Bibliographies thématiques / Thann. Cathedral

Littérature scientifique sur le sujet « Thann. Cathedral »

Auteur : Grafiati
Publié le 26 juillet 2024
Mis à jour le 27 juillet 2024

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Articles de revues sur le sujet "Thann. Cathedral"

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Society of St. Sophia, Press service. « Thank God for the gift of the unity of the Church ». Ukrainian Religious Studies, no 81-82 (13 décembre 2016) : 4–5. http://dx.doi.org/10.32420/2017.81-82.736.

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On December 15, 2016, in the Pontifical Lutheran Cathedral of St. John the Baptist in Rome, His Beatitude Sviatoslav, the Head of the UGCC, headed the thanksgiving to the Bishops' Divine Liturgy on the occasion of the 420th anniversary of the Union of Brest. Along with numerous faithful and clergy, the Head of the UGCC thanked God for the "unity of the Church".
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Francis, Leslie J. « Are Anglican cathedrals more inclusive than parish churches ? » Theology 126, no 3 (mai 2023) : 183–91. http://dx.doi.org/10.1177/0040571x231171280.

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This article argues that, alongside ethnicity, gender and age, psychological type theory offers a distinctive lens through which to assess the inclusivity agenda of the Anglican Church. On this criterion, empirical data indicate that cathedrals are achieving greater inclusivity than parish churches.
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Jenkins, John, et Alana Harris. « More English than the English, more Roman than Rome ? Historical signifiers and cultural memory at Westminster Cathedral ». Religion 49, no 1 (13 septembre 2018) : 48–73. http://dx.doi.org/10.1080/0048721x.2018.1515328.

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Halvorsen, J. Sergius. « Preaching the Impossible in the Face of the Unthinkable : Nonviolence, Love, and Thanksgiving in a Coptic Easter Sermon ». Religions 15, no 4 (3 avril 2024) : 455. http://dx.doi.org/10.3390/rel15040455.

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This essay examines the Holy Monday sermon by Boules George, a senior priest at St. Mark Church in Cairo, that was preached the day after the Palm Sunday suicide bomb attacks against St. George Coptic Orthodox Church in Tanta and St. Mark Coptic Orthodox Cathedral in Alexandria in Egypt in 2017, which left forty-four people dead and more than one hundred injured. The sermon addressed Coptic Orthodox Christians in Cairo as well as the wider Coptic Orthodox community in Egypt and throughout the world through a live video broadcast. The sermon is remarkable for presenting a radical call to nonviolence and Christian love. Notably, the preacher speaks to “those who are killing us”, and says “thank you” for the opportunity to die as Christ died, for “this is the greatest honor that we could have”. This essay analyzes the sermon in light of the work of Walter Brueggemann and Alexander Schmemann, and argues that the sermon is an example of daring speech that offers divine empowerment to the suffering and the fearful.
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Zhukovskaia, Nadezhda. « State of soul of a religious person. A fragment from the systematic French-Russian dictionary of religious lexis (part 2) ». St. Tikhons' University Review. Series III. Philology 75 (30 juin 2023) : 107–33. http://dx.doi.org/10.15382/sturiii202375.107-133.

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This work is a continuation of the publication of separate parts"Systematic French-Russian Dictionary of Religious Vocabulary" and is part of a large section "The Characters of the Christian Religion", as well as the subsection "States of the Human Soul". In contrast to the already published topic “Manifestations of piety”, in this case, attention is focused on the state of the believer’s soul, his spiritual quest, and moral character.The material is divided into chapters, which unite the vocabulary devoted to certain aspects of the topic. Special attention is paid to some well-known virtues: love for one's neighbor, mercy, peacefulness, selflessness, etc. Catholicism and reflecting a special view of the world order. Speaking about the purely linguistic side, one must keep in mind that the Russian religious language is often generally characterized by more archaic ways of expressing thought than French. At the same time, we considered it possible to include, along with the usual translation into Russian, the original Russian equivalents of Orthodox authors, Church Slavonicisms, if they are found among the authors of the XX-XXI centuries. In this case, such translations are marked "church-arch".As in previous publications, phrases in quotation marks not only illustrate the use of a single word, but also contain, as a rule, a new unit or reveal the content of a concept related to the section. Usually they are made up of elements (both individual lexemes and phrases) appearing in French and Russian sources, but are not direct quotations.This work was submitted for review to a candidate of theology, a specialist in comparative theology, rector of the St. Nicholas Patriarchal Cathedral in New York, Fr. Igor (Vyzhanov), as well as Bruno Bisson, simultaneous interpreter, candidate of philological sciences. I would like to thank them for their thoughtful reading and comments.
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Zhukovskaia, Nadezhda. « Acting subjects in the Christian religion. Created subjects. A fragment from a French-Russian thesaurus of religious vocabulary ». St. Tikhons' University Review. Series III. Philology 76 (29 septembre 2023) : 55–87. http://dx.doi.org/10.15382/sturiii202376.55-87.

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This work is a continuation of the publication of separate parts of the Systematic French-Russian Dictionary of Religious Vocabulary. This is part of a large section on "Characters of the Christian Religion", which also includes a subsection on "God", which has not yet been published. The material of this publication is divided into chapters, which unite the vocabulary devoted to certain aspects of the topic. As in previous cases, not only individual lexemes are presented, but also the usual phrases accepted in the religious language, clichés, statements characteristic of Orthodoxy and Catholicism and reflecting a special view of the world order. Speaking about the purely linguistic side, one must keep in mind that the Russian religious usage is characterized by the use of more archaic lexemes than the French one. Therefore, we considered it possible to include, along with the usual translation into Russian, also especially original Russian equivalents of Orthodox authors, Church Slavonicisms, if they occur in the texts of the XX-XXI centuries. In this case, such translations are marked church-arch.As in previous publications, expressions in quotation marks not only illustrate the use of a single word, but also contain, as a rule, a new unit or reveal the content of a concept related to the section. Usually they are made up of elements (both individual lexemes and phrases) appearing in French and Russian sources, but are not direct quotations. This work was submitted for review to a candidate of theology, a specialist in comparative theology, rector of the St. Nicholas Patriarchal Cathedral in New York, Fr. Igor (Vyzhanov), whom I thank for thoughtful reading and help. At the same time, the work on the topic (as in previous cases) is far from being completed by the publication of this story, and all comments, both conceptual and purely linguistic, please send to my email address.
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Livres sur le sujet "Thann. Cathedral"

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Iles, Harry. Louder than words : Sculpture by Harry Iles together with the work of Tools for Self Reliance : exhibition at Winchester Cathedral May 1990. [S.l.] : [s.n.], 1990.

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Hentschell, Roze. The Cultural Geography of St Paul’s Precinct. Sous la direction de Malcolm Smuts. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199660841.013.36.

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This chapter is a cultural study of St Paul’s Cathedral precinct in the late sixteenth and early seventeenth centuries. It discusses the physical properties of Paul’s, including the nave, Paul’s Cross pulpit, the bookshops in the churchyard, and the many and varied uses and occupations of the precinct and church, including sermons, secular business practices, and criminal activity. While recent scholarship has attended to various discreet spaces in and around the cathedral, this chapter discusses the religious and secular space and activities as mutually constitutive rather than distinct. Influenced by studies of cultural geography, the chapter investigates the role of the cathedral precinct in constructing the identity of the early modern Londoner through a discussion of the effects that geographical space has on human behaviour.
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Hepburn, Allan. Bombed Churches. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198828570.003.0002.

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More often than not, the blitz was represented by bombed churches. Images of St Paul’s Cathedral soaring above smoke and, in a more tragic key, the ruins of St Michael’s Cathedral in Coventry encapsulate the values that Britons thought they were fighting for in the Second World War. John Piper, Cecil Beaton, Hanslip Fletcher, and other visual artists, many of them employed by the War Artists’ Advisory Committee (WAAC), expressed their ideas about British heritage through paintings, drawings, and photographs of church architecture. At the same time, writers such as Virginia Woolf, John Strachey, John Betjeman, and Louis MacNeice modulated their patriotism—with quibbles and caveats—into ‘a faith to fight for’. Drawing on poetry, novels, tracts, newspaper articles, and visual culture, this chapter demonstrates the propagandistic value of bombed churches during the Second World War, then flashes forward to the consecration of the rebuilt cathedral in Coventry, which opened with great fanfare and an arts festival in May 1962.
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Cathedral Window Quilt Course : Tutorials and Patterns for More Than Ten Different Blocks. Independently Published, 2021.

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Kerrigan, Michael. Amazing Churches of the World : More Than 100 Cathedrals, Chapels and Basilicas. Amber Books Ltd, 2020.

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Cathedral Window Quilts : Christmas Special 1 : Tutorials and Patterns for More Than 10 Proyects. Independently Published, 2021.

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Varela, Victoria. Cathedral Window Quilts : Red and White : Tutorials and Patterns for More Than 10 Different Projects. Independently Published, 2021.

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Varela, Victoria. Cathedral Window Quilts : Blue and White : Tutorials and Patterns for More Than 10 Different Projects. Independently Published, 2021.

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Lee, Alexander. History, Providence, and Empire. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199675159.003.0003.

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A few years after the humanist dream of a revivified Empire had put down roots in Padua, a parallel strain of imperialist thought was germinating in Verona. There in the shadow of the cathedral library, a small group of like-minded figures were attempting to revive classical culture more through the study of history and philology than through stylistic imitation. Like their Paduan contemporaries, they were deeply troubled by the condition of their times, and lamented the emergence of factionalism and tyranny. They, too, longed for peace and liberty, and saw the Empire as their best hope. But as this chapter shows, they were more concerned with the fate of humanity as a whole than with that of a single city; and rather than relying on the letter of feudal law, they instead founded their imperialism on a deep appreciation for the Roman past and the Church Fathers.
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Vivanco, Sebastián de. Liber magnificarum (1607). Sous la direction de Michael Noone et Graeme Skinner. A-R Editions, 2020. http://dx.doi.org/10.31022/r173.

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The Spanish composer Sebastián de Vivanco (ca. 1551–1622) was born, like his revered contemporary Tomás Luis de Victoria, in Avila. Having secured prestigious cathedral and university posts at Salamanca, Vivanco saw through the press, between 1607 and 1614, three luxury choirbooks containing 18 Magnificats, 10 masses, and 72 motets, spread over a total of more than 900 printed pages. The first of these choirbooks, all of which were printed by the Fleming ArtusTaberniel and his wife Susana Muñoz, is a cycle of Magnificats providing polyphony for the odd- and even-numbered verses in all eight tones, plus one extra Magnificat in each of the much-used first and eighth tones. If Vivanco has been eclipsed for too long by his great contemporary and compatriot, it is in the complexity and ingenuity of the many canons to be found in these Magnificats that Vivanco outshines even Victoria.
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Chapitres de livres sur le sujet "Thann. Cathedral"

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Jenkins, John, et Alana Harris. « More English than the English, more Roman than Rome ? Historical signifiers and cultural memory at Westminster Cathedral ». Dans Religion in Cathedrals, 48–73. London : Routledge, 2021. http://dx.doi.org/10.4324/9781003104926-3.

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Barazzetti, Luigi, Francesco Canali, Stefano Della Torre, Carmelo Gentile, Mattia Previtali et Fabio Roncoroni. « Monitoring the Cathedral of Milan : An Archive with More Than 50 Years of Measurements ». Dans Computational Science and Its Applications – ICCSA 2022, 575–90. Cham : Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-10522-7_39.

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Kjellström, Anna. « From Saint to Anthropological Specimen : The Transformation of the Alleged Skeletal Remains of Saint Erik ». Dans Bioarchaeology and Social Theory, 167–88. Cham : Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-03956-0_7.

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AbstractErik Jedvardsson, king of Sweden, was slain in c. AD 1160 and has been venerated as a saint since the end of the twelfth century. It is clear from historical records and osteological studies that the bones, kept in a reliquary in Uppsala Cathedral, have received much attention over the centuries. Initially they served as intercessors with God and were reverently touched and divided for distribution to other institutions. After the Reformation the remains were kept in a reliquary and exclusively functioned as heirlooms embodying a legendary fallen king. In the Age of Enlightenment, the authenticity of the bones came under scrutiny. Eventually, they turned into subjects of scientific research and no less than three thorough anthropological investigations have been conducted since 1915. The transformation of Saint Erik’s body from a Christian relic to an anthropological specimen not only testifies to the strong agency of the remains but can be traced to several shifts in the ‘cultural paradigm’. Although the historical understanding of the medieval king has not changed significantly over time, these paradigm shifts have inevitably affected the narrative and how the bones have been handled.
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Stone, Heather N. « Place-Conscious Education : Teaching Displacement Using Oral Histories in Virtual Reality ». Dans Migration, Displacement, and Higher Education, 245–54. Cham : Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-12350-4_20.

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AbstractDeep in the bayous of Louisiana lies Isle de Jean Charles, home to the tribe of the Jean Charles Choctaw Nation, made up of the tribes of the Biloxi, Chitimacha, and Choctaw, since the early 1800s. At this time the three tribes were distinct and had kept much of their culture intact by isolating themselves from European contact, even if it meant ceding their land. They were seen as “invisible people,” those who kept to themselves to avoid contact with whites. As the remnants of the tribes of the Biloxi, Chitimacha, and Choctaw resettled in Terrebonne Parish, their land encompassed 22,000 acres (about half the size of Washington, DC). After their initial displacements, the tribe suffered loss of land again when oil companies dug more than 10,000 miles of canals straight through the wetlands and brought oil rigs to Isle de Jean Charles. Promised repair of wetlands never happened. Isle de Jean Charles has now been reduced to only 320 acres (which is about five and a half times the size of the National Cathedral in Washington, DC), and, in some places, is only a quarter of a mile wide. Virtual reality lessons have been implemented to teach others by documenting the residents’ voices using their history of place and ancestry and experiences of displacement due to the dramatic loss of land brought on by the destruction of wetlands in the Gulf of Mexico.
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« Sublime and Frivolous Elements in Music (1934) ». Dans Grainger on Music, sous la direction de Malcolm Gillies, Bruce Clunies Ross, Bronwen Arthur et David Pear, 276–89. Oxford University PressOxford, 1999. http://dx.doi.org/10.1093/oso/9780198166658.003.0034.

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Abstract What could be more delightful, from a certain point of view, than an English or Danish straw-thatched, white-washed farmhouse, protected by trees, and embellished with a duck-pond? No reasonable architect would resent our relishing the farmhouse—he might not even object to our preferring it to a cathedral. But he would certainly be justified in exploding the notion that a farmhouse can vie with a cathedral in the loftier architectural attributes—in size, majesty, sublimity, complexity. The purpose of this article is to urge the habit of distinguishing between musical farmhouses and musical cathedrals.
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Ryan, Ray. « Colm T6ibin, Partition, and the Ends of History ». Dans Ireland and Scotland, 250–88. Oxford University PressOxford, 2002. http://dx.doi.org/10.1093/oso/9780198187769.003.0006.

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Abstract It was the centre of power, our neo-gothic cathedral at the top of the main street … much grander than the town’s Protestant church it was a sign of the great rich might of the Catholic church in the nineteenth century … There are certain things that I know about them [his rural ancestors, or can imagine, but before them I can imagine nothing and I know nothing. The Cathedral is the beginning of real imaginable time.
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Spink, Ian. « Lichfield ». Dans Restoration Cathedral Music 1660-1714, 272–77. Oxford University PressOxford, 1995. http://dx.doi.org/10.1093/oso/9780198161493.003.0023.

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Abstract Lichfield probably suffered more than any other English cathedral in the Civil War. The precincts were besieged three times, and on the third occasion, in 1646, the central spire was destroyed—-as was the organ. At the Restoration, the chapter house and vestry were the only parts that were still roofed.
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Spink, Ian. « Oxford ». Dans Restoration Cathedral Music 1660-1714, 314–31. Oxford University PressOxford, 1995. http://dx.doi.org/10.1093/oso/9780198161493.003.0027.

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Abstract According to Anthony Wood, choral services had been re-established by November 1660 in those colleges where they had traditionally been sung: ‘they restored the organ at Christ Church, Magdalen, New, and St John’s College, together with the singing of prayers after the most antient way: to which places the resort of people out of novelty, I suppose, than devotion) was infinitely.
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Spink, Ian. « Captain Cooke’s Boys : Humfrey, Blow, and Turner ». Dans Restoration Cathedral Music 1660-1714, 115–45. Oxford University PressOxford, 1995. http://dx.doi.org/10.1093/oso/9780198161493.003.0007.

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Abstract Cooke’s first set of choirboys included Michael Wise, Pelham Humfrey, John Blow, Robert Smith, and William Turner. As has already been mentioned, Clifford includes the words of six anthems by Smith, five by Humfrey, and three by Blow in the 1664 edition of Divine Setvices. The encouragement given to these lads came from none other than the king, as Thomas Tudway (who had experienced it) reports.
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Spink, Ian. « Sources and Peiformance ». Dans Restoration Cathedral Music 1660-1714, 75–98. Oxford University PressOxford, 1995. http://dx.doi.org/10.1093/oso/9780198161493.003.0005.

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Abstract Cathedral choirs sang from partbooks. In the first half of the century a set usually consisted of ten-treble or ‘mean’; first and second countertenor, tenor, and bass, on both the cantoris and decanisides of the choir-and an accompaniment book for the organ. Four parts rather than five becoming the norm after 1660, a set would include eight (treble, still sometimes called ‘mean’, especially when the Cr clef was used, countertenor, tenor, and bass), again with an organ-book. Compared with scores, partbooks saved space and time in copying, but were liable to contain and reproduce scribal errors which were not easy to correct.
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Actes de conférences sur le sujet "Thann. Cathedral"

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GOMEZ-LOPEZ, JOSE MIGUEL, José L. Pérez-García, Carlos Colomo, Javier Cardenal et Emilio Mata. « TRATAMIENTO DE DATOS TLS MEDIANTE EL EMPLEO DE IMÁGENES ESFÉRICAS : APLICACIÓN A LA DOCUMENTACIÓN DE LA SALA CAPITULAR DE LA CATEDRAL DE JAÉN ». Dans ARQUEOLÓGICA 2.0 - 8th International Congress on Archaeology, Computer Graphics, Cultural Heritage and Innovation. Valencia : Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/arqueologica8.2016.3535.

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Nowadays, one of the techniques more used for documentation of cultural heritage is terrestrial laser scanner (TLS). This kind of instrumental has become essential in this kind of heritage projects. However, in many projects, the captured information by these systems are excessive, which hinders its data processing and information extraction. But when the documentation purpose is limited to the visualization or dissemination, the final products can be simpler than those obtained from the dense point clouds and the resulting detailed models. In this paper it is presented an approach based on TLS data processed with spherical images algorithms. TLS point clouds are used to simulate spherical images allowing the storage, processing, visualization and dissemination of both data and products. This approach has been applied to a real study case in the documentation of the chapterhouse of the Cathedral of Jaén.
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М.Е., Родина,. « EXCAVATIONS AT THE PRINCELY COURT IN VLADIMIR ». Dans Археология Владимиро-Суздальской земли. Crossref, 2021. http://dx.doi.org/10.25681/iaras.2021.978-5-94375-365-7.67-79.

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Автор представляет интересные материалы археологических раскопок в 1993, 2004, 2005 гг. в историческом центре Владимира (к востоку от Дмитриевского собора). Наши исследования подтвердили предположение о локализации в XII-XIII вв. княжеского двора на данной территории. Мощность культурного слоя равняется 170-250 см. Большая коллекция находок насчитывает более 105 000 фрагментов керамики, 1200 артефактов и 66 300 костей животных, птиц и рыб. Изучение этих фаунистических остатков позволило узнать, что предпочитали кушать обитатели княжеского двора. Наши находки, связанные с именем князя Святослава Всеволодовича, имеют большое значение для характеристики материальной культуры средневекового Владимира. The author presents interesting materials of archaeological excavations in 1993, 2004, 2005 in the historical center of Vladimir (east of St. Dmitry’s Cathedral). Our research confirmed the assumption of localization of the princely court in this territory in the XII-XIII centuries. The thickness of the cultural layer is 170-250 cm. A large collection of finds has more than 105 000 fragments of pottery, 1200 artifacts and 66 300 bones of animals, birds and fish. The study of these faunal remains allowed us to learn what the inhabitants of the princely court preferred to eat. Our findings, related to the name of Prince Svyatoslav Vsevolodovich, are of great importance for the characteristics of the material culture of medieval Vladimir.
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Rapports d'organisations sur le sujet "Thann. Cathedral"

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Fehey, Kristina, et Dustin Perkins. Invasive exotic plant monitoring in Capitol Reef National Park : 2019 field season, Scenic Drive and Cathedral Valley Road. Sous la direction de Alice Wondrak Biel. National Park Service, juin 2021. http://dx.doi.org/10.36967/nrr-2286627.

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Invasive exotic plant (IEP) species are a significant threat to natural ecosystem integrity and biodiversity, and controlling them is a high priority for the National Park Service. The North-ern Colorado Plateau Network (NCPN) selected the early detection of IEPs as one of 11 monitoring protocols to be implemented as part of its long-term monitoring program. From May 30 to June 1, 2019, network staff conducted surveys for priority IEP species along the Scenic Drive and Cathedral Valley Road monitoring routes at Capitol Reef National Park. We detected 119 patches of six priority IEP species along 34 kilometers of the two monitor-ing routes. There were more patches of IEPs, and a higher percentage of large patches, than in previous years. This indicates that previously identified infestations have expanded and grown. The most common (47.1%) patch size among priority species was 1,000–2,000 m2 (0.25–0.5 acre). The vast majority (93.2%) of priority patches ranked either low (58.8%) or very low (34.4%) on the patch management index scale. Tamarisk (Tamarix sp., 72 patches) was the most prevalent priority IEP species. African mustard (Malcolmia africana, 32 patch-es), field bindweed (Convolvulus arvensis, 9 patches), and Russian olive (Elaeagnus angusti-folia, 3 patches) occurred less commonly. Together, these four species represented 97.5% of all patches recorded in 2019. Four IEP species were found on the monitored routes for the first time: Russian olive (Elaeagnus angustifolia), quackgrass (Elymus repens), Siberian elm (Ulmus pumila), and African mustard (Malcolmia africana, not on the priority species list before 2019). Cathedral Valley Road had higher IEP priority patches per kilometer (5.68) than the Scenic Drive (2.05). IEP species were found on 37.9% (25 of 66) of monitored transects. Almost all these detections were Russian thistle (Salsola sp.). Russian thistle was widespread, present in 33.3% of transects, with an estimated cover of 0.2% across all transects sampled. Across routes monitored in all three rotations (2012, 2015, and 2019), Russian thistle has increased in frequency. However, its frequency remained about the same from 2015 to 2019, and percent cover remains low. Tamarisk and field bindweed have both increased in preva-lence since monitoring began, with tamarisk showing a dramatic increase in the number and size of patches. Immediate control of tamarisk and these other species is recommended to reduce their numbers on these routes. The NCPN plans to Capitol Reef in 2020 to monitor Oak and Pleasant creeks, completing the third rotation of invasive plant monitoring.
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