Littérature scientifique sur le sujet « William Painter »
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Articles de revues sur le sujet "William Painter"
Bogardus, Ralph F. « The Twilight of Transcendentalism : Ralph Waldo Emerson, Edward Weston, and the End of Nineteenth-Century Literary Nature ». Prospects 12 (octobre 1987) : 347–64. http://dx.doi.org/10.1017/s0361233300005639.
Texte intégralSuciu, Silvia. « Afacerea artei. Piața de artă în Marea Britanie în secolele XVII -XVIII ». Anuarul Muzeului Etnograif al Transilvaniei 35 (20 décembre 2021) : 105–45. http://dx.doi.org/10.47802/amet.2021.35.06.
Texte intégralCora, Dominika. « Miniature Painting in Eighteenth-Century England : The Case of William Pether (1739–1821) ». Arts 11, no 3 (27 mai 2022) : 61. http://dx.doi.org/10.3390/arts11030061.
Texte intégralNaini, Farhard B. « William Hogarth's The Painter and His Pug ». Archives of Facial Plastic Surgery 12, no 2 (1 mars 2010) : 136. http://dx.doi.org/10.1001/archfaci.2009.136.
Texte intégralKusserow, Karl. « William Sidney Mount : Painter of American Life ». Journal of American History 87, no 1 (juin 2000) : 172. http://dx.doi.org/10.2307/2567922.
Texte intégralDr. Dharmendra Kumar Singh. « Painting in Poetry and Poetry in Painting : Aesthetic Reflections in D.G. Rossetti ». Creative Launcher 7, no 3 (30 juin 2022) : 58–75. http://dx.doi.org/10.53032/tcl.2022.7.3.08.
Texte intégralPalmer, Sheridan, et Harriet Parsons. « Tuhituhi : William Hodges, Cook's painter in the South Pacific ». Journal of Pacific History 48, no 2 (juin 2013) : 238–39. http://dx.doi.org/10.1080/00223344.2013.774738.
Texte intégralIrving, Howard. « Empiricism, Ideology and William Crotch's Specimens ». Nineteenth-Century Music Review 9, no 2 (décembre 2012) : 237–53. http://dx.doi.org/10.1017/s1479409812000298.
Texte intégralVan Der Merwe, Pieter. « William Pratt of Greenwich (1717–95) : Ship’s carpenter and painter ». Mariner's Mirror 107, no 3 (3 juillet 2021) : 370–73. http://dx.doi.org/10.1080/00253359.2021.1940526.
Texte intégralBallantyne, Margo. « STUART DAVIS : AMERICAN PAINTER. Lowery Stokes Sims , William C. Agee ». Art Documentation : Journal of the Art Libraries Society of North America 11, no 3 (octobre 1992) : 156–57. http://dx.doi.org/10.1086/adx.11.3.27948468.
Texte intégralThèses sur le sujet "William Painter"
Jacobi, Carol. « Painter, painting, paint : a reappraisal of the work of William Holman ». Thesis, Birkbeck (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286207.
Texte intégralSpencer, Susan Ambler Ziskin Rochelle. « William Hogarth's The Painter and his pug intent and interpretation / ». Diss., UMK access, 2008.
Trouver le texte intégral"A thesis in art history." Typescript. Advisor: Rochelle Ziskin. Vita. Title from "catalog record" of the print edition Description based on contents viewed Sept. 12, 2008. Includes bibliographical references (leaves 68-72). Online version of the print edition.
Painter, William [Verfasser], et J. [Akademischer Betreuer] Blümer. « Development of a SiPM camera for detection and measurement of fluorescence emission from extensive air-showers generated by ultra high energy cosmic rays / William Painter ; Betreuer : J. Blümer ». Karlsruhe : KIT-Bibliothek, 2019. http://d-nb.info/1197138757/34.
Texte intégralFuga, Béatrice. « Buona Novella, Cattiva Reputazione. Domesticating Matteo Bandello's Novelle in Early Modern England ». Electronic Thesis or Diss., Paris 3, 2024. http://www.theses.fr/2024PA030021.
Texte intégralIssued only a decade after Matteo Bandello’s Novelle (1554), William Painter’s ThePalace of Pleasure (1566-1567) and Geoffrey Fenton’s Certain Tragicall Discourses(1567) can be seen as catalysts for the development of later Elizabethan fiction and drama.However, Fenton and Painter need to be situated more finely within a wider European translating process, as they mostly based their own endeavours upon the work of Bandello’s French translators, Pierre Boaistuau and François de Belleforest. Indeed, in1559, these two writers published a collection of Histoires tragiques, drawing on the Italian source. In the English translation of the Italian novella, the domestication of Italian culture is operated through a moralisation and a redemption of‘Italianated’ corrupted manners. The present study, which seeks to situate itself within thefield of early modern translation studies, will necessarily be comparative, taking into account the different strata leading up to the final cultural and literary output in English,with a distinct focus on Fenton’s Bandellian monography
Sjöberg, Viktoria. « Lifting the Veils in William Somerset Maugham's The Painted Veil ». Thesis, Karlstad University, Division for Culture and Communication, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-1742.
Texte intégralNovels with love as a theme often deal with a passionate or forbidden love. In 1925 William Somerset Maugham wrote a different version of the typical love story we have read so many times. It tells a story about a married couple who never really shares the same love for each other. Maugham mentions that he was inspired by Dante when he wrote The Painted Veil. Indeed, he uses different sources of inspirations, such as poems from Shelley and Goldsmith. The aim of this essay is to investigate what these intertextual references bring to the novel and what their functions are. The method I use is looking at the different references used by Maugham and stating their purpose and significance to the novel. The result of my investigation illustrates how the use of Shelley’s theme of veiling signifies hiding, as well as not wanting to see the truth, while Goldsmith’s poem shows the true relationship between the married couple and how corrupted society is. Maugham also lets Dante’s Purgatorio demonstrate how Kitty, the wife, gets the chance to change her life for the better.
Rowe, Karen D. « Painted Sermons : Explanatory Rhetoric and William Holman Hunt's Inscribed Frames ». Bowling Green State University / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1118717402.
Texte intégralTarantino, Clelia. « Razionalizzazione delle politiche di gestione prodotti nel settore Paints : il caso Sherwin Williams ». Master's thesis, Alma Mater Studiorum - Università di Bologna, 2020.
Trouver le texte intégralLamb, Robert. « Egalitarian political thought in the 1790s : equality in the moral philosophies of Thomas Paine and William Godwin ». Thesis, University of Exeter, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.438753.
Texte intégralMicchinelli, Matilde. « Analisi e razionalizzazione delle politiche di gestione prodotti nel settore paint : il caso Sherwin-Williams Company ». Master's thesis, Alma Mater Studiorum - Università di Bologna, 2021.
Trouver le texte intégralBotha, Werner. « Investigating the Sherwin Williams Sales Model : towards developing a similar model in South Africa ». Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/97279.
Texte intégralENGLISH ABSTRACT: Retailing is a common modern day phenomenon for which there are many angles of research widely and easily available. Retailing in the context of the global paint and coatings industry however, is a more specified and unique field of study of which resources for research are few. Having had the opportunity of a first-hand close-up inside look into, not only one of the world’s leading paint and coatings companies, but also the global leader in company-owned paint and coatings retailing. This global leader not only led to the origin of my research, but also rekindled the passion within for the global paint and coatings industry and trade. Prior to my employment by PPG, towards the end of 2013, I intentionally embarked on a journey with The Sherwin Williams Company during 2011 to 2013, in collaboration with my current employer at the time, Duraline paints, who afforded me the opportunity only a few people had or ever will.. During the course of four years, I had the opportunity to not only meet a series of wonderful people across the various segments, as well as internal departments of the Sherwin Williams Company globally. Additionally I also had the opportunity to visit the company’s headquarters, 101 Prospector Avenue, Cleveland, Ohio, on numerous occasions whilst staying in close proximity for the duration of the training and strategic planning sessions, in preparation to duplicate the SHW in South Africa. During my involvement with The Sherwin Williams Company, it was evident that the backbone of the company’s sales model, was the consistency as well as continuous growth of the Paint Stores Group; which is the leading North American retail segment of SHW. Since 2011, in an effort to establish the best method of implementation of this sales model in South Africa, various concepts were explored from several angles. It became evident that much research was required to establish feasibility of the SHW sales model in South Africa. Preliminary research however, would have had to be conducted of what the SHW sales model entailed and how it would benefit the company in being a global leader, thereby also exploring the possibility of it being an industry best practice as foundation to what was precisely required to be implemented in South Africa, prior to establishing feasibility in South Africa. The preliminary research became the primary and sole focus of this research project, not only fulfilling the research needs as explained above, but also to serve as evidence of what I perceived the SHW company and the Paint Stores Group to be whilst dealing with the company.
Livres sur le sujet "William Painter"
Jacobi, Carol. William Holman Hunt : Painter, painting, paint. Manchester, UK : Manchester University Press, 2006.
Trouver le texte intégral1838-1921, Walker William Aiken, Toledano Roulhac et Swanson Betsy, dir. William Aiken Walker, southern genre painter. Gretna : Pelican Pub. Co., 2008.
Trouver le texte intégralM, Townsend Joyce, et Blake William 1757-1827, dir. William Blake : The painter at work. London : Tate, 2003.
Trouver le texte intégralJoyce, Townsend, Hamlyn Robin et Blake William 1757-1827, dir. William Blake : The painter at work. Millbank, London : Princeton University Press, 2003.
Trouver le texte intégralPennington, Estill Curtis. William Edward West, 1788-1857 : Kentucky painter. City of Washington : National Portrait Gallery, Smithsonian Institution, 1985.
Trouver le texte intégralNicholson, William. William Nicholson : Painter : landscape and still life. Eastbourne : Towner Art Gallery, 1995.
Trouver le texte intégralJohnson, Deborah J. William Sidney Mount : Painter of American life. New York : American Federation of Arts, 1998.
Trouver le texte intégralWilliam, Nicholson. William Nicholson, painter : Paintings, woodcuts, writings, photographs. London : Giles de la Mare, 1996.
Trouver le texte intégralMount, William Sidney, 1807-1868, ill., dir. William Sidney Mount : Painter of rural America. Worcester, Mass : Davis Publications, 1994.
Trouver le texte intégral1788-1857, West William Edward, dir. William Edward West, 1788-1857 : Kentucky painter. City of Washington : National Portrait Gallery, Smithsonian Institution, 1985.
Trouver le texte intégralChapitres de livres sur le sujet "William Painter"
Evans, Dorinda. « 1. A Secret Inheritance ». Dans William Rimmer, 1–22. Cambridge, UK : Open Book Publishers, 2022. http://dx.doi.org/10.11647/obp.0304.01.
Texte intégralEvans, Dorinda. « 3. Self-Expression in Flight and Pursuit ». Dans William Rimmer, 51–80. Cambridge, UK : Open Book Publishers, 2022. http://dx.doi.org/10.11647/obp.0304.03.
Texte intégralBindman, David. « Blake as a painter ». Dans The Cambridge Companion to William Blake, 85–109. Cambridge University Press, 2003. http://dx.doi.org/10.1017/ccol0521781477.005.
Texte intégral« Chapter 5. Kent the Painter ». Dans William Kent : Designing Georgian Britain. Bard Graduate Center, 2013. http://dx.doi.org/10.37862/aaeportal.00218.005.
Texte intégral« ‘The inventions of William Blake, painter and poet’ 1830 ». Dans William Blake, 199–205. Routledge, 2002. http://dx.doi.org/10.4324/9780203199039-42.
Texte intégral« SHALL HE BECOME A PAINTER ? » Dans The Thought and Character of William James, 58–62. Vanderbilt University Press, 2020. http://dx.doi.org/10.2307/j.ctv176kv92.11.
Texte intégral« Blake as a Painter, 1779–1827 ». Dans William Blake in the Desolate Market, 45–68. McGill-Queen's University Press, 2014. http://dx.doi.org/10.1515/9780773590298-013.
Texte intégralKatritzky, M. A. « Don Quixote in Eighteenth-Century British Book Culture ». Dans Tobias Smollett After 300 Years :, 59–76. Liverpool University Press, 2024. http://dx.doi.org/10.3828/liverpool/9781638040811.003.0004.
Texte intégral« William Bell Scott (1811-90) ». Dans A Century of Sonnets, sous la direction de Paula R. Feldman et Daniel Robinson, 212. Oxford University PressNew York, NY, 1999. http://dx.doi.org/10.1093/oso/9780195115611.003.0082.
Texte intégralStamy, Cynthia. « Precision, Perspective, and the Harnessing of Silence ». Dans Marianne Moore and China, 136–63. Oxford University PressOxford, 1999. http://dx.doi.org/10.1093/oso/9780198184607.003.0006.
Texte intégralActes de conférences sur le sujet "William Painter"
Nistor, Cristina mihaela, et Doina Comanetchi. « THE INCONVENIENTLY CONVENIENT ONLINE EDUCATION ». Dans eLSE 2021. ADL Romania, 2021. http://dx.doi.org/10.12753/2066-026x-21-031.
Texte intégralMontgomery, Louise. « Bush, the Media & ; the New American Way ». Dans 2003 Informing Science + IT Education Conference. Informing Science Institute, 2003. http://dx.doi.org/10.28945/2726.
Texte intégralRapports d'organisations sur le sujet "William Painter"
In-depth survey report : control technology for removing lead-based paint from steel structures : chemical stripping using caustic (Peel Away ST-1) at Williams Pipeline Terminal and Station, Marshall, Minnesota. U.S. Department of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, novembre 1994. http://dx.doi.org/10.26616/nioshectb18315a.
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