Bibliographies thématiques / Trento (Italy) – Politics and government – 20th century

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Littérature scientifique sur le sujet « Trento (Italy) – Politics and government – 20th century »

Auteur : Grafiati
Publié le 10 mars 2023

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Articles de revues sur le sujet "Trento (Italy) – Politics and government – 20th century"

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Kara-Murza, A. A. « “Chieftain” Subculture in Russia in Search of Historical Alternatives (V.V. Shulgin) ». Russian Journal of Philosophical Sciences 62, no 4 (6 juillet 2019) : 7–24. http://dx.doi.org/10.30727/0235-1188-2019-62-4-7-24.

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The article examines the views of the prominent Russian politician and publicist Vasily Vitalyevich Shulgin (1878–1976), whom the author considers to be the largest ideologist of the “chieftain” political subculture in Russian political culture. Following Shulgin, the author distinguishes two fundamentally different models of power: “monarchical” (traditional) type of power and “chieftain” (or “charismatic”) type of power. V.V. Shulgin was one of the first Russian thinkers who, after Alexander Pushkin and Sergei Solovyov, considered the “golden age” of the Russian society to be under the rule of “leaders-heroes” (for example, Peter the Great). Shulgin explained many of the problems of Russian statehood revealed in the early 20th century by the degradation of the Russian ruling class and specifically the Romanov dynasty. Under these conditions, the national leader P.A. Stolypin (similar to Bismarck in Germany or Mussolini in Italy), able to bring the country out of crisis by evolution, had appeared “next to the monarch,” but he has not been appreciated by Russian society and it has caused a national catastrophe. The First World War has accelerated the degradation of the Russian government. The “democratic forces” that came to power in Russia for a short time could not nominate a new “leader” from their ranks (Shulgin treats Alexander Kerensky rather ironically). Shulgin foresaw that “intermediate figures” like the White generals or the Red diarchy of Lenin and Trotsky would eventually give way to the autocratic rule of an all-Russian “Chief,” who would combine the ideology of the Whites and the will of the Reds.
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« ADVERTISEMENTS IN THE CINEMA STARTING FROM THE MID 20TH CENTURY ». AL – Bahith AL – A a‚LAMI 1, no 1 (30 mars 2005) : 151–73. http://dx.doi.org/10.33282/abaa.v1i1.440.

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At the time when many important political events and evolutions took place, the cinema has been pretty active, and witnessed the historical events before and after the two world wars and the cold war. During the first half of the 20th century, the cinema had great interest from the major countries and their politicians, as well as the commercial turnout of large companies to invest in that field for the profits. In the beginning of the 20th century, the major powers like the Soviet Union, the United States, Germany, Italy, England, and France started to compete in the development of their film industry and the investment of the new medium and the transformation of some famous works of fiction into films that perpetuate their cultural and intellectual heritage, But it went beyond the creative, literary and artistic aspects of the film industry when these countries began to have direct control and provide government support to their film companies to encourage them to produce films dealing with issues that are consistent with the nature of the stage and political trends prevailing in the meantime. Going back to the 20s and 30s of the 20th century, we can find several statements by politicians such as Lenin, Mussolini, Hitler and Goebbels persisting on the importance of cinema and control of its industry, and to point out to the danger of the emerging means in the fields of politics, propaganda and media.
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Thèses sur le sujet "Trento (Italy) – Politics and government – 20th century"

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Finn, Sarah. « 'Padre della nazione italiana' : Dante Alighieri and the construction of the Italian nation, 1800-1945 ». University of Western Australia. European Languages and Studies Discipline Group. Italian Studies, 2010. http://theses.library.uwa.edu.au/adt-WU2010.0085.

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Dante Alighieri is, undoubtedly, an enduring feature of the cultural memory of generations of Italians. His influence is such that the mere mention of a ‘dark wood’ or ‘life’s journey’ recalls the poet and his most celebrated work, the Divina Commedia. This study, however, seeks to examine the construction of the medieval Florentine poet, exemplified by the above assertion, as a potent symbol of the Italian nation. From the creation of the idea of the Italian nation during the Risorgimento, to the Liberal ruling elite’s efforts after 1861 to legitimise the new Italian nation state, and more importantly to ‘make Italians’, to the rise of a more imperialist conception of nationalism in the early twentieth century and its most extreme expression under the Fascist regime, Dante was made to play a significant role in defining, justifying and glorifying the Italian nation. Such an exploration of the utilisation of Dante in the construction of Italian national identity during the nineteenth and early twentieth centuries aids considerably in an understanding of the conceptualisation of the Italian nation, of the issues engendered by the establishment of the Italian nation state, and the evolution of these processes throughout the period in question. The various images of Dante revealed by this investigation of his instrumentalisation in the Italian process of nation-building bear only a fleeting resemblance to what is known of the poet in his medieval reality. Dante was born in 1265 to a family of modest means and standing in Florence, at that time the economic centre of Europe, and one of the most important cities of the Italian peninsula. His writings disclosed, however, that he was little impressed by his city’s prestige and wealth, being instead greatly disturbed by its political discord and instability, of which he became an unfortunate victim. The violent partisan conflict in Florence and the turbulent political condition of the Italian peninsula in the late thirteenth century had a decisive influence on Dante’s life and literary endeavours.
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Hogan, Marina. « The fictional Savonarola and the creation of modern Italy ». University of Western Australia. European Languages and Studies Discipline Group. Italian Studies, 2009. http://theses.library.uwa.edu.au/adt-WU2010.0035.

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This thesis deals with Girolamo Savonarola and with his place in the imagination and collective memory of Italians from the early nineteenth century to the present. It examines the works of a variety of Italian fictional authors who turned to Savonarola in the belief that he could help them pursue objectives which, in their opinion, Italy and Italians should strive to achieve. At first, he was called upon by nationalist writers of the Risorgimento to inspire a people and convince it of the need for a free, united Italy. Later, as the new nation began to consolidate and Italians came to realize that unification had not delivered all that it had promised, Savonarola was employed in a negative way to show that military action and force were necessary to ensure Italy's progress to the status of great power. As Italians became more aware of the grave social issues facing their nation, he was called upon, once again, to help change social policy and to remind the people of its civic responsibility to the less fortunate members of society. The extent of Savonarola's adaptability is also explored through the analysis of his manipulation by the writers of Fascist Italy. Remarkably, he was used to highlight to Italians their duty to stand by Mussolini and the Fascist Regime during their struggle with the Catholic Church and the Pope. At the same time, however, one writer daringly used Savonarola's apostolate to condemn the Regime and the people's blind adherence to its philosophies. As Fascism fell and Italy began to rebuild after the Second World War, there was no longer a need for Savonarola to be used for political or militaristic ends. In recent times, emphasis has been placed on the human side of the Friar and he has been employed solely to guide Italians in a civic, moral and spiritual sense. From the Risorgimento to the present, the various changes in Italian history have been foreshadowed in the treatment of Savonarola by Italian fictional authors who turned to him in difficult times to help define what it is to be Italian.
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BIGARAN, Mariapia. « Il governo municipale a Trento tra '800 e '900 :ordinamenti, gruppi sociali, politiche ». Doctoral thesis, 1996. http://hdl.handle.net/1814/5722.

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Defence date: 1 March 1996
Examining board: Prof. Christof Dipper (Technische Hochschule Darmstadt) ; Prof. Peter Hertner, supervisor (Universitaet Halle-Wittenberg) ; Prof. Brigitte Mazchl-Walling (Universitaet Innsbruck) ; Prof. Raffaele Romanelli, co-supervisor (IUE, Firenze) ; Prof. Fabio Rugge (Università di Pavia)
PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017
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BERTILOTTI, Teresa. « Il palcoscenico della nazione : 1909-1918 ». Doctoral thesis, 2012. http://hdl.handle.net/1814/25194.

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Examining Board: Professor Heinz-Gerhard Haupt, IUE (Supervisor); Professor Lucy Riall, IUE (Relatore IUE); Professor Martin Baumeister, Ludwig Maximilians Universität, München (Relatore esterno); Professor Catherine Brice, Université Paris-Est Créteil (Relatore esterno).
Defence date: 7 November 2012
PDF of thesis uploaded from the Library digital archive of EUI PhD theses
This dissertation examines the forms and spaces of entertainment, such as theatres, cinemas and music halls, in Rome between 1911, when celebrations for the 50th anniversary of Italy’s unification took place, and the First World War. This was a time characterized by the emergence of popular and mass culture and by the spread of a specifically nationalist culture that changed dramatically after the war against Libya in 1911. By adopting a broad definition of "culture,” including both high and low culture, this dissertation explores the ways in which a specific theatrical tradition staged the nation’s history, in particular that of the Risorgimento, after Italian unification. It then broadens the analysis to other forms of entertainment. This dissertation argues that the 1909-1911 celebrations were marked by a renewed attention to the "patriotic” tradition, and spurred the emergence of new theatrical and cinematographic productions, which became particularly relevant in the context of the First World War, thus giving substance to the "culture de guerre”. I argue that theatre shows and movies avoided representing the violence and suffering that characterized the war, partly because of the existence of various forms of censorship. However, the presence of wounded bodies among the audience gave way to a dual representation, and transformed theatres, cinemas and music halls into privileged spaces where the war and the domestic front met. By taking into account the case-study of a girls’ school, I show the gendered dimension of civil society mobilization. Finally, this dissertation analyzes the role entertainment played in "building the enemy,” identified with Kultur, and the emergence of a moral discourse about entertainment, which coincided with the spread of popular culture - especially the cinema - and became even stronger and more complex with the outbreak of the First World War.
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CATASTINI, Francesco. « Antifascismo, resistenza e scelta in due comunità toscane : Roccastrada e Calenzano, 1922-1944 ». Doctoral thesis, 2010. http://hdl.handle.net/1814/14696.

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Defence Date: 20 September 2010
Examining Board: Prof. Heinz Gerhard Haupt (EUI) – Supervisor; Prof. Donatella Della Porta (EUI); Prof. Philippe Buton (Université de Reims); Prof. Simone Neri Serneri (Università di Siena)
PDF of thesis uploaded from the Library digital archive of EUI PhD theses
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POLESE, REMAGGI Luca. « La nazione perduta : Ferruccio Parri dall'interventismo all'esperienza di governo ». Doctoral thesis, 2002. http://hdl.handle.net/1814/5945.

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Defence date: 17 October 2002
Examining board: Richard Bellamy (Trinity Hall, Cambridge) ; Yves Mény (European University Institute) ; Gaetano Quagliarello (Centro di Metodologia delle Scienze Sociali della Luiss Guido Carli) ; Raffaele Romanelli (European University Institute)
PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017
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RUTAR, Sabine. « Kulturelle praxis im multinationalen sozialdemokratischen Milieu in Triest vor dem ersten weltkrieg ». Doctoral thesis, 2001. http://hdl.handle.net/1814/5963.

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Defence date: 9 July 2001
Examining Board: Prof. Dr. Marina Cattaruzza, Universität Bern ; Prof. Dr. Wolfgang Höpken, Georg-Eckert-Institut für Schulbuchforschung Braunschweig / Universität Leipzig ; Prof. Dr. Wolfgang Kaschuba, Humboldt-Universität Berlin ; Prof. Dr. Bo Stråth, Europäisches Hochschulinstitut Florenz
First made available online on 4 May 2018
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D'AMORE, Ciro. « Parlamento e politica di difesa in Italia : 1948-1992 ». Doctoral thesis, 1998. http://hdl.handle.net/1814/5161.

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BEAULIEU, Yannick. « Magistrature et pouvoir politique en Italie entre 1918 et 1943 : analyse socio-historique des magistrats ordinaires et de leurs relations avec le personnel politique ». Doctoral thesis, 2006. http://hdl.handle.net/1814/6573.

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Defence date: 20 November 2006
Examining board: Prof. Heinz-Gerhard Haupt ; Prof. Yves Lequin ; Prof. Guido Neppi Modona ; Prof. Raffaele Romanelli (supervisor)
PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017
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BRACKE, Maud. « Is it possible to be Revolutionary without being Internationalist ? : West European communism proletarian internationalism and the Czechoslovak crisis of 1968-1969 : a comparative study of the Italian and French communist parties ». Doctoral thesis, 2004. http://hdl.handle.net/1814/5718.

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Defence date: 19 March 2004
Examining board: Prof. Alan Milward, IUE (supervisor) ; Prof. Marc Lazar, Inst. d'Etudes Politiques, Paris ; Prof. Silvio Pons, Università Tor Vergata ; Prof. Arfon Rees, IUE
PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017
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Livres sur le sujet "Trento (Italy) – Politics and government – 20th century"

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Italy between Europe and the Mediterranean : Diplomacy and naval strategy from unification to Nato, 1800s-2000. New York : P. Lang, 1997.

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The civic foundations of fascism in Europe : Italy, Spain, and Romania, 1870-1945. Baltimore : Johns Hopkins University Press, 2010.

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Evans, David. Years of liberalism and fascism : Italy 1870-1945. London : Hodder & Stoughton Educational, 2003.

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Gervaso, Roberto. I destri : Da D'Annunzio a D'Alema. Milano : Mondadori, 1998.

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Jean-Jacques, Silvestre, et Eyraud François, dir. Pay determination in the public sector : An international comparison between France, Great Britain, and Italy. Geneva : International Labour Office, 1995.

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Gervaso, Roberto. I sinistri : Da Mussolini a Scalfaro. Milano : Mondadori, 1997.

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L, McLaughlin M., et Brand C. P, dir. Britain and Italy from romanticism to modernism : A festschrift for Peter Brand. Oxford : Legenda, 2000.

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Fascism in popular memory : The cultural experience of the Turin working class. Cambridge [Cambridgeshire] : Cambridge University Press, 1987.

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Benedetto Croce between Naples and Europe. New York : P. Lang, 1994.

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Terhoeven, Petra. Deutscher Herbst in Europa : Der Linksterrorismus der siebziger Jahre als transnationales Phänomen. München : Oldenbourg Verlag, 2014.

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