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Bibliographies thématiques / Waltz (Dance) / Livres

Livres sur le sujet « Waltz (Dance) »

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Auteur : Grafiati

Publié le 26 juillet 2024

Mis à jour le 27 juillet 2024

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1

Andō, Natsumi. Let's dance a waltz. New York : Kodansha America, Incorporated, 2015.

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2

Andō, Natsumi. Let's dance a waltz. New York : Kodansha America, Incorporated, 2015.

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3

Andō, Natsumi. Let's dance a waltz. New York : Kodansha America, Incorporated, 2015.

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4

Willis, Christopher R. Leading competition figures for the waltz and foxtrot. 2^e éd. Bangor, PA, U.S.A : Willis, 1992.

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5

Aimo, Laura. Corpo, danza, creazione : Sasha Waltz & Guests. Milano : Mimesis, 2018.

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6

Korhonen, Joonas. Social choreography of the Viennese waltz : The transfer and reception of the dance in Vienna and Europe, 1780-1825. [Helsinki] : Academia Scientiarum Fennica, 2014.

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7

Moore, Alex. Ballroom dancing : With 100 diagrams of the quickstep, waltz, foxtrot, tango, etc. London : A. & C. Black, 2002.

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8

Redgrave, Colette. Learn to dance : A step-by-step guide to ballroom and Latin dances. Bath, UK : Parragon, 2008.

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9

Kathleen, Baldwin, et Copyright Paperback Collection (Library of Congress), dir. Waltz with a Rogue : The Highwayman Came Waltzing ; The Rebel and the Rogue ; Dance With Me. New York : Kensington Pub. Corp., 2005.

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10

Pozo, Cal. Let's dance : The complete book and DVD of ballroom dance instruction for weddings, parties, fitness, and fun : dance like a star in minutes, including the basics for the foxtrot, waltz, swing, salsa, merengue, and line dances. New York : Hatherleigh Press, 2007.

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11

Bottomer, Paul. Let's dance : Learn to swing, jitterbug, rumba, tango, line dance, lambada, cha-cha, waltz, two-step, foxtrot and salsa with style, grace and ease. New York : Black Dog & Leventhal, 1998.

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12

Bottomer, Paul. Let's dance : Learn to swing, jitterbug, rumba, tango, line dance, lambada, cha-cha, waltz, two-step, foxtrot and salsa with style, grace and ease. New York : Black Dog & Leventhal, 1998.

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13

Linamen, Karen Scalf. The curious waltz of the working woman : Finding your personal rhythm in the dance between family, work, and friends. Ventura, Calif., U.S.A : Regal Books, 1990.

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14

Maas, Georg. Walzerfilme und Filmwalzer : Geschichte und Rezeption des Walzers und des Walzertanzens im Film. Marburg : Schüren, 2021.

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15

1936-, Weber Ernst, et Österreichisches Volksliedwerk, dir. Weana Tanz : (Wiener Tänze). Wien : Böhlau, 2010.

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16

ill, Cardona José, dir. Walt Disney's Snow White and the seven dwarfs dance and sing. Racine, Wis : Western Pub. Co., 1994.

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17

Knowles, Mark. The wicked waltz and other scandalous dances : Outrage at couple dancing in the 19th and early 20th centuries. Jefferson, N.C : McFarland & Co., 2009.

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18

Anderson, Christopher Alan. Waltz - the Dance of Life. First Edition Design Publishing, 2012.

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19

Rollin, Catherine. Eiffel Tower Waltz : Sheet. Alfred Publishing Company, Incorporated, 2020.

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20

Stansfield, Anita. Timeless Waltz. Covenant, 2005.

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21

Stansfield, Anita. Timeless Waltz. Covernant Communications, 2005.

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22

Betty White Practice Dance Music : Waltz. Conversa-Phone Inst, 1998.

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23

Betty White Practice Dance Music : Waltz. Conversa-Phone Inst, 1998.

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24

(Illustrator), Melissa Desica, dir. Wordsworth Dances the Waltz. Watermark Publishing, 2007.

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25

Lucas, Alanna. When We Dance : A Waltz with Destiny. Sebastiani Press, 2022.

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26

Betty White Learn to Dance Set : Waltz. Conversa-Phone Inst, 1998.

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27

Chelbin, Michal, et Joseph Akel. Michal Chelbin : How to Dance the Waltz. Damiani, 2021.

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28

Zbikowski, Lawrence M. Music and Dance. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190653637.003.0005.

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This chapter provides an introduction to and analyses of relationships between music and dance in two dance practices from Western Europe: the first from early eighteenth-century France, the second from early nineteenth-century Vienna. The chapter introduces French dance notation and shows how it facilitates an analysis of the steps and music for a bourrée. The analysis offers insights into the musical grammar of the bourrée and the contribution that dance practice made to the construction of social relations in the court of Louis XIV. The second dance practice is that of the waltz, which had a prominent place in the social landscape of early nineteenth-century Vienna. Analyses of waltzes by Josef Lanner and Franz Schubert make clear the relationship between the music and steps of the waltz, as well as how composers adapted their music to the different social contexts within which the dance was performed.

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29

(duplicate), Ambrose Bierce. The Dance of Death (The/Principle Works of Ambrose Gwinett Bierce). Reprint Services Corporation, 1989.

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30

Lammert, Angela, Peter Weibel, Christiane Riedel, Yoreme Waltz et Sasha Waltz. Sasha Waltz : Installations, Objects, Performances. Hatje Cantz Verlag GmbH & Co KG, 2014.

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31

Bottomer, Paul. Waltz : Complete step-by-step instruction to the most romantic of social dances (Dance Club Series). Southwater Publishing, 2003.

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32

Betty White Presents How to Waltz : The Newest-Fastest-Easiest Way to Learn to Dance the Waltz. Conversa-Phone Inst, 1998.

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33

Publishing, Notebook. Eat Sleep Waltz Dance Repeat : Or Personal Use for Men, Women and Kids Cute Gift for Waltz Dance Lovers. 6 X 9 - 120 Pages. Independently Published, 2020.

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34

Waltzing : A Manual for Dancing and Living. Nick Enge, 2013.

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35

Waltzing : A Manual for Dancing and Living. Stanford, CA : Redowa Press, 2013.

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36

Pozo, Cal. Let's Dance ! Weddings and Parties : Master Any Dance in Minutes--Including the Basics for the Foxtrot, Waltz, Swing, Salsa, Merengue, and Line Dances (Let's Dance). Hatherleigh Press, 2007.

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37

Bottomer, Paul. Dance Class : How to Waltz, Quick Step, Foxtrot, Tango, Samba, Salsa, Merengue, Lambada, and Line Dance, Step-By-Step. Southwater Publishing, 2000.

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38

Bottomer, Paul. Dance Class : How to Waltz, Quick Step, Foxtrot, Tango, Samba, Salsa, Merengue, Lambada, and Line Dance, Step-by-step. Hermes House, 2006.

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39

Waltzing : A Manual for Dancing and Living. Stanford, CA : Redowa Press, 2013.

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40

Driver, Ian. A Century of Dance : A Hundred Years of Musical Movement, from Waltz to Hip Hop. Cooper Square Press, 2001.

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41

Bosse, Joanna. Interlude. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039010.003.0010.

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In this interlude, the author reflects on her experience of dancing the last waltz of the evening with Leo, a retired physician who also happens to be her neighbor. She describes Leo as one of her favorite partners in ballroom dance. He has a somewhat unique, syncretic salsa dance style. As he and the author were dancing the last waltz of the night, David played a vocal number. She sang along, and Leo didn't seem to mind. The author claims that while dancing with Leo, she experienced a pleasurable moment of just disappearing, as is often the case when she smooth dances with him. She was awakened by the closing refrains of the song. As she moved toward him and they were poised together, they turned as one entity. They continued to turn together as the final cadence of the song sounded.

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42

Bottomer, Paul. Let's Dance : Learn to Swing, Foxtrot, Rumba, Tango, Line Dance, Lambada, Cha-Cha, Waltz, Two-Step, Jitterbug and Salsa With Style, Elegance and Ease. Black Dog & Leventhal Publishers, 1998.

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43

Driver, Ian. Un Siglo De Baile / A Century of Dance : Cien Anos De Movimiento Al Son De La Musica / A Hundred Years of Musical Movement, from Waltz to Hip-Hop. Milagrosa, 2002.

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44

McKee, Eric J. Decorum of the Minuet, Delirium of the Waltz : A Study of Dance-Music Relations in 3/4 Time. Indiana University Press, 2011.

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45

Decorum of the minuet, delirium of the waltz : A study of dance-music relations in 3/4 time. Bloomington : Indiana University Press, 2012.

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46

Hines, James R. Skating with a Partner. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039065.003.0007.

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This chapter discusses the development of pair skating. Skating with a partner of the opposite sex in which there is physical contact had its real beginning in England, bastion of combined skating. However, it was in the 1890s that hand-in-hand skating became fashionable and moved from the static confines of basic figures to continuous movement around a rink. The rigid English style still ruled supreme, but in that same decade the introduction of the first true skating waltz, which capitalized on speed and flow across the ice with partners in a true dance position, not just holding hands, dealt a death knell to hand-in-hand skating. The direction of couple skating changed rapidly and permanently when in 1895 the three-step waltz ushered in the era of ice dancing. As a competitive discipline at the international level ice dancing was many years in the future, but dances and steps from them provided from the beginning basic material employed in competitive programs for singles and pair skating.

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47

Waltzing Through Europe : Attitudes Towards Couple Dances in the Long Nineteenth Century. Open Book Publishers, 2020.

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48

Giersdorf, Jens Richard. Moving against Disappearance. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036767.003.0011.

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Nearly a year after the fall of the Berlin Wall, East Germany was subsumed into the West German national structure. As a result, the distinct political systems, institutions, and cultures that characterized East Germany have nearly completely vanished. In some instances, this history was actively—and physically—eradicated by the unified Germany. This chapter works against the disappearance of East German culture by reconstructing the physicality of the walk across the border on the day of the opening of the Berlin Wall and two choreographic works depicting East German identities on stage. The initial re-creation of the choreography of a pedestrian movement provides a social, political, and methodological context that relates the two dance productions to the social movement of East German citizens. Both works take stances on the political situation in East Germany during and after the opening of the Berlin Wall in 1989, although one is by a West German artist, Sasha Waltz, and the other by East German choreographer Jo Fabian.

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49

Press, Disney. Walt Disney's Cinderella Shall We Dance ? (Disney's Princess). Tandem Library, 2001.

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50

Norwegian Dances, Waltz-Caprices and Other Works for Piano Four-Hands. Dover Publications, 1997.

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