and divination, signifies the death of the gods of Olympus. Their place has been taken by a harsh reality, the revelation of the demands of the human soul, its desires, and its dead ends. Greece will need and still needs a long way to go to find the place it deserves in history, free from patriarchal structures, prejudices, and the impasses that they entail. The story of Calliope Stavro proves in practice the predicament of the female under the patriarchal standards of her era and the unsatisfied desires of the human psyche, which are sacrificed for the sake of survival, most times with unpredictable, unpleasant and unhappy results.
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Fuad Shibi, Maysoon. « “Umm al-Rūbābīkā” (“The Pedlar Woman”) as Short Story and Play : A Comparative Study of Two Literary Works Under the Same Title ». Dans 2nd International Academic Conference on Humanities and Social Science. Acavent, 2019. http://dx.doi.org/10.33422/2iachss.2019.02.45.

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Tavares, Tatiana. « Paradoxical saints : Polyvocality in an interactive AR digital narrative ». Dans LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.81.

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This artistic, practice-led PhD thesis is concerned with the potentials of polyvocality and interactive digital narrative. The practical project, Saints of Paradox, is constructed as a printed picture book that can be experienced through an Augmented Reality [AR] platform. The fictional story entails a woman who mourns the disappearance of her lover in the 1964 Brazilian coup d’état and lives for 40 years in a room of accumulated memories. IIn each illustration, the user can select three buttons on the tablet device that activates a different version of the story. Three narrators (saints) present interconnected but diverging interpretations of the events shaped by their distinct theological positions. The respective values of compassion, orthodoxy, and pragmatic realism distort details of imagery, sound, movement, and meaning. AR animated vignettes, each backed by a uniquely composed cinematic soundscape, allow characters to populate the luxuriously illustrated world. Candles flicker and burn, snakes curl through breathing flowerbeds, and rooms furnished with the contents of accumulated memories pulsate with mystery. The scanned image reviews an interactive parallax that produces a sense of three-dimensional space, functioning as a technical and conceptual component. Theoretically, the story navigates relationships between the real and the imagined and refers to magical real binary modes of textual representation (Flores, 1955, Champi, 1980; Slemon, 1988, 1995; Spindler, 1993; Zamora and Faris; 1995; Bowers, 2004). Here, meaning negotiates an unreliable, sometimes paradoxical pathway between rational and irrational accounting and polyvocal narration. The dynamics between the book and the AR environments produce a sense of mixed reality (actual and virtual). The narrative experience resides primarily in an unstable virtual world, and the printed book functions as an enigmatic unoccupied vessel. Because of this, we encounter a sense of ontological reversal where the ‘virtual’ answers the ambiguities presented by the ‘real’ (the book). In the work, religious syncretism operates as a reference to Brazilian culture and an artistic device used to communicate a negotiation of different voices and points of view. The strange and somehow congruous forms of European, African, and indigenous influences merge to form the photomontage world of the novel. Fragments of imagery may be considered semiotic markers of cultural and ideological miscegenation and assembled into an ambiguous ‘new real’ state of being that suggests syncretic completeness. Methodologically, the project emanates from a post-positivist, artistic research paradigm (Klein, 2010). It is supported by a heuristic approach (Douglass and Moustakas, 1985) to the discovery and refinement of ideas through indwelling and explicitness. Thus, the research draws upon tacit and explicit knowledge in developing a fictional narrative, structure, and stylistic treatments. A series of research methods were employed to assess the communicative potential of the work. Collaboration with other practitioners enabled high expertise levels and provided an informed platform of exchange and idea progression.
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Rapports d'organisations sur le sujet "Woman's story"

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Galland, Martin. COMTOG Report on ‘Bury Me My Love’. European Center for Populism Studies (ECPS), avril 2023. http://dx.doi.org/10.55271/rp0036.

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Bury Me My Love is a game about distance. It is a game which places front and center relationships between humans, how they interact, and what drives people to take a leap into the unknown and risk their lives in the hope of reaching safety. The eponymous phrase, ‘Bury Me My Love,’ is an Arabic expression to take care roughly meant to signify, “don’t think about dying before I do.” The game is inspired by but does not tell, the real-life story of Dana, a Syrian woman having left her country in September 2015. Both the journalist who wrote the article on Dana’s story and Dana herself working as part of the game’s editorial team
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Kamminga, Jorrit, Cristina Durán et Miguel Ángel Giner Bou. Zahra : A policewoman in Afghanistan. Oxfam, décembre 2020. http://dx.doi.org/10.21201/2020.6959.

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As part of Oxfam’s Strategic Partnership project ‘Towards a Worldwide Influencing Network’, the graphic story Zahra: A policewoman in Afghanistan was developed by Jorrit Kamminga, Cristina Durán and Miguel Ángel Giner Bou. The project is funded by the Ministry of Foreign Affairs of the Netherlands. The graphic story is part of a long-standing Oxfam campaign that supports the inclusion and meaningful participation of women in the Afghan police. The story portrays the struggles of a young woman from a rural village who wants to become a police officer. While a fictional character, Zahra’s story represents the aspirations and dreams of many young Afghan women who are increasingly standing up for their rights and equal opportunities, but who are still facing structural societal and institutional barriers. For young women like Zahra, there are still few role models and male champions to support their cause. Yet, as Oxfam’s project has shown, their number is growing, which contributes to small shifts in behaviour and perceptions, gradually normalizing women’s presence in the police force. If a critical mass of women within the police force can be reached and their participation increasingly becomes meaningful, this can reduce the societal and institutional resistance over time. Oxfam hopes the fictional character of Zahra can contribute to that in terms of awareness raising and the promotion of women’s participation in the police force. The story is also available on the #IMatter website.
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