Bibliographies thématiques / Terrorists – Northern Ireland – Fiction

Littérature scientifique sur le sujet « Terrorists – Northern Ireland – Fiction »

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Publié le 25 juillet 2024

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Articles de revues sur le sujet "Terrorists – Northern Ireland – Fiction"

Stevenson, Jonathan. « Northern Ireland : Treating Terrorists as Statesmen ». Foreign Policy, n^o 105 (1996) : 125. http://dx.doi.org/10.2307/1148978.

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Pruitt, Dean. « Negotiation with Terrorists ». International Negotiation 11, n^o 2 (2006) : 371–94. http://dx.doi.org/10.1163/157180606778968290.

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AbstractNegotiation with non-ideological ethno-nationalist terrorists is more common and more successful than with other kinds of terrorists. Additional strategies for dealing with terrorists include combating, isolating, and mainstreaming. There are many arguments against negotiation with terrorists, but most of them do not apply to secret backchannel talks, which are usually the method of choice in first approaching these groups. The success of negotiation depends on the development of flexibility by both the terrorists and the authorities. These and other points are illustrated with case materials from the Northern Ireland peace process, and the analysis is extended, on a speculative basis, to negotiation with several Islamic terrorist groups.

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Lucey, Una. « Improper Interference : The Perils of Defending Suspected Terrorists in Northern Ireland ». Pace International Law Review 15, n^o 2 (1 septembre 2003) : 411. http://dx.doi.org/10.58948/2331-3536.1182.

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Stump, Jacob L. « Dixit, Priya 2015. The State and “Terrorists” in Nepal and Northern Ireland ». Critical Studies on Terrorism 11, n^o 1 (7 avril 2017) : 195–97. http://dx.doi.org/10.1080/17539153.2017.1311494.

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Garden, Alison. « Girlhood, Desire, Memory, and Northern Ireland in Lucy Caldwell’s Short Fiction ». Contemporary Women's Writing 12, n^o 3 (novembre 2018) : 306–21. http://dx.doi.org/10.1093/cww/vpy024.

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Braniff, Máire, et Sophie Whiting. « Deep impact : The fiction of a smooth Brexit for Northern Ireland ». Juncture 23, n^o 4 (mars 2017) : 249–53. http://dx.doi.org/10.1111/newe.12022.

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Kuznar, Lawrence A., et James M. Lutz. « Risk Sensitivity and Terrorism ». Political Studies 55, n^o 2 (juin 2007) : 341–61. http://dx.doi.org/10.1111/j.1467-9248.2007.00666.x.

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One enduring question about terrorism is why individuals choose to join terrorist groups. Past studies have shown that terrorists are not always poor, and they can in fact come from more privileged groups in society. Risk sensitivity and prospect theory are approaches that can help explain some of the anomalies. They suggest that two types of group are likely to supply members for terrorist organizations in disproportionate numbers. One group consists of those who face a loss of status or position due to ongoing changes in society. A second group consists of those who have an opportunity to gain a major advance in status or position. Both groups are thus more likely or more willing to take risks such as joining dissident terrorists – either to maintain their position or to improve it. An analysis of the situation of Palestinian nationalists, nationalists in Northern Ireland and the Tamils in Sri Lanka provides support for the idea that sensitivity to risk can be an important factor in explaining the willingness of individuals to join terrorist groups.

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Carregal-Romero, José. « Gay Fiction, Homophobia and Post-Troubles Northern Ireland : An Interview with Jarlath Gregory ». Estudios Irlandeses, n^o 14 (16 mars 2019) : 198–206. http://dx.doi.org/10.24162/ei2019-8894.

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Sherratt-Bado, Dawn Miranda. « ‘Gentility Keeps Breaking Through’ : Women and the Middle-Class Northern Protestant House in Janet McNeill’s The Maiden Dinosaur ». Review of Irish Studies in Europe 3, n^o 1 (24 octobre 2019) : 36–53. http://dx.doi.org/10.32803/rise.v3i1.2212.

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Janet McNeill’s fiction has experienced a recent revival, led by London-based publisher Turnpike Books, which reissued three of her novels between 2014 and 2015, with a fourth due in autumn 2019. The Maiden Dinosaur (1964/2015) is her best-known book, and it depicts Northern Ireland at a transitional moment in its history, during the post-war period and preceding the recommencement of the Troubles. McNeill explores vestigial systems of power that endure in Northern Ireland amidst the shifting gender, class, religious, and political contexts of the early 1960s. This essay analyses her rendering of the middle-class Northern Protestant house, and argues that it is a metonym for patriarchal structures that pervade mid-century Belfast society. McNeill examines how the women of her generation manoeuvre within this circumscribed space, and her novel represents an aesthetic gesture of self-liberation.

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Russell, Richard Rankin. « Brian Friel's Short Fiction : Place, Community, and Modernity ». Irish University Review 42, n^o 2 (novembre 2012) : 298–326. http://dx.doi.org/10.3366/iur.2012.0035.

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This essay argues for the necessity of a critical reconsideration of Brian Friel's short fiction both because of its own merits and since its depiction of emplaced communities struggling with aspects of modernity anticipates such conflicts in the major plays. Although Friel does not believe that rural culture was ever pristine and unadulterated, he nonetheless hints how modernity's advent into his chosen milieu of northwestern Ireland/Northern Ireland can create problems among its inhabitants such as destruction of community. ‘The Diviner’ and ‘The Saucer of Larks’ valorize the organic epistemology practiced by inhabitants who are outsiders to a local culture but become more in tune with local rhythms and landscape — the flux of place identified by phenomenologist Edward Casey — than many of the original inhabitants. In some situations, such as those he explores in short stories such as ‘Kelly's Hall’ and ‘Among the Ruins’, he offers positive portrayals of mechanized culture's ability to unify communities when that new technology is properly controlled, while in others, such as ‘Foundry House’, ‘The Potato Gatherers’, and ‘Everything Neat and Tidy’, he shows the debilitating effects of technology.

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Thèses sur le sujet "Terrorists – Northern Ireland – Fiction"

Goudsmit, Anne. « The Counter-Bildungsroman in Northern Irish fiction, 1965-1996 ». Thesis, St Mary's University, Twickenham, 2013. http://research.stmarys.ac.uk/484/.

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This thesis explores the relevance of the Bildungsroman genre to a selection of Northern Irish writing from the 1960s through to the late 1990s. Synthesizing a range of critical approaches it shows how six novels by Leitch, Duffaud, Patterson, Deane, Madden and Molloy challenge the traditional Bildungsroman. It brings the thwarted Bildungsroman into correspondence with the key elements of ‘minority discourse’ as defined by Mohamed and Lloyd (1990), focusing on subjectivity and identity position. Using Jameson’s concept of the ‘political unconscious’ the thesis demonstrates how fragmented and hybridised subjectivities challenge the two main Northern Irish identarian discourses, Irish nationalism and Ulster unionism. It argues that all six counter-Bildungsromane feature some of the characteristics of ‘minority discourse’ with one even providing an example of ‘minor writing’ as defined by Deleuze and Guattari (1975).

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Carrillo, E. « Selves and societies : a comparative study of contemporary fiction from Northern Ireland and Catalonia ». Thesis, Queen's University Belfast, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.273167.

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Myers, Megan. « Moving terrorists from the streets to a diamond-shaped table : The international history of the Northern Ireland conflict, 1969-1999 ». Thesis, Boston College, 2011. http://hdl.handle.net/2345/bc-ir:104409.

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Thesis advisor: James Cronin
The Northern Ireland conflict has often been viewed as parochial, closed off from the currents of international opinion and foreign influence. Yet nationalists, unionists, and pacifists consistently recruited supporters and confronted their adversaries on an international stage. The relative success or failure of these groups within the Northern Ireland political system was based in large part on their ability to navigate the changing global context. This dissertation demonstrates that to understand the development of the conflict and that of the peace process, it is necessary to take a comprehensive look at the role of the international community. The conflict in Northern Ireland was fundamentally international from its inception in the late 1960s and grew increasingly so over the next thirty years. Many of the ideas that motivated the groups involved in the Northern Ireland conflict were global in nature and origin, as were the institutions and organizations that became important players in the conflict and its resolution. Given that international ideas, institutions, and organizations were so central in forming the contours of the conflict, the conflict must be analyzed within a framework of international history
Thesis (PhD) — Boston College, 2011
Submitted to: Boston College. Graduate School of Arts and Sciences
Discipline: History

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Balboni, Elisa. « No(i)rthern Ireland : Crime fiction and the northern-irish scene. Proposed translation into italian of two short stories from "belfast noir" ». Master's thesis, Alma Mater Studiorum - Università di Bologna, 2015. http://amslaurea.unibo.it/8176/.

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The present thesis aims at proving the importance of cultural and literary contexts in the practice of translation: I shall show that, in the case of Northern Irish crime fiction, knowledge of both Northern Irish history and culture as well as of the genre of crime fiction are essential prerequisites for the production of a “responsible” translation. I will therefore offer a brief overview of the history of crime and detective fiction and its main subgenres; some of the most important authors and works will be presented as well, in an analysis that goes from the early years of the genre to the second half of the 20th century. I will then move the focus to Northern Ireland, its culture and its history, and particular attention will be paid to fiction writing in Ireland and Northern Ireland, with a focus on the peculiar phenomenon of “Troubles Trash”. I will tackle the topic of Northern Irish literature and present the contemporary scene of Northern Irish crime fiction; the volume from which the texts for the translation have been taken will be presented, namely Belfast Noir. Subsequently the focus will move on the theoretical framework within which the translations were produced: I will present a literary review of the most significative developments in Translation Studies, with particular attention to the “cultural turn” that has characterised this subject since the 1960s. I will then highlight the phenomenon of “realia” in translation and analyse the approaches of different scholars to the translation of culture-bound references. The final part represents the culmination and practical application of all that was presented in the previous sections: I will discuss the translation of culture-bound references according to the strategies presented in Chapter 4, referring to the proposed translations of two stories. Such analysis aims to show that not only expert linguistic knowledge, but also cultural awareness and a wide literary background are needed in order to make conscious choices in translation.

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Duflos, Anne. « L'écriture des masculinités dans la fiction nord-irlandaise contemporaine ». Thesis, Lille 3, 2017. http://www.theses.fr/2017LIL30020/document.

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Cette thèse se propose d’étudier l’écriture des masculinités dans la fiction nord-irlandaise contemporaine. Le corpus est constitué de six romans publiés pendant la décennie qui suit le traité de paix de 1998 : Breakfast on Pluto de Patrick McCabe (1998), No Bones d’Anna Burns (2001), Fodder de Tara West (2002), The Ultras d’Eoin McNamee (2004), Little Constructions d’Anna Burns (2007) et The Truth Commissioner de David Park (2008). Les enjeux politiques et sociologiques spécifiques que cristallise la question de la masculinité dans le nord de l’Irlande se mesurent à l’aune des Troubles et du processus de paix. Une dialectique entre conformisme et subversion des codes de la virilité est à l’œuvre dans les romans étudiés dont les stratégies d’écritures mènent à une reconfiguration de la masculinité en « anti-virilité » pour révéler les composantes et mécanismes du stéréotype. L’analyse de la suprématie de la masculinité puis de la subordination de la féminité dans les romans à l’étude nous conduit à observer une orientation féministe queer. De cette reconfiguration particulière de la virilité et du dévoilement de la dimension genrée des rapports de pouvoir, émerge un contre-discours qui met en question le récit hégémonique de paix présent dans la sphère publique. Dans ces fictions, l’injonction à « tourner la page » et l’optimisme ambiant de cette rhétorique sont ébranlés par les diverses manifestations des scories du passé qui mettent en évidence un profond malaise dans le nord de Irlande aux lendemains des accords de paix
This thesis explores the concept of masculinity in contemporary Northern-Irish fiction. My body of texts is constituted by six novels published in the decade after the Good Friday Agreement (1998): Breakfast on Pluto by Patrick McCabe (1998), No Bones by Anna Burns (2001), Fodder by Tara West (2002), The Ultras by Eoin McNamee (2004), Little Constructions by Anna Burns (2007) and The Truth Commissioner by David Park (2008). Because of the close links between masculinity, violence, national identity and the military, the issue of masculinity is of particular importance in the aftermath of the Troubles and of the peace process in Northern Ireland. In the novels, a dialectics between conformism and subversion of codes of manliness develops and reconfigures masculinity as ‘anti-virility’ in order to reveal the characteristics and functioning of the stereotype. The focus first on the supremacy of masculinity and then on the subordination of femininity in the novels leads us to notice a queer and feminist orientation in the writing strategies. This particular reshaping of masculinity and the unveiling of the gender order enable the emergence of a counter-narrative which challenges the hegemonic discourse about peace in the Northern-Irish public sphere. The aggressive incitement to make a fresh start and the pervasive optimism of this rhetoric are debunked by the lingering past residuals in the novels which ultimately display a profound malaise in the post-conflict Northern Ireland

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Wolwacz, Andrea Ferrás. « History as fiction in Reading in the Dark, by Seamus Deane ». reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2009. http://hdl.handle.net/10183/17656.

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Esta dissertação de mestrado propõe-se a apresentar um estudo sobre a obra ficcional de Seamus Deane Reading in the Dark à luz das recentes idéias sobre a redefinição do conceito de identidade norte-irlandesa. No pano de fundo deste romance autobiográfico, identificamos a presença de episódios históricos envolvendo o choque entre unionistas pró-britânicos e Nacionalistas irlandeses, que levou ao conflito conhecido como "The Troubles". Esses episódios, e suas conseqüências, são apresentados através da perspectiva de um protagonista autodiegético, que relata três décadas, de 1940 a 1960. Enquanto o personagem cresce, sua percepção obviamente vai-se alterando. O efeito final da minha leitura do romance - que foi escrito na década de 1990 - é a abertura de uma nova perspectiva, relacionada com a necessidade de redefinir questões da nacionalidade irlandesa. Reading in the Dark é um romance sobre contradições entre duas culturas que não conseguem - mas necessitam - co-existir, vistas através da perspectiva de um adolescente inteligente e bem intencionado. Este texto literário oferece uma formulação sobre os novos avanços a em relação às questões de identidade e tolerância, as quais podem ser abordadas de três formas: o conflito pode ser analisado internamente, através da oposição entre as comunidades Católicas e Protestantes, ou externamente, considerando os interesses da ilha da Irlanda, em oposição aos oitocentos anos de dominação inglesa. A terceira solução propõe uma redefinição de todos os conceitos implicados. Como conseqüência dessa crise, o romance denuncia e redefine os sistemas políticos usados como instrumentos de dominação e de manutenção e validação do choque entre as duas ideologias existentes que levaram ao sectarismo no território da Irlanda do Norte. A discussão levada a cabo nesta dissertação está baseada nos presentes debates sobre estudos culturais, especialmente como propostos por Terry Eagleton e por outros membros do "Field Day Theatre Company", que analisam as questões relativas à identidade. Esses intelectuais escolheram reavaliar as narrativas dominantes sobre a Irlanda, incluindo a formação dos mitos que motivou o acirramento dessa hostilidade contra a parte oposta. Esta dissertação está estruturada em três capítulos principais. Dois deles contextualizam o plano de fundo da narrativa e da agenda política crítica do "Field Day Theatre Company". O capítulo de análise é centrado em treze cenas fortes selecionadas do romance, as quais são comentadas a partir de considerações tecidas nos limites dos capítulos anteriores. No final do trabalho, eu espero validar a importância do romance autobiográfico de Seamus Deane Reading in the Dark no processo de reexame dos discursos que levaram à falta de comunicação entre duas comunidades que vivem em um mesmo território.
This thesis consists of a study of Seamus Deane's Reading in the Dark in the light of recent ideas regarding the redefinition of the concept of Northern Irish identity. In the background of this auto-biographical novel we identify the presence of historical episodes involving the clash between British Unionists and Irish Nationalists, which led to the conflicts known as "The Troubles." These episodes, and their consequences, are presented through the filter of an autodiegetic protagonist/narrator, through a time-span of three decades, from the 1940s to the 1960s. As the character grows, perception is obviously altered. The final effect of my reading of this novel - which was written in the 1990's - is the opening a new perspective, related to the need of redefining issues of national identity. Reading in the Dark is a novel about the contradictions between two cultures which cannot - but must - co-exist, as seen through the eyes of one growing perceptive, well-meaning intelligent young man. This literary text offers a statement about a new advance towards the issues of identity and toleration, which can be approached in three ways: the conflict can be analyzed internally, through the opposition between the Catholic and the Protestant parts of the community; or externally, considering the interests of the island of Ireland, as opposed to eight-hundred years of English domination. The third solution proposes a redefinition of all concepts implied. As a consequence of this crisis, the novel simultaneously denounces and redefines the political systems used as instruments of domination, and the maintenance and validation of the clash between the two existing ideologies that led to sectarianism within the northern territory. The discussion held in this thesis is based on the present state of the debate regarding Cultural Studies, especially as proposed by Terry Eagleton and by other members of the Field Day Theatre Company, who analyze the questions concerning identity. These intellectuals choose to revaluate the dominant narratives about Ireland, including the formation and the use made of myths that have heightened the sense of hostility against the opposite part. This thesis is structured in three main chapters. Two of them contextualize the background of the narrative and present the critical-political agenda of the Field Day Theatre Company. The chapter of analysis centers on thirteen strong scenes selected from the novel, which are woven within the framing previous chapters. At the end of the work, I hope to validate my belief in the social function of literature, by stressing the importance of Seamus Deane's Reading in the Dark in this process of re-examination of old discourses that led to the failure of communication between the two communities living in the same territory.

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Ratte, Kelly. « Representations of gothic children in contemporary irish literature : a search for identity in Patrick McCabe's The Butcher Boy, Seamus Deane's Reading in the Dark, and Anna Burns' No Bones ». Honors in the Major Thesis, University of Central Florida, 2013. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/937.

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Ireland is not a country unfamiliar with trauma. It is an island widely known for its history with Vikings, famine, and as a colony of the English empire. Inevitably, then, these traumas surface in the literature from the nation. Much of the literature that was produced, especially after the decline in the Irish language after the Great Famine of the 1840s, focused on national identity. In the nineteenth century, there was a growing movement for Irish cultural identity, illustrated by authors John Millington Synge and William Butler Yeats; this movement was identified as the Gaelic Revival. Another movement in literature began in the nineteenth century and it reflected the social and political anxieties of the Anglo-Irish middle class in Ireland. This movement is the beginning of the Gothic genre in Irish literature. Dominated by authors such as Sheridan Le Fanu and Bram Stoker, Gothic novels used aspects of the sublime and the uncanny to express the fears and apprehensions that existed in Anglo-Irish identity in the nineteenth century. My goal in writing this thesis is to examine Gothic aspects of contemporary Irish fiction in order to address the anxieties of Irish identity after the Irish War of Independence that began in 1919 and the resulting division of Ireland into two countries. I will be examining Patrick McCabe's The Butcher Boy, Seamus Deane's Reading in the Dark, and Anna Burns' No Bones in order to evaluate their use of children amidst the trouble surrounding the formation of identity, both personal and national, in Northern Ireland. All three novels use gothic elements in order to produce an atmosphere of the uncanny (Freud); this effect is used to enlighten the theme of arrested development in national identity through the children protagonists, who are inescapably haunted by Ireland's repressed traumatic history.; Specifically, I will be focusing on the use of ghosts, violence, and hauntings to illuminate the social anxieties felt by Northern Ireland after the Irish War of Independence.
B.A.
Bachelors
Arts and Humanities
English

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Berger, Michael Andrew. « How resisting democracies can defeat substate terrorism : formulating a theoretical framework for strategic coercion against nationalistic substate terrorist organizations ». Thesis, St Andrews, 2010. http://hdl.handle.net/10023/889.

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Livres sur le sujet "Terrorists – Northern Ireland – Fiction"

Strong, Terence. The tick tock man. London : Heinemann, 1994.

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Ashe, Alex. An acceptable level of violence. London : Citron Press, 1998.

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Rimington, Stella. Present danger. London : Quercus, 2009.

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Levinson, Robert S. Ask a dead man. Waterville, Me : Five Star, 2004.

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Levinson, Robert S. Ask a dead man. [Waterville, Me.] : Wheeler Pub., 2005.

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Seymour, Gerald. Field of blood. London : Corgi, 1999.

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Martyn, Frampton, et Gurruchaga Íñigo 1956-, dir. Talking to terrorists : Making peace in Northern Ireland and the Basque country. New York : Columbia University Press, 2009.

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Martyn, Frampton, et Gurruchaga Íñigo 1956-, dir. Talking to terrorists : Making peace in Northern Ireland and the Basque Country. London : Hurst & Co., 2009.

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Tribunal of Inquiry into Suggestions that Members of An Garda Síochána or Other Employees of the State Colluded in the Fatal Shootings of RUC Chief Superintendent Harry Breen and RUC Superintendent Robert Buchanan on the 20th March 1989 (Ireland). Report of the Tribunal of Inquiry into Suggestions that Members of An Garda Síochána or Other Employees of the State Colluded in the Fatal Shootings of RUC Chief Superintendent Harry Breen and RUC Superintendent Robert Buchanan on the 20th March 1989 : Set up pursuant to the Tribunals of Inquiry (Evidence) Act 1921-2004. Dublin : The Stationery Office, 2013.

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Easterman, Daniel. Night of the apocalypse. New York : HarperCollins, 1995.

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Chapitres de livres sur le sujet "Terrorists – Northern Ireland – Fiction"

Fitz-Gibbon, Andrew. « The Northern Ireland Peace Process ». Dans Talking to Terrorists, Non-Violence, and Counter-Terrorism, 31–43. Cham : Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-33837-8_3.

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Hennessey, Thomas. « ‘Talking to Terrorists’ : British Government Contacts with the IRA 1972–74 ». Dans The First Northern Ireland Peace Process, 9–39. London : Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1007/978-1-137-27717-6_2.

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« Northern Ireland ». Dans Twentieth-Century Fiction by Irish Women, 149–88. Routledge, 2017. http://dx.doi.org/10.4324/9781315235493-13.

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Dixit, Priya. « Dangerous ‘terrorists’ to partners in peace ». Dans The state and 'terrorists' in Nepal and Northern Ireland, 63–109. Manchester University Press, 2015. http://dx.doi.org/10.7228/manchester/9780719091766.003.0004.

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Dixit, Priya. « The state and Maoist ‘terrorists’ in Nepal ». Dans The state and 'terrorists' in Nepal and Northern Ireland, 110–64. Manchester University Press, 2015. http://dx.doi.org/10.7228/manchester/9780719091766.003.0005.

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Brice, Dickson. « 7 The Supreme Court and Northern Ireland ». Dans The Irish Supreme Court. Oxford University Press, 2019. http://dx.doi.org/10.1093/law/9780198793731.003.0007.

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This chapter begins by considering the arms trial in the early 1970s and outlines the gist of the Sunningdale Agreement in 1973 before considering the challenge to that Agreement dealt with by the Supreme Court in the Boland case. There follows an examination of the Court’s views on the constitutional status of Northern Ireland in McGimpsey v Ireland, decided in the wake of the Anglo-Irish Agreement of 1985, and on the constitutionality of the Belfast (Good Friday) Agreement in the Riordan case. There is an analysis of Law Enforcement Commission’s report and of the Court’s views on resulting Criminal Law (Jurisdiction) Bill 1975. The focus next moves to the shifting views of the Supreme Court on when it is appropriate to extradite suspected terrorists to Northern Ireland. Cases concerning Dominic McGlinchey, Séamus Shannon, Robert Russell, Dermot Finucane and Owen Carron are examined, as is the state of extradition law today.

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Dixit, Priya. « Studying the state and terrorism in Nepal and Northern Ireland ». Dans The state and 'terrorists' in Nepal and Northern Ireland, 1–8. Manchester University Press, 2015. http://dx.doi.org/10.7228/manchester/9780719091766.003.0001.

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Dixit, Priya. « The state in terrorism studies ». Dans The state and 'terrorists' in Nepal and Northern Ireland, 9–31. Manchester University Press, 2015. http://dx.doi.org/10.7228/manchester/9780719091766.003.0002.

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Dixit, Priya. « Language of terrorism and the making of the state ». Dans The state and 'terrorists' in Nepal and Northern Ireland, 32–62. Manchester University Press, 2015. http://dx.doi.org/10.7228/manchester/9780719091766.003.0003.

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Dixit, Priya. « Establishing state authority ». Dans The state and 'terrorists' in Nepal and Northern Ireland, 165–87. Manchester University Press, 2015. http://dx.doi.org/10.7228/manchester/9780719091766.003.0006.

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