Littérature scientifique sur le sujet « Timagène »

Abstract: “Imagining Colonial Motherhood: Métissage, Mother Nation, and Marian Apparitions in Houat’s Les Marrons (1844),” examines two tableaux from Les Marrons , an abolitionist novel written by Réunion Island native Louis-Timagène Houat in 1844. Les Marrons marked a turning point in Réunion’s history: it was the first novel to be authored by a native, and the first written utterance of Reunionese political consciousness and imagination. The novel was conceived as an anti-slavery pamphlet, fueled by Republican ideals of social and racial reconciliation. It stages a colonial romance between a white woman and an African slave in Réunion, then a French colony, culminating in the birth of a métis child. Through a close analysis of two tableaux from Les Marrons, this paper investigates the ideal of motherhood that emerges in the French colonial imagination. Marie, the novel’s only feminine figure is imagined as a white mother, in an apparent denial of the Black mothers of the island’s origins. The white mother is likened to the island itself, as both island and woman are perceived as porous liminal grounds—sites of potential racial pollution. Houat’s novel offers a prime perspective onto the ambivalence that characterized the colonial apprehension of the white woman, through its iconic evocation of the Virgin Mary and the Mother Nation. This paper also suggests that the figure of the white mother, identified as a significant point of convergence of metropolitan and Reunionese antislavery discourses, helped tie a symbolic knot between France and its insular colony, and produced France as the motherland.

AbstractThe following new taxa of Xantholininae are described: Lithocharodes scutifer sp. nov. (Arizona), Habrolinus californicus sp. nov. (California), H. hardyi sp. nov. (California and Oregon), H. abdominalis sp. nov. (California), H. andrewsi sp. nov. (California and Oregon), Linohesperus spiculifer sp. nov. (California), L. iaculator sp. nov. (California), L. montivagus sp. nov. (California), L. priapus sp. nov. (California), Neohypnus coloratus sp. nov. (Florida), Oxybleptes meridionalis sp. nov. (Florida).The genus Timagenes Smetana 1982 is placed as a subgenus of the genus Habrolinus Casey 1906 (new status). The treatments of the genera Habrolinus and Timagenes in my revision (Smetana 1982: 134–143) are entirely rewritten. A new key to the known species of Linohesperus Smetana 1982 is given.Additional data on taxonomy, bionomics, and geographical distribution of many species of Xantholininae in North America are presented.

Abstract This article argues that the concept of migrant literature, developed in postcolonial studies, is a useful tool for analysing Greek literature of the Early Roman Empire (27 BC-AD 68). The city of Rome attracted huge numbers of migrants from across the Mediterranean. Among them were many writers from Hellenized provinces like Egypt, Syria and Asia, who wrote in Greek. Leaving their native regions and travelling to Rome, they moved between cultures, responding in Greek to the new world order. Early imperial Greek writers include Strabo of Amasia, Dionysius of Halicarnassus, Nicolaus of Damascus, Timagenes of Alexandria, Crinagoras of Mytilene, Philo of Alexandria and Paul of Tarsus. What connects these authors of very different origins, styles, beliefs, and literary genres is migrancy. They are migrant writers whose works are characterized by in-betweenness, ambivalence and polyphony.

Cette thèse porte sur l'étude de Timagène d’Alexandrie, historien du Ier siècle av. J.-C., et sur l’influence de sa production littéraire dans les Histoires Philippiques de Trogue Pompée, la Géographie de Strabon et l’Histoire Naturelle de Pline l’Ancien. À travers une comparaison des textes anciens, latins et grecs, nous avons identifié cinq nouveaux fragments de Timagène, susceptibles d’être ajoutés à la collection de F. Jacoby. Ces fragments portent d’une part sur l’histoire gauloise et alpine, à laquelle Timagène accordait une attention particulière en explorant l’ethnographie et les légendes anciennes.D’autre part, ils se réfèrent à l'anabase d’Alexandre, sujet que l’auteur a connu à travers l'œuvre de Clitarque. Le portrait de Timagène qui ressort de ces fragments est celuid’un érudit alexandrin désireux de transmettre le savoir hellénistique aux cercles culturels romains: c’est à Rome qu’il a entrepris d’enseigner la rhétorique attique, et qu’il a rédigé ses ouvrages historiques, tout en maintenant des liens étroits avec sa ville natale, Alexandrie. Du point de vue historique, Timagène se présente comme un digne héritier de la tradition historiographique grecque, en particulier celle représentée par Hérodote et Théopompe. L’œuvre de Timagène a exercé une influence significative sur les productions littéraires de l’époque augustéenne, en particulier dans le domaine de l'histoire de la Gaule et de la région alpine : en effet, Trogue Pompée a repris les récits de Timagène aux livrescentraux de son œuvre historique (XXXXXII), tandis que Strabon a cité l'historien au livre IV de sa Géographie
This thesis delves into the study of Timagenes of Alexandria, a historian from the Augustan era, and his impact on Pompey Trogue’ Philippic Histories, Strabo's Geography, and Pliny the Elder's Natural History. By comparing ancient texts, latin and greek, we've discovered five new fragments of Timagenes' historical works, that merit inclusion in F. Jacoby’s collection. Thesefragments delve into Gaulish and Alpine history, a subject that Timagenes explored with particular interest through ethnography and ancient legends. Additionally, they reference the anabasis of Alexander, a topic Timagenes was familiar with through the works of Cleitarchus. The portrait of Timagenes that emerges from these fragments is that of an Alexandrian scholareager to impart Hellenistic knowledge to Roman cultural circles. It was in Rome that he undertook to teach Attic rhetoric and wrote his historical works, all while maintaining close ties with his hometown, Alexandria. From a historical perspective, Timagenes emerges as a worthy heir to the greek historiographical tradition, particularly that represented by Herodotus and Theopompus. Timagenes’ work exerted significant influence on the literary productions of the Augustan era, especially in the field of Gaulish and Alpine history: indeed, Pompey Trogue incorporated Timagenes’ accounts into the central books of his historical work (XXXXXII), while Strabo cited the historian in Book IV of his Geography

This chapter examines the activities of Gaius Asinius Pollio in building a cosmopolitan, intellectual community in Rome in the course of the late 40s and 30s BCE. Pollio’s reimagination of the Atrium Libertatis as a museum and center of research and performance served to elide cultural and imperial concerns. The institution effectively forged a network of high-profile scholars and students from the Hellenistic East, with Pollio as their patron. These included the reactionary historian Timagenes of Alexandria and the heirs of kingdoms in Judaea and North Africa. Such endeavors were inherently political in nature and constituted an ambitious assertion of primacy at a time when no forerunning princeps yet existed—a phenomenon reflected in Vergil’s evocation of Pollio in the Fourth Eclogue.