Bibliographies thématiques / Talysh imprints

Littérature scientifique sur le sujet « Talysh imprints »

Auteur : Grafiati
Publié le 26 juillet 2024

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Consultez les listes thématiques d’articles de revues, de livres, de thèses, de rapports de conférences et d’autres sources académiques sur le sujet « Talysh imprints ».

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Livres sur le sujet "Talysh imprints"

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Asoshiētsu, Nichigai. Minwa, mukashibanashi zenjōhō : 2008-2015. Tōkyō : Nichigai Asoshiētsu, 2016.

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Kelly, Éamon. English that for me ; and, Your humble servant : Two nights of storytelling. Dublin : The Mercier Press, 1990.

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Biblioteca comunale dell'Archiginnasio (Bologna, Italy). Opere della bibliografia bolognese edite del 1889 al 1992 che si conservano nella Biblioteca dell'Archiginnasio di Bologna. Bologna : Pàtron, 1998.

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4

Hawthorne, Nathaniel. The golden touch. New York : St Martin's Press, 1987.

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Hawthorne, Nathaniel. Theg olden touch. New York : St Martin's Press, 1987.

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6

Jaffery, Sheldon. The Arkham House companion : Fifty years of Arkham House : a bibliographical history and collector's price guide to Arkham House and Mycroft & Moran including the revised and expanded horrors and unpleasantries. Mercer Island, WA : Starmont House, 1989.

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Robinson, Duncan. William Morris, Edward Burne-Jones, and the Kelmscott Chaucer. New York : Moyer Bell, 1986.

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Haefele, John. The Arkham House supplement : Bibliographical additions, comments, marginalia, and a revised, expanded collectors' price guide comparison to Arkham House/Mycroft & Moran. [United States] : J. Haefele, 1997.

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Nielsen, Leon. Arkham House books : A collector's guide. Jefferson, N.C : McFarland & Co., 2004.

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Minwa, mukashibanashi zenjoho : 92/99. Hatsubaimoto Kinokuniya Shoten, 2000.

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Chapitres de livres sur le sujet "Talysh imprints"

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Baugher, Sherene, et Richard F. Veit. « John Zuricher, Stone Cutter, and His Imprint on the Religious Landscape of Colonial New York ». Dans Tales of Gotham, Historical Archaeology, Ethnohistory and Microhistory of New York City, 225–47. New York, NY : Springer New York, 2012. http://dx.doi.org/10.1007/978-1-4614-5272-0_14.

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Mayhew, David R. « Introduction ». Dans The Imprint of Congress. Yale University Press, 2017. http://dx.doi.org/10.12987/yale/9780300215700.003.0001.

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This introductory chapter talks about Congress's imprint on American society and life as driven by the aches, anxieties and headlines of the day. But instead of dwelling on aspirations, processes, and optics, it looks at the effects or results of congressional activities. Going as far back as 1789, the chapter examines Congress's distinctive imprint on American society from those of the presidency, cradling the analysis in the experience of peer countries. These congressionl imprints include the launching of the country in the 1790s, the coming of the regulatory state, the rise of the United States to world power, the onsetof economic neoliberalism, and the management of federal debt and deficits.
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Sharpe, Will. « Page ». Dans Shakespeare & ; Collaborative Writing, 135–59. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198819639.003.0007.

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Abstract This chapter explores the early print history of collaborative plays and how collaboration, and particular collaborators, come in and out of focus as selling points during the period of the early theatres and beyond. The discussion will cover both cheap imprints (quartos) and prestige Folio imprints and the stationers responsible for them, considering the paradox that the expensive volumes falsify authorial title-page statements around collaboration more than their lower-end counterparts. The coverage of the discussion ranges beyond Shakespeare, while a section talks exclusively about the 1634 imprint of The Two Noble Kinsmen as the only early text accurately to advertise Shakespearean co-authorship. The final section looks at modern editions of Shakespeare, and considers the ways in which collaboration has—or frequently hasn’t—featured in their marketing strategies.
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Fleming, William D. « Plotting War during the Great Peace ». Dans Cultural Imprints, 114–33. Cornell University Press, 2022. http://dx.doi.org/10.7591/cornell/9781501761621.003.0005.

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This chapter studies the specter of war and its trauma underlying kidan (“tales of the strange”), a genre of fiction dating from the late eighteenth and early nineteenth centuries. It highlights the portrayal of warriors and warfare in this genre centered on the eerie, and argues that while late-Tokugawa-period historical fiction possesses a complicated, multivalent relationship with the past, its authors were closely attuned to contemporary political concerns. For the purposes of the chapter, kidan is used in the narrower sense to refer to the mid- to late-eighteenth-century collections of Teishō and his successors. These texts delineate a relatively coherent genre of fiction. The chapter also examines how the introduction of warfare serves to impart new meanings. It ultimately demonstrates how the uncanny in kidan provided a vehicle for exploring the uncertainties of the present, while highlighting the current era of peace in which the strange was made reassuringly distant.
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Fleming, William D. « Chapter 4 Plotting War during the Great Peace The Uses of Warfare in Late Edo Tales of the Strange ». Dans Cultural Imprints, 114–33. Cornell University Press, 2022. http://dx.doi.org/10.1515/9781501761645-006.

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Fargnoli, Nicholas, et Michael Patrick Gillespie. « T ». Dans James Joyce A To Z, 213–20. Oxford University PressNew York, NY, 1996. http://dx.doi.org/10.1093/oso/9780195110296.003.0020.

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Abstract Tales Told of Shem and Shaun An amalgamation of three distinct episodes from Finnegans Wake that Harry and Caresse Crosby persuaded Joyce to let them publish together in book form in August of 1929 under the imprint of their Black Sun Press in Paris. A fragment of these epsiodes was published a year later in a London Imagist Anthology, under the title “From ‘Tales Told of Shem and Shaun’; Three Fragments from Work in Progress.” The collection consists of early versions of The MOOKSE AND THE GRIPES (FW 152.15-159.18), the middle portion of the LESSONS CHAPTER (FW 282.7-304.4) and The ONDT AND THE GRACEHOPER (FW 414.16-419.10). Foradditional information see Letters III.189 and 193.
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Acuto, Michele. « Speaking of Global Cities ». Dans How to Build a Global City, 5–15. Cornell University Press, 2022. http://dx.doi.org/10.7591/cornell/9781501759703.003.0002.

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This chapter describes the imprint of global urbanism that has a distinct infrastructural presence across continents and a sizable reality in global markets. It investigates the political economy of global city-speaking, particularly the money, bricks, and aspirations embedded in the politics of global urbanism. It also considers a monolithic concept of a global city and a stand in for a body of meaning of global urban thinking and research. The chapter talks about the field of urban imagination that gazes globally from a specific place. Urban imagination holds a powerful status in urban practice and offers a unique gateway into the powers that are shaping the so-called “urban age.”
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Rapoport-Albert, Ada, et Marcin Wodziński. « Introduction ». Dans Polin : Studies in Polish Jewry Volume 33, 3–16. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781906764753.003.0001.

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This chapter describes Hasidism’s former reputation as a singular exception to the scarcity of scholarship on the religious dimension of Jewish life in eastern Europe. It cites the nineteenth-century liberal critique of the movement, which contributed to the disproportionate prominence of Hasidism in the scholarly literature about the religious life of east European Jews. It also explains liberal critique that originated in the militantly anti-Hasidic posture adopted by the early nineteenth-century maskilim, which left a deep imprint on the modern school of Jewish historiography. The chapter talks about the Jewish communities of eastern Europe that were divided into the opposing camps: Hasidic and anti-Hasidic. It analyzes the dichotomy that placed the movement at the very heart of an embattled arena and had the subsequent effect of harnessing Hasidism to a wide range of ideologically driven historiographical constructs.
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Keeley, Theresa. « Déjà Vu ». Dans Reagan's Gun-Toting Nuns, 211–39. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501750755.003.0009.

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This chapter analyses intra-Catholic debates that no longer held the same political significance for U.S.–Central America relations despite the constant comparisons between the murders of the churchwomen in 1980 and the Jesuits in 1989. It illustrates the conservative Catholics' imprint on U.S.–Central America policy that reached its height with Ronald Reagan but began to disintegrate with the Iran-Contra revelations. It also talks about the minority of conservative Catholics that suggested the murdered Jesuits were Marxist collaborators, which was unlike the attacks on the churchwomen's victimhood. The chapter emphasizes how the conservative Catholics' concerns about liberation theology, the church's direction, and Maryknoll were muted. It cites that the George H. W. Bush administration did not reflect conservative Catholic views or seek to insert itself into intra-Catholic debates over U.S.–Central America relations.
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Abulafia, David. « The Triumph of the Tyrrhenians, 800 BC–400 BC ». Dans The Great Sea. Oxford University Press, 2011. http://dx.doi.org/10.1093/oso/9780195323344.003.0015.

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The importance of the Etruscans does not simply lie in the painted tombs whose lively designs captivated D. H. Lawrence, nor in the puzzle of where their distinctive language originated, nor in the heavy imprint they left on early Rome. Theirs was the first civilization to emerge in the western Mediterranean under the impetus of the cultures of the eastern Mediterranean. Etruscan culture is sometimes derided as derivative, and the Etruscans have been labelled ‘artless barbarians’ by one of the most distinguished experts on Greek art; anything they produced that meets Greek standards is classified as the work of Greek artists, and the rest is discarded as proof of their artistic incompetence. Most, though, would find common cause with Lawrence in praising the vitality and expressiveness of their art even when it breaks with classical notions of taste or perfection. But what matters here is precisely the depth of the Greek and oriental imprint on Etruria, the westward spread of a variety of east Mediterranean cultures, and the building of close commercial ties between central Italy, rarely visited by the Mycenaeans, and both the Aegean and the Levant. This was part of a wider movement that also embraced, in different ways, Sardinia and Mediterranean Spain. With the rise of the Etruscans – the building of the first cities in Italy, apart from the very earliest Greek colonies, the creation of Etruscan sea power, the formation of trading links between central Italy and the Levant – the cultural geography of the Mediterranean underwent a lasting transformation. Highly complex urban societies developed along the shores of the western Mediterranean; there, the products of Phoenicia and the Aegean were in constant demand, and new artistic styles came into existence, marrying native traditions with those of the East. Along the new trade routes linking Etruria to the east came not just Greek and Phoenician merchants but the gods and goddesses of the Greeks and the Phoenicians, and it was the former (along with a full panoply of myths about Olympus, tales of Troy and legends of the heroes) that decisively conquered the minds of the peoples of central Italy.
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