Littérature scientifique sur le sujet « Villa dei Misteri »
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Articles de revues sur le sujet "Villa dei Misteri"
Bergamasco, Imma, Anna Marzo, Giuseppe Marghella et Bruno Carpani. « In-situ experimental campaign on the covering structures of “Villa dei Misteri” in Pompeii ». Journal of Civil Structural Health Monitoring 8, no 2 (2 mars 2018) : 181–97. http://dx.doi.org/10.1007/s13349-018-0274-7.
Texte intégralScapini, Marianna. « The winged figure in the “Villa dei Misteri” fresco and the spinning top in ancient rituals ». Mythos, no 10 (1 décembre 2016) : 193–213. http://dx.doi.org/10.4000/mythos.509.
Texte intégralThèses sur le sujet "Villa dei Misteri"
Kirsch, J. H. Immo. « Villa dei Misteri ». Freiburg i. Br. : Universität, 1993. http://www.bsz-bw.de/cgi-bin/xvms.cgi?SWB8486376.
Texte intégralSCAPINI, Marianna. « Culti dionisiaci tra la tarda Repubblica e l'inizio dell'Impero : forme e valori attraverso l'iconografia ». Doctoral thesis, 2012. http://hdl.handle.net/11562/400338.
Texte intégralThis research deals with Dionysiac rituals in the Late Roman Republic and at the beginning of the Imperial Age, with particular attention to those practiced by women, with the aim of evaluating the differing aspects and their possible political implications. I have started from the assumption that Dionysism was used as a means of political legitimacy since the dawn of Hellenism in order to confirm political authority by way of regal symbols. Moreover it is apparent that some Greek and Roman Dionysiac ceremonies were indeed celebrated by the most important urban magistrates for all citizens. The famous Dionysiac ceremony in the house of Archon Basileus in Athens during the urban festival of the Anthesteria is a good case in hand. From these considerations I made detailed analysis of certain Dionysiac ceremonies - and rituals of some Dionysiac character - in Rome, assessing their connection to the public sphere. I attempted to create a methodological grid in which I placed archaeological and literary evidence, considering religious implications, subjects within the documents and the public. Connections with further evidence of a Dionysiac nature were also studied. Starting from some preliminary distinctions, necessary in approaching such heterogeneous material, I analysed several important contexts in the Roman and Pompeian areas with a Dionysiac relevance. Among conspicuous material I gave particular consideration to frescoes and reliefs which appear connected to mysteries or, at least, to secret ceremonies. In primis I focused my attention on the famous Dionysiac fresco of the Villa dei Misteri, where I also provided an updated bibliography. Ceremonies represented within the frescoes examined were compared with what we do know about Dionysiac rituals in Italy and in the Greek world. My first aim was to evaluate possible connections with the rituals examined and those ceremonies performed by the urban upper classes. Secondly I studied potential influences upon the above mentioned practices from Egyptian rituals, which since the 5th century B. C. were compared to ceremonies in honour of Dionysus and Demeter. Where able, I attempted to recognize possible specificity regarding the location of Dionysiac themes within Roman domus and villae. Though a specific and recurrent taxonomy failed to materialize, many useful distinctions between private and public spaces in Roman houses were successfully made. According to the data gathered from literary fonts and recurrent iconography of the meeting of Dionysus and Ariadne, it became evident that a very common form of Dionysiac domestic rituals had the features of a Dionysiac hierogamy. Within the Roman world this holy marriage appeared in the rite of Bona Dea performed in December in the house of the first magistrate of Rome by his wife. I believe to have recognized a second form of female rites with a domestic character - from paintings, votive materials and private devotions - that concerns devotional practices in honour of a Goddess who presided over the female sphere (sexual maturity, pregnancy and childbirth). This Goddess could have aspects of Ceres, Venus/Ariadne, Isis, Hygeia, Hekate/Diana/Venus and, for themes of adoptive motherhood and nourishment, of Juno or of Ino/Mater Matuta. I suggest that the women involved in these rituals would identify themselves with these deities according to the function that they stressed: maternity (Ino, Semele); marriage (Ariadne, Bona Dea, Venus); initiation of the maidens (Juno, Diana, Omphale); fertility and health (Ceres, Hygeia and, again, Bona Dea). Moreover, given the frequent apparition in the iconography I studied of characters belonging to the mythical entourage of Dionysus, as Satyrs, Maenads and Silens, I expressed the possibility that in these ceremonies guilds of professionals similar to the Greek brotherhood of the Iobacchoi of the Piraeus were involved. Their role would have been to aid the women in the organizations of their ceremonies. A specific analysis of such female rites practiced in the heart of private houses is still to be thoroughly developed. And yet I believe to have demonstrated - stressing religious and ritual relevance of numerous Roman paintings - that we are as yet very far from a complete knowledge of every aspect of the rites practiced by the Romans and by their women, and above all that it is not possible to base our knowledge solely upon literary documents, given that many iconographies talk about themes and practices otherwise unknown.
Livres sur le sujet "Villa dei Misteri"
Baldassare, Conticello, dir. Pompei : La Villa dei Misteri. Milano : FMR/Museum/c1987., 1987.
Trouver le texte intégralLa villa degli Istacidi detta dei misteri in Pompei. Sarno : Ippogrifo, 2003.
Trouver le texte intégralCicirelli, Caterina. Pavimenti e mosaici nella Villa dei misteri di Pompei. Napoli : Electa Napoli, 2000.
Trouver le texte intégralI misteri di Villa Rosebery : Sovrani, principi, banchieri, milord e belle donne a Napoli nella residenza che oggi è dei presidenti della Repubblica. Napoli : Stamperia del Valentino, 2011.
Trouver le texte intégralPaoletta, Erminio. Svelato il mistero della pompeiana Villa dei misteri : Il dramma di Ottavia e il trionfo di Poppea nella trama di Aniceto e nelle pitture di Glicone attraverso un filo di Arianna epigrafico e una scabrosa sequenza di epigrafi e figurazioni minori. Napoli : [s.n.], 1989.
Trouver le texte intégralPaoletta, Erminio. Svelato il mistero della pompeiana Villa dei Misteri : Un altro grande successo della microarcheologia e della panarcheologia, il dramma di Ottavia e il trionfo di Poppea nella trama di Aniceto e nelle pitture di Glicone attraverso un filo di Arianna epigrafico e una scabrosa sequenza di epigrafi e figurazioni minori. [Italy] : Editio Minor, 1989.
Trouver le texte intégralPaoletta, Erminio. Svelato il mistero della pompeiana Villa dei misteri : Un altro grande successo della microarcheologia e della panarcheologia : il dramma di Ottavia e il trionfo di Poppea nella trama di Aniceto e nelle pitture di Glicone attraverso un filo di Arianna epigrafico e una scabrosa sequenza di epigrafi e figurazioni minori. Napoli : [s.n., 1989.
Trouver le texte intégralTiozzo, Clauco Benito. Sul fondo del cassone : Mirano e il mistero dell'eredità dei Tiepolo. [Italy : s. n.], 1998.
Trouver le texte intégralTiozzo, Clauco Benito. Sul fondo del cassone : Mirano e il mistero dell'eredità dei Tiepolo. [Italy : s. n.], 1998.
Trouver le texte intégralPavimenti E Mosaici Nella Villa Dei Misteri Di Pompei. Elemond Electa, 2003.
Trouver le texte intégralActes de conférences sur le sujet "Villa dei Misteri"
Sánchez Bonilla, Mª Isabel, et Tomás Oropesa Hernández. « La cal en Tenerife. Especificidades. El horno de El Bueno-Arico y la producción de cal a partir del agua de galería ». Dans I Simposio anual de Patrimonio Natural y Cultural ICOMOS España. Valencia : Editorial Universitat Politècnica de València, 2020. http://dx.doi.org/10.4995/icomos2019.2020.11670.
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