Littérature scientifique sur le sujet « Waltz (Dance) »
Créez une référence correcte selon les styles APA, MLA, Chicago, Harvard et plusieurs autres
Consultez les listes thématiques d’articles de revues, de livres, de thèses, de rapports de conférences et d’autres sources académiques sur le sujet « Waltz (Dance) ».
À côté de chaque source dans la liste de références il y a un bouton « Ajouter à la bibliographie ». Cliquez sur ce bouton, et nous générerons automatiquement la référence bibliographique pour la source choisie selon votre style de citation préféré : APA, MLA, Harvard, Vancouver, Chicago, etc.
Vous pouvez aussi télécharger le texte intégral de la publication scolaire au format pdf et consulter son résumé en ligne lorsque ces informations sont inclues dans les métadonnées.
Articles de revues sur le sujet "Waltz (Dance)"
Yoshida, Yasuyuki, Arunas Bizokas, Katusha Demidova, Shinichi Nakai, Rie Nakai et Takuichi Nishimura. « Determining Partnering Effects in the “Rise and Fall” Motion of Competitive Waltz by the Use of Statistical Parametric Mapping ». Baltic Journal of Sport and Health Sciences 1, no 120 (15 avril 2021) : 4–12. http://dx.doi.org/10.33607/bjshs.v1i120.1047.
Texte intégralFedorchenko, D. « Evolution of waltz in the European ball culture ». Culture of Ukraine, no 72 (23 juin 2021) : 34–38. http://dx.doi.org/10.31516/2410-5325.072.05.
Texte intégralYoshida, Yasuyuki, Arunas Bizokas, Katusha Demidova, Shinichi Nakai, Rie Nakai et Takuichi Nishimura. « Partnering Effects on Joint Motion Range and Step Length in the Competitive Waltz Dancers ». Journal of Dance Medicine & ; Science 24, no 4 (1 décembre 2020) : 168–74. http://dx.doi.org/10.12678/1089-313x.24.4.168.
Texte intégralBuckland, Theresa Jill. « How the Waltz was Won : Transmutations and the Acquisition of Style in Early English Modern Ballroom Dancing. Part One : Waltzing Under Attack ». Dance Research 36, no 1 (mai 2018) : 1–32. http://dx.doi.org/10.3366/drs.2018.0218.
Texte intégralKUMAZAWA, Masaho. « Japanized Modern Dance “Bikkono Odori”(Crippled Dance) in Kawabata Yasunari’s <i>Waltz of Flowers</i>(1936) ». Border Crossings : The Journal of Japanese-Language Literature Studies 15, no 1 (28 décembre 2022) : 181–97. http://dx.doi.org/10.22628/bcjjl.2022.15.1.181.
Texte intégralRopo, Arja, et Erika Sauer. « Dances of leadership : Bridging theory and practice through an aesthetic approach ». Journal of Management & ; Organization 14, no 5 (novembre 2008) : 560–72. http://dx.doi.org/10.1017/s1833367200003047.
Texte intégralRopo, Arja, et Erika Sauer. « Dances of leadership : Bridging theory and practice through an aesthetic approach ». Journal of Management & ; Organization 14, no 5 (novembre 2008) : 560–72. http://dx.doi.org/10.5172/jmo.837.14.5.560.
Texte intégralBuckland, Theresa Jill. « How the Waltz was Won : Transmutations and the Acquisition of Style in Early English Modern Ballroom Dancing. Part Two : The Waltz Regained ». Dance Research 36, no 2 (novembre 2018) : 138–72. http://dx.doi.org/10.3366/drs.2018.0236.
Texte intégralKaminsky, David. « Leading the Other : Gender and Colonialism in Partner Dancing's Long Century ». Dance Research Journal 55, no 3 (décembre 2023) : 87–105. http://dx.doi.org/10.1017/s0149767723000311.
Texte intégralWeiss, Peter. « Protons May Waltz off Nuclear Dance Floor ». Science News 158, no 17 (21 octobre 2000) : 261. http://dx.doi.org/10.2307/4018628.
Texte intégralThèses sur le sujet "Waltz (Dance)"
Greciet, Chéryl. « Evolutions et nouveaux enjeux de la théâtralité en danse contemporaine : l'exemple de François Verret et de Sasha Waltz ». Rennes 2, 2005. http://www.theses.fr/2005REN20036.
Texte intégralFor a few decades we have been witnessing the emergence of a new theatre aesthetics lying in the shift of the work toward the event. Consequently, the body being taken as foundation, the problematics between dance, theatre and performance keep on crossing each other, making their boundaries more and more permeable. This evolution is obvious in the development of interdisciplinary practices in the artistic process as well as in shows productions. Then a certain amount of questions are to be asked: what are these interdisciplinary approaches producing? In what sense do they favour a renewal of expression modes? To answer these questions we will lean on a few productions of choreographers like François Verret, Sasha Waltz and we'll propose an analysis of the changes and new stakes of the theatricality, an elaboration of a aesthetic judgment which varies according to the transformations of artistic languages themselves
Matthews, Joshua Steven. « The American Alighieri : receptions of Dante in the United States, 1818-1867 ». Diss., University of Iowa, 2012. https://ir.uiowa.edu/etd/2939.
Texte intégralLock, Julia Corinne. « Waltz across Texas literary and cinematic articulations of Texas country music and dance culture / ». 2003. http://wwwlib.umi.com/cr/utexas/fullcit?p3116108.
Texte intégralKung-Ling, Chen, et 陳冠伶. « Inquiry and Reflection on Working with Adolescents in Involuntary Contexts- Performing a Waltz Dance ». Thesis, 2011. http://ndltd.ncl.edu.tw/handle/58103163799092386220.
Texte intégral國立臺灣師範大學
社會工作學研究所
99
The main purpose of this research is to gain a better understanding of the involuntary interactive experience between social workers and adolescents. Seven social workers and seven adolescents were interviewed in this research. The findings showed that the helping relationship must be established before the ‘‘professional’’ relationship phase. At the initial stage, adolescents are usually not familiar enough with social workers, which blocks the professional relationships. In this regard, social workers will try to get closer to adolescents. What they do are key to adolescents’ change of attitudes. At the middle stage, three trends of interactive relationship will be developed. As for the termination phase, adolescents may regard social workers’ services as ‘‘care’’. The different roles played by social workers and adolescents can be divided into three interactive models: 1) support-oriented true equilibrium relationship; 2) control-oriented disequilibrium relationship; 3) support-oriented pseudo-equilibrium relationship. Interactive strategies include: 1) role clarification; 2) structuring; 3) behavior modification; 4) generalization; 5) friendly attitude; 6) multi-disciplinary; 7) resource connecting. Characteristics for working with adolescents : 1) The boundaries of professional relationships are ambiguous; 2) Good relationships do not guarantee that adolescents are ready to face the key subject; 3) To report of not is a dilemma; 4) Social workers cannot get the whole picture of adolescents’ condition; 5) Adolescents have their ‘‘own’’ viewpoints when making choices. It is suggested that social workers must clearly understand the real life of adolescents and, the challenges in working with adolescents, as well as realize the role they play in helping clients. In order to help adolescents construct their social capital and gain social welfare, practitioners need to provide multi-dimensional services in a deep interaction.
KORHONEN, Joonas. « Social choreography of the Viennese waltz : the transfer and reception of the dance in Vienna and Europe, 1780-1825 ». Doctoral thesis, 2011. http://hdl.handle.net/1814/19430.
Texte intégralExamining Board: Prof. Philipp Ther (EUI, Supervisor); Prof. Heinz-Gerhard Haupt (EUI); Prof. Hannu Salmi (University of Turku); Prof. Derek B. Scott (University of Leeds)
PDF of thesis uploaded from the Library digital archive of EUI PhD theses
As its title, the social choreography of the Viennese waltz, suggests, the thesis can be situated in the research tradition that studies dance history from sociocultural and sociopolitical point of views. In this work, however, the term social choreography is not understood merely as a system, in which the choreography of the dance reflects and represents society. Rather, what is of interest here are the socio-cultural and economic circumstances in which the Viennese waltz developed. In other words, this thesis examines the consumption of the Viennese waltz within the different social classes in Vienna and Europe between the years 1780 and 1825. In practice, this is done via two different strategies, the first of which includes local developments, more precisely the development of the Viennese waltz in the turn-of-century Vienna. The second strategy, for its part, includes the study of the transfer of the waltzes in and out of Vienna. Despite the fact that in ealry 19th-century Europe the fast waltz style began to be called Viennese, the dance did not develop merely in the Viennese dance halls. Since turn-of-century Vienna was anything but an isolated city, its dance culture was open for all kinds of external influences. The early forms of the waltz were danced in the ballrooms of the European elite from where they spread into Vienna through dancing-masters, dance manuals and printed dance scores. Then these dances, first adopted by the Viennese elite, were taught to the lower classes in the suburban dance schools and dance halls. Thanks to the wide networks of the contemporary music publishers, Viennese waltz music circulated over large distances in Europe already at the beginning of the 19th century.
VINCIKOVÁ, Eva. « Návrh metodiky nácviku jednoduchých gymnastických dovedností na 1. stupni ZŠ - rytmická gymnastika ». Master's thesis, 2007. http://www.nusl.cz/ntk/nusl-44551.
Texte intégralLivres sur le sujet "Waltz (Dance)"
Andō, Natsumi. Let's dance a waltz. New York : Kodansha America, Incorporated, 2015.
Trouver le texte intégralAndō, Natsumi. Let's dance a waltz. New York : Kodansha America, Incorporated, 2015.
Trouver le texte intégralAndō, Natsumi. Let's dance a waltz. New York : Kodansha America, Incorporated, 2015.
Trouver le texte intégralWillis, Christopher R. Leading competition figures for the waltz and foxtrot. 2e éd. Bangor, PA, U.S.A : Willis, 1992.
Trouver le texte intégralAimo, Laura. Corpo, danza, creazione : Sasha Waltz & Guests. Milano : Mimesis, 2018.
Trouver le texte intégralKorhonen, Joonas. Social choreography of the Viennese waltz : The transfer and reception of the dance in Vienna and Europe, 1780-1825. [Helsinki] : Academia Scientiarum Fennica, 2014.
Trouver le texte intégralMoore, Alex. Ballroom dancing : With 100 diagrams of the quickstep, waltz, foxtrot, tango, etc. London : A. & C. Black, 2002.
Trouver le texte intégralRedgrave, Colette. Learn to dance : A step-by-step guide to ballroom and Latin dances. Bath, UK : Parragon, 2008.
Trouver le texte intégralKathleen, Baldwin, et Copyright Paperback Collection (Library of Congress), dir. Waltz with a Rogue : The Highwayman Came Waltzing ; The Rebel and the Rogue ; Dance With Me. New York : Kensington Pub. Corp., 2005.
Trouver le texte intégralPozo, Cal. Let's dance : The complete book and DVD of ballroom dance instruction for weddings, parties, fitness, and fun : dance like a star in minutes, including the basics for the foxtrot, waltz, swing, salsa, merengue, and line dances. New York : Hatherleigh Press, 2007.
Trouver le texte intégralChapitres de livres sur le sujet "Waltz (Dance)"
Buurman, Erica, et Oskar Cox Jensen. « Dancing the “Waterloo Waltz” : Commemorations of the Hundred Days – Parallels in British Social Dance and Song ». Dans Napoleon's Hundred Days and the Politics of Legitimacy, 209–32. Cham : Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-70208-7_11.
Texte intégralKunej, Rebeka. « 8. The Waltz among Slovenians ». Dans Waltzing Through Europe, 239–56. Open Book Publishers, 2020. http://dx.doi.org/10.11647/obp.0174.08.
Texte intégralKattner, Elizabeth. « The Missing Pieces ». Dans Finding Balanchine's Lost Ballets, 77–102. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9780813066646.003.0005.
Texte intégralSamson, Jim. « Salons ». Dans The Music of Chopin, 120–27. Oxford University PressOxford, 1994. http://dx.doi.org/10.1093/oso/9780198164029.003.0008.
Texte intégralAbra, Allison. « Dancing mad ! The modernisation of popular dance ». Dans Dancing in the English Style. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9781784994334.003.0002.
Texte intégralBroyles, Michael. « Mozart, America’s first waltz-king ». Dans Researching Secular Music and Dance in the Early United States, 110–28. Routledge, 2021. http://dx.doi.org/10.4324/9781003039150-8.
Texte intégralSides, Josh. « What’s become of the paris of the west ? » Dans Erotic City, 13–44. Oxford University PressNew York, NY, 2009. http://dx.doi.org/10.1093/oso/9780195377811.003.0002.
Texte intégralTorp, Jörgen. « 10. Waltzing Through Europe ». Dans Waltzing Through Europe, 283–316. Open Book Publishers, 2020. http://dx.doi.org/10.11647/obp.0174.10.
Texte intégralWaltz, Sasha. « “I want to continue working on the body”. Gabriele Klein and Sasha Waltz in Conversation ». Dans Materialities in Dance and Performance, 104–17. transcript Verlag, 2024. http://dx.doi.org/10.1515/9783839470640-006.
Texte intégralBaur, Steven. « “Waltz Me Around Again Willie” : Gender, Ideology, and Dance in the Gilded Age ». Dans Musicological Identities, 47–62. Routledge, 2017. http://dx.doi.org/10.4324/9781315090658-5.
Texte intégralActes de conférences sur le sujet "Waltz (Dance)"
Kutuzov, M. Yu. « WALTZ : HISTORY, VARIETIES AND EVOLUTION OF THE DANCE FROM CLASSICAL TO MODERN TIMES ». Dans АКТУАЛЬНІ ПРОБЛЕМИ РОЗВИТКУ УКРАЇНСЬКОГО ТА ЗАРУБІЖНОГО МИСТЕЦТВ : КУЛЬТУРОЛОГІЧНИЙ, МИСТЕЦТВОЗНАВЧИЙ, ПЕДАГОГІЧНИЙ АСПЕКТИ. Liha-Pres, 2023. http://dx.doi.org/10.36059/978-966-397-317-3-132.
Texte intégralWang, Hongbo, et Kazuhiro Kosuge. « An inverted pendulum model for reproducing human's body dynamics in waltz and its applications in a dance partner robot ». Dans 2010 IEEE/SICE International Symposium on System Integration (SII 2010). IEEE, 2010. http://dx.doi.org/10.1109/sii.2010.5708322.
Texte intégralWang, Hongbo, et Kazuhiro Kosuge. « Attractor design and prediction-based adaption for a robot waltz dancer in physical human-robot interaction ». Dans 2012 10th World Congress on Intelligent Control and Automation (WCICA 2012). IEEE, 2012. http://dx.doi.org/10.1109/wcica.2012.6359108.
Texte intégral