Bibliographies thématiques / Urban spectacle

Littérature scientifique sur le sujet « Urban spectacle »

Auteur : Grafiati
Publié le 14 mars 2023

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Articles de revues sur le sujet "Urban spectacle"

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Chan, Ving Fai, Ai Chee Yong, Ciaran O’Neill, Christine Graham, Nathan Congdon, Lynne Lohfeld, Tai Stephan et Anne Effiom Ebri. « Factors affecting guardians’ decision making on clinic-based purchase of children’s spectacles in Nigeria ». PLOS ONE 16, no 7 (12 juillet 2021) : e0254517. http://dx.doi.org/10.1371/journal.pone.0254517.

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Background This study aims to understand the key factors influencing guardians’ decisions when purchasing spectacles for their children in semi-urban and urban areas of Cross River State, Nigeria, where a spectacle cross-subsidisation scheme will be implemented. Methods This cross-sectional study was conducted among all consecutive guardians visiting the Calabar (urban), Ugep, Ikom and Ogoja (semi-urban) public eye clinics in Cross River State, southern Nigeria, from August 1 to October 31 2019, and whose children had significant refractive errors (myopia ≤-0.50D, hyperopia ≥1.50D, astigmatism >0.75D) and received spectacles. Guardians were interviewed using a questionnaire which included i) close-ended questions on reasons guardians choose to purchase spectacles for their children in eye clinics, ii) guardians’ perceptions of the quality and design of children’s current spectacle, iii) factors most heavily influencing their choice of spectacles for children, and iv) open-ended questions to seek guardians’ suggestions on how to improve the current spectacle range. Results All 137 eligible guardians (67.2% women [n = 92]) who visited the selected eye clinics participated in the study (response rate = 100%), with 109 (79.6%) from semi-urban and 28 (20.4%) attending urban clinics. Guardians from both urban and semi-urban clinics prioritised frame design, quality, and material as the main factors affecting their decision when purchasing spectacles for their children. Female guardians and those with higher incomes were both 1.5 times more likely to emphasise frame quality when describing selection criteria for purchasing spectacles for their children than male guardians (p = 0.01) or guardians earning less (p = 0.03). Conclusion Design, material, and frame quality are key factors influencing guardians when purchasing spectacles for their children in these setting and female guardians or those with higher income prioritise frame quality. This study could guide the planning and implementation of a novel cross-subsidisation scheme in Cross River State.
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Mehnaz, Saira, Ziya Siddiqui, Ali Jafar Abedi et Mohammad Athar Ansari. « Spectacle wear and factors associated with non-compliance among children of 5-15 years ». Indian Journal of Community Health 32, no 1 (31 mars 2020) : 87–90. http://dx.doi.org/10.47203/ijch.2020.v32i01.017.

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Introduction: Refractive errors are the commonest cause of visual impairment in school children worldwide. They are correctible and after screening, spectacles can easily enhance vision. This can be achieved only when spectacles are used regularly. Objective: This study was conducted to study the compliance of spectacles wear among children and to determine the reasons associated with non-compliance. Methodology: 400 children in the age group of 5-15 years with refractive errors attending the eye OPD, using spectacles for more than three months were included. Spectacle wear and reasons of noncompliance were enquired. Data was analyzed to determine the factors associated with spectacle wear compliance. Results: Among 232 boys and 168 girls 142 were from rural and 258 from urban areas. 244(61%) children were compliant. Compliance was better in older children and those from urban areas. Children of educated parents and with power more than -1.0 D were more likely to be compliant. Main reason for not wearing spectacles was ‘lost or broken spectacles’ and dislike for spectacle. Conclusion: Counselling of parents, teachers and peers will be an effective step towards improvement of compliance of spectacles use.
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Rosenthal, Anton. « Spectacle, Fear, and Protest ». Social Science History 24, no 1 (2000) : 33–73. http://dx.doi.org/10.1017/s0145553200010075.

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The history of the city in twentieth-century Latin America can be seen as a long contest over the exercise of urban public space. While the nature of this space is often less physical than it is social and situational, the struggle between different elements of the city to manipulate its politics and control its daily life has often been violent, leaving deep imprints in the collective memories of places as culturally and physically diverse as Mexico City, Buenos Aires, Havana, Bogotá, and Rio de Janeiro.If approached from the perspective of contested space, the urban milieu offers an intriguing site for the historian interestedin exploring changing relations of power, class conflict, opposing visions of the future, breakdowns of social order, gendered spaces, health and disease, visual culture, spectacle and symbolic codes, and ultimately, the creation of community. Yet until the 1980s, most Latin American historians who were interestedin these themes confined their studies to the countryside. As late as 1975, Jorge Hardoy (1975:44) could write that “the urban history of the second half of the nineteenth century and the early decades of the twentieth is virtually unknown, in spite of the extremely rich material left to us by innumerable travelers, scientists, and men of state.” While historians and social scientists working from the 1950s through much of the 1970s delineated the complex relations between peasant villages and national states, the ideologies of rural rebellion, and the sources of identity and community in a countryside transformed by the demands of export capital, cities in twentieth-century Latin America were accorded secondary treatment, sometimes at the level of popular anecdotal narratives.
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Walsh, Katie. « Book review : Dubai : Behind an Urban Spectacle ». Urban Studies 48, no 10 (14 juillet 2011) : 2201–3. http://dx.doi.org/10.1177/0042098011410735.

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Gupta, Vivek, Rohit Saxena, Praveen Vashist, Amit Bhardwaj, Ravindra Mohan Pandey, Radhika Tandon et Vimla Menon. « Spectacle Coverage among Urban Schoolchildren with Refractive Error Provided Subsidized Spectacles in North India ». Optometry and Vision Science 96, no 4 (avril 2019) : 301–8. http://dx.doi.org/10.1097/opx.0000000000001356.

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Yong, Ai Chee, Chimgee Chuluunkhuu, Ving Fai Chan, Tai Stephan, Nathan Congdon et Ciaran O’Neill. « A pilot cost-benefit analysis of a children’s spectacle reimbursement scheme : Evidence for Including children’s spectacles in Mongolia’s Social Health Insurance ». PLOS ONE 17, no 8 (15 août 2022) : e0273032. http://dx.doi.org/10.1371/journal.pone.0273032.

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Background and aim Globally, 12.8 million children have vision impairment due to uncorrected refractive error (URE). In Mongolia, one in five children needs but do not have access to spectacles. This pilot cost-benefit analysis aims to estimate the net benefits of a children’s spectacles reimbursement scheme in Mongolia. Methods A willingness-to-pay (WTP) survey using the contingent valuation method was administered to rural and urban Mongolia respondents. The survey assessed WTP in additional annual taxes for any child with refractive error to be provided government-subsidised spectacles. Net benefits were then calculated based on mean WTP (i.e. benefit) and cost of spectacles. Results The survey recruited 50 respondents (mean age 40.2 ± 9.86 years; 78.0% women; 100% response rate) from rural and urban Mongolia. Mean WTP was US$24.00 ± 5.15 (95% CI US$22.55 to 25.35). The average cost of a pair of spectacles in Mongolia is US$15.00. Subtracting the average cost of spectacles from mean WTP yielded a mean positive net benefit of US$9.00. Conclusion A spectacle reimbursement scheme is potentially a cost-effective intervention to address childhood vision impairment due to URE in Mongolia. These preliminary findings support the proposal of the inclusion of children’s spectacles into existing Social Health Insurance. A much larger random sample could be employed in future research to increase the precision and generalisability of findings.
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Khelfallah, Sheherazad, et Abdallah Farhi. « Urban Theatricalities, A Communicational Claim. Reading of the Scenic Performances of the City of Jijel (Algeria) ». Quaestiones Geographicae 40, no 2 (1 juin 2021) : 139–51. http://dx.doi.org/10.2478/quageo-2021-0010.

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Abstract This article aims to analyse and interpret the structures responsible for the urban theatricality with deep claims of the city of Jijel (Algeria). It is through scenic readings of public space that this study explores the latent expressions of users as stage directors. This will be done mainly with observation supported by research interviews that combine qualitative and quantitative studies. The urban theatricalities studied in this paper are those unconscious, spontaneous and continual experiences that the actors of the urban scene use to make an urban spectacle. It is about the spectacle of daily life and scenic transcriptions of experiences. The results of this scenic reading of urban script allow us to understand the hidden expressions responsible for communicational theatrical structures.
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Jonckheere, Evelien. « ‘Gand a fini par faire comme les autres’ ». TMG Journal for Media History 20, no 2 (21 décembre 2017) : 74. http://dx.doi.org/10.18146/2213-7653.2017.328.

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‘Gand a fini par faire comme les autres.’ The rise of the café-concert and variety theatre in late nineteenth-century Ghent’s ‘society of the spectacle’ Cafés-concerts and variety theatre have generally received only a cursory mention within the vast literature on the late nineteenth-century culture of spectacle in Europe’s major cities. This article uses Ghent as a case study to demonstrate that even in provincial towns, there was an abundance of spectacle available to the public during this era. Cafés-concerts and variety theatre played a particularly significant role and were closely interwoven with the spectacular urban renewal that took place in Ghent during the late nineteenth century. In addition, these forms of entertainment carried the seeds of the type of mass spectacle that would emerge in the twentieth century. Why, then, have the café-concert and variety theatre gone unexplored by academics for so long? In an attempt to answer this question, this article offers a means for identifying these two specific forms of spectacle in major urban centres and provincial towns in Belgium and abroad, thereby enabling a more thorough exploration of the phenomenon based on a wide range of sources. This, in turn, will allow the café-concert and variety theatre to emerge from obscurity and take their rightful place in the debate on the modern ‘society of the spectacle’.
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Wennas, Wendy, et F. Tatang H. Pangestu2. « “SPECTACLE GALLERY” MUARA BARU ». Jurnal Sains, Teknologi, Urban, Perancangan, Arsitektur (Stupa) 4, no 2 (23 janvier 2023) : 1647–58. http://dx.doi.org/10.24912/stupa.v4i2.22215.

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The development of the city of Jakarta began in the seafront area, which later developed into the city center as a port. For example, the Sunda Kelapa Harbor, has been used since the time of Tarumanegara and is often contested to control trade. Now coastal areas are starting to be abandoned because they continue to experience disasters. Close to the port, in the Muara Baru area, there is a mosque that has sunk due to an old embankment that collapsed by the tidal flood and is now a blind witness that Jakarta will sink. In the past, the area was active; there were many fishing activities and routine recitations. Now the area is limited by a new 4 meter high embankment and the availability of facilities and infrastructure is also insufficient. Because of this, the identity of the area becomes negative and continues to experience physical, social, and mental degradation. So the aim of this project is to provide awareness and innovation to the issue, using the concept of "Spectacle Gallery", i.e., architecture becomes the gallery itself. From the memory of the area to the initial issue of flooding to drowning and the solution of floating houses. Not only that, it aims to revive the area with a positive identity by exhibiting the work of the community from various village points in the area. As a liaison between humans and the surrounding environment, as well as humans with other humans, in accordance with the design theme, namely "Urban Acupuncture". Keywords: Degradation; Muara Baru; Urban Acupuncture Abstrak Perkembangan Kota Jakarta dimulai pada daerah pinggir laut, yang kemudian berkembang menjadi pusat kota sebagai pelabuhan. Contohnya Pelabuhan Sunda Kelapa, telah dipakai sejak zaman Tarumanegara dan sering diperebutkan untuk mengendalikan perdagangan. Sekarang daerah pesisir mulai ditinggalkan karena terus mengalami bencana. Dekat dengan pelabuhan, di kawasan Muara Baru, terdapat sebuah Masjid yang sudah tenggelam akibat tanggul lama yang runtuh oleh banjir rob dan sekarang menjadi saksi buta Jakarta akan tenggelam. Dahulu wilayah tersebut aktif, terdapat banyak aktivitas nelayan dan pengajian rutin, sekarang wilayah tersebut dibatasi oleh tanggul baru setinggi 4 meter dan keberadaan sarana dan prasarana juga tidak mencukupi. Karena hal tersebut, identitas kawasan menjadi negatif dan terus mengalami degradasi fisik, sosial, dan mental. Sehingga tujuan dari proyek ini adalah memberikan kesadaran dan inovasi terhadap isu, menggunakan konsep “Spectacle Gallery” yaitu arsitektur menjadi galeri itu sendiri. Dari memori kawasan terhadap isu awal banjir hingga tenggelam dan solusi rumah apung. Tidak hanya itu, hal ini bertujuan untuk menghidupkan kembali kawasan dengan identitas positif, dengan memamerkan hasil karya masyarakat dari berbagai titik kampung pada kawasan. Sebagai penghubung manusia dengan lingkungan di sekitarnya, serta manusia dengan manusia lainnya, sesuai dengan tema perancangan yaitu “Urban Acupuncture”.
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Guvenc, Muna. « Propositions for the emancipatory potential of urban spectacle ». City 23, no 3 (4 mai 2019) : 342–65. http://dx.doi.org/10.1080/13604813.2019.1648037.

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Thèses sur le sujet "Urban spectacle"

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Feinberg, Matthew Isaiah. « LAVAPIÉS, MADRID AS TWENTY-FIRST CENTURY URBAN SPECTACLE ». UKnowledge, 2011. http://uknowledge.uky.edu/gradschool_diss/216.

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Informed by the theories of Henri Lefebvre regarding the production of space and the theories of scale found in current scholarship in Cultural Geography, my methodology analyzes both dramatic texts and theater spaces to investigate how cultural production and capital converge in the “spectacle” of urban space. While employing this term “spectacle” to describe how dramatic texts, theater productions, and modern architecture transform the urban landscape into a metaphoric theater space for the production of local, national, and global identities, this project examines the relationship between theater and urban change in Lavapiés, an iconic, multicultural, and oftenunderserved neighborhood located in the Embajadores district of Madrid, Spain. Against the historical backdrop of the neighborhood’s long and important relationship with theater and theater spaces from the seventeenth century onwards, I analyze a range of urban spectacles taking place in Madrid between 1997 and 2006. This analysis includes close readings of contemporary plays that represent the urban space of Lavapiés and Madrid, an analysis of the architecture of power articulated in the the municipal government’s Plan General de Ordenación Urbana de Madrid 1997 [Plan for Urban Development for Madrid 1997] and the recently constructed Teatro Valle-Inclán Centro Dramático Nacional [National Drama Center]. Finally, I look at the cultural activities of the squatters (okupas) of the Laboratorio 03 who between 2002 and 2003 transformed an abandoned warehouse into a space for art, theater, and cyber resistance that sought to shatter the illusion of capitalist spectacle projected by the gleaming steel and glass of the new condominiums and cultural institutions represented by the aforementioned Teatro Valle-Inclán. Overall, this project looks to this range of traditional and nontraditional texts to illustrate how Madrid’s historical dynamic between urban space, power, and theater continues to be manifested in the contemporary spectacle of Lavapiés.
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Lasansky, D. Medina. « Italian Renaissance refashioned : Fascist architecture and urban spectacle / ». View online version ; access limited to Brown University users, 1999. http://wwwlib.umi.com/dissertations/fullcit/9936645.

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Foy, Elizabeth. « Spectacle : Framing the Midwestern Art Community ». University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1283356889.

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Grause, Mackenzie M. « The Identity and Spectacle of Sport as a Modern Piazza ». University of Cincinnati / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1522337031765992.

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Hallett, Mark. « The spectacle of difference : graphic satire and urban culture in London, 1700-51 ». Thesis, Courtauld Institute of Art (University of London), 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.307176.

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Lowes, Mark Douglas. « Indy dreams and urban nightmares, speed merchants, spectacle, and the struggle over public space ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape10/PQDD_0027/NQ51892.pdf.

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Wildman, C. E. « The 'spectacle' of interwar Manchester and Liverpool : urban fantasies, consumer cultures and gendered identities ». Thesis, University of Manchester, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.503596.

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Karalambo, Paul N. « Sub[urban] Detroit mediating the expression / ». Cincinnati, Ohio : University of Cincinnati, 2007. http://rave.ohiolink.edu/etdc//view?acc_num=ucin1179386856.

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Thesis (Master of Architecture)--University of Cincinnati, 2007.
Advisor: Michael McInturf . Title from electronic thesis title page (viewed May 31, 2010). Includes abstract. Keywords: Detroit; visual spectacle; mediated subject; satellite design studios. Includes bibliographic references.
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Ferguson, Tiffany (Tiffany M. ). « Local public space, global spectacle : a case study on South Africa's first shipping container shopping center ». Thesis, Massachusetts Institute of Technology, 2018. http://hdl.handle.net/1721.1/118209.

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Thesis: M.C.P., Massachusetts Institute of Technology, Department of Urban Studies and Planning, 2018.
This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.
Cataloged from student-submitted PDF version of thesis.
Includes bibliographical references (pages 63-67).
This thesis is the explication of a journey to reconcile Johannesburg's aspiration to become a 'spatially just world class African city' through the lens of the under-performing 27 Boxes, a globally inspired yet locally contested retail center in the popular Johannesburg suburb of Melville. By examining the project's public space, market, retail, and design features -- features that play a critical role in its imagined local economic development promise -- I argue that the project's 'failure' can be seen through a prism of factors that are simultaneously local and global. Furthermore, the perceived failure and reinvention of the center exemplify the tensions inherent in municipal, developer, and community aspirations for who such projects should serve and subsequently, who is welcome to access and utilize Melville public spaces. What began as a project intended to offer an anti-mall experience to a broad-ranging group of patrons is now being reconstituted as a space for Melville residents who yearn for the village-like community environment that flourished years before. These tensions between nostalgia for the past, the politics of spatial justice, and world class African urbanism provoke us to think deeply about if, when, and how divergent market and state priorities can be aligned and exploited for local social and economic impact. The research raises critical questions about how to develop and promote urban amenities, like alternative urban retail formats, that might simultaneously create value for the city's global brand and local residents; and, ideas for mitigating the friction among seemingly competing stakeholder aspirations.
by Tiffany Ferguson.
M.C.P.
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NASO, MONICA. « Curated in China. Manipulating the City through the Shenzhen Bi-City Biennale of Urbanism Architecture ». Doctoral thesis, Politecnico di Torino, 2021. http://hdl.handle.net/11583/2957775.

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Livres sur le sujet "Urban spectacle"

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Dubai : Behind an urban spectacle. New York : Routledge, 2010.

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1967-, Cronin Anne M., et Hetherington Kevin, dir. Consuming the entrepreneurial city : Image, memory, spectacle. New York : Routledge, 2008.

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Hammond, Frederick. Music and spectacle in baroque Rome : Barberini patronage under Urban VIII. New Haven : Yale University Press, 1994.

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Wendy, Bancroft, dir. Cinemazoo : My urban safari. Vancouver : Granville Island Pub., 2011.

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Indy dreams and urban nightmares : Speed merchants, spectacle, and the struggle over public space in the world-class city. Toronto : University of Toronto Press, 2002.

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Le Quartier des spectacles et le chantier de l'imaginaire montréalais. Québec] : Presses du l'Université Laval, 2015.

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Robert, Hollands, dir. Urban nightscapes : Youth cultures, pleasure spaces and corporate power. New York, N.Y : Routledge, 2003.

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Hannigan, John. Fantasy city : Pleasure and profit in the postmodern metropolis. London : Routledge, 1998.

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Fantasy city : Pleasure and profit in the postmodern metropolis. London : Routledge, 1998.

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Elsheshtawy, Yasser. Dubai : Behind an Urban Spectacle. Routledge, 2009. http://dx.doi.org/10.4324/9780203869703.

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Chapitres de livres sur le sujet "Urban spectacle"

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Emdin, Christopher. « Destroying the Spectacle in Urban Education ». Dans Transgressions, 69–81. Rotterdam : SensePublishers, 2017. http://dx.doi.org/10.1007/978-94-6351-032-5_6.

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Ren, Xuefei. « Green as urban spectacle in China ». Dans Sustainable Cities in Asia, 77–85. Abingdon, Oxon ; New York, NY : Routledge, 2018. : Routledge, 2017. http://dx.doi.org/10.4324/9781315643069-6.

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Turner, Cathy. « Spectacle and subversion at the Kochi-Muziris Biennale (2018) ». Dans Performance at the Urban Periphery, 132–49. London : Routledge, 2022. http://dx.doi.org/10.4324/9781003023852-11.

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Lazo-Mella, Felipe. « Revisiting Civitates Orbis Terrarum. The Urban Space Spectacle ». Dans Architectural Draughtsmanship, 1621–34. Cham : Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58856-8_126.

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Proto, Francesco. « Introduction to spectacle and the screen ». Dans The Routledge Handbook of Architecture, Urban Space and Politics, Volume I, 319–29. New York : Routledge, 2022. http://dx.doi.org/10.4324/9781003112464-25.

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Zheng, Aili. « Performance, Performativity, Spectacle : Arthur Schnitzler, Der junge Medardus ». Dans The Palgrave Encyclopedia of Urban Literary Studies, 1507–18. Cham : Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-62419-8_184.

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Zheng, Aili. « Performance, Performativity, Spectacle : Arthur Schnitzler, Der junge Medardus ». Dans The Palgrave Encyclopedia of Urban Literary Studies, 1–11. Cham : Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-319-62592-8_184-1.

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Castro, Teresa. « Cinematic Cartographies of Urban Space and the Descriptive Spectacle of Aerial Views (1898–1948) ». Dans Cinematic Urban Geographies, 47–63. New York : Palgrave Macmillan US, 2017. http://dx.doi.org/10.1057/978-1-137-46084-4_3.

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Robles, Fanny. « Dickens and His Urban Museum : The City as Ethnological Spectacle ». Dans Dickens and the Virtual City, 133–53. Cham : Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-35086-8_7.

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Wasson, Sara. « Nightmare City : Gothic Flânerie and Wartime Spectacle in Henry Green and Roy Fuller ». Dans Urban Gothic of the Second World War, 29–51. London : Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230274891_2.

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Actes de conférences sur le sujet "Urban spectacle"

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Dechard, Elise, et Sy Bodson. « Site Spectacle Seed Sprout ». Dans 2017 ACSA Annual Conference. ACSA Press, 2017. http://dx.doi.org/10.35483/acsa.amp.105.34.

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Site Spectacle Seed Sprout is a conceptual proposal to initiate a more socially conscious approach to deconstruction and urban renewal in the city of Detroit. The project provides an alternative response to the current city-center based system with its traditional top-down, trickle-down development models, inadequate demolition program, and slow, scattered blight beautification.
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Małgorzata, Mizia. « Present-day architect is an urban designer ». Dans Virtual City and Territory. Barcelona : Centre de Política de Sòl i Valoracions, 2016. http://dx.doi.org/10.5821/ctv.8103.

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The range and scope of an architect’s tasks has shifted: from that of a designer burdened with responsibility for the shape and effectiveness of architecture, to that of a director (animator) of urban space, responsible for the smooth and undisturbed direction of the spectacle taking place within the urban space, of the incessant, simultaneous and unbroken continuum of the mutually interactive scenes from the life of the City. Architecture, or rather urban space, has become a scenography for the synergistic holistic/multidirectional activities sustaining the life of the residents and making the uses and functions of architecture more effective. Programmers, directors, animators of culture, city mayors, grassroots initiatives of the residents, wealthy investors – all of these organizers of urban space should have equal rights and prerogatives in the process of ARRANGING URBAN SPACE. Does a present-day city still need architects?
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Bielschowsky, Bernardo Brasil. « Análise da paisagem de uma cidade no Sul do Brasil : a paisagem urbana na área central de Blumenau/SC - Brasil ». Dans Seminario Internacional de Investigación en Urbanismo. Barcelona : Curso de Arquitetura e Urbanismo. Universidade do Vale do Itajaí, 2016. http://dx.doi.org/10.5821/siiu.6337.

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Este trabalho pretende analisar a paisagem urbana na área central de Blumenau/SC - Brasil, a partir da década de 1950, para demonstrar a importância dessa paisagem historicamente construída como um bem patrimonial que deve ser valorizado. Esse patrimônio, culturalmente e socialmente constituído, que é a paisagem, encontra-se ameaçado por sucessivas políticas públicas de desvalorização da história da cidade e pela construção de grandes cenários com imagens urbanas emblemáticas, principalmente a partir da década de 1970, quando ocorre uma ameaça mais efetiva à área de estudo. A principal problemática, atualmente, são as sucessivas tentativas do próprio poder público em tentar vender a cidade como um objeto, através dessas imagens emblemáticas. Essas políticas públicas tratam da espetacularização urbana, da mercantilização dos espaços e da própria paisagem da cidade. This study aims to examine the urban landscape in the central area of Blumenau/SC - Brazil, from the 1950s, to demonstrate the importance of this landscape historically constituted as a heritage that should be valued. This heritage, culturally and socially constituted, which is the landscape, is threatened by successive politics of devaluation of the city's history and the construction of large scenarios with emblematic urban images, mainly from the 1970s, when a threat occurs more effectively to the study area. The main problem currently are the successive attempts of the government in trying to sell the city as an object through these emblematic urban images. These public politics dealing with a urban spectacle, the commercialization of space and the landscape of the city.
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Katre, Poonman. « Lessons from adaptaation of local knowledge an traditional practices for urban public spaces as an effective tool for urban devleopment in hot cities ». Dans Post-Oil City Planning for Urban Green Deals Virtual Congress. ISOCARP, 2020. http://dx.doi.org/10.47472/izoo6469.

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Historically, Hot cities around India have always relied on urban public spaces for its sociocultural as well as economic activities. They showed a greater capacity to adopt and sustain over time. The reason seems to be lying under its tendency to evolve and accommodate temporality and sustain with its constancy. These urban public spaces were strongly bonded with religions and customs rooted in nature and inbuilt into societal norms, there by emphasizing greater ecological consciousness and protection. But in the last century, globalization brought aesthetic & grand spectacle as deciding criteria for planning and designing of the urban public spaces. The result is, energy consuming, deserted, inaccessible and underutilized public spaces over a longer period as opposed to its short-lived fame. Urbanization has given rise to the new narrative for these urban public spaces which evolved in to hybrid versions conceptualized from global practices. This pose a threat in terms of loss of civic life and decreasing social cultural flows in the city. Cities with the highest temperature seems to be getting the worst of it, essentially due to two main reasons. First are the adopted global models being not responsive to the local context, failing to stay active over longer periods of time and second due to failure to reconceptualize our traditional practices and local knowledge associated with development of cities in to ongoing practices. Previous study of historic Indian public spaces in hot cities, highlights their nature as being symbolic, functionalist, political, performative, and cultural and hence proving to be contextually sensitive. These urban public spaces were designed to be a platform extension of their everyday outdoor life. This everyday outdoor life in hot cities have taken a shape in to various manifestation of forms. And emphasized more on organic development of public spaces. Now, the current system in India that is responsible for generating our urban public spaces are regulated and mandated by state and local guidelines such as, URDPFI guidelines etc. which only mentions about open spaces to be left per area per person or in terms of percentage or buildable area. Little to no consideration has been given to how that open space should be treated. The solution can be found in adaptation and reconceptualizing of these local knowledge and traditional practices suitable to today's spatial context. But a greater consideration needs to be given to the modern-day applicability and checking its suitability. With that consideration, the paper will try to analysis selective samples of urban public spaces before the industrialization in the hot cities depending upon the generic public places i.e., Access and linkage, Purpose and activities, comfort and image, sociability, (Project for public spaces), adaptability, Thermal comfort, User responsiveness. The results then will be tested to check its adaptability in present day context with the help of case study.
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Sewwandi, H. H. S. P. « Visual landscape characteristics and tourists’ satisfaction : a study with reference to Nuwara-Eliya, Sri Lanka ». Dans Independence and interdependence of sustainable spaces. Faculty of Architecture Research Unit, 2022. http://dx.doi.org/10.31705/faru.2022.16.

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The power of the landscape to draw tourists seeking spectacle has a long tradition and landscapes are prone to the tourism industry. Sri Lanka is well-known as a popular tourist destination, because of the country's unique natural landscape characteristics. Even though the country's landscape is the main tourist attraction, there is no proper identification of the major characteristics that attract tourists and what meets their satisfaction in a landscape. With aiming that, the primary purpose of this study was to understand the impact of the visual landscape characteristics on the tourists’ satisfaction and the study was conducted in Nuwara-Eliya urban context. Study referred to various visual landscape characters and their quality by a visual landscape quality assessment which focuses on visual landscape qualities derived from visual concepts related to the field of study. The study highlights the inherent features of visual concept and the significance of the visual landscape characteristics of selected landscapes based on a theoretical framework, which can benefit in design improvising in such landscapes. The finding revealed that the visual characters of landscapes are a subjective measure taken by individuals based on their perception and the link between tourism and the visual landscape is unbreakable and vital to the tourism industry.
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