Littérature scientifique sur le sujet « Uruguay del XX secolo »
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Articles de revues sur le sujet "Uruguay del XX secolo"
Hurtado, Javier Tébar, et Andrea Tappi. « Storia della Spagna del XX secolo ». PASSATO E PRESENTE, no 92 (juin 2014) : 185–217. http://dx.doi.org/10.3280/pass2014-092012.
Texte intégralCalder, William M. (William Musgrave). « Bibliografia Senecana del XX Secolo (review) ». Classical World 100, no 2 (2007) : 174–75. http://dx.doi.org/10.1353/clw.2007.0004.
Texte intégralGómez, Manuel Herrera, Peter Koslowski, Derrick de Kerckhove et Jeffrey C. Alexander. « L'etica civile alla fine del XX secolo ». Reis, no 85 (1999) : 360. http://dx.doi.org/10.2307/40184117.
Texte intégralDE CANDOLLE, AUGUSTIN PYRAMUS. « XX ». Nuncius 4, no 2 (1989) : 244–48. http://dx.doi.org/10.1163/182539189x00932.
Texte intégralGalliani, Pierfranco. « Identitŕ dell'architettura del XX secolo e progetto contemporaneo ». TERRITORIO, no 62 (septembre 2012) : 76–80. http://dx.doi.org/10.3280/tr2012-062015.
Texte intégralPonzio, Paolo. « Premessa. Xavier Zubiri : una metafisica del XX secolo ». Quaestio 21 (janvier 2021) : ix—xvii. http://dx.doi.org/10.1484/j.quaestio.5.128382.
Texte intégralPOGLIANO, CLAUDIO. « IL CONTRIBUTO ITALIANO AL RAZZISMO DEL XX SECOLO ». Nuncius 14, no 2 (1999) : 663–69. http://dx.doi.org/10.1163/182539199x00111.
Texte intégralPOGLIANO, CLAUDIO. « IL CONTRIBUTO ITALIANO AL RAZZISMO DEL XX SECOLO ». Nuncius 14, no 2 (1 janvier 1999) : 663–69. http://dx.doi.org/10.1163/221058799x00115.
Texte intégralGraf, Franz. « Patrimonio del XX secolo : restauro e storia materiale del costruito ». TERRITORIO, no 62 (septembre 2012) : 81–87. http://dx.doi.org/10.3280/tr2012-062016.
Texte intégralCavatorta (book author), Beppe, et Federica Santini (review author). « Scrivere contro. Viaggio nella narrativa sperimentale del XX secolo ». Quaderni d'italianistica 36, no 2 (27 juillet 2016) : 308–10. http://dx.doi.org/10.33137/q.i..v36i2.26929.
Texte intégralThèses sur le sujet "Uruguay del XX secolo"
Del, Savio Alessandro <1990>. « Rivoluzione sessuale nella società capitalistica del XX secolo ». Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/14713.
Texte intégralTelese, Raffaella. « Il restauro dell'architettura del XX secolo : il caso francese ». Versailles-St Quentin en Yvelines, 2004. http://www.theses.fr/2004VERS029S.
Texte intégralSebbene indagato da ricercatori e tecnici da almeno un ventennio, il tema del restauro dell'architettura moderna e contemporanea conserva a tutt'oggi immutata la sua attualità in ambito internazionale. Molto eterogene et sono infatti le posizioni teoriche ed ideologiche rispetto al patrimonio ed all'architettura moderna in ambito internazionale. Spesso contraddette da una pratica operativa troppo frettolosamente orientata verso soluzioni di ripristino dello stato originario, esse oscillano fra la linea dell' unita di metodo, per l'intervento tanto sia sul patrimonio antico che sul moderno, e quella della diversificazione specialistica, giustificata da una serie di caratteristiche e di fattori peculiari di volta attribuiti all'architettura del Novecento. In questo variegato panorama internazionale particolarmente interessante ci è sembrata la posizione francese, caratterizzata da un lungo processo di maturazione attraverso il quale è stata infine predisposta una precisa strategia di tutela e di valorizzazione dell'architettura del XX secolo. L'analisi della pratica del restauro dell'architettura del XX secolo in Francia, nel suo aspetto tecnico e metodologico, constituisce infatti il contributo centrale e originale di questo lavoro, concepito come una dettagliata indagine sul terreno attraverso l'esperienza concreta e attuale di undici cantieri di restauro condotti, fra la line degli anni Novanta e l'anno corrente. L'obiettivo di questo contributo è di fornire il supporto di conoscenze e di elementi indispensabili alla formulazione di considerazioni critiche sulla pratica francese del restauro del patrimonio recente
Cavallaro, Alessia <1988>. « La persistenza dell'icona nell'arte russa del XX e XXI secolo ». Doctoral thesis, Università Ca' Foscari Venezia, 2017. http://hdl.handle.net/10579/10354.
Texte intégralDimitrio, Laura <1974>. « L'influenza del Giappone sulla moda italiana dal XVI al XX secolo ». Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2016. http://amsdottorato.unibo.it/7308/1/dimitrio_laura_tesi.pdf.
Texte intégralThe aim of this paper is to investigate the influence of Japan on Italian fashion from the half of the XVIth century to the end of the XXth century. The first information on Japanese clothes reached Italy around 1550, after Japan was ‘discovered’ by some Portuguese sailors who arrived on Japanese coasts after a shipwreck in 1543. However, the first mild influences of Japan on Italian fashion can be seen only after the second half of the XVIIth century when Italian noblemen started wearing kimonos as night-gowns. In addition, at that time, Japanese-style patterns derived from Japanese fabrics were introduced in some Italian fabrics. But it was just at the end of the XIXth century that a sort of Japanese culture mania called Japonisme spread out in Europe and in Italy. Since fashion is a reliable mirror of its times, also Italian fashion between 1880 and 1920 experienced more than once the influence of Japanese clothing, especially of the kimono. After late XIXth century Japonisme, the second time when Italian fashion was profoundly influenced by Japan was between the Seventies and the Nineties of the XXth century. During that phase of neo-Japonisme, some Italian fashion designers such as Mila Schön and Ken Scott repeatedly drew inspiration from old Japanese clothes. Others, such as Romeo Gigli and Ennio Capasa were influenced by contemporary Japanese fashion designers such as Kenzo Takada, Issey Miyake, Yohji Yamamoto and Rei Kawakubo who designed over-size clothes, often shapeless and asymmetrical.
Dimitrio, Laura <1974>. « L'influenza del Giappone sulla moda italiana dal XVI al XX secolo ». Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2016. http://amsdottorato.unibo.it/7308/.
Texte intégralThe aim of this paper is to investigate the influence of Japan on Italian fashion from the half of the XVIth century to the end of the XXth century. The first information on Japanese clothes reached Italy around 1550, after Japan was ‘discovered’ by some Portuguese sailors who arrived on Japanese coasts after a shipwreck in 1543. However, the first mild influences of Japan on Italian fashion can be seen only after the second half of the XVIIth century when Italian noblemen started wearing kimonos as night-gowns. In addition, at that time, Japanese-style patterns derived from Japanese fabrics were introduced in some Italian fabrics. But it was just at the end of the XIXth century that a sort of Japanese culture mania called Japonisme spread out in Europe and in Italy. Since fashion is a reliable mirror of its times, also Italian fashion between 1880 and 1920 experienced more than once the influence of Japanese clothing, especially of the kimono. After late XIXth century Japonisme, the second time when Italian fashion was profoundly influenced by Japan was between the Seventies and the Nineties of the XXth century. During that phase of neo-Japonisme, some Italian fashion designers such as Mila Schön and Ken Scott repeatedly drew inspiration from old Japanese clothes. Others, such as Romeo Gigli and Ennio Capasa were influenced by contemporary Japanese fashion designers such as Kenzo Takada, Issey Miyake, Yohji Yamamoto and Rei Kawakubo who designed over-size clothes, often shapeless and asymmetrical.
Martino, Floriano. « Intellettuali del XX secolo : Garin e le Cronache di filosofia italiana ». Doctoral thesis, Scuola Normale Superiore, 2017. http://hdl.handle.net/11384/86145.
Texte intégralSTRAZZI, FRANCESCA. « Il veicolo a due ruote nell'immaginario letterario italiano del XX secolo ». Doctoral thesis, Università Cattolica del Sacro Cuore, 2008. http://hdl.handle.net/10280/295.
Texte intégralSpeaking about the influence of modern means of transport (in particular about the motorcycle) in literature, fixes a new way of studying culture, because today we have to cope with more and more powerful and technologically advanced vehicles. Intellectuals acknowledge motorcycles an important role to describing society. Thanks to the motorcycle man exploits a new strength that enables him to overcome his limits. He feels a sort of divinity embodying the same peculiarities as his vehicle. In the past the horse was the most widespread means of transport while today, in an age of airplanes, ships and trains, it has been replaced by the motorcycle, both for the rider's posture and for his contact with the environment and its expressions: rain, sun and wind as well as the perfumes of the Earth. Just like the horse's motion was in the past a way to express narrative processes, the motorcycle has inherited this task today, therefore conditioning the contemporary way of living and thinking.
STRAZZI, FRANCESCA. « Il veicolo a due ruote nell'immaginario letterario italiano del XX secolo ». Doctoral thesis, Università Cattolica del Sacro Cuore, 2008. http://hdl.handle.net/10280/295.
Texte intégralSpeaking about the influence of modern means of transport (in particular about the motorcycle) in literature, fixes a new way of studying culture, because today we have to cope with more and more powerful and technologically advanced vehicles. Intellectuals acknowledge motorcycles an important role to describing society. Thanks to the motorcycle man exploits a new strength that enables him to overcome his limits. He feels a sort of divinity embodying the same peculiarities as his vehicle. In the past the horse was the most widespread means of transport while today, in an age of airplanes, ships and trains, it has been replaced by the motorcycle, both for the rider's posture and for his contact with the environment and its expressions: rain, sun and wind as well as the perfumes of the Earth. Just like the horse's motion was in the past a way to express narrative processes, the motorcycle has inherited this task today, therefore conditioning the contemporary way of living and thinking.
Bottaro, Marica. « Il saxofono nell’orchestra italiana e francese della prima metà del secolo XX ». Thesis, Paris 8, 2017. http://www.theses.fr/2017PA080023.
Texte intégralThe thesis’ purpose is to examine the presence of the saxophone in the French and Italian repertoire for orchestra in the first half of the 20th century, and aims at confirming its possible, permanent inclusion in the orchestra. The decision of investigating the repertory of the saxophone in the orchestra in France and Italy in the first decades of the 20th century was made because this instrument, created by the inventor of plenty of other musical instruments, Adolphe Sax (born in Belgium), spreads out for the first time in France during the second half of the 19th century and then ‘expatriates’ to other countries. It is France that can boast the first compositions for this instrument and it is in the 20th century that its production grows excessively. France, with its taste for the color of the instruments’ timbre, influences especially Italy, where the instrument is already present in the first half of the 19th century, thanks to Gioachino Rossini’s appreciations (who was in Paris at that time), pushing the Liceo Musicale in Bologna to buy the maison Sax’s products. My thesis is divided into three parts: the first, with a theoretical purpose, is dedicated to the presence of the saxophone in instrumentation and orchestration treatises published in France, Italy and other countries in the 19th and in the 20th century. In the second part, of explicative kind, the scores of three French composers (Ravel, Honegger and Ibert) are analyzed. Finally, the third section, of explicative kind as well, is dedicated to the study of some compositions by two Italian authors (Marinuzzi and Zandonai)
Bottaro, Marica <1987>. « Il saxofono nell’orchestra italiana e francese della prima metà del secolo XX ». Doctoral thesis, Università Ca' Foscari Venezia, 2017. http://hdl.handle.net/10579/10353.
Texte intégralLivres sur le sujet "Uruguay del XX secolo"
Storia del XX secolo. [Milano] : B. Mondadori, 2000.
Trouver le texte intégralPraz, Anne-Françoise. Memoria del XX secolo. Prilly : Editions Eiselé, 1999.
Trouver le texte intégralAntonietta, Crippa Maria, Gavinelli Corrado et Loik Mirella, dir. Architettura del XX secolo. Milano : Jaca Book, 1993.
Trouver le texte intégralAutobiografia del XX secolo. Milano : Skira, 2005.
Trouver le texte intégraleditor, Caggiano Paolo, et Gorgeri Fabiola editor, dir. Salvaguardia del patrimonio del XX secolo. Firenze : Edifir edizioni, 2013.
Trouver le texte intégralTraversoni, Alfredo. Historia del Uruguay siglo XX. [Montevideo, Uruguay] : Ediciones de la Plaza, 1993.
Trouver le texte intégral1937-, Nahum Benjamín, et Universidad de la República (Uruguay). Instituto de Economía., dir. El Uruguay del siglo XX. Montevideo, Uruguay : Ediciones de la Banda Oriental, 2001.
Trouver le texte intégralIntellettuali italiani del XX secolo. Roma : Editori riuniti, 1987.
Trouver le texte intégralsagittaria, Galleria d'arte, dir. Maestri italiani del XX secolo. Pordenone [Italy] : Centro iniziative culturali Pordenone, 2003.
Trouver le texte intégralArte trentina del XX secolo. Trento : Edizioni U.C.T., 2015.
Trouver le texte intégralChapitres de livres sur le sujet "Uruguay del XX secolo"
Di Martino, Enzo. « Armando Pizzinato, una avventura espressiva del XX secolo ». Dans matematica e cultura 2005, 276–79. Milano : Springer Milan, 2005. http://dx.doi.org/10.1007/88-470-0360-1_22.
Texte intégralDavoli, di Ivan. « La rivoluzione scientifca della seconda metà del XX secolo ». Dans Oltre i materiali. La scienza tra le nostre dita, 19–30. Milano : Springer Milan, 2011. http://dx.doi.org/10.1007/978-88-470-1762-7_3.
Texte intégralRigatelli, Laura Toti. « Contributi Italiani della prima meta’ del XX secolo alla teoria di Galois ». Dans Amphora, 773–80. Basel : Birkhäuser Basel, 1992. http://dx.doi.org/10.1007/978-3-0348-8599-7_36.
Texte intégralFunari, Fernando. « I «vocabula puerilia» nelle versioni francesi di «Purg.» XI ». Dans L'illustre volgare, 49–66. Firenze : Società Editrice Fiorentina, 2022. http://dx.doi.org/10.35948/dilef/978-88-6032-685-0.04.
Texte intégralCaprioglio, Nadia. « Nietzsche e l’immaginazione culturale in Russia all’inizio del XX secolo. Un caso di studio : Dmitrij Merežkovskij ». Dans Biblioteca di Studi Slavistici, 251–59. Florence : Firenze University Press, 2019. http://dx.doi.org/10.36253/978-88-6453-672-9.28.
Texte intégralCaprioglio, Nadia. « Nietzsche e l’immaginazione culturale in Russia all’inizio del XX secolo. Un caso di studio : Dmitrij Merežkovskij ». Dans Biblioteca di Studi Slavistici, 251–59. Florence : Firenze University Press, 2019. http://dx.doi.org/10.36253/978-88-6453-910-2.28.
Texte intégralSebastiani, Alessandro. « Il Medioevo e l’Età Moderna (Metà del VI secolo d.C. – XX secolo d.C.) ». Dans Diana Umbronensis a Scoglietto, 68–69. Archaeopress Publishing Ltd, 2015. http://dx.doi.org/10.2307/j.ctv170x3vq.13.
Texte intégralJovino, Maria Bonghi. « Pompei. Una grande “avventura” culturale, dal Settecento alla metà del xx secolo ». Dans Pour une histoire de l’archéologie xviiie siècle - 1945, 62–70. Ausonius Éditions, 2015. http://dx.doi.org/10.4000/books.ausonius.5816.
Texte intégralEsposito, Sara. « La scultura monumentale del XX secolo : il caso studio di Francesco Somaini ». Dans Quaderni di Venezia Arti. Venice : Fondazione Università Ca’ Foscari, 2022. http://dx.doi.org/10.30687/978-88-6969-588-9/008.
Texte intégralBruña Bragado, María José. « Algunas poéticas disidentes en el Uruguay de finales del siglo XX y principios del XXI : Clemente Padín, Luis Bravo y Maca ». Dans Materia frágil : poéticas para el siglo XXI en América Latina y España. Iberoamericana Vervuert, 2020. http://dx.doi.org/10.31819/9783964569677_007.
Texte intégralActes de conférences sur le sujet "Uruguay del XX secolo"
Carrau Carbonell, Teresa, et Alberto Burgos Vijande. « El Patrimonio del Movimiento Moderno en la conformación de la ciudad. La Casa Guzmán de Alejandro de la Sota. » Dans 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia : Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6088.
Texte intégralLecardane, Renzo, et Zeila Tesoriere. « Patrimonio militare e progetti di rigenerazione urbana : l’infrastruttura bellica dell’Atlantic Wall e di Saint-Nazaire ». Dans International Conference Virtual City and Territory. Roma : Centre de Política de Sòl i Valoracions, 2014. http://dx.doi.org/10.5821/ctv.7908.
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