Bibliographies thématiques / The birds (Motion picture)

Littérature scientifique sur le sujet « The birds (Motion picture) »

Auteur : Grafiati
Publié le 26 juillet 2024
Mis à jour le 26 juillet 2024

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Articles de revues sur le sujet "The birds (Motion picture)"

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Park, Sangyoub, et Eui Hang Shin. « Patterns of Market Polarization and Market Matching in the Korean Film Industry ». Journal of East Asian Studies 4, no 2 (août 2004) : 285–300. http://dx.doi.org/10.1017/s1598240800001843.

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Despite its embedded ambiguity, conventional wisdom tends to prevail over time. This may be because old adages recurrently embrace some ingredients of truth. As James A. Mathisen highlights, conventional wisdom plays a significant role in constituting knowledge as a starting point. For many people, numerous adages (the rich get richer while the poor get poorer; birds of a feather flock together) are most commonly perceived as true. More interestingly, the accuracy of the two folk wisdoms appears to be more salient in culture-producing industries, including the motion picture industry. Concomitantly, the two adages have long been connected to diverse societal phenomena and sociological knowledge.
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Heppner, Frank H., et John G. T. Anderson. « Leg Thrust Important in Flight Take-Off in the Pigeon ». Journal of Experimental Biology 114, no 1 (1 janvier 1985) : 285–88. http://dx.doi.org/10.1242/jeb.114.1.285.

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Measurements of the force generated by the legs of rock doves Columba livia during vertical and near-vertical take-off showed that the birds were able to develop an upward directed force of from 1.3 to 2.3 times their body weight. This force resulted in an instantaneous acceleration of 15.63 ms−2 at maximum thrust. Motion pictures taken during the take-off showed that as the birds' feet left the experimental perch, their wings were in the overhead clap position. We suggest that the vertical take-off in birds is accomplished in three stages; leg thrust, clap-and-fling and steady-state flight.
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Wang, Xiaodong, Ying Lyu, Yujia Ji, Ziyi Sun et Xiaoming Zhou. « Substrate binding in the bile acid transporter ASBTYf from Yersinia frederiksenii ». Acta Crystallographica Section D Structural Biology 77, no 1 (1 janvier 2021) : 117–25. http://dx.doi.org/10.1107/s2059798320015004.

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Apical sodium-dependent bile acid transporter (ASBT) retrieves bile acids from the small intestine and plays a pivotal role in enterohepatic circulation. Currently, high-resolution structures are available for two bacterial ASBT homologs (ASBTNM from Neisseria meningitides and ASBTYf from Yersinia frederiksenii), from which an elevator-style alternating-access mechanism has been proposed for substrate transport. A key concept in this model is that the substrate binds to the central cavity of the transporter so that the elevator-like motion can expose the bound substrate alternatingly to either side of the membrane during a transport cycle. However, no structure of an ASBT has been solved with a substrate bound in its central cavity, so how a substrate binds to ASBT remains to be defined. In this study, molecular docking, structure determination and functional analysis were combined to define and validate the details of substrate binding in ASBTYf. The findings provide coherent evidence to provide a clearer picture of how the substrate binds in the central cavity of ASBTYf that fits the alternating-access model.
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Weihmann, Tom, Hanns Hagen Goetzke et Michael Günther. « Requirements and limits of anatomy-based predictions of locomotion in terrestrial arthropods with emphasis on arachnids ». Journal of Paleontology 89, no 6 (novembre 2015) : 980–90. http://dx.doi.org/10.1017/jpa.2016.33.

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AbstractModern computer-aided techniques foster the availability and quality of 3D visualization and reconstruction of extinct and extant species. Moreover, animated sequences of locomotion and other movements find their way into motion pictures and documentary films, but also gain attraction in science. While movement analysis is well advanced in vertebrates, particularly in mammals and birds, analyses in arthropods, with their much higher variability regarding general anatomy and size, are still in their infancies and restricted to a few laboratory species. These restrictions and deficient understanding of terrestrial arthropod locomotion in general impedes sensible reconstruction of movements in those species that are not directly observable (e.g., extinct and cryptic species). Since shortcomings like over-simplified approaches to simulate arthropod locomotion became obvious recently, in this review we provide insight into physical, morphological, physiological, behavioral, and ecological constraints, which are essential for sensible reconstructions of terrestrial arthropod locomotion. Such concerted consideration along with sensible evaluations of stability and efficiency requirements can pave the way to realistic assessment of leg coordination and body dynamics.
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Verberck, Bart. « Motion picture ». Nature Physics 10, no 5 (30 avril 2014) : 332. http://dx.doi.org/10.1038/nphys2971.

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Kubota, Toshihiro, et Yasuhiro Awatsuji. « Femtosecond motion picture ». IEICE Electronics Express 2, no 9 (2005) : 298–304. http://dx.doi.org/10.1587/elex.2.298.

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Smallridge, Rachel. « A motion picture ». Nature Reviews Molecular Cell Biology 3, no 4 (avril 2002) : 228. http://dx.doi.org/10.1038/nrm786.

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Boegner, Ray F. « Motion-Picture Projectors ». Scientific American 279, no 4 (octobre 1998) : 134–35. http://dx.doi.org/10.1038/scientificamerican1098-134.

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Offit, Paul. « Motion picture sickness ». New Scientist 230, no 3070 (avril 2016) : 20–21. http://dx.doi.org/10.1016/s0262-4079(16)30705-9.

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Björklund, M. « Speciation in birds - a complete picture ? » Journal of Evolutionary Biology 15, no 6 (25 octobre 2002) : 1095–96. http://dx.doi.org/10.1046/j.1420-9101.2002.00453.x.

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Thèses sur le sujet "The birds (Motion picture)"

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Tang, Yi. « A bird known by its note : identity legitimacy, network dynamics, and actor performance in the Hong Kong film industry, 1970-1997 / ». View abstract or full-text, 2009. http://library.ust.hk/cgi/db/thesis.pl?MGTO%202009%20TANG.

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Kokaram, Anil Christopher. « Motion picture restoration ». Thesis, University of Cambridge, 1993. https://www.repository.cam.ac.uk/handle/1810/256798.

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This dissertation presents algorithms for restoring some of the major corruptions observed in archived film or video material. The two principal problems of impulsive distortion (Dirt and Sparkle or Blotches) and noise degradation are considered. There is also an algorithm for suppressing the inter-line jitter common in images decoded from noisy video signals. In the case of noise reduction and Blotch removal the thesis considers image sequences to be three dimensional signals involving evolution of features in time and space. This is necessary if any process presented is to show an improvement over standard two-dimensional techniques. It is important to recognize that consideration of image sequences must involve an appreciation of the problems incurred by the motion of objects in the scene. The most obvious implication is that due to motion, useful three dimensional processing does not necessarily proceed in a direction 'orthogonal' to the image frames. Therefore, attention is given to discussing motion estimation as it is used for image sequence processing. Some discussion is given to image sequence models and the 3D Autoregressive model is investigated. A multiresolution BM scheme is used for motion estimation throughout the major part of the thesis. Impulsive noise removal in image processing has been traditionally achieved by the use of median filter structures. A new three dimensional multilevel median structure is presented in this work with the additional use of a detector which limits the distortion caused by the filters . This technique is found to be extremely effective in practice and is an alternative to the traditional global median operation. The new median filter is shown to be superior to those previously presented with respect to the ability to reject the kind of distortion found in practice. A model based technique using the 3D AR model is also developed for detecting and removing Blotches. This technique achieves better fidelity at the expense of heavier computational load. Motion compensated 3D IIR and FIR Wiener filters are investigated with respect to their ability to reject noise in an image sequence. They are compared to several algorithms previously presented which are purely temporal in nature. The filters presented are found to be effective and compare favourably to the other algorithms. The 3D filtering process is superior to the purely temporal process as expected. The algorithm that is presented for suppressing inter-line jitter uses a 2D AR model to estimate and correct the relative displacements between the lines. The output image is much more satisfactory to the observer although in a severe case some drift of image features is to be expected. A suggestion for removing this drift is presented in the conclusions. There are several remaining problems in moving video. In particular, line scratches and picture shake/roll. Line scratches cannot be detected successfully by the detectors presented and so cannot be removed efficiently. Suppressing shake and roll involves compensating the entire frame for motion and there is a need to separate global from local motion. These difficulties provide ample opportunity for further research.
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Gurski, Remi J. « Real-time motion picture restoration ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ38631.pdf.

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Bokšteflová, Barbora. « Motion-picture spatial-differentiation model ». Master's thesis, Vysoká škola ekonomická v Praze, 2009. http://www.nusl.cz/ntk/nusl-124646.

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The thesis presents a game theoretic model of two directors on a single market. It introduces a variable film type which attains a value from the interval [0,1], where the boundaries expresses the art and the mainstream film, respectively. Each director has opposite preferences over a film type and chooses which type of film to shoot. The director's decision influences the profit function of the other director. The objective of each director is to maximize his profit function. The profit function is the difference of the quadratic audience function and of the cost function. The cost function is the sum of quadratic production cost function and linear disutility cost function which expresses the director's unmeasurable cost issued from the deviation from his most preferred film type. The model therefore includes both the economic and the artistic incentives which influence the directors' decision. We prove that for each pair of profit functions, there exists at least one pure strategy Nash equilibrium. The discussion of possible outcomes is illustrated by an empirical application.
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Har-Noy, Shay Shmuel. « Improved LCD motion picture quality ». Diss., [La Jolla] : University of California, San Diego, 2009. http://wwwlib.umi.com/cr/ucsd/fullcit?p3356431.

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Thesis (Ph. D.)--University of California, San Diego, 2009.
Title from first page of PDF file (viewed June 16, 2009). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 107-114).
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Jansen, Christian. « The German motion picture industry ». Doctoral thesis, Humboldt-Universität zu Berlin, Wirtschaftswissenschaftliche Fakultät, 2002. http://dx.doi.org/10.18452/14767.

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Die Arbeit ist mit den ökonomischen Auswirkungen von Regulierungen, die für die deutsche Filmwirtschaft relevant sind, befasst. Es werden die ökonomischen Effekte dreier Regulierungsfelder, die in der öffentlichen Debatte diskutiert werden, betrachtet. Diese sind: Das deutsche Filmförderungsgesetz (FFG), das Urheberrechtsgesetz (UrhG) und der Rundfunkstaatsvertrag (RStV). Im Zentrum der Analyse steht die Frage, wie die jeweiligen Regulierungen die ökonomische Effizienz beeinflussen. Darüber hinaus werden wesentliche institutionelle und marktliche Charakteristika der deutschen Filmwirtschaft betrachtet. Teile der Untersuchung sind in eine breit angelegte Regressionsanalyse über die Determinanten des Erfolges deutscher Kinofilme eingebettet. Die Arbeit zeigt, dass die betrachteten Regulierungen im Allgemeinen negative Auswirkungen auf die ökonomische Effizienz haben.
This work deals with the economic impact of regulations on the German film industry, focusing in particular on the effects of three pieces of legislation central to Germany's public debate on film politics. The legislation considered is the Film Act (Filmförderungsgesetz - FFG), the amendments to the Copyright Law (Urheberrechtsgesetz - UrhG), and the Inter-State Agreement on Broadcasting (Rundfunkstaatsvertrag - RStV). The inquiry examines how these statutes affect economic efficiency. In addition, major market and institutional characteristics of the German motion picture industry are studied. The analysis is partly embedded in a broadly disposed regression analysis of the determinants of performance of German movies in the theatrical market. The work indicates that the regulations considered generally detract from economic efficiency.
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Miller, Adam Morrison. « Simulating collective motion from particles to birds ». Thesis, University of Warwick, 2015. http://wrap.warwick.ac.uk/80148/.

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The main work of this thesis is the construction of a 3D computer model of animal flocking based on vision. The model took an additional input, to those usually considered in tradition models: the projection of all other flock members on to an individual's field of view. Making 2D models is easy (in fact 4 new ones are included in this thesis), but we should be drawing parallels with experimental data for behaviour in animal systems and we should be cautious indeed when drawing conclusions, based on those models. It is common in the literature not to compare model behaviours with measurable quantities of natural flocks. However this work makes a concerted effort to do so in the case of the 3D model. A direct comparison was made in this work between the simulations and an empirical study of starling flocks, of the scaling behaviour of the maximum distance through the flock and the number of flock members, for which the agreement was very good. Other flock properties were compared with the natural flocks, but with less satisfactory results. A careful literature survey was made to investigate and ultimately support the biological plausibility of the 3D projection model. Biological and physiological plausibility is a factor not often considered by computational modellers. A series of novel and related 2D computer flocking models were investigated with hopes to find a single flocking rule that could manifest the most important features of collective motion and thereby be highly parsimonious. The final part of this thesis concerns a 2D computer model of photothermophoresis based on langevin dynamics, which it may be possible to use to find evidence of a density transition found in the continuum model. There was some evidence that a transition from a transparent diffuse state to an opaque compact one may exist for the discrete particle simulation.
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Ng, Siu-hong Ryan. « Film Complex : Resuscitation of film in commercial society / ». Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25946821.

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Huggett, Nancy. « A cultural history of cinema-going in the Illawarra (1900-1950) ». Communication and Cultural Studies - Faculty of Creative Arts, 2002. http://ro.uow.edu.au/theses/246.

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This thesis explores a cultural history of cinema-going in the Illawarra region of New South Wales over the first half of the twentieth century through oral history interviews with cinema-goers of the period. The research was originally intended to explore the Australian cinema industry from a regional perspective. However, while the interviews contained fascinating details and stories of cinema-going in this period, they did not fit seamlessly into existing academic discussions about cinema which often focus on film texts and national cinema industries. Therefore, as well as considering how the oral histories I collected contributed to pre-existing academic discourses about the cinema industry and national screen content, I have also explored other discourses that are articulated in audience narratives. Through exploring the debates in cultural studies about audience research and the work of the Popular Memory Group and other critical oral historians, I critically evaluate the oral history narratives as well as the methodology of oral history itself. I look at the intersection of oral history practice with cultural studies in order to highlight issues of representation and power and to celebrate the way that differences between written and oral histories can foreground processes of meaning-making. My contention in this thesis is that cinema-going is a strategy of mediation through which people make sense of themselves, their lives and their relationships with others. I test this theory by considering cinema-going in relation to a series of identifications: national identity, local identity, personal identity and political identity (age being one strategic location from which older individuals can draw on age-related discourses and experiences to achieve particular narrative ends). In conclusion I argue that any cultural history of cinema-going is a mediated history which is constructed within a matrix of meaning-making strategies. It is created through audience members� narratives of cinema-going which re-configure memories in accordance with particular discourses of significance either in the narrated past or in the narrating present. The researcher, who tells the story with reference to specific research priorities and current academic discourses, further mediates such a history. Therefore, as well as setting out a cultural history of cinema-going in the Illawarra for debate and further research, the emphasis on mediation is intended to encourage reflection on the creation of history as a complex, collaborative and political process which creates one story as it silences others.
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Gallina, Dino. « RED TIDE : A FEATURE LENGTH MOTION PICTURE ». Master's thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2198.

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The following document provides insight into the uncharted process of producing a micro-budget feature length film. This paper aims to document my growth as an artist in terms of storytelling and filmmaking as well as the development and production process. Red Tide: A Feature Length Motion Picture includes elements from each phase of the production process, from story and script development to marketing and distribution. This document reflects on the obstacles we faced and the solutions we implemented during the process of creating a feature length motion picture on an undersized budget.
M.F.A.
School of Film and Digital Media
Arts and Humanities
Film and Digital Media MFA
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Livres sur le sujet "The birds (Motion picture)"

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Raubicheck, Walter. Scripting Hitchcock : Psycho, The birds, and Marnie. Urbana, Chicago : University of Illinois Press, 2011.

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Arona, Danilo. Gli uccelli di Alfred Hitchcock. Roma : Un mondo a parte, 2010.

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Arona, Danilo. Gli uccelli di Alfred Hitchcock. Roma : Un mondo a parte, 2010.

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McBain, Ed. Me and Hitch. London : Faber and Faber, 1997.

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Barcus, Christy Ullrich. National geographic The angry birds movie : Red's big adventure. Washington, D.C : National Geographic, 2016.

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Robert, Gardner. Making Dead birds : Chronicle of a film. Cambridge, MA : Peabody Museum Press, Harvard University, 2007.

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Otto, Lang. A bird of passage : The story of my life. Helena, Mont : SkyHouse Publishers, 1994.

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Tennessee, Williams. Sweet bird of youth. New York : New Directions, 2008.

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Kokaram, Anil C. Motion Picture Restoration. London : Springer London, 1998. http://dx.doi.org/10.1007/978-1-4471-3485-5.

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Congress, Library of, dir. Motion picture agreement. [Washington, D.C.?] : Library of Congress, 1985.

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Chapitres de livres sur le sujet "The birds (Motion picture)"

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Jacob, Dodd. « Motion picture cameras ». Dans 16mm and 8mm Filmmaking, 13–38. London ; New York : Routledge, 2021. : Routledge, 2020. http://dx.doi.org/10.4324/9781003000334-3.

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Kokaram, Anil C. « Introduction ». Dans Motion Picture Restoration, 1–11. London : Springer London, 1998. http://dx.doi.org/10.1007/978-1-4471-3485-5_1.

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Kokaram, Anil C. « Noise Reduction for Image Sequences ». Dans Motion Picture Restoration, 241–60. London : Springer London, 1998. http://dx.doi.org/10.1007/978-1-4471-3485-5_10.

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Kokaram, Anil C. « Using Colour ». Dans Motion Picture Restoration, 261–67. London : Springer London, 1998. http://dx.doi.org/10.1007/978-1-4471-3485-5_11.

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Kokaram, Anil C. « Parting Remarks ». Dans Motion Picture Restoration, 269–72. London : Springer London, 1998. http://dx.doi.org/10.1007/978-1-4471-3485-5_12.

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Kokaram, Anil C. « Motion Estimation for Image Sequence Processing : An Overview ». Dans Motion Picture Restoration, 13–46. London : Springer London, 1998. http://dx.doi.org/10.1007/978-1-4471-3485-5_2.

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Kokaram, Anil C. « Three Dimensional Autoregressive Modelling for Image Sequences ». Dans Motion Picture Restoration, 47–83. London : Springer London, 1998. http://dx.doi.org/10.1007/978-1-4471-3485-5_3.

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Kokaram, Anil C. « Image Sequence Restoration : A Review ». Dans Motion Picture Restoration, 85–97. London : Springer London, 1998. http://dx.doi.org/10.1007/978-1-4471-3485-5_4.

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Kokaram, Anil C. « Line Registration for Jittered Video ». Dans Motion Picture Restoration, 99–118. London : Springer London, 1998. http://dx.doi.org/10.1007/978-1-4471-3485-5_5.

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Kokaram, Anil C. « Heuristics for Reconstructing Missing Data ». Dans Motion Picture Restoration, 119–50. London : Springer London, 1998. http://dx.doi.org/10.1007/978-1-4471-3485-5_6.

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Actes de conférences sur le sujet "The birds (Motion picture)"

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Tsegmid, Namsrajav, Lyubov V. Malovichko, Sukhbaatar Tsogt, Nyamzhav Myagmarsuren et Ariunpurev Bolortuya. « BIRDS OF THE STEPPE LANDSCAPE GUN GALUT ». Dans Treshnikov readings – 2022 Modern geographical global picture and technology of geographic education. Ulyanovsk State Pedagogical University named after I. N. Ulyanov, 2022. http://dx.doi.org/10.33065/978-5-907216-88-4-2022-182-185.

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Tok, Michael, Volker Eiselein et Thomas Sikora. « Motion modeling for motion vector coding in HEVC ». Dans 2015 Picture Coding Symposium (PCS). IEEE, 2015. http://dx.doi.org/10.1109/pcs.2015.7170066.

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Malovichko, Lyubov V., et Elena A. Artemieva. « ENCOUNTERS OF THE WHITE WAGTALE AND THE FOREST PIT WITH VARIOUS ANOMALIES IN ANTHROPOGENIC LANDSCAPES ». Dans Treshnikov readings – 2022 Modern geographical global picture and technology of geographic education. Ulyanovsk State Pedagogical University named after I. N. Ulyanov, 2022. http://dx.doi.org/10.33065/978-5-907216-88-4-2022-57-58.

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The paper presents finds of birds with anomalies in the development of the beak, legs, tail, which were made in various anthropogenic landscapes. Trends in the appearance of anomalies in birds with various disorders in postnatal ontogenesis are predicted.
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Barbazyuk, Evgeniy V., et Ksenya V. Myachina. « DAMAGE TO AGRICULTURE DUE TO THE DEATH OF DIURNAL RAPTORS (A CASE STUDY OF OIL AND GAS FIELD AREA OF THE ORENBURG REGION) ». Dans Treshnikov readings – 2022 Modern geographical global picture and technology of geographic education. Ulyanovsk State Pedagogical University named after I. N. Ulyanov, 2022. http://dx.doi.org/10.33065/978-5-907216-88-4-2022-20-22.

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The paper shows possible calculating damage to agriculture resulting from oil and gas industry activities through an assessment of birds valuable for agriculture and electrocuted on oil and gas infrastructure power lines, and through an assessment of agricultural crop volume saved by birds from rodent destruction. During the season, 65 common kestrels may die on the power lines owned by an oil and gas complex. One family of these birds (a pair of adults with chicks) consumes at least 428 rodents during the breeding season. The extermination of a large number of rodents helps to save up to half a ton of grain crops on average.
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Tok, M., A. Krutz, A. Glantz et T. Sikora. « Lossy parametric motion model compression for global motion temporal filtering ». Dans 2012 Picture Coding Symposium (PCS). IEEE, 2012. http://dx.doi.org/10.1109/pcs.2012.6213354.

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Aoshima, Kenichi, Hidekazu Kinjo, Kenji Machida, Daisuke Kato, Kiyoshi Kuga, Tomoyuki Mishina, Hiroshi Kikuchi et Naoki Shimidzu. « Three dimensional motion picture technologies ». Dans 2014 IEEE Industry Applications Society Annual Meeting. IEEE, 2014. http://dx.doi.org/10.1109/ias.2014.6978440.

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Hillman, P. M. « Segmentation of motion picture images ». Dans International Conference on Visual Information Engineering (VIE 2003). Ideas, Applications, Experience. IEE, 2003. http://dx.doi.org/10.1049/cp:20030496.

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Hyungjun Lim, Dong Yoon Kim, Hyun Wook Park, Jun Ho Cho, Se Hyeok Park et Jae Hyun Kim. « Motion estimation with adaptive block size for motion-compensated frame interpolation ». Dans 2012 Picture Coding Symposium (PCS). IEEE, 2012. http://dx.doi.org/10.1109/pcs.2012.6213358.

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Okade, M., et P. K. Biswas. « Fast camera motion estimation using discrete wavelet transform on block motion vectors ». Dans 2012 Picture Coding Symposium (PCS). IEEE, 2012. http://dx.doi.org/10.1109/pcs.2012.6213314.

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Mao, Jue, Hualong Yu, Xiaoding Gao et Lu Yu. « Complementary Motion Vector for Motion Prediction in Video Coding with Long-Term Reference ». Dans 2019 Picture Coding Symposium (PCS). IEEE, 2019. http://dx.doi.org/10.1109/pcs48520.2019.8954511.

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Rapports d'organisations sur le sujet "The birds (Motion picture)"

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Smith, J. A Uniform Resource Name (URN) Namespace for the Motion Picture Experts Group (MPEG). RFC Editor, septembre 2003. http://dx.doi.org/10.17487/rfc3614.

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Hanson, Gordon, et Chong Xiang. Testing the Melitz Model of Trade : An Application to U.S. Motion Picture Exports. Cambridge, MA : National Bureau of Economic Research, octobre 2008. http://dx.doi.org/10.3386/w14461.

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Gharai, L., C. Perkins, G. Goncher et A. Mankin. RTP Payload Format for Society of Motion Picture and Television Engineers (SMPTE) 292M Video. RFC Editor, mars 2003. http://dx.doi.org/10.17487/rfc3497.

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Labosier, James. Motion Picture Exhibition and the Development of a Middle-class Clientele : Portland, Oregon, 1894-1915. Portland State University Library, janvier 2000. http://dx.doi.org/10.15760/etd.6828.

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Edwards, T. A Uniform Resource Name (URN) Namespace for the Society of Motion Picture and Television Engineers (SMPTE). RFC Editor, février 2008. http://dx.doi.org/10.17487/rfc5119.

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Downs, J., et J. Arbeiter, dir. RTP Payload Format for Society of Motion Picture and Television Engineers (SMPTE) ST 336 Encoded Data. RFC Editor, avril 2012. http://dx.doi.org/10.17487/rfc6597.

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Edwards, T. RTP Payload for Society of Motion Picture and Television Engineers (SMPTE) ST 291-1 Ancillary Data. RFC Editor, février 2018. http://dx.doi.org/10.17487/rfc8331.

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Edwards, T. Media Type Registration for the Society of Motion Picture and Television Engineers (SMPTE) Material Exchange Format (MXF). RFC Editor, mai 2006. http://dx.doi.org/10.17487/rfc4539.

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Kiv, A. E., T. I. Maximova et V. N. Soloviev. Microstructure of the relaxed (001) Si surface. [б. в.], décembre 1999. http://dx.doi.org/10.31812/0564/1245.

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We have applied molecular dynamics method and semi-empirical potential [1] to obtain the realistic picture of Si surface layers relaxation.The starting configuration was taken as a parallelepiped containing 864 atoms. There were 12 layers with 72 atoms in each one. Periodic boundary conditions were used in two dimensions. At first all atoms were in normal lattice positions. The relaxation of Si surface, which corresponds to (001) plane was investigated. MD method was applied in its standard form i.e. the equations of motion were solved by using of the central difference scheme. The time-step was 10-14s.
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