Littérature scientifique sur le sujet « Visual Company »
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Articles de revues sur le sujet "Visual Company"
Suharto, Suharto, Moh Sofwan Syauri, Tristan Alfian et Dwi Agus Susila. « PERANCANGAN MEDIA PROMOSI PRODUKAP GUITARS MELALUI AUDIO VISUAL ». SULUH : Jurnal Seni Desain Budaya 4, no 1 (16 septembre 2021) : 1–16. http://dx.doi.org/10.34001/jsuluh.v4i1.2418.
Texte intégralSuham-Abid, Dalia, et Natalia Vila-Lopez. « Airline service quality and visual communication ». TQM Journal 32, no 1 (7 octobre 2019) : 183–200. http://dx.doi.org/10.1108/tqm-04-2019-0105.
Texte intégralMURAHASHI, Katsuko. « Miscellaneous views on a history of a company(10) Seeking familiality-Visual company histories. » Journal of Information Processing and Management 37, no 8 (1994) : 701–8. http://dx.doi.org/10.1241/johokanri.37.701.
Texte intégralIman Saufik Suasana et Zumroasih Zumroasih. « PERANCANGAN CORPORATE IDENTITY “DAILYUSE” PADA CV ADHI BUMI LESTARI ». Jurnal Ilmiah Teknik Informatika dan Komunikasi 1, no 3 (15 octobre 2021) : 1–29. http://dx.doi.org/10.55606/juitik.v1i3.42.
Texte intégralLeuchter, Shira. « Keeping Good Company ». Canadian Theatre Review 189 (1 janvier 2022) : 8–12. http://dx.doi.org/10.3138/ctr.189.002.
Texte intégralWylam, Lisa Wolford. « Grotowski & ; Company ». Contemporary Theatre Review 21, no 2 (mai 2011) : 227–28. http://dx.doi.org/10.1080/10486801.2011.562050.
Texte intégralKuharski, Allen. « Gombrowicz and Company ». New Theatre Quarterly 11, no 44 (novembre 1995) : 388–91. http://dx.doi.org/10.1017/s0266464x00009374.
Texte intégralKohler, Adrian, Basil Jones et Tommy Luther. « Handspring Puppet Company ». Journal of Modern Craft 2, no 3 (novembre 2009) : 345–54. http://dx.doi.org/10.2752/174967809x12556950209069.
Texte intégralWindreich, Leland. « The Colonel's company ». Dance Chronicle 14, no 1 (janvier 1991) : 116–23. http://dx.doi.org/10.1080/01472529108569060.
Texte intégralApele, Diāna, et Ilze Bodža. « CORPORATE IDENTITY DESIGN POLICY IN THE PROCESS OF VISUAL COMMUNICATION ». SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference 4 (28 mai 2021) : 503–14. http://dx.doi.org/10.17770/sie2021vol4.6483.
Texte intégralThèses sur le sujet "Visual Company"
Miridjanian, Julie, et Marine Ballias. « Creating a visual brand identity : The case of Charles Picard's Company ». Thesis, Högskolan i Halmstad, Sektionen för ekonomi och teknik (SET), 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-16001.
Texte intégralObyn, Renaat, et Nele Callens. « Company Communication System for Customers and Dealers ». Thesis, Jönköping University, School of Engineering, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-824.
Texte intégralThis thesis, that comes together with an extranet and internet site programmed in ASP.NET 2.0, has been written in the context of our final project on bachelor level in association with the School of Engineering – Jönköping University.
We had the choice to think of a project on our own or to work in association with a company. As the Belgian company Induma came with this idea, we decided to work this project out.
Our project has got the name ‘Company Communication System for Customers and Dealers’. Besides the front-end and back-end internet site, it will also include a system for customers and dealers, extranet site. So the site will get more interactive and there will be more online transactions possible.
We would like to thank the School of Engineering – Jönköping University, KATHO – VHTI and our parents to get the chance to experience studying abroad. We would also like to thank the company Induma for their cooperation and our Belgian and Swedish supervisors K. Deseyne and M. Schoultz for their guidance and help.
REMONDINO, CHIARA LORENZA. « The Visual Company : il ruolo della visualizzazione dei dati per al sostenibilità delle imprese ». Doctoral thesis, Politecnico di Torino, 2019. http://hdl.handle.net/11583/2742538.
Texte intégralMayer, Katherine. « Fulfillment & ; Amazon Invazion : Explorations of the Company Amazon Through Play ». Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/scripps_theses/1332.
Texte intégralKasurinen, Viktor. « Coca-Cola Company - En färgstark personlighet : En undersökning i färgers förmåga att förmedla varumärkesidentitet i reklamfilm ». Thesis, Högskolan Dalarna, Bildproduktion, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:du-30725.
Texte intégralALMEIDA, MARCELO VIANNA LACERDA DE. « THE EFFICIENCY OF THE COMPANY GRAPHIC SIGN : A FORM ACCLAIMED BY THE DESIGN FIELD ON THE LEVELS OF MODERN VISUAL CULTURE ». PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2010. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=21611@1.
Texte intégralQuando se visualiza a profusão de signos gráficos de empresas, atualmente expostos no meio social, se manifestam várias indagações, dentre as quais uma é fundamental: o que possibilita a estas imagens gráficas deterem tamanha força, capaz de permitir o seu reconhecimento como representante da empresa a que pertence, ou como sinal de indicação da marca de produtos a que se devota o consumo? O propósito deste trabalho de pesquisa é apresentar o entendimento de como o signo gráfico empresarial atinge essa força, que aqui se entende por eficiência. Tal como efetuamos nossa análise do fenômeno, a eficiência do signo gráfico empresarial não pode ser compreendida a partir das características técnicas de sua configuração, mas pela construção cultural de um campo simbólico de produção - o campo do design. Esse fenômeno somente foi possível porque ocorreram transformações sociais de grande proporção, que aprofundaram sobremaneira a ruptura inicial de instauração da Idade Moderna. Uma delas foi a alteração do modelo de visualidade no século XIX, a qual possibilitou ao campo do design efetivar seus princípios legítimos de produção de imagens gráficas, e assim justificar, na sociedade, o domínio de sua fabricação. Outra alteração consistiu na mudança do modelo de satisfação subjetiva, que forneceu as bases do insaciável consumo moderno. Essa mudança ofereceu oportunidade para que se instituíssem a importância das marcas - imagens projetadas a partir de valores atribuídos aos empreendimentos - e a força de seus signos gráficos. Para a articulação dessas duas alterações com a análise da eficiência do signo gráfico, foram empregados os seguintes autores: Jonathan Crary e Colin Campbell, que contribuíram respectivamente com indicações relevantes das alterações que permitiram aos indivíduos das sociedades modernas, visualizar e consumir de maneira autônoma. Na análise do funcionamento do campo do design, utilizou-se um autor fundamental, Pierre Bourdieu, que explicita, por meio de sua teoria de produção dos campos simbólicos, a maneira pela qual um bem simbólico - por exemplo, uma imagem gráfica - alcança o reconhecimento como legítimo. A partir dessa produção simbólica do campo, é possível compreender que a eficiência do signo gráfico empresarial depende de sua legitimação, levada a efeito de maneira precisa entre os diversos agentes e instituições das instâncias desse campo autônomo do design, em luta constante por legitimidade na hierarquia social.
When one visualizes the profusion of company graphic signs currently displayed in the social area, several questions arise, but nevertheless one is basic: what enables these graphic images to have so much strength which allows them to be recognized as representative of the companies to which they belong or as sign indicative of the trademarks of products whose consumption is desired? The purpose of this research work is to present the understanding of how the company graphic sign attains this strength, which in this work is understood as efficiency. As we perform our analysis of the phenomenon, the efficiency of the company graphic sign cannot be comprehended based on the technical characteristics of its configuration, but rather as the cultural construction of a symbolic field of production – the design field. This phenomenon was possible only because large-scale social transformations took place which greatly deepened the initial breakthrough of the establishment of the Modern Age. One of these was the change in the model for visualizing in the 19th century which enabled the design field to achieve its legitimate principles of graphic image production and thus justify to society the mastery of their production. Another change involved the shift in the model of subjective satisfaction, which furnished the bases for modern insatiable consumption. This change offered the opportunity for instituting the importance of trademarks – images projected based on values attributed to the undertakings – and the strength of their graphic signs. For the articulation of these two changes with the analysis of the graphic sign´s efficiency, the following authors were utilized: Jonathan Crary and Colin Campbell, who contributed respectively with relevant indications of these changes which allowed individuals in modern societies to visualize and consume in an independent way. In the analysis of the design field´s functioning, a fundamental author was utilized: Pierre Bourdieu, who makes explicit, by means of his theory of symbolic field production, the way in which a symbolic asset – for example, a graphic image – achieves recognition as legitimate. Based on this symbolic field production, it is possible to comprehend that the efficiency of the company graphic sign depends on its legitimizing, carried out in a precise way among the various agents and institutions on the levels of this independent field of design, in a constant struggle for legitimacy in the social hierarchy.
Quand on visualise la profusion des signes graphiques des entreprises actuellement exposés dans la société, plusieurs indagations se manifestent, cependant, une nous semble fondamentale: qu’est-ce que possibilite à ces images graphiques d’avoir telle force qui permet que l’on les reconaisse comme représentant de l’entreprise à laquelle elles appartiennent ou même comme indication de la marque des produits de consommation? L’objectif de ce travail est de comprendre comment le signe graphique d’une entreprise gagne cette force, qui dans ce travail on appelera efficacité. Selon la façon dont nous avons effectué notre analyse de ce phénomène, l’efficacité du signe graphique d’une entreprise ne peut pas être comprise à partir des caractéristiques techniques de sa configuration, mais à partir de la construction culturelle d’un champ symbolique de production – le champ du design. Cela a été possible grâce aux grandes transformations sociales qui ont aprofondi la rupture iniciale d’instauration de l’âge moderne. Une de ces transformations fût le changement de modèle de visualité au XIXème siècle qui a possibilité au champ du design d’effectuer ses príncipes légitimes de production des images graphiques et ainsi de justifier dans la société le domaine de sa fabrication. Une autre tranformation fût le changement de modèle de satisfaction subjective qui a donné les bases de la consommation exagérée de la modernité. Ce changement offrit l’opportunité de l’institution et de l’importance des marques – images projetées à partir des valeurs attribuées aux entreprises – et la force de leurs signes graphiques. Pour articuler ces deux changements deux auteurs ont été utilisés: Jonathan Crary et Colin Campbell qui ont fourni des indications relevantes à propos de ces changements qui permirent aux individus des sociétés modernes de visualiser et de consommer de manière autonome. Dans l’analyse du fonctionnement du champ du design, on a utilisé un auteur fondamental, Pierre Bourdieu qui explicite à travers sa théorie du champ de production symbolique, la façon dont un bien symbolique, une image graphique par exemple, obtient la reconnaissance comme légitime. À partir de cette production symbolique du champ, il est possible de comprendre que l’efficacité du signe graphique d’une entreprise dépend de sa propre légitimation parmi plusieurs agents et institutions de ce champ autonome du design, en lutte pour la légitimation dans l’hiérarchie sociale.
Olsén, Emma. « Redesign of a website and visual brand language : Development of a new website and graphic profile for an energy efficiency company ». Thesis, Luleå tekniska universitet, Institutionen för ekonomi, teknik, konst och samhälle, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-83074.
Texte intégralProjektet som presenteras i den här rapporten är resultatet av ett examensarbete för Civilingenjörslinjen Teknisk Design vid Luleå Tekniska Universitet. Projektet har drivits mot och i samarbete med energiföretaget Leosol under hösten 2020. Leosol har investerat både pengar och tid i annonsering online. Detta har genererat ett större besöksflöde, dock har det inte lett till en ökning av bokningar av deras tjänster. Leosol vill öka antalet bokningar som sker via deras hemsida. Detta examensarbete har utförts för att bidra till detta mål. Projektet har därför kretsat kring att förstärka Leosols varumärke genom att utforska olika alternativ till en ny grafisk profil och ett nytt visuellt varumärke. Dessa nya varumärkesverktyg kommer sedan att implementeras i en helt ny hemsida. En variant av IDEO’s Human-Centered Designprocess har använts under projektet för att uppnå detta. Genom att arbeta nära och tillsammans med användaren, i detta fall Leosols kunder, har de nuvarande problemen samt olika lösningar förtydligats och identifierats. Under processen har den grafiska profilen och wireframen för hemsidan skapats separat. I sista fasen i projektet kombinerades dessa till det slutgiltiga konceptet. Projektet har resulterat i en ompositionering av Leosols varumärke genom att skapa en mer professionell ton. Den grafiska profilen har sammanfattats i form av en poster. Denna beskriver den nya logotypen, färger, typsnitt, bildspråk samt en kort instruktion som förklarar hur dessa bör appliceras. Den nya grafiska profilen applicerades sedan på wireframen, för att skapa den slutgiltiga hemsidan. Hemsidans layout är skapad för att användaren ska snabbt kunna identifiera Leosol’s identitet samt deras tjänster. Genom att implementera en hemsida som verkligen representerar Leosol ökar chanserna för att antalet bokningar på deras hemsida stiger.
Johnson, Stacey. « Taking pictures, making movies and telling time : charting the domestication of a producing and consuming visual culture in North America ». Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=35900.
Texte intégralFour cultural forms (No. 1 Kodak, Box Brownie, Cine Kodak and Cine Kodak 8) are specified in this development, all pioneered by the Eastman Kodak Company. The dissertation traces Eastman Kodak's direct involvement in the popularization of image practices. It analyzes strategies used by them to make this possible, namely an appeal to the becoming lifestyles of the bourgeois and middle-classes.
The analysis links the popularization of image-making and consuming practices to other popular amusements (i.e. cycling, cinema-going) to work against an artifact-centred analysis. Issues of gender and generation are critically evaluated as concepts used to instill image-making as a popular, family practice. Shifts in modern temporal and spatial experience, as well as mobility are also explored in relation to popular image-making.
Rönnqvist, Louise. « Prerequisites for a Successful Implementation of Visual Communication in a Production Environment : -A Case Study at a global industrial company in Sweden ». Thesis, University of Gävle, Department of Technology and Built Environment, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-5424.
Texte intégralVisualization is a lean tool and in order to strive to become a lean company applying the lean philosophy in all these parts of the organization is necessary. A company that does not understand the philosophy and culture behind lean production, even though applying lean tools, is not a lean business and has a long way to production excellence.
Implementing and becoming a visual organization means change which includes the organizational culture, collective attitude and beliefs. The difference between success and failure is about the ability to provide knowledge, information and to create prerequisites for participation and engagement at all levels in the organization with a clear and direct leadership.
In many companies communication is lacking sufficient and official channels, and the inadequacy in the information systems are usually due to functional thinking and strict boarders at all levels in an organization. New ways of communication are the result of process orientation, demanding new prerequisites for information systems which companies needs to develop and thus become more visual. Knowledge and information needs to become more accessible and objective in order for decision to be taken based on facts not be the result of interpretations of reality. Visualization enables people to see and develop an objective and common reality. It further contributes to the organizations ability for improvement and aligns the employees to fulfill the overall business objectives and strategies.
The Company in this case that wants to be anonymous will further be called Company X. Company X objective is to develop a visual communication system to increase the information sharing and flow throughout the organization. However, this is not an easy task and many companies lack sufficient prerequisites to carry out a successful implementation. The research result at Company X has in this study shown weaknesses in core areas as in clear and direct leadership, vision and strategy development and communication as well as a low level of knowledge transformation at all levels in the organization in order to create engagement for the change process which an implemetion of this kind is.
Visualisering är ett lean verktyg och i sträva att bli ett lean företag måste lean filosofin tillämpas i alla delar av organisationen, vilket är en nödvändighet. Ett företag som inte förstår filosofin och kulturen bakom lean produktion, trots att man tillämpar lean verktyg, är inte ett lean företag och har en lång väg från optimering av produktion. Förutsättningarna att bli en visuell organisation innebär förändringar som omfattar organisations kultur, kollektiva attityder och föreställningar. Skillnaden mellan framgång och misslyckande handlar om förmågan att ge kunskap, information och att skapa förutsättningar för delaktighet och engagemang på alla nivåer i organisationen, detta genom ett tydligt och direkt ledarskap.
Kommunikation på många företag saknar ofta tillräckliga och officiella kanaler och bristen på information beror många gånger på funktionstänkande och strikta gränser, på alla nivåer i organisationen. Nya sätt att kommunicera är resultatet av processorientering vilket krävs för att företag ska kunna skapa förutsättningar för informationssystem och bli mer visuella. Kunskap och information måste bli mer tillgängligt och objektivt för att beslut som är baserade på fakta och inte på tolkningar av verkligheten ska kunna fattas. Visualiseringen möjliggör för människor att se och utveckla en objektiv och gemensam verklighet. Detta bidrar till organisationers möjlighet till förbättringar och möjlighet för de anställda att uppfylla de övergripande affärsmålen och strategierna för organisationen.
Det studerade företaget som valt att vara anonymt kommer hädanefter kallas för Företag X. Företag X målsättning är att utveckla ett visuellt kommunikationssystem i syfte att öka utbytet av information och dess flöden . Men detta är inte en lätt uppgift och många företag har inte tillräckliga förutsättningar för att kunna genomföra en framgångsrik implementering. Resultaten från studien på företaget X visar på svagheter inom kärnområden som ett klart och tydligt ledarskap, utvecklandet och kommunikationen av vision och strategier samt en låg nivå rörande kunskapsspridandet på alla nivåer i organisationen för att skapa engagemang för förändrings process som en implementering av detta slag innebär.
Stenberg, Christoffer. « Grafisk profilering av ett nystartat hälsoföretag ». Thesis, Högskolan Dalarna, Grafisk teknologi, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:du-26907.
Texte intégralThis work was conducted in collaboration with the startup company Eklundens källa. The purpose of the studies was to find out how a branding manual and a user-friendly website should be made to reflect the company's vision and core values in the most appropriate manner. A semi-structured interview was conducted with the client to get more knowledge about the company. A visual content analysis was performed to get a better understanding of how competitors are profiled, and how their websites are built. Two separate surveys revealed valuable opinions and results as the basis for the production of Eklundens källas new visual identity. The visual identity was made after Sless’ model measuring information design. The result of this work was a proposal for a more user-friendly website and a new branding manual containing guidelines for logos, colors, fonts, visual identity imagery, correspondence materials and web for the company. The respondents' answers showed that the new material largely conveyed the company's core values of safety and competence, and that it was suited to the industry.
Livres sur le sujet "Visual Company"
1901-1966, Disney Walt, dir. Disney : The ultimate visual guide. London : Dorling Kindersley, 2002.
Trouver le texte intégralPictorial Webster's : A visual dictionary of curiosities. San Francisco, CA : Chronicle Books, 2009.
Trouver le texte intégralPaul, Trynka, dir. Denim : From cowboys to catwalks : a visual history of the world's most legendary fabric. London : Aurum, 2002.
Trouver le texte intégralUnited States. Environmental Protection Agency. Office of Research and Development., dir. Visual function studies during exposure to a mixture of diabasic esters (DBE) in Long-Evans rats : Cooperative research and development agreement with E.I. Du Pont de Nemours & Company. Washington, DC : U.S. Environmental Protection Agency, Office of Research and Development, 1994.
Trouver le texte intégralMerriam-Webster's compact visual dictionary. Springfield, Mass : Merriam-Webster, 2008.
Trouver le texte intégralMurray, William H. Compact guide to Visual Basic 4. Boston : AP Professional, 1996.
Trouver le texte intégral1936-2006, Archambault Ariane, dir. Le visuel compact : Dictionnaire thématique français. Montréal : Québec/Amérique, 1995.
Trouver le texte intégralNational Film, Video, and Sound Archives (South Africa). Gids op kompakskywe in die Nasionale Film-, Video- en Klankargief = : Guide to compact discs in the National Film, Video, and Sound Archives / National Archives of South Africa. Pretoria : Nasionale Argief van Suid-Afrika, 1997.
Trouver le texte intégralCingari, Salvatore, dir. Cultura democratica e istituzioni rappresentative. Florence : Firenze University Press, 2007. http://dx.doi.org/10.36253/978-88-8453-561-0.
Texte intégralDavidson, Homer L. Troubleshooting and repairing audio equipment. Blue Ridge Summit, PA : TAB Books, 1987.
Trouver le texte intégralChapitres de livres sur le sujet "Visual Company"
Takono, Kosuke, et Yurika Moriwaki. « Company Web Site Analysis Based on Visual Information ». Dans Advances on P2P, Parallel, Grid, Cloud and Internet Computing, 869–76. Cham : Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-49109-7_84.
Texte intégralDieter, Katie E. « Visualizing African diaspora dance through the African American Dance Company and visual art ». Dans Fire Under My Feet, 66–92. London : Routledge, 2021. http://dx.doi.org/10.4324/9781003150343-3.
Texte intégralFeng, Xin, Yuanzhen Wang, Yanlin Weng et Yiying Tong. « Compact Combinatorial Maps in 3D ». Dans Computational Visual Media, 194–201. Berlin, Heidelberg : Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-34263-9_25.
Texte intégralEl Zant, Chawki, Quentin Charrier, Khaled Benfriha et Patrick Le Men. « Enhanced Manufacturing Execution System “MES” Through a Smart Vision System ». Dans Lecture Notes in Mechanical Engineering, 329–34. Cham : Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-70566-4_52.
Texte intégralBolognesi, Marianna, et Ana Werkmann Horvat. « Metaphor in verbal vs. visual communication ». Dans The Metaphor Compass, 125–46. New York : Routledge, 2022. http://dx.doi.org/10.4324/9781003041221-10.
Texte intégralOlibet, Ylenia, et Alanna Thain. « Vidéo de Femmes Dans le Parc : Feminist Rhythms and Festival Times Under Covid ». Dans Rethinking Film Festivals in the Pandemic Era and After, 155–75. Cham : Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-14171-3_8.
Texte intégralGhys, Charlotte, Nikos Paragios et Bénédicte Bascle. « Understanding 3D Emotions Through Compact Anthropometric Autoregressive Models ». Dans Advances in Visual Computing, 793–802. Berlin, Heidelberg : Springer Berlin Heidelberg, 2006. http://dx.doi.org/10.1007/11919476_79.
Texte intégralSulaberidze, Tamaz, Otar Tavdishvili, Tea Todua et Zurab Alimbarashvili. « Compact Description of the Segments on the Segmented Digital Image ». Dans Advances in Visual Computing, 250–57. Cham : Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-14249-4_24.
Texte intégralBaldi, Gabriele, Carlo Colombo et Alberto Del Bimbo. « A Compact and Retrieval-Oriented Video Representation Using Mosaics ». Dans Visual Information and Information Systems, 171–78. Berlin, Heidelberg : Springer Berlin Heidelberg, 1999. http://dx.doi.org/10.1007/3-540-48762-x_22.
Texte intégralZheng, Zejia, Zhu Li et Abhishek Nagar. « Compact Deep Neural Networks for Device-Based Image Classification ». Dans Mobile Cloud Visual Media Computing, 201–17. Cham : Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-24702-1_8.
Texte intégralActes de conférences sur le sujet "Visual Company"
Forslund, Karin, et Rikard So¨derberg. « Categories of Visual Quality Cues ». Dans ASME 2007 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2007. http://dx.doi.org/10.1115/detc2007-35322.
Texte intégralSeebacher, Daniel, Bruno Schneider et Michael Behrisch. « Visual Integration of Meteorological and Sensor Data for Identifying Suspicious Company Behavior ». Dans 2017 IEEE Conference on Visual Analytics Science and Technology (VAST). IEEE, 2017. http://dx.doi.org/10.1109/vast.2017.8585436.
Texte intégralLopes, Marcelo Garcez. « Safety Culture ». Dans 2010 8th International Pipeline Conference. ASMEDC, 2010. http://dx.doi.org/10.1115/ipc2010-31368.
Texte intégralHu, Zhoubin, Jinbao Li, Jundong Chen, Jing Yu et Yi Dai. « Design of Power Grid Photovoltaic Data Visual Monitoring System for Energy Company User Service ». Dans 2022 IEEE International Conference on Advances in Electrical Engineering and Computer Applications (AEECA). IEEE, 2022. http://dx.doi.org/10.1109/aeeca55500.2022.9918887.
Texte intégralKoentjoro, Mochammad. « The Effects of Instagram Video in Property Company Communications : Analysis of Instagram Account of BSD City, Alam Sutera, and Summarecon Serpong ». Dans International Conference of Innovation in Media and Visual Design (IMDES 2020). Paris, France : Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201202.051.
Texte intégralGrande, Fernando, Ramon Longo, Elvira Maria Vieira Lantelme et Marcelo Fabiano Costella. « Proposta de um dispositivo visual para utilização de linha de vida horizontal ». Dans XI SIMPÓSIO BRASILEIRO DE GESTÃO E ECONOMIA DA CONSTRUÇÃO. Antac, 2021. http://dx.doi.org/10.46421/sibragec.v11i00.69.
Texte intégralRibeiro, Rogério, Daniel Raposo, Rita Almendra et João Neves. « Using Diagrams to Explain Brand Concepts and Implement Visual Identities ». Dans 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002032.
Texte intégralMišić, Jovan, Sinisa Sremac, Vladimir Popović1, Dušan Radosavljević et Stefan Mihajlović. « Alternative transport systems in the function of micromobility ». Dans TRANSPORT FOR TODAY'S SOCIETY. Faculty of Technical Sciences Bitola, 2021. http://dx.doi.org/10.20544/tts2021.1.1.21.p04.
Texte intégralConnor, Paul B. « Unleashing the Hidden Value of a Pipeline Through the Use of Visual Communications ». Dans 1996 1st International Pipeline Conference. American Society of Mechanical Engineers, 1996. http://dx.doi.org/10.1115/ipc1996-1811.
Texte intégralRatnayake, R. M. Chandima, S. M. S. M. K. Samarakoon et Tore Markeset. « Maintenance Integrity : Managing Flange Inspections on Aging Offshore Production Facilities ». Dans ASME 2011 30th International Conference on Ocean, Offshore and Arctic Engineering. ASMEDC, 2011. http://dx.doi.org/10.1115/omae2011-49050.
Texte intégralRapports d'organisations sur le sujet "Visual Company"
Weber, F. F. Visual kerogen and TAI data of select cuttings and core (1260 - 8130 feet) from the Union Oil Company Tungak Creek #1 well. Alaska Division of Geological & Geophysical Surveys, 1989. http://dx.doi.org/10.14509/18984.
Texte intégralBarkatov, Igor V., Volodymyr S. Farafonov, Valeriy O. Tiurin, Serhiy S. Honcharuk, Vitaliy I. Barkatov et Hennadiy M. Kravtsov. New effective aid for teaching technology subjects : 3D spherical panoramas joined with virtual reality. [б. в.], novembre 2020. http://dx.doi.org/10.31812/123456789/4407.
Texte intégralDutra, Lauren M., James Nonnemaker, Nathaniel Taylor, Ashley Feld, Brian Bradfield, John Holloway, Edward (Chip) Hill et Annice Kim. Visual Attention to Tobacco-Related Stimuli in a 3D Virtual Store. RTI Press, mai 2020. http://dx.doi.org/10.3768/rtipress.2020.rr.0036.2005.
Texte intégralLee, Wei-Yi, et Che-Ju Chang. Efficacy of Acupuncture in treatment of Temporomandibular joint disorders : A systematic review and meta-analysis of randomized, sham-controlled trials. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, mai 2022. http://dx.doi.org/10.37766/inplasy2022.5.0158.
Texte intégralGroeneveld, Andrew B., Stephanie G. Wood et Edgardo Ruiz. Estimating Bridge Reliability by Using Bayesian Networks. Engineer Research and Development Center (U.S.), février 2021. http://dx.doi.org/10.21079/11681/39601.
Texte intégralMizrach, Amos, Sydney L. Spahr, Ephraim Maltz, Michael R. Murphy, Zeev Schmilovitch, Jan E. Novakofski, Uri M. Peiper et al. Ultrasonic Body Condition Measurements for Computerized Dairy Management Systems. United States Department of Agriculture, 1993. http://dx.doi.org/10.32747/1993.7568109.bard.
Texte intégralMudge, Christopher, et Kurt Getsinger. Comparison of generic and proprietary aquatic herbicides for control of invasive vegetation ; part 3 : submersed plants. Engineer Research and Development Center (U.S.), septembre 2021. http://dx.doi.org/10.21079/11681/42061.
Texte intégralGolovko, Khrystyna. TRAVEL REPORT BY ALEKSANDER JANTA-POŁCZYNSKI «INTO THE USSR» (1932) : FROG PERSPECTIVE. Ivan Franko National University of Lviv, mars 2021. http://dx.doi.org/10.30970/vjo.2021.50.11091.
Texte intégralSheridan, Anne. Annual report on migration and asylum 2016 : Ireland. ESRI, novembre 2017. http://dx.doi.org/10.26504/sustat65.
Texte intégralStakes, Keith, et Joseph Willi. Study of the Fire Service Training Environment : Safety, Fidelity, and Exposure -- Acquired Structures. UL Firefighter Safety Research Institute, mars 2019. http://dx.doi.org/10.54206/102376/ceci9490.
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