Littérature scientifique sur le sujet « Tesi di laurea in letteratura italiana »
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Articles de revues sur le sujet "Tesi di laurea in letteratura italiana"
Nosi, Costanza, et Carlo Alberto Pratesi. « La domanda di auto elettriche tra entusiasmi tecnologici e resistenze psicologiche : una ipotesi di segmentazione ». MERCATI & ; COMPETITIVITÀ, no 2 (septembre 2012) : 31–44. http://dx.doi.org/10.3280/mc2012-002005.
Texte intégralCatalfamo, Antonio. « La tesi di laurea di Cesare Pavese su Walt Whitman e i suoi studi successivi sulla letteratura americana ». Forum Italicum : A Journal of Italian Studies 47, no 1 (30 avril 2013) : 80–95. http://dx.doi.org/10.1177/0014585813479535.
Texte intégralPozzuoli, Cesare. « La didattica della letteratura inglese nell’università italiana ai tempi della pandemia. Uno studio di caso in una classe del corso di laurea di base in “Lingue” dell’Università “Federico II” ». Altre Modernità, no 27 (30 mai 2022) : 239–53. http://dx.doi.org/10.54103/2035-7680/17892.
Texte intégralArdizzone, Francesca. « Misurare lo stress psico-fisico del caregiver di pazienti cronici : risultati di uno studio ». Dissertation Nursing 1, no 1 (29 juillet 2022) : 49–63. http://dx.doi.org/10.54103/dn/17647.
Texte intégralCignetti, Luca, Silvia Demartini et Daniele Puccinelli. « Il progetto Scrivere Come Risorsa Professionale nella Svizzera Italiana : aspetti linguistici quantitativi e qualitativi delle tesi di laurea nella Scuola Universitaria Professionale della Svizzera italiana ». Italica Wratislaviensia 9, no 1 (20 juin 2018) : 35–50. http://dx.doi.org/10.15804/iw.2018.09.02.
Texte intégralStanič, Daša. « Analisi degli errori nella produzione scritta degli studenti di italiano come ls a livello universitario ». Journal for Foreign Languages 9, no 1 (28 décembre 2017) : 255–85. http://dx.doi.org/10.4312/vestnik.9.255-285.
Texte intégralPremrl, Mirjam. « Commento delle scelte delle forme verbali nei cloze degli studenti di Italianistica e di Traduzione : (identificazione dei punti critici e confronto tra i gruppi) ». Linguistica 49, no 1 (29 décembre 2009) : 161–203. http://dx.doi.org/10.4312/linguistica.49.1.161-203.
Texte intégralBunn, Daniela, et Mariele Lúcia Tortelli. « A participação da língua italiana no Projeto Multidisciplinar PIBID/UFSC Línguas Estrangeiras/Adicionais : interação, cooperação e formação docente ». Revista Italiano UERJ 13, no 1 (17 octobre 2022) : 18. http://dx.doi.org/10.12957/italianouerj.2022.70752.
Texte intégralPacciolla, Aureliano. « EMPATHY IN TODAYS CLINICAL PSYCHOLOGY AND IN EDITH STEIN ». Studia Philosophica et Theologica 18, no 2 (7 décembre 2019) : 138–60. http://dx.doi.org/10.35312/spet.v18i2.29.
Texte intégralNitti, Paolo, Helena Bažec et Elena Ballarin. « ITALOFONIA NELL’ISTRIA SLOVENA : IL CASO DELL’UNIVERZA NA PRIMORSKEM ». Italiano LinguaDue 14, no 2 (18 janvier 2023). http://dx.doi.org/10.54103/2037-3597/19603.
Texte intégralThèses sur le sujet "Tesi di laurea in letteratura italiana"
Jelicich, Marianna. « Le opere letterarie di Gianrinaldo Carli ». Bachelor's thesis, Università degli Studi di Trieste, 2002. http://hdl.handle.net/10077/21677.
Texte intégralMarin, Ilenia. « Per uno studio dei 'Diari' di Biagio Marin : il primo quaderno (3 maggio - 11 novembre 1941) : testo, analisi e proposte ». Bachelor's thesis, Università degli Studi di Trieste, 1999. http://hdl.handle.net/10077/21674.
Texte intégralVentura, Giacomo <1988>. « La ricezione europea di Antonio Urceo Codro ». Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2018. http://amsdottorato.unibo.it/8687/1/TESI%20DOTTORATO%20Giacomo%20Ventura.pdf.
Texte intégralThe doctoral thesis investigates the routes and forms of the reception of the texts of Antonio Urceo known as Codro (Rubiera, 1446 - Bologna, 1500), professor of Rhetoric and then of Greek between 1482 and 1500 at the University of Bologna. After introducing the research within the line of studies on Bolognese Humanism and on the popularity of texts of Italian Humanism in Europe, the author reconstructs the biography and the intellectual physiognomy of Codro considering the testimonies of his colleagues and both his Italian and foreign students, defining some characteristics of the cultural context of Bologna between the 15th and 16th centuries. With the intent to outline the areas most affected by the reception of the Bolognese humanist's texts, identifying centers, intellectual circles and key figures for the diffusion of his works across the continent, the author exposes the results of research concerning both the success of the prints and the manuscript tradition. On the one hand, the editions of Codro's works appeared in Italy and in Europe during the first half of the 1500s, focusing mainly on the four impressions of his opera omnia, and on the very numerous ones of the Supplementum all'Aulularia; on the other hand, the manuscripts of both published and unpublished verses and the ones that trace his teaching activity and his studies on Plautus are described, analyzing the contexts of production. Subsequently, after presenting the results of the census of the opera omnia samples which are located in European libraries, modes of fruition of the Codro texts by eleven European readers are investigated. Lastly, attention is paid to the fact that the Bolognese humanist had been the object of attention by the sixteenth and eighteenth century critical tradition, highlighting the historical-cultural reasons that led to the marginalization of his figure.
Lancia, Elisa <1986>. « Stili dell'ironia. Le prose narrative di Eugenio Montale ». Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2020. http://amsdottorato.unibo.it/9304/1/Tesi%20Elisa%20Lancia%202020.pdf.
Texte intégralIf Montale’s lyric production has often been reread in a modernist key, also the narrative production of Farfalla di Dinard (1956) and Fuori di casa (1969), much less explored by critics, can be interpreted in a similar way. This work intends to investigate the themes and the patterns through which Montale’s modernism reveals its humouristic content. Among the themes, as for the lyric, memory seems to be predominant and it occurs with sudden outbursts and with the retrieval of fragments linked to seemingly insignificant experiences that have momentous historical events as a background. Also of modernist matrix is his immovable hostility against any form of progress or cultural homologation, to which the author opposes a snobbish ideal of «everyday decency». These and other motives are often found along a shattered and multi-layered timeline, where the present and the past moment alternate. To this multiplicity corresponds a plurality of narrators that can often be considered as suggestive duplicates of the author. The characters that are found in the prose production are subject to a significant process of ironical degradation: physical traits that generate caricatures are highlighted, preferably even involving zoomophic emblems. Humouristic patterns are identified also at a stylistic level: Montale widely uses linguistic double meaning, mixed-language, quotations of his own or others’ literary common places revitalized in an ironical way. The thematic fields and the stylistic patterns that are recurrent and common between Farfalla di Dinard and Fuori di casa establish a fruitful dialogue with Montale’s poetry. If this has been evident for the first three books of poems since the first prose writings appeared, on the contrary the relationship between these first prose writings and the later poetic production (from Satura onward), a reciprocal exchange where humour represents the continuity thread, has been less explored.
Catulini, Daria <1987>. « Tra "lacune di luogo" e "iperspazi" : poesia, percezione e immaginario in Andrea Zanzotto ». Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2018. http://amsdottorato.unibo.it/8658/1/TESI%20DOTTORATO%20Daria%20Catulini-xxx%20ciclo.pdf.
Texte intégralAs exemplified by recent works (Contro le radici; Rootedness; The philosopher’s plant), the image of the root recurs very often in contemporary metaphorology. This figure is used not only in politics in order to communicate a relationship between culture and groundedness, but also in other fields. More precisely, the vegetal metaphor is a paradigm through which contemporary philosophers and writers depict the relation between man and the world. This inquiry starts from Heidegger’s stance. According to him, a valuable work of art has to be rooted in the native land of the artist. The aim of this work is to highlight the controversial aspects of this statement through the work of Andrea Zanzotto. Although he is the most “rooted” poet in Italian literature, his poetics is related to a philosophical questioning that leads to doubt of the interdependence between authenticity and groundedness. Therefore, the discovery of a reality without any center is reflected by peculiar images and figures. The lexicon used to describe is very close to the botanical and geological metaphors used by philosophers like Deleuze, Guattari, Glissant. Thanks to a methodology founded on phenomenology and aesthetics, this survey wants to offer a new interpretation of Zanzotto’s poetry and prose.
ALILI, IMER. « L’insegnamento della lingua, letteratura e cultura italiana all’estero : l’esperienza nella Repubblica di Macedonia ». Doctoral thesis, Università degli Studi di Roma "Tor Vergata", 2015. http://hdl.handle.net/2108/189882.
Texte intégralBrunetti, Umberto. « LO SPLENDIDO VIOLINO VERDE DI A. M. RIPELLINO Saggio di commento ». Doctoral thesis, 2018. http://hdl.handle.net/11393/251617.
Texte intégralFORMICONI, Cristina. « LÈD : Il Lavoro È un Diritto. Nuove soluzioni all’auto-orientamento al lavoro e per il recruiting online delle persone con disabilità ». Doctoral thesis, 2018. http://hdl.handle.net/11393/251119.
Texte intégralALESSANDRA, Campanari. « “IDENTITY ON THE MOVE” FOOD, SYMBOLISM AND AUTHENTICITY IN THE ITALIAN-AMERICAN MIGRATION PROCESS ». Doctoral thesis, 2018. http://hdl.handle.net/11393/251264.
Texte intégralLivres sur le sujet "Tesi di laurea in letteratura italiana"
Di Giglio, Anna, 1970- editor et Accademia fiorentina di papirologia e di studi sul mondo antico, dir. La commedia mitologica e i suoi precedenti nella letteratura greca : (tesi di laurea, 27 giugno 1907). Firenze : Accademia fiorentina di papirologia e di studi sul mondo antico, 2021.
Trouver le texte intégralRuffini, Mario, dir. Laura. La dodecafonia di Luigi Dallapiccola dietro le quinte. Florence : Firenze University Press, 2018. http://dx.doi.org/10.36253/978-88-6453-719-1.
Texte intégralOsservazioni sul canone nell'età̀ dell'Arcadia e Tradizioni letterarie a confronto nella polemica Orsi-Bouhours : Due lezioni per il corso di letteratura italiana della Laurea in lingue e culture per il turismo e il commercio internazionale : Università di Verona, Facoltà di lingue e letterature straniere, anno accademico 2009-2010. Verona, Italy : QuiEdit, 2009.
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