Littérature scientifique sur le sujet « Teoria del romanzo »
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Articles de revues sur le sujet "Teoria del romanzo"
Skalle, Camilla. « Il futuro cannibale : Riflessioni intempestive su Free Karma Food di Wu Ming 5 e Sirene di Laura Pugno ». Quaderni d'italianistica 39, no 1 (9 mai 2019) : 95–110. http://dx.doi.org/10.33137/q.i..v39i1.32635.
Texte intégralSbragia, Albert. « Review : Intrecci italiani. Una Teoria e una storia del romanzo (1750–1900) ». Forum Italicum : A Journal of Italian Studies 30, no 1 (mars 1996) : 203–6. http://dx.doi.org/10.1177/001458589603000118.
Texte intégralDel Mauro, Miria Martina. « «IL ROMANZO D’UN MAESTRO» DI EDMONDO DE AMICIS : PRIME INDAGINI SULLA LINGUA E LA SUA EVOLUZIONE ». Italiano LinguaDue 13, no 2 (26 janvier 2022) : 503–58. http://dx.doi.org/10.54103/2037-3597/17147.
Texte intégralPuglisi, Melania. « Eros e linguaggio in Se una notte d'inverno un viaggiatore ». Cuadernos de Filología Italiana 28 (15 juillet 2021) : 379–403. http://dx.doi.org/10.5209/cfit.72734.
Texte intégralSilvestri, Chiara. « Liminalità e confini dell’io ne Le stelle fredde : l’intermedio difficile di Guido Piovene ». Quaderni d'italianistica 41, no 2 (11 juin 2021) : 93–113. http://dx.doi.org/10.33137/q.i..v41i2.36773.
Texte intégralAloisio, Miriam. « Architettura e scrittura in Fantasmi romani di Luigi Malerba ». Quaderni d'italianistica 36, no 2 (27 juillet 2016) : 127–54. http://dx.doi.org/10.33137/q.i..v36i2.26902.
Texte intégralLewis, Michael. « Vitruvius and Greek aqueducts ». Papers of the British School at Rome 67 (novembre 1999) : 145–72. http://dx.doi.org/10.1017/s0068246200004530.
Texte intégralBobbio, Norberto. « L’interpretazione delle leggi e la ragion di Stato ». DESC - Direito, Economia e Sociedade Contemporânea 2, no 1 (4 octobre 2019) : 144–53. http://dx.doi.org/10.33389/desc.v2n1.2019.p144-153.
Texte intégralBobbio, Norberto. « A interpretação das leis e a razão de Estado ». DESC - Direito Economia e Sociedade Contemporânea 2, no 1 (4 octobre 2019) : 154–63. http://dx.doi.org/10.33389/desc.v2n1.2019.p154-163.
Texte intégralBenedetti, Laura. « Il linguaggio dell’amicizia e della città : L’amica geniale di Elena Ferrante tra continuità e cambiamento ». Quaderni d'italianistica 33, no 2 (9 février 2013) : 171–87. http://dx.doi.org/10.33137/q.i..v33i2.19423.
Texte intégralThèses sur le sujet "Teoria del romanzo"
RECALCATI, ELEONORA. « LA POLIFONIA DALLA PAGINA ALLO SCHERMO. ANALISI DI TRE ADATTAMENTI AUDIOVISIVI DEL ROMANZO I FRATELLI KARAMAZOV DI FËDOR DOSTOEVSKIJ ». Doctoral thesis, Università Cattolica del Sacro Cuore, 2018. http://hdl.handle.net/10280/40180.
Texte intégralThe research pertains to the field of adaptation studies, choosing a perspective inspired by the theories developed by Russian philosopher Mikhail Bakhtin on authorship. The question from which the whole analysis of the three audiovisual adaptations of Dostoyevsky’s novel The Brothers Karamazov moves, refers to the adaptability for the screen of the literary principle of polyphony as identified by Bakhtin. The three adaptations, chosen for elements of formal homogeneity and heterogeneity in relationship to polyphonic rendition are: the movie Brothers Karamazov (Richard Brooks, USA 1958); the TV Drama I fratelli Karamazov (Sandro Bolchi, Italy 1969) and the movie Bratya Karamazovy, (Ivan Pyryev, Michail Ulyanov and Kirill Lavrov, Soviet Union 1969). Before moving forward with the analysis, through an examination of both Bakhtin’s critic and texts, we wanted to reconnect literary polyphony with the Russian theoretician’s philological research in the 1920’s and the cultural hummus of Russian religious philosophy. After this “genealogical” study, we identified polyphony’s formal implications and advanced our methodological proposal, founded on the assessment of the authorial element in a bakhtinian sense. During the Seventies, in fact, literary and film critic was influenced by the concept of the death of the Author, and focused uniquely on intertextuality Through an examination of adaptation theories, from Umberto Eco’s transmutation to Carlo Testa’s re-creation, we are proposing a new formulation inspired by bakhtinian studies on surplus vision, the unique and irreplaceable view of the world the author’s (and in our case, the adapter’s) vision stems from. At a later stage the analysis turns to the screenplay and the audiovisual product, through an integrated methodology covering a comparative, dramaturgical, structural, thematic and linguistic phase. The purpose that guides the phases of the analysis is to evaluate the polyphonic rendition of the three works, identifying the conditions that facilitate polyphony in an audiovisual product.
RECALCATI, ELEONORA. « LA POLIFONIA DALLA PAGINA ALLO SCHERMO. ANALISI DI TRE ADATTAMENTI AUDIOVISIVI DEL ROMANZO I FRATELLI KARAMAZOV DI FËDOR DOSTOEVSKIJ ». Doctoral thesis, Università Cattolica del Sacro Cuore, 2018. http://hdl.handle.net/10280/40180.
Texte intégralThe research pertains to the field of adaptation studies, choosing a perspective inspired by the theories developed by Russian philosopher Mikhail Bakhtin on authorship. The question from which the whole analysis of the three audiovisual adaptations of Dostoyevsky’s novel The Brothers Karamazov moves, refers to the adaptability for the screen of the literary principle of polyphony as identified by Bakhtin. The three adaptations, chosen for elements of formal homogeneity and heterogeneity in relationship to polyphonic rendition are: the movie Brothers Karamazov (Richard Brooks, USA 1958); the TV Drama I fratelli Karamazov (Sandro Bolchi, Italy 1969) and the movie Bratya Karamazovy, (Ivan Pyryev, Michail Ulyanov and Kirill Lavrov, Soviet Union 1969). Before moving forward with the analysis, through an examination of both Bakhtin’s critic and texts, we wanted to reconnect literary polyphony with the Russian theoretician’s philological research in the 1920’s and the cultural hummus of Russian religious philosophy. After this “genealogical” study, we identified polyphony’s formal implications and advanced our methodological proposal, founded on the assessment of the authorial element in a bakhtinian sense. During the Seventies, in fact, literary and film critic was influenced by the concept of the death of the Author, and focused uniquely on intertextuality Through an examination of adaptation theories, from Umberto Eco’s transmutation to Carlo Testa’s re-creation, we are proposing a new formulation inspired by bakhtinian studies on surplus vision, the unique and irreplaceable view of the world the author’s (and in our case, the adapter’s) vision stems from. At a later stage the analysis turns to the screenplay and the audiovisual product, through an integrated methodology covering a comparative, dramaturgical, structural, thematic and linguistic phase. The purpose that guides the phases of the analysis is to evaluate the polyphonic rendition of the three works, identifying the conditions that facilitate polyphony in an audiovisual product.
JIA, WANTING. « La teoria del possesso nel diritto romano e italiano : alcune riflessioni sulle relative norme nel diritto cinese ». Doctoral thesis, Università degli Studi di Roma "Tor Vergata", 2010. http://hdl.handle.net/2108/1395.
Texte intégralThe possession is a very important system in the roman law. It not only has passed trough almost the whole historic evolution of the roman law(from the XII Tavole to the codification of Giustiniano), but also has played a very important part in the formation of the system of the ownership and other rights of property in the roman law. Because of its particular position, many outstanding roman jurisconsult, suche as Labeone, Nerva, Paolo, Ulpiano, etc, have left many important works on this subject. And the results achieved by the modern jurists are numerous. However, in the research of giurisprudence and in the legislation of China it lacks detailed works and profound and comprehensive thoughts. This thesis started from the original works of the roman jurisconsults, with the reference of the positive results of the modern Romanists, giving a more o less comprehensive introduction of the roman theory of the possession. In the second part, it concerns the system of the possession in the modern Italian law, emphasizing the influence of the theory of the possession in the roman law. The last part of this thesis is about the system of the possession in the Chinese law. Although it is established in the Chinese law, with regard to its specific contents, it is obvious that there are many places to complete and consummate. In the future process of the improvement of the Chinese law, an excellent juristic tradition, like the roman law, and a mature system of legislation, like Italian legislation, could be very useful. In fact, this is the primary aim and the potential value of our study.
BASTIANINI, LUCIA. « IL ROMANZO TRIPARTITO : PER UNA LETTURA SISTEMICA DEI "PROMESSI SPOSI" ». Doctoral thesis, Università Cattolica del Sacro Cuore, 2020. http://hdl.handle.net/10280/70988.
Texte intégralThe Betrothed was analysed from a point of view focusing on complexity starting from systemic theory. The comparison between two theoretical texts: Lettre à M.R C*** sur l’unité de temps et de lieu dans la tragédie and Del romanzo storico e, in genere, de’ componimenti misti di storia e d’invenzione, highlighted how the idea of complexity, and consequently of relationship at the core of the concept of lifelikeness, has underlied Manzoni’s criticism since its beginning and has troubled it in time. Manzoni’s progressive reflection on verisimilitude has been researched: the which has given an interpretation applied to The Novel, to a complex and articulated dimension through which Manzoni guided the readers to the contemplation of Truth embodied in historical reality, in the form of a betrothal. The ‘quarantana’, the novel given to the publisher in 1842 by Manzoni, has been analysed and a relationship between its three structural parts has been identified: l’Introduzione, thirty-eight chapters , la Storia della colonna infame. In its frame was found the architecture in which Manzoni brilliantly set his Truth.
Colmenar, Mallén María del Carmen. « Instituciones jurídico asistenciales y de guarda para mayores discapacitados : derecho romano, recepción y problemas actuales de la necesaria incapacitación judicial ». Doctoral thesis, Universitat Jaume I, 2016. http://hdl.handle.net/10803/669025.
Texte intégralDal, Pozzo Angelica. « Il paesaggio rurale storico nella proposta italiana del MIPAAF. Confronti internazionali, discussione teorica, applicazioni metodologiche ». Doctoral thesis, Università degli studi di Padova, 2017. http://hdl.handle.net/11577/3426335.
Texte intégralIl lavoro di ricerca si è proposto di studiare il recente progetto di individuazione e di catalogazione dei paesaggi rurali storici italiani, promosso dal Ministero delle Politiche Agricole, Alimentari e Forestali (MiPAAF). L’articolazione del lavoro si è sviluppata attraverso un duplice percorso: (I) la ricerca e il confronto con simili progettualità attive a livello internazionale e (II) l’applicazione delle metodologie proposte per il progetto italiano su alcune aree studio del territorio nazionale. In virtù del duplice percorso di riflessione e di analisi, il lavoro di tesi è articolato in due parti alle quali seguono le conclusioni. La prima parte è dedicata alla presentazione dei progetti istituzionali sui paesaggi rurali storici, attivi a livello nazionale e internazionale, e al loro studio comparativo; la seconda parte è specificamente incentrata sull’analisi della proposta italiana, attraverso l’applicazione e la discussione delle metodologie proposte. Chiude la tesi un capitolo conclusivo che raccoglie possibili indirizzi di sviluppo futuri per il progetto italiano, maturati dal confronto con le esperienze internazionali e dall’applicazione dei metodi sui casi di studio scelti.
OLTOLINI, MARIA CHIARA. « Da romanzi per l'infanzia a serie animate per la TV : il giapponese "World Masterpiece Theater" ». Doctoral thesis, Università Cattolica del Sacro Cuore, 2020. http://hdl.handle.net/10280/70987.
Texte intégralThis thesis focuses on the Japanese practice of adapting foreign literary works into animation, considering the case of World Masterpiece Theater (WMT), an anthology of TV series produced by Nippon Animation since the mid-1970s, which epitomises a trend—Japanese studios approaching novels for children from the whole world, to turn them into long-running anime for television—started at least a decade before. The analysis of the historical context, as well as of the ties between the anime industry and the publishing system, allows to identify WMT as the televisive heir of zenshū (“collected works”) of foreign children’s books published in the country since the prewar period. Both zenshū and WMT series associate western literature with serialisation, have an educational function, and are marked with the cultural reputation of “classics” accessible to all thanks to popular medias. The adaptations of "Anne of Green Gables" and "A Little Princess"—as, respectively, "Akage no An" (1979) and "Shōkōjo Sēra" (1985)—have been given detailed consideration. Results of the examination are useful to pinpoint some patterns of the WMT as a genre, but also the role of the staff working on the series, and the increasingly importance of girls’ culture in Japanese animation.
MARTELLA, Vincenzo. « Dialectics of Cultural Criticism. Adorno’s Confrontation with Rudolf Borchardt and Ludwig Klages in the Odyssey chapter of Dialektik der Aufklärung ». Doctoral thesis, Università degli studi di Bergamo, 2012. http://hdl.handle.net/10446/26688.
Texte intégralCaterina, Diotto. « Mythos, o del rapporto tra romanzo e verità. Per una teoria del romanzo tra Bachtin, Benjamin e Lukács ». Doctoral thesis, 2021. http://hdl.handle.net/11562/1052197.
Texte intégralBOGNOLO, Anna. « I cronotopi della corte e dell’avventura nei libros de caballerías : «Amadís de Gaula» e «Palmerín de Olivia» ». Doctoral thesis, 1991. http://hdl.handle.net/11562/435419.
Texte intégralStudy of the fundamental chivalresque romances of Spanish literature, Amadis of Gaul and Palmerin de Olivia, in relation with arthurian tradition
Livres sur le sujet "Teoria del romanzo"
Teoria del romanzo. Bologna : Il mulino, 2011.
Trouver le texte intégralLukács, György. Teoria del romanzo. Milano : SE, 2004.
Trouver le texte intégralUniversità di Udine. Centro interdipartimentale di ricerca sulla morfologia "Francesco Moiso", dir. Teoria del romanzo. Milano : Mimesis, 2009.
Trouver le texte intégralBertini, Mariolina Bongiovanni. Proust e la teoria del romanzo. Torino : Bollati Boringhieri, 1996.
Trouver le texte intégralAngelis, Valentina De. La forma dell'improbabile : Teoria del romanzo saggio. Roma : Bulzoni, 1990.
Trouver le texte intégralBenassi, Stefano. Teoria del romanzo : Tra letteratura e filosofia. Bologna : Nuova Alfa, 1989.
Trouver le texte intégralBavaj, Ursula. Mythoscopia romantica : Teoria del romanzo in Germania. Roma : Castelvecchi, 1996.
Trouver le texte intégralZangrando, Stefano. Aspetti della teoria del romanzo : Ortega y Gasset, Lukács, Bachtin. Trento : Dipartimento di studi letterari, linguistici e filologici, 2006.
Trouver le texte intégralMacciantelli, Marco. Letteratura e pensiero : Estetica del genio e teoria del romanzo nella tradizione romantica. Firenze : Alinea, 1994.
Trouver le texte intégralFauci, Nunzio La. Per una teoria grammaticale del mutamento morfosintattico : Dal latino verso il romanzo. Pisa : ETS, 1997.
Trouver le texte intégralChapitres de livres sur le sujet "Teoria del romanzo"
Baratta, Aldo. « La mappa come teoria : sguardo, volo e narrazione in Daniele Del Giudice ». Dans Studi e ricerche del Dipartimento di Lettere e Filosofia, 223–44. Firenze : Società Editrice Fiorentina, 2023. http://dx.doi.org/10.35948/dilef/978-88-6032-688-1.13.
Texte intégralDi Salvo, Margherita. « La Campania dialettale : teorie dei parlanti sulla propria lingua ». Dans XXVe CILPR Congrès International de Linguistique et de Philologie Romanes, sous la direction de Maria Iliescu, Heidi Siller-Runggaldier et Paul Danler, 4–109. Berlin, New York : De Gruyter, 2010. http://dx.doi.org/10.1515/9783110231922.4-109.
Texte intégralNikitin, Sergey. « Teoria del segno toponomastico orale attraverso materiali raccolti sulla comunicazione quotidiana della città di Monza ». Dans XXVe CILPR Congrès International de Linguistique et de Philologie Romanes, sous la direction de Maria Iliescu, Heidi Siller-Runggaldier et Paul Danler, 3–337. Berlin, New York : De Gruyter, 2010. http://dx.doi.org/10.1515/9783110231922.3-337.
Texte intégralAtayan, Vahram, et Mónika Kusztor. « Come esplicitare l’esplicitazione ? Qualche considerazione sull’ipotesi dell’esplicitazione nella teoria della traduzione ». Dans XXVe CILPR Congrès International de Linguistique et de Philologie Romanes, sous la direction de Maria Iliescu, Heidi Siller-Runggaldier et Paul Danler, 1–519. Berlin, New York : De Gruyter, 2010. http://dx.doi.org/10.1515/9783110231922.1-519.
Texte intégralTorrent-Lenzen, Aina. « Hacia una teoría de la traducción de fraseologismos (tomando como ejemplo el par de lenguas español-alemán) ». Dans XXVe CILPR Congrès International de Linguistique et de Philologie Romanes, sous la direction de Maria Iliescu, Heidi Siller-Runggaldier et Paul Danler, 1–673. Berlin, New York : De Gruyter, 2010. http://dx.doi.org/10.1515/9783110231922.1-673.
Texte intégral« La teoria del romanzo nel Romanticismo tedesco ». Dans Attraverso la storia dell’estetica Vol. I : dal Settecento al Romanticismo, 327–46. Quodlibet, 2019. http://dx.doi.org/10.2307/j.ctvdf0kc7.16.
Texte intégral« La biblioteca romantica come teoria del romanzo ». Dans Prosaici e moderni, 170–80. Quodlibet, 2022. http://dx.doi.org/10.2307/j.ctv2gvdn5q.16.
Texte intégral« Pagine antologiche da Guido Mazzoni, Teoria del romanzo, il Mulino, Bologna 2011, pp. 302-307 ». Dans La realtà rappresentata, 232–38. Quodlibet, 2019. http://dx.doi.org/10.2307/j.ctvdtpj79.27.
Texte intégralGallerani, Guido Mattia. « Relativismo teorico e storia del romanzo : ». Dans La realtà rappresentata, 253–59. Quodlibet, 2019. http://dx.doi.org/10.2307/j.ctvdtpj79.30.
Texte intégralSerés, Guillermo. « Lope y Cervantes ante la teoría y tradición del romanzo ». Dans Pictavia Aurea, 79–109. Presses universitaires du Midi, 2013. http://dx.doi.org/10.4000/books.pumi.2544.
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