Thèses sur le sujet « The birds (Motion picture) »
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Tang, Yi. « A bird known by its note : identity legitimacy, network dynamics, and actor performance in the Hong Kong film industry, 1970-1997 / ». View abstract or full-text, 2009. http://library.ust.hk/cgi/db/thesis.pl?MGTO%202009%20TANG.
Texte intégralKokaram, Anil Christopher. « Motion picture restoration ». Thesis, University of Cambridge, 1993. https://www.repository.cam.ac.uk/handle/1810/256798.
Texte intégralGurski, Remi J. « Real-time motion picture restoration ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ38631.pdf.
Texte intégralBokšteflová, Barbora. « Motion-picture spatial-differentiation model ». Master's thesis, Vysoká škola ekonomická v Praze, 2009. http://www.nusl.cz/ntk/nusl-124646.
Texte intégralHar-Noy, Shay Shmuel. « Improved LCD motion picture quality ». Diss., [La Jolla] : University of California, San Diego, 2009. http://wwwlib.umi.com/cr/ucsd/fullcit?p3356431.
Texte intégralTitle from first page of PDF file (viewed June 16, 2009). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 107-114).
Jansen, Christian. « The German motion picture industry ». Doctoral thesis, Humboldt-Universität zu Berlin, Wirtschaftswissenschaftliche Fakultät, 2002. http://dx.doi.org/10.18452/14767.
Texte intégralThis work deals with the economic impact of regulations on the German film industry, focusing in particular on the effects of three pieces of legislation central to Germany's public debate on film politics. The legislation considered is the Film Act (Filmförderungsgesetz - FFG), the amendments to the Copyright Law (Urheberrechtsgesetz - UrhG), and the Inter-State Agreement on Broadcasting (Rundfunkstaatsvertrag - RStV). The inquiry examines how these statutes affect economic efficiency. In addition, major market and institutional characteristics of the German motion picture industry are studied. The analysis is partly embedded in a broadly disposed regression analysis of the determinants of performance of German movies in the theatrical market. The work indicates that the regulations considered generally detract from economic efficiency.
Miller, Adam Morrison. « Simulating collective motion from particles to birds ». Thesis, University of Warwick, 2015. http://wrap.warwick.ac.uk/80148/.
Texte intégralNg, Siu-hong Ryan. « Film Complex : Resuscitation of film in commercial society / ». Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25946821.
Texte intégralHuggett, Nancy. « A cultural history of cinema-going in the Illawarra (1900-1950) ». Communication and Cultural Studies - Faculty of Creative Arts, 2002. http://ro.uow.edu.au/theses/246.
Texte intégralGallina, Dino. « RED TIDE : A FEATURE LENGTH MOTION PICTURE ». Master's thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2198.
Texte intégralM.F.A.
School of Film and Digital Media
Arts and Humanities
Film and Digital Media MFA
Owen, Richard. « Motion picture production : A micro-budget model ». Thesis, Federation University Australia, 2016. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/159080.
Texte intégralDoctor of Philosophy
Carman, Emily Susan. « Independent stardom female stars and freelance labor in 1930s Hollywood / ». Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1666151841&sid=33&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Texte intégralJohnson, Mary P. A. « Online, onscreen, motion picture promotion via the Internet ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ60991.pdf.
Texte intégralDaneau, Daniel. « THE ATTIC DOOR : A FEATURE LENGTH MOTION PICTURE ». Master's thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2224.
Texte intégralM.F.A.
School of Film and Digital Media
Arts and Humanities
Film and Digital Media MFA
Stoker, Mark. « Capstan drive transport system for motion picture film ». Thesis, Middlesex University, 1992. http://eprints.mdx.ac.uk/13502/.
Texte intégralHillman, Peter. « Segmentation of motion picture images and image sequences ». Thesis, University of Edinburgh, 2002. http://hdl.handle.net/1842/15026.
Texte intégralEngelbrecht, Nadine. « University of Pretoria : school of motion picture production ». Pretoria : [s.n.], 2009. http://upetd.up.ac.za/thesis/available/etd-11212008-103253.
Texte intégralChoi, Wing-yee Kimburley. « Reading audiences : spectatorship and stars in Hong Kong cinema : the case of Chow Yun-fat / ». Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B19853397.
Texte intégralSnead, Nicholas DeVan. « Fabulistic : Examination and application of narratology and screenplay craft ». CSUSB ScholarWorks, 2011. https://scholarworks.lib.csusb.edu/etd-project/3320.
Texte intégralPope, Naomi Elizabeth. « Beyond Hollywood the social and spatial division of labor in the motion picture industry / ». Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1579190531&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Texte intégralHuggett, Nancy. « A cultural history of cinema-going in the Illawarra (1900-50) ». Connect to this title online, 2002. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20050317.111523/.
Texte intégralTitle from PDF title page (viewed on Aug. 14, 2005). Ill. in print version lacking in electronic version. Includes bibliographical references (p. 285-301).
Su, Xinxin. « Genesis : a feature screenplay / ». Online version of thesis, 2009. http://hdl.handle.net/1850/8692.
Texte intégralCarter, Sandra Gayle. « Moroccan cinema : what Moroccan cinema ? / ». Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.
Texte intégralVermaak, Janelle Leigh, et Subeshini Moodley. « Fans of film franchises - the online alien universe : a study of online participation as a catalyst for fan-created objects that expand the film universe ». Thesis, Nelson Mandela University, 2017. http://hdl.handle.net/10948/13938.
Texte intégralDrake, Philip Justin. « Stardom after the star system economies of performance in contemporary Hollywood cinema / ». Connect to e-thesis, 2002. http://theses.gla.ac.uk/942/.
Texte intégralPh.D. thesis submitted to the Department of Theatre, Film and Television Studies, University of Glasgow, 2002. Includes bibliographical references. Print version also available.
Armanno, Venero. « Three screenplay adaptations and the ownership effect ». Thesis, Queensland University of Technology, 2003.
Trouver le texte intégralWilliamson, Diana Michelle. « The degradation of cellulose acetate base motion picture film ». Thesis, Manchester Metropolitan University, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.359295.
Texte intégralLévy, Michaël D. (Michaël David). « A competitive analysis of the U.S. motion picture industry ». Thesis, Massachusetts Institute of Technology, 1990. http://hdl.handle.net/1721.1/14112.
Texte intégralShu, Yan. « Coding of motion picture residues without adaptive spatial transforms ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape7/PQDD_0030/MQ47477.pdf.
Texte intégralStock, Helga. « Issues of Colour Management in contemporary Motion Picture Creation ». Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2015. http://www.nusl.cz/ntk/nusl-251463.
Texte intégralWallace, Kristi Monique Fellini Federico Demme Jonathan Kassovitz Mathieu. « The Road in picture : Fellini, Demme, Kassovitz / ». Connect to title online (ProQuest), 2007. http://proquest.umi.com/pqdweb?did=1453174371&sid=2&Fmt=2&clientId=11238&RQT=309&VName=PQD.
Texte intégralTypescript. Includes vita and abstract. Includes bibliographical references (leaves 193-195). Also available online in ProQuest, free to University of Oregon users.
Carboni, Camilla. « Film spectatorship and subjectivity : semiotics, complications, satisfactions ». Thesis, Link to the online version, 2007. http://hdl.handle.net/10019/1671.
Texte intégralYung, Wai-kei, et 戎偉基. « Pictorial representations of "Hong Kong" : a study of 1980s and 90s Hong Kong films ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31951788.
Texte intégralWedzielewski, Daniel. « The impact of blind bidding on market structure and performance in the U.S. motion picture industry ». Access to citation, abstract and download form provided by ProQuest Information and Learning Company ; downloadable PDF file, 134 p, 2009. http://proquest.umi.com/pqdweb?did=1654492601&sid=3&Fmt=2&clientId=8331&RQT=309&VName=PQD.
Texte intégralYung, Wai-kei. « Pictorial representations of "Hong Kong" : a study of 1980s and 90s Hong Kong films / ». Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20059760.
Texte intégralMcVeigh, Kathryn Margaret. « Work in progress : the writing of Short changed ». Thesis, Queensland University of Technology, 1999.
Trouver le texte intégralPreston, Barry A. (Barry Alan). « Myths and Movies : a Mythographical Methodology of Motion Picture Analysis ». Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc279362/.
Texte intégralChoi, Wing-yee Kimburley, et 蔡穎儀. « Reading audiences : spectatorship and stars inHong Kong cinema : the case of Chow Yun-fat ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B29913469.
Texte intégralYu, Gwo-chauo. « China, Hong Kong, and Taiwan : The Convergence and Interaction of Chinese Film ». Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc501002/.
Texte intégralTosaka, Yuji. « Hollywood goes to Tokyo American cultural expansion and imperial Japan, 1918-1941 / ». Connect to this title online, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1060967792.
Texte intégralDocument formatted into pages; contains ix, 416 p. Includes bibliographical references (p. 394-416). Abstract available online via OhioLINK's ETD Center; full text release delayed at author's request until 2006 Aug. 15.
McKenzie, Jordi. « An economic analysis of motion pictures in the Australian cinema industry, 1997-2000 ». Connect to full text, 2005. http://hdl.handle.net/2123/1794.
Texte intégralTitle from title screen (viewed 27th June, 2007). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Discipline of Economics, University of Sydney. Degree awarded 2006?; thesis submitted 2005. Includes bibliographical references. Also issued in print.
Melville, Andrew. « Exegesis and screenplay for a film entitled Mangrove a thesis submitted to the Auckland University of Technology in partial fulfilment of the degree of Master of Arts (Communication Studies), August 2004 ». Full thesis. Abstract, 2004.
Trouver le texte intégralTitle page and table of contents missing from e-thesis. Also held in print (14 p., 30 cm.) in Wellesley Theses Collection (T 791.4372 MEL)
Matzkin, Rosalie Greenfield. « The film encounter in the life-world of urban couples : a uses and gratification study / ». Access Digital Full Text version, 1985. http://pocketknowledge.tc.columbia.edu/home.php/bybib/10538483.
Texte intégralNegrisolo, Letizia <1994>. « Tarzan of the Apes : the first motion picture adaptation (1918) ». Master's Degree Thesis, Università Ca' Foscari Venezia, 2018. http://hdl.handle.net/10579/13372.
Texte intégralLifshitz, Judith. « Completion guarantees and the financing of entertainment projects in the province of Quebec ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ50946.pdf.
Texte intégralTu, Haijing. « A Chinese director and his transition from critical banned filmmaker to box office success ». Auburn, Ala., 2005. http://repo.lib.auburn.edu/2005%20Summer/master's/TU_HAIJING_25.pdf.
Texte intégralRitchie, Brendan. « CooperStreet' (original screenplay) ; and, Into the foreground : an examination of setting in the screenplay ». Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2011. https://ro.ecu.edu.au/theses/456.
Texte intégralSchweitzer, Dennis C. « Ton & ; traum : a critical analysis of the use of sound effects and music in contemporary narrative film / ». Ohio : Ohio University, 2004. http://www.ohiolink.edu/etd/view.cgi?ohiou1108483481.
Texte intégralNguyen, Nguyet 1980. « Representation of Vietnam in Vietnamese and U.S. War Films : A Comparative Semiotic Study of Canh Dong Hoang and Apocalypse Now ». Thesis, University of Oregon, 2009. http://hdl.handle.net/1794/10635.
Texte intégralThis comparative semiotic study aims to examine and critically compare the portrayal of the Vietnam War in two award-winning films, one Vietnamese and the other American, both made in 1979: Canh Dong Hoang (The Wild Rice Field) and Apocalypse Now. This study employs semiology to examine the two films in the framework of postcolonial, ideology and hegemony theories to critically compare similarities and differences in the two films' portrayal of "the enemy," nationalism and individualism, and women, in order to understand how dominant perspectives of the times are reflected, reinforced, and challenged. In Apocalypse Now, the "other" is faceless, which reflects an imperialistic standpoint toward the Vietnamese people; nationalism is promoted by calling on individual suffering and sympathy; and women are diminished. Canh Dong Hoang gives "the enemy" a more balanced depiction; nationalism is woven naturally with individualism; and the women in the film play a much more significant role.
Committee in Charge: Dr. H. Leslie Steeves, Chair; Dr. Pat Curtin; Dr. Gabriela Martinez
Pramik, Nicole R. « Chaotic angel ». Huntington, WV : [Marshall University Libraries], 2007. http://www.marshall.edu/etd/descript.asp?ref=730.
Texte intégral