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Articles de revues sur le sujet « Visual Company »

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Auteur : Grafiati

Publié le 14 mars 2023

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1

Suharto, Suharto, Moh Sofwan Syauri, Tristan Alfian et Dwi Agus Susila. « PERANCANGAN MEDIA PROMOSI PRODUKAP GUITARS MELALUI AUDIO VISUAL ». SULUH : Jurnal Seni Desain Budaya 4, n^o 1 (16 septembre 2021) : 1–16. http://dx.doi.org/10.34001/jsuluh.v4i1.2418.

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AP Guitars company produces the guitar, the uniqueness of this guitar is the design shape of the neck and head of the guitar which has a V-shaped guitar neck contour and there are carvings to decorate and company character. Due to the lack of promotion of the media used to promote, it is necessary to have a more effective promotional media through Audio Visual media to attract potential consumers and introduce them to the wider community. The design of the AP Guitars Product Promotion Video uses a qualitative method as a source in collecting AP Guitars Product Promotion Video Design using the delivery of messages in the form of Audio Visual with the concept of Video Mapping, namely by highlighting objects or products with a monitor screen whose visuals have been adjusted to the highlighted product. The supporting media used to support the main media in the form of audio visual consists of posters, x-banners, tshirts, price tags, guitar straps, guitar bags, guitar picks, and product catalog books ..Audio visual works that have been created will be uploaded through the channel. youtube company AP guitars as promotional media

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Suham-Abid, Dalia, et Natalia Vila-Lopez. « Airline service quality and visual communication ». TQM Journal 32, n^o 1 (7 octobre 2019) : 183–200. http://dx.doi.org/10.1108/tqm-04-2019-0105.

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Purpose The purpose of this paper is to analyze differences in airlines service quality perceptions (service content) and visual communication styles (service form) between passengers from a high-context (HC) culture (Iraq) and from a low-context (LC) one (Germany). The theoretical support is based on Hall’s (1976) theory about cultural influences on consumers’ perceptions and on ethnocentric influences. Design/methodology/approach In this study, the authors compared two groups of passengers from two countries ‒ Iraq (a high-context culture) and Germany (low-context culture) – that gave their opinions about two different airlines (Iraqi Airlines and Lufthansa). In total, 400 personal evaluations were obtained (100 for each company in each country). Findings The results have demonstrated that, first, regarding service quality perceptions, both groups of passengers differ, not due to the cultural context, but due to the ethnocentristic feeling, that is service quality values are higher when the domestic company is evaluated in both countries. Second, regarding visual identity perceptions, the cultural context explains perception differences, because the Germans evaluations are higher for both, the foreign company and the domestic one. Originality/value First, the authors have measured in the same study whether people from an LC culture differ from people from a HC culture with respect to how they perceive both the content of the service (the perception of service quality) and the form of the service (the perception of visual identity). In other words, the authors have compared not just the way a company delivers its services, but also how the company is visually presented. Second, the authors have studied a country that has seldom been analyzed from a marketing perspective, Iraq. Third, the authors have compared not just two cultures, but also two companies (a domestic one and a foreign one), in order to see if consumers tend to have more positive perceptions of a local company, regardless of the culture to which they belong. If this point is demonstrated, then some more implications related to ethnocentrism will be added for a better understanding of how to proceed in the international arena.

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MURAHASHI, Katsuko. « Miscellaneous views on a history of a company(10) Seeking familiality-Visual company histories. » Journal of Information Processing and Management 37, n^o 8 (1994) : 701–8. http://dx.doi.org/10.1241/johokanri.37.701.

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Iman Saufik Suasana et Zumroasih Zumroasih. « PERANCANGAN CORPORATE IDENTITY “DAILYUSE” PADA CV ADHI BUMI LESTARI ». Jurnal Ilmiah Teknik Informatika dan Komunikasi 1, n^o 3 (15 octobre 2021) : 1–29. http://dx.doi.org/10.55606/juitik.v1i3.42.

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Corporate Identity is the identity of a company which consists of visual identity (name, logo, trademark, typography, color, etc.) and verbal identity (slogan, tagline, etc.). Corporate identity is an active effort to build an image within the company. One example of a company that requires a corporate identity as a new image builder and to introduce it to the public is the clothing company CV ADHI BUMI LESTARI. Where this company is a new company engaged in the clothing vendor (sewing, screen printing and computer embroidery). In an effort to increase sales, the company makes advertisements and promotions through various media such as visual and print media. New companies will compete to get attention from customers or target markets, so companies need to make their company different from other companies by creating an image so that the company is easily recognized and remembered by the public. The existence of the corporate identity of the company is considered unable to present the company's vision and mission. The visual form of the company's identity does not reflect the image to be conveyed. Therefore, to deal with these problems and shape the public's visual of the daily use brand, a graphic system that describes the corporate identity is needed through the formation of a new corporate identity. Through research methods and data obtained through observations, interviews and literature.

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Leuchter, Shira. « Keeping Good Company ». Canadian Theatre Review 189 (1 janvier 2022) : 8–12. http://dx.doi.org/10.3138/ctr.189.002.

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A personal reflection on how Shira Leuchter’s desire to preserve existent family memories led her to create the live art performance All the Things I’ve Lost, which she performed with her mother, Joyce. All the Things I’ve Lost was commissioned by the Gardiner Museum in Toronto and premiered in August 2016. Through performing the piece, Shira discovered that casting her mother to help her recreate lost childhood objects prompted audience members to share their stories of loss with her during impromptu sessions after each performance. Acknowledging the apparent need for sharing and companioning stories of loss, Shira created the live art performance Lost Together. Lost Together premiered as part of the SummerWorks Festival Lab in 2018. While Shira and co-performer Michaela Washburn recreate and reimagine lost things for audience participants during this intimate performance, Shira recognizes that they can never be successful in resolving loss for their audience participants. Instead, they can hold the weight of the loss with their audience and offer community and connection. Shira contends that collaborating with audiences and leading with tenderness is a radical act of performing care in a culture that prizes individualism.

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Wylam, Lisa Wolford. « Grotowski & ; Company ». Contemporary Theatre Review 21, n^o 2 (mai 2011) : 227–28. http://dx.doi.org/10.1080/10486801.2011.562050.

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Kuharski, Allen. « Gombrowicz and Company ». New Theatre Quarterly 11, n^o 44 (novembre 1995) : 388–91. http://dx.doi.org/10.1017/s0266464x00009374.

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Kohler, Adrian, Basil Jones et Tommy Luther. « Handspring Puppet Company ». Journal of Modern Craft 2, n^o 3 (novembre 2009) : 345–54. http://dx.doi.org/10.2752/174967809x12556950209069.

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Windreich, Leland. « The Colonel's company ». Dance Chronicle 14, n^o 1 (janvier 1991) : 116–23. http://dx.doi.org/10.1080/01472529108569060.

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Apele, Diāna, et Ilze Bodža. « CORPORATE IDENTITY DESIGN POLICY IN THE PROCESS OF VISUAL COMMUNICATION ». SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference 4 (28 mai 2021) : 503–14. http://dx.doi.org/10.17770/sie2021vol4.6483.

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The term corporate identity describes the essence of a company, a set of all the characteristics that make up the company. The company SIA “Nature Line” mentioned in the article, which started its operation as a start-up in the food production industry through the Rēzekne Business Incubator start-up programme, put forward as one of the company’s principal aims to promote the recognition of the company and its products to ensure broad opportunities for product export. One of the objectives for reaching the aim is to create a corporate identity design. A corporate identity design will help the company to start advertising and positioning itself to customers, thus promoting successful company operation. Considering the changing trends, technological opportunities, popularity of the start-up field, and rapid development of visual communication in the modern day, in the article the authors justify the relevance of the chosen topic. The research problem is the lack of understanding on the part of start-ups about the importance of designing a corporate identity for ensuring successful operation of the company as well as insufficient support. The research aim is to explore modern corporate identity development trends in the context of design policy and to analyse expert interviews in order to find out the opinion of experts about the importance of creating a corporate design for ensuring successful operation of a star-up company, about the trends in the graphic design of corporate identity, about the most important elements and their successful positioning. The research results are obtained using the theoretical research methods: the study of scientific and journalistic literature and internet resources, analysis and evaluation, which discover the essence of the problem, as well as expert interviews, which are empirical research methods.

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Heller-Roazen, Daniel. « Company ». October 117 (juillet 2006) : 35–43. http://dx.doi.org/10.1162/octo.2006.117.1.35.

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Zhuravlev, A. A., et K. A. Aksenov. « DEVELOPMENT AND ANALYSIS OF A MODEL OF THE TRANSPORT COMPANY USING VISUAL STUDIO ». Современные наукоемкие технологии (Modern High Technologies), n^o 7 2020 (2020) : 40–43. http://dx.doi.org/10.17513/snt.38131.

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Kim, Jong Sung. « A Study on V.M.D(Visual Merchandising Design) Environment of Mobile Telecommunication Company Store ». Journal of the Korea Academia-Industrial cooperation Society 14, n^o 4 (30 avril 2013) : 1589–94. http://dx.doi.org/10.5762/kais.2013.14.4.1589.

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Dove, Rita. « Company ». Callaloo, n^o 26 (1986) : 50. http://dx.doi.org/10.2307/2931041.

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Agustin, Sukreni Mulya, et Sandi Justitia Putra. « Perancangan Identitas Visual dan User Interface Aplikasi JUALOMBOK ». JTIM : Jurnal Teknologi Informasi dan Multimedia 2, n^o 1 (28 mai 2020) : 50–58. http://dx.doi.org/10.35746/jtim.v2i1.80.

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The development of technology and multimedia at this time has been developing rapidly, severalmultimedia applications have also been created and used in various fields. One of its uses is inthe field of e-commerce. Jualombok application is one of the e-commerce that is developing inLombok Island, but it is still tricky in establishing visual identity. In building the right use, acompany needs a visual identity and the correct User Interface for its application. Therefore, inthis study, the author will design a visual identity and User Interface for the JUALOMBOKApplication for the Jualombok marketplace application that has a focus on helping entrepreneurson the island of Lombok develop local MSMEs to promote and sell their products. Thisapplication was designed on November 13, 2017, by one of the companies in the city of Mataram,namely Cv. Sol Interactive. However, the design stage is only limited to the plan because theessential company is information technology, multimedia, and system integration. This researchis a qualitative study by conducting interviews with the company to get the data needed by theauthor relating to the company and the application of Jualombok. The concept used in this studyis the concept of local wisdom in the visual form and color of the logo for the user interfacecharacteristic of the island of Lombok in the log-in display on the user.User Interface Design Juallombok application presents a typical photo of the island of Lombok,namely rice barns and Songket cloth from the Sasak tribe, so that users still recognize thisapplication as an original application made by the company on Lombok Island despite having amodern look. So that both the visual identity and user interface will still remind the audience onthe island of Lombok, following what is desired by the company

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Perron, Wendy. « Books & ; Company ». PAJ : A Journal of Performance and Art 38, n^o 3 (septembre 2016) : 113–14. http://dx.doi.org/10.1162/pajj_r_00341.

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Cermatori, Joseph. « Books & ; Company ». PAJ : A Journal of Performance and Art 39, n^o 1 (janvier 2017) : 119–21. http://dx.doi.org/10.1162/pajj_r_00355.

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Garcia-Crespo. « Company of Contradictions : Puerto Rico's Tropical Film Company (1916––1917) ». Film History 23, n^o 4 (2011) : 401. http://dx.doi.org/10.2979/filmhistory.23.4.401.

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Staszewska, Jolanta, et Piotr Skorus. « Visual messages - the specifics of marketing communications ». Zeszyty Naukowe Wyższej Szkoły Humanitas Zarządzanie 18, n^o 1 (30 mai 2017) : 83–100. http://dx.doi.org/10.5604/01.3001.0010.2883.

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Skillful using of visual communication tools creates the conditions for the existence of the company on the market. This is an important element of building the competitive position and the desired market image. The main problem of the article is to show how to use visual communication by actors from the SME sector in the marketing communications context. The authors want to try to identify how to manage visual communication to an entrepreneur from the SME sector gained market effect in the form of self-satisfaction and the customer. The aim this article - how a company can use visual communication while maintaining the context of marketing communications

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Knowles, Richard Paul. « Stratford's First Young Company ». Theatre Research in Canada 11, n^o 1 (janvier 1990) : 3–28. http://dx.doi.org/10.3138/tric.11.1.3.

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The first so-called 'Young Company' at the Stratford Festival was founded in 1975 by the incoming Artistic Director, Robin Phillips. This essay describes the brief history of that loosely-defined company and analyses their productions of The Two Gentlemen of Verona and The Comedy of Errors in 1975 and of Hamletand The Tempest in 1976, the Festival's first productions of Shakespeare at the Avon Theatre.

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Krayenbuhl, Pamela. « The Dance Company Film ». Journal of Film and Video 74, n^o 1-2 (1 avril 2022) : 61–77. http://dx.doi.org/10.5406/19346018.74.1.2.06.

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Verma, Jatinder. « Evolution of a Company ». New Theatre Quarterly 13, n^o 52 (novembre 1997) : 349–68. http://dx.doi.org/10.1017/s0266464x00011489.

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TARA presented its first production, Tagore's Sacrifice, in 1977, so this year marks the company's Sacrifice, in 1977, so this year marks the company's twentieth anniversary. How did it come into being?It was, as with most companies, a mixture of accident and intention. The intention part of it relates to 4 June 1976, which was a day when this young Sikh lad in Southall, Gurdeep Singh Chaggar, was killed. It became very obvious within a day or so that this was a racist murder. In retrospect it doesn't seem to be a terribly significant thing, because we've had so many; but at the time it galvanized a particular generation of Asians.

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Johnson, Odai. « The Leeward Islands Company ». Theatre Survey 44, n^o 01 (mai 2003) : 29–42. http://dx.doi.org/10.1017/s0040557403000036.

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Ping, Kuang. « A Visual Grammar Analysis of Lesaffre’s Website ». Advances in Language and Literary Studies 9, n^o 6 (28 décembre 2018) : 38. http://dx.doi.org/10.7575/aiac.alls.v.9n.6p.38.

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The traditional discourse analysis focuses on the language analysis, but ignores the effect of non-language sources to the textual construction. At present, however, with the development of technology, pure discourses gradually decrease. There are other elements existing in the discourse more or less. The discourse analysis blending various communication semiotics is called multimodal discourse analysis. Kress and van Leeuwen (2001:2) hold that multimodality is one of the features of modern society. Multimodal Discourse Analysis is paid much attention in recent discourse analysis. The Visual Grammar founded by Kress and van Leeuwen can help to analyze the multimodal discourse. This text, based on the Visual Grammar to analyze the Lesaffre’s website, will find the charming of the combination of language and pictures, and finally give some points in designing our own websites. Through the study of Lesaffre’s website, when building the website of the company, first the arrangement of information should be paid much attention to. Except some essential conventional information, such as the introduction of the company, other new information, such as the latest news of the company, should be put in obvious place. Then website gives people intuitionistic feeling, so the collocation of the company’s information in the website should be reasonable.

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Gaiduchenko, A. S. « Formation of the company’s image by means of visual communications ». Век информации (сетевое издание) 5, n^o 3 (31 août 2021) : 140–45. http://dx.doi.org/10.33941/age-info.com53(16)8.

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The study examined the relevance of forming a brand image using visual communications. It has been proven over time that, thanks to the brand image, a company can function stably, develop, maintain partnerships and even stay afloat in the event of a crisis. The attractive appearance of the company serves as the basis for attracting new employees and expanding the client base

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Uzzaman, Irfan, et Tasminur Mannan Adnan. « Visual Project Management Tools and Practices : Supplier Company Case Study ». Journal of Business Analytics and Data Visualization 1, n^o 1 (4 août 2020) : 35–50. http://dx.doi.org/10.46610/jbadv.2020.v01i01.005.

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Sterritt, David. « Weber, Smalley, and Company ». Quarterly Review of Film and Video 35, n^o 5 (4 juillet 2018) : 527–30. http://dx.doi.org/10.1080/10509208.2018.1438008.

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Sterritt, David. « Godard, Gorin, and Company ». Quarterly Review of Film and Video 35, n^o 4 (19 mai 2018) : 418–21. http://dx.doi.org/10.1080/10509208.2018.1463791.

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Clifford, Helen. « Company Curiosities. Nature, Culture and the East India Company, 1600–1874 ». Journal of the History of Collections 31, n^o 2 (27 mars 2019) : 434–35. http://dx.doi.org/10.1093/jhc/fhz012.

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Jayanegara, I. Nyoman. « Semiotika Visual Logo RSU.Surya Husadha Denpasar ». Jurnal Bahasa Rupa 1, n^o 1 (28 octobre 2017) : 11–16. http://dx.doi.org/10.31598/bahasarupa.v1i1.138.

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The logo is a picture mark that depicts the identity and image for the entity, where the image and corporate character are communicated with the audience by using the element of writing and image. Images and writing as a logo forming element is a sign system that aims to communicate messages about the type of business, image, or even the company's character to the public. The signs used in a logo are easily understood and conventionally agreed to be able to communicate quickly with the audience. RSU.Surya Husadha as an entity seeks to communicate the message about the type of business as well as the image of the company by using the sign system to the community. Visual signs used in the form of writing and drawing elements in the RSU.Surya Husadha logo, analyzed using semiotic theories expressed by Ferdinand de Saussure and Charles Sander Peirce. The results obtained are RSU.Surya Husadha logo has a deep philosophy about a life depicted through water and seed symbols. Life and exixtence require a balance of all the realities and consequences that exist where the philosophy is portrayed through logotype and logogram as forming elements of the company logo.

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Morgenstern, Stephanie, et Mark Ellis. « From Remembrance to X Company ». Short Film Studies 10, n^o 1 (1 janvier 2020) : 17–18. http://dx.doi.org/10.1386/sfs.10.1.17_7.

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Thompson, Jayne. « Moving Memory Dance Theatre Company ». Performance Research 24, n^o 3 (3 avril 2019) : 115–21. http://dx.doi.org/10.1080/13528165.2019.1583983.

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Jones, Matthew. « Funding a ‘Company of Identity’ ». New Theatre Quarterly 13, n^o 52 (novembre 1997) : 370. http://dx.doi.org/10.1017/s0266464x00011519.

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In one sense Tara belongs to a loose grouping which could be described as ‘companies of identity’, which might include the Black Theatre Co-operative, Sphinx (formerly the Women's Theatre Group), Graeae, and Gay Sweatshop. The classic funding pattern here is that the company is initially founded by individuals with shared educational, cultural and political backgrounds: then, after a number of projects or productions, the group receives funding for a specific proposal, either from a special-interest organization, a trust, or local government.

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Bloom, Arthur W. « The Jefferson Company, 1830–1845 ». Theatre Survey 27, n^o 1-2 (novembre 1986) : 89–153. http://dx.doi.org/10.1017/s0040557400008814.

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In a seminal article entitled “The Development of Theatre on the American Frontier, 1750–1890,” published in the May, 1978, issue of Theatre Survey, Douglas McDermott began synthesizing information about the nineteenth-century American theatre available in books, journals, theses, dissertations, and unpublished primary sources. His thesis of a three-phase development of American frontier theatre—consisting of small and strolling troupes, then standard repertory companies in small towns, and finally resident urban companies—must now be tested and modified by detailed examinations of particular stars, families, and companies touring in provincial America. This study of the Jefferson company corrects, supports, and expands McDermott's theory with evidence about one group of American actors who trouped, in various combinations, through the East, Mid-West, and South from 1830 to 1845.

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Eko Valentino, Dion, et Muhamad Jodi Hardiansyah. « PERANCANGAN VIDEO COMPANY PROFILE PADA HOTEL de JAVA BANDUNG ». TEMATIK 7, n^o 1 (1 juin 2020) : 1–20. http://dx.doi.org/10.38204/tematik.v7i1.285.

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Penelitian yang dilakukan bertujuan untuk perancangan video Company Profile pada Hotel de Java Bandung dengan menggunakan sofware adobe premiere pro cc. Penelitian ini dilakukan karena masih belum ada penerapan Video Company Profile yang diaplikasikan di hotel serta tidak ada bentuk promosi hotel dengan menggunakan media Visual atau video. Metode penelitian yang di gunakan adalah metode analisis deskriptif yaitu penulis menggambarkan hasil observasi dan menganalisa data yang diperoleh di lapangan. Setelah melakukan analisis dan pembahasan masalah, penulis membuat visualisasi dengan menggunakan adobe premiere pro cc guna membantu perusahaan agar lebih di ketahui masyarakat luas dalam bentuk video atau visual.

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Kaul, S. « Company Affairs ». Eighteenth-Century Life 33, n^o 1 (1 janvier 2009) : 120–24. http://dx.doi.org/10.1215/00982601-2007-035.

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Frączek, Adriana. « The elements of the company's visual identity and their role in creating the identity ». Studia Gdańskie. Wizje i rzeczywistość XIV (3 juin 2018) : 197–218. http://dx.doi.org/10.5604/01.3001.0014.3171.

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In image-creating techniques that increasingly and increasingly use modern technological advances, the importance of image and images increases dramatically. The specialists responsible for creating the image of the company are building a message, which is often the logo placed on the company car, graphic footer in the mail, the color and material used in the interior design or the interestingly designed website, which in addition to the news contains information. About the history and heritage of the company, and its future plans.

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Fauziah, Sabila Nurul, Cecep Safa’atul Barkah, Lina Aulina et Iwan Sukoco. « YOUTUBE ADVERTISEMENT SEBAGAI IMPLEMENTASI KOMUNIKASI BISNIS PADA PRODUK SKINCARE LOKAL ». Scriptura 12, n^o 2 (10 janvier 2023) : 82–91. http://dx.doi.org/10.9744/scriptura.12.2.82-91.

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Skincare is an industry that’s being warmly discussed for its development. The emergence of many local skincare brands has begun to color competition in beauty industry. In expanding market and introducing its products to potential customers, company carries out promotional activities, that’s advertising on YouTube. Purpose of this study was to find out the application of Youtube advertisements to local skincare products by reviewing the delivery of messages by MS Glow, Scarlett and Somethinc. Research method used is qualitative approach with descriptive research. In addition, content analysis was also carried out by reviewing message delivery, visuals displayed, and reactions/reviews from consumers who were carried out through Youtube Ads. Local skincare brands such as MS Glow, Scarlett, and Somethinc have their own characteristics in conveying their messages and visual concepts that are displayed through their Youtube Ads. Ms. Glow by conveying soft sell that leads to consumer feelings and visual concept of comedy, Scarlett uses soft sell and fresh and colorfull visuals, while Somethinc uses hard sell by directing the invitation to buy her product and white visuals depicting the coolness. Youtube Ads as implementation of business communication will convey all information that company wants to convey to its consumers.

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Kaur, Harsandaldeep, et Kanwal Roop Kaur. « Investigating the effects of consistent visual identity on social media ». Journal of Indian Business Research 13, n^o 2 (1 mars 2021) : 236–52. http://dx.doi.org/10.1108/jibr-06-2020-0174.

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Purpose Although the prominence of social media for companies is widely acknowledged, a close examination of the literature reveals a lack of empirical research pertaining to the effect of consistency specifically on social media. Therefore, the purpose of this paper is to fill the gap in social media communication concerning the effect of consistent visual identity on social media users. Design/methodology/approach The study executed an experiment 2 (corporate visual identity condition) × 2 (organization type) between subjects design to map the effects of consistent visual identity on social media users appreciation of the visual identity, attitude toward the company, reputation and intention to commit to a company on social media. Findings The results of the study indicated the significant effects of consistent visual identity on social media users over the inconsistent conditions of visual identity on all dependent variables. Furthermore, there were insignificant main effects of organization type on general judgment, credibility, distinctiveness and reputation of the company. Practical implications This study presents the effects of consistent visual identity on social media platforms. The research will help marketing academicians, graphic designers and social media practitioners in online marketing by using its practical implications to strategically positioning their corporate brand in a social media environment. Originality/value This study provides novel insights on the impact of consistency on social media users. This is the first study to determine the role of consistent visual identity in the social media environment. It thereby adds to the literature of visual identity by developing the sphere of influence of consistency and its effects toward the user’s attitude.

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HALES, THOMAS R., STEVEN L. SAUTER, MARTIN R. PETERSON, LAWRENCE J. FINE, VERN PUTZ-ANDERSON, LARRY R. SCHLEIFER, TROY T. OCHS et BRUCE P. BERNARD. « Musculoskeletal disorders among visual display terminal users in a telecommunications company ». Ergonomics 37, n^o 10 (octobre 1994) : 1603–21. http://dx.doi.org/10.1080/00140139408964940.

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Canby, Steve, Carol Chilcott, Brian Davis, Penny Goater, Kevin Hogan, Tina Kelly, Steve Knight et al. « Firebird Theatre company ». Research in Drama Education : The Journal of Applied Theatre and Performance 14, n^o 1 (février 2009) : 55–57. http://dx.doi.org/10.1080/13569780802655772.

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Banjar, Asyifa Khaerunisa, et Kastawan Mandala. « PENGARUH LAYOUT TOKO, VISUAL MERCHANDISING DAN SERVICE QUALITY TERHADAP KEPUASAN KONSUMEN PADA CV. FENNY DENPASAR ». E-Jurnal Manajemen Universitas Udayana 11, n^o 12 (31 décembre 2022) : 2085. http://dx.doi.org/10.24843/ejmunud.2022.v11.i12.p06.

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The increasing needs of people for everyday products give rise to many new businesses that offer a wide variety of items in accordance with the wishes of consumers. This triggers the company to continue to make new innovations to maintain the company's success. Store layout, visual merchandising, and service quality are factors that have a great opportunity to meet customer satisfaction where it is one of the determining factors for the success of the company. In line with this, this study was conducted to determine how much influence the store layout, visual merchandising and service quality on consumer satisfaction. This study was conducted at CV Fenny Denpasar with 110 respondents using purposive sampling. Data collection was done by distributing questionnaires. The data analysis techniques used is multiple regression analysis. Results showed that store layout has a significant positive effect on consumer satisfaction, Visual merchandising has a significant positive effect on consumer satisfaction, Service quality has a significant positive effect on consumer satisfaction. Results confirmed that to improve customer satisfaction, the company is expected to be able to improve the arrangement of the store layout, improve visual merchandising and improve service quality in the store. Keyword: store layout, visual merchandising, service quality, customer satisfaction

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Pitts, Brandon, et Nadine Sarter. « Two is company, three is a crowd ». Proceedings of the Human Factors and Ergonomics Society Annual Meeting 60, n^o 1 (septembre 2016) : 1544. http://dx.doi.org/10.1177/1541931213601354.

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In many data-rich and safety-critical environments, multimodal displays (i.e., displays that present information in the visual, auditory, and tactile channels) are employed to support operators in dividing their attention across numerous tasks and sources of information. However, limitations of this approach are not well understood. Specifically, most research on the effectiveness of multimodal interfaces has examined the processing of only two concurrent signals in different modalities, mainly in vision and hearing. Anecdotal evidence and one empirical study (Hecht & Reiner, 2009) suggest that a person will likely fail to notice one or more signals when presented simultaneously with three or more unrelated multimodal stimuli. Therefore, the goals of this study were to (1) determine the extent to which people can notice and process three unrelated concurrent signals in different sensory channels and (2) whether and how this ability is modulated by age. Adults aged 65 years and older were of particular interest because individuals in this category represent the fastest growing segment of the U.S. population (U.S. Census Bureau, 2008), are known to suffer from various declines in sensory abilities (e.g, Li & Lindenberger, 2002; Stuart-Hamilton, 2012), and experience difficulties with divided attention (e.g., McDowd, Vercruyssen & Birren, 1991; Somberg & Salthouse, 1982) in general. Twelve younger (mean age: 23 years) and twelve older (mean age: 68 years) adults were presented with a series of singles, pairs, and triplets of visual, auditory, and tactile stimuli and asked to verbally indicate the modality of cue(s) they detected. The duration of each signal combination was one second. Prior to the task, crossmodal matching was performed to ensure that, subjectively, the stimuli were of equal intensity. Overall, the older adult group error rate was higher than that of the younger group (i.e., 3.3% and 0.98%, respectively). In particular, older adults often failed to notice the tactile cue when all three cues were combined. They also sometimes falsely reported the presence of a visual cue when presented with a combination of auditory and tactile cues. The findings from this work will be discussed in terms of underlying sensory and perceptual mechanisms. They will help inform the design of multimodal displays and ensure their usefulness across different age groups.

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Andriyan, Wendy, Farahdina Agustine et Diah Lilis Relawati. « Desain Majalah Sebagai Media Company Profile Pada PT Uman Surya Alam ». MAVIB Journal 3, n^o 1 (1 février 2022) : 63–73. http://dx.doi.org/10.33050/mavib.v3i1.1801.

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Company Profile adalah identitas bagi perusahaan agar dapat dikenal lebih luas mengenai sejarah, tujuan dan produk yang ditawarkan. Banyaknya perusahaan saat ini, telah berlomba-lomba membuat media company profile untuk memperkenalkan identitasnya dan juga sebagai pencitraan untuk meningkatkan image perusahaan dalam memenangkan persaingan memperebutkan customer. Salah satu media company profile yang memberikan pengaruh besar bagi perusahaan adalah desain majalah, dimana di dalamnya terdapat teks, gambar dan tampilan visual yang menarik dalam mendukung penyampaian informasi secara lengkap sesuai dengan yang ingin ditampilkan pada media desain majalah. Sebagai perusahaan yang bergerak di bidang job service/repair performed, Media informasi yang ada sebelumnya dinilai kurang dalam penyampaiannya, karena disajikan dalam bentuk website yang memiliki tampilan visual kurang menarik dan kurang terstruktur dalam penataan informasinya, sehingga akan mengurangi brand image produk atau perusahaan. Maka dari itu PT Uman Surya Alam memerlukan media promosi dan informasi berupa desain majalah sebagai company profile yang dapat menyampaikan informasi secara lengkap dengan tampilan visual yang menarik, clean dan elegan. Metode yang digunakan pada penelitian ini yaitu metode penelitian lapangan (field research) untuk mengumpulkan data dengan cara observasi, wawancara dan studi pustaka lalu menggunakan metode analisa kualitatif untuk menyederhanakan data yang sudah ada. Penelitian ini menghasilkan sebuah desain majalah company profile yang dibuat menggunakan software Adobe Illustrator CC 2015 agar lebih efektif dalam memperkenalkan brand image produk atau perusahaan dan efesien dalam menjelaskan tentang perusahaan.

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Lana, Iris. « The Batsheva Dance Company Archive Project ». Dance Research 38, n^o 2 (novembre 2020) : 168–86. http://dx.doi.org/10.3366/drs.2020.0306.

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The article discusses the Batsheva Dance Company Archive Project, conducted by a team I headed in the years 2012–2015. 1 The analysis of this project will assist in understanding both its significance as an archival act of documenting the past, and its influence on the company's present and on Israeli dance. The method of analysis will include a description of the different practices involved in constructing a dance archive; a contextual discussion of archival practices; and a theoretical discussion, principally in the context of changes in current archiving practices and developments in critical thinking about dance as a discipline. The description of the course of events in this article mainly relies on my personal experience and involvement as director of the Batsheva Dance Company Archive Project. The different proceedings, goals, considerations and decisions were documented in monthly reports and in the project's concluding document, and so assisted in tracing the chronicle and details of events. 2

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Poulton, M. Cody. « Everybody Came : Matsumoto Yūkichi's Company Ishinha ». Asian Theatre Journal 38, n^o 1 (2021) : 16–34. http://dx.doi.org/10.1353/atj.2021.0002.

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Siegel, Marcia B. « In Twyla's Company ». Hudson Review 51, n^o 4 (1999) : 735. http://dx.doi.org/10.2307/3852793.

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Hasni, Fatimah Yasmin. « KAJIAN ELEMEN VISUAL IKLAN GO-JEK VERSI KARANGAN BUNGA ». Narada : Jurnal Desain dan Seni 7, n^o 1 (2 avril 2020) : 85. http://dx.doi.org/10.22441/narada.2020.v7.i1.007.

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The development of the advertising world is now increasingly innovating in creativity. Advertising is a reflection of the image of a company, of course, the concept of creativity refers to the character of the company so that the delivery of messages can arrive according to the positioning of the mind of the audience. Various products and services have their strategies to strengthen their positioning. One of them is an application-based company called GO-JEK.GO-JEK in its advertisement carries the theme of floral arrangements with the slogan #AnakBangsaBisa. In commemoration of the 73rd independence day of the Republic of Indonesia, GO-JEK expressed its gratitude to the sons and daughters of the nation who had inspired and succeeded in bringing Indonesian names to the ends of the world, even into space. This was revealed through the site and billboards themed flowers.This study aimed to study the GO-JEK floral arrangement advertising design as a creative element of speech culture through floral arrangements in the advertising world. The method in this study is descriptive qualitative, which will examine the concept of visual strategy design in the advertisement applied by GO-JEK by reviewing the visual appearance related to color, the shape in the form of fields, illustrations, typography, icons/symbols, and layouts used. Output targeted in the study, the results of the research can be published in national-level journals.Based on the above, the research reviews the GO-JEK advertisement version of the visual strategy of GO-JEK, to appreciate the development of contemporary advertising content, especially developments in the advertising world.

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Septiyanti, Septiyanti. « Augmented Reality to Interior Design Company Performance ». Journal of Applied Information, Communication and Technology 6, n^o 1 (25 avril 2019) : 1–12. http://dx.doi.org/10.33555/ejaict.v6i1.59.

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Interior design is an industrial company that works of flow from visual drawing into implementation construction of interior design drawing on site as a framework to fulfilled demand of client needed. Each day interior design company market becomes more high competitiveness as a national or even as a global market, and demand to fulfill with adequately performance to reach global market. In this report depart from previous comprehension; augmented reality can be a purpose effort interior design application for environment experience from computing interaction.

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Marhendra, Anak Agung Ngurah Gede, Agung Eko Budiwaspada et Sangayu Ketut Laksemi Nilotama. « PERANCANGAN IDENTITAS VISUAL REBRANDING CITRA PERUSAHAAN CEMARA CERAMICS (DESIGN OF CEMARA CERAMICS VISUAL REBRANDING IDENTITY) ». Jurnal Seni dan Reka Rancang : Jurnal Ilmiah Magister Desain 4, n^o 1 (1 août 2021) : 1. http://dx.doi.org/10.25105/jsrr.v4i1.10096.

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<p>Abstract Design of Cemara Ceramics Visual Rebranding Identity aims to produce a concept strategy and visual rebranding of the Cemara Ceramics company and produce a Cemara Ceramics rebranding visual identity design in order to encourage the creation of a new identity image. The method in this design uses a 5-stage Design Thinking approach, namely Empathize, Define, Ideate, Prototype and Test. The result achieved is the design of the new Cemara Ceramics corporate identity. With the use of the design thinking method in this research, various problems related to the company image of Cemara Ceramics can be found. The core problem obtained is how to design a strategy and concept of visual identity rebranding to encourage the creation of a new corporate image of Cemara Ceramics.</p><p>Keywords: visual rebranding identity, concept strategy, design thinking</p><p>Abstrak Perancangan Identitas Visual Rebranding Citra Perusahaan Cemara Ceramics ini bertujuan untuk menghasilkan strategi konsep dan visual rebranding perusahaan Cemara Ceramics serta menghasilkan rancangan identitas visual rebranding Cemara Ceramics dalam rangka mendorong terciptanya citra identitas yang baru. Metode dalam perancangan ini menggunakan pendekatan 5 tahapan Design Thinking yaitu Empathize, Define, Ideate, Prototype dan Test. Hasil yang dicapai yaitu rancangan corporate identity Cemara Ceramics yang baru. Dengan adanya penggunaan metode design thinking pada penelitian ini dapat menemukan berbagai permasalahan terkait citra perusahaan Cemara Ceramics. Permasalahan inti yang didapat yaitu mengenai bagaimana merancang strategi dan konsep identitas visual rebranding untuk mendorong terciptanya citra baru perusahaan Cemara Ceramics.</p><p>Kata kunci: identitas visual rebranding, strategi konsep dan visual, design thinking</p>

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