Thèses sur le sujet « Tables, 1906 »
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Thomas, Brandon Paul. « At my kitchen table ». College Park, Md. : University of Maryland, 2008. http://hdl.handle.net/1903/8998.
Texte intégralThesis research directed by: Dept. of English. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
Jabbari, E. « Thermodynamic calculations with TK!Solver ». Thesis, Virginia Polytechnic Institute and State University, 1986. http://hdl.handle.net/10919/90944.
Texte intégralM.S.
Butler, Marvin, Mike Kilby et Bob Rush. « Hydrogen Cyanamide Trial on Table Grapes, 1985/1986 ». College of Agriculture, University of Arizona (Tucson, AZ), 1990. http://hdl.handle.net/10150/215708.
Texte intégralPan, Xuemei. « Factors influencing the mixture index of model fit in contingency tables showing indenpendence ». College Park, Md. : University of Maryland, 2006. http://hdl.handle.net/1903/4101.
Texte intégralThesis research directed by: Measurement, Statistics and Evaluation. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
Wu, Chung-Yu. « Predicting water table fluctuations using artificial neural network ». College Park, Md. : University of Maryland, 2008. http://hdl.handle.net/1903/8826.
Texte intégralThesis research directed by: Fischell Dept. of Bioengineering . Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
Becker, Jane A. « Optimizing the touch tablet : the effects of lead-lag compensation and tablet size ». Thesis, Virginia Polytechnic Institute and State University, 1986. http://hdl.handle.net/10919/94450.
Texte intégralM.S.
Benge, G. Gregory. « A comparison of thermodynamic models for the prediction of phase behavior in aqueous-polymer two-phase systems ». Thesis, Virginia Polytechnic Institute and State University, 1986. http://hdl.handle.net/10919/90936.
Texte intégralM.S.
Gray, Marianne. « 'Man is a dining animal' : the archaelogy of the English table, c.1750-1900 ». Thesis, Liverpool Hope University, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.526940.
Texte intégralGray, Marianne. « 'Man is a dining animal' : the archaeology of the English at table, c.1750-1900 ». Thesis, University of Liverpool, 2009. http://livrepository.liverpool.ac.uk/1366/.
Texte intégralSubramanian, Ganeshkumar A. « Coating studies and video imaging of the flow patterns of tablets in a semi-circular fluidized bed ». Morgantown, W. Va. : [West Virginia University Libraries], 2001. http://etd.wvu.edu/templates/showETD.cfm?recnum=1901.
Texte intégralTitle from document title page. Document formatted into pages; contains xiv, 159 p. : ill. (some col.). Includes abstract. Includes bibliographical references (p. 118-122).
Di, Gregorio Dante Dominic. « Human capital, social capital, and executive compensation how does the slice of pie executives appropriate compare to what they bring to the table ? / ». College Park, Md. : University of Maryland, 2004. http://hdl.handle.net/1903/2060.
Texte intégralThesis research directed by: Business and Management. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
Malakhova, Olga. « Du tableau à l'installation : la construction du paysage en Tunisie, de l'époque coloniale à nos jours ». Paris 8, 2013. http://octaviana.fr/document/179727419#?c=0&m=0&s=0&cv=0.
Texte intégralThis thesis focuses on the study of a plastic vision of the Tunisian landscape space from the table to the installation. Covering the period from colonial times to the present day, it starts from the assumption that the landscape is built and is a mental vision. This work is located at the intersection of two fields of our research: the historic route and the analytical path. For searching, the historic route was chosen because the development of landscape and its apprehension depend on both of human steps, such as the coming of Paul Klee search light, but also of events, like the birth of the school of Tunis, independence, national claims, the quest of self, of the Tunisian identity. But the thread of the story is not enough to base a problem. The thesis thus wanted to offer a State of the art, identifying what feeds and founded the Tunisian pictorial landscape theme. Is the concept of landscape in the history of Tunisian Art? On the basis of this problem thesis examines the fate of the landscape that is passed a simple window framing reality to the omnipaysage. This total appropriation of the real as the powered local to global crossing by the works themselves and illustrations, are the relevance of a new discourse on the landscape. The landscape is not only a characteristic fact of Tunisian painting but an art having acquired its uniqueness or even its specificity. The Tunisianite is only a Word to reflect this reality determining the Tunisian originality. It is through the existence of the landscape that characterized a real challenge to the Tunisian landscape. This research allows to highlight the birth and development of landscape construction from Exchange between two cultures: the East and the West. This exchange allowed, among other things, the assertion of identity and originality exceeding local and tending towards the universal
Torres, Mariuxi Lorena Gómez. « Estudos bioecológicos de Tamarixia radiata (Waterston, 1922) (Hymenoptera : Eulophidae) para o controle de Diaphorina citri Kuwayama, 1907 (Hemiptera : Psyllidae) ». Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/11/11146/tde-15042009-073937/.
Texte intégralSince 2004, have been detected in citrus-growing areas of São Paulo, the bacterias that are responsible for the main disease of citrus worldwide, known as greening or huanglongbing. The widespread distribution in Brazil of the vector psyllid, Diaphorina citri and the presence of the pathogen in citrus-growing areas is a limiting factor for production. Tamarixia radiata is the most important biological control agent against D. citri. Therefore, the objectives of this study were to: a) conduct a population survey of T. radiata in the citrus-growing regions of the State of São Paulo; b) characterize polychromism in populations of the parasitoid from the main growing regions in the State of São Paulo; c) study the biology of T. radiata under laboratory conditions; d) evaluate the parasitism capacity at different temperatures; e) determine, by means of releases in commercial citrus orchards, the effectiveness of T. radiata for the control of D. citri; f) determine the occurrence and effects on parasitism of the T. radiata - Wolbachia association; g) prepare an agroecological zoning of D. citri and T. radiata for the State of São Paulo based on their temperature and humidity requirements. T. radiata populations collected in Itirapina, Pederneiras, Piracicaba, and São Carlos showed chromatic variations in relation to the typical species; the ITS1 and ITS2 rDNA regions of the populations analyzed had between 98 and 99% identity. Consequently, these chromatic variations are related to the intraspecific phenotypic plasticity characteristic of populations that are undergoing a process of ecological adaptation. In a 24-hour period, the highest parasitism of T. radiata was obtained at 25 and 30°C. This parasitoid developed in the temperature range from 15 to 35°C; the most suitable temperature was 25°C, since it gave the highest viability for the egg-adult period, and the highest net reproductive rate (Ro) and finite rate of increase values (). In the municipality of Araras, T. radiata parasitism percentage values eight days after release remained between 51.57 and 72.75%. In the areas selected in the municipalities of Cordeirópolis and Limeira, the parasitism percentage of T. radiata after three releases ranged between 30 and 60%. The populations collected in Cafelândia, Ribeirão Bonito, and Piracicaba showed multiple infections by Wolbachia. The parasitoids lower temperature development threshold (Tb) was 7.13°C, with a thermal constant of 188.7 GDD. Distribution maps for T. radiata and D. citri development in the State of São Paulo were obtained by means of a Geographic Information System (GIS). According to those, from 10 to 13 D. citri cycles and from 31 to 35 T. radiata cycles may occur in the northern region over the course of one year; in the northeastern region, the numbers of cycles may vary from 6 to 10 and from 24 to 31 for the pest and the parasitoid, respectively; in the southwest and southeast regions the numbers of generations may vary from 3 to 10 and from 19 to 31 for D. citri and T. radiata. Based on these aspects of the T. radiata × D. citri interaction, the data obtained in this work can be useful for the implement a biological control program as part of D. citri management in ecologically distinct regions of the State of São Paulo.
Leroy-Paris, Anne-Marie. « Le tableau et son spectateur ». Paris 8, 1993. http://www.theses.fr/1993PA080741.
Texte intégralThe painting and the admirer : duo or duel? is it the eye or the painting that becomes the "motor of vision"?. . . A first authentic contact (vision, perception, reception) between the pictoral a-topical masterpiece (nonetheless displayed) and the admirer submitted to multiple self conditionings or exterior influences inherent to his person, is this not already utopic? where in fact is the liberty of the person who is contemplating, if the painting controls the admirer's attention, imposes visual circuits, attracts, seduces, fascinates, and dupes, being essentially illusionist or an eye-teaser? the intentions of the on-looker are being put into question, in as much as the position or the role of the spectator (painter or simoly meditator) if he is held at a distance and experiences a "nakedness" which brushes "past death"? is he spectre or actor?. . . From the canvased space to the computer screen, the masterpiece considered "open" will it allow him, the admirer, to slip through the interior windows of the visible in order to journey into the thickness of things?
Mousset, Kilian. « La mode du ping-pong de 1901 à 1939 : d’un jeu de salon mondain à un sport moderne ». Thesis, Rennes 2, 2017. http://www.theses.fr/2017REN20046/document.
Texte intégralFrom the board game in the worldly salons in the beginning of the 20th century to the sought-after sport in 1932 and 1933, this ball game breaks a reductive representation of fashion, mostly about clothing. Ping-pong, which is originally a simple game box, knows two major popular movements during the first half of the 20th century. In 1902, the trend is about salon entertainment, a pretext for social distinction. Taking place after diners in the wealthy bourgeoisie, straightness of the body is required. This game respects the gallantry code, which makes is a slow game. Its popularity is the upper class fades from 1903 when the game knows a democratisation in the petty bourgeoisie and the middle class. Eking out as a trivialsalon game, ping-pong reappears as a novelty in 1932 and 1933. It is described as a sporting show magnified by its champions, their technical feats and physical efforts. It also gains in popularity as it enters the habits of the working class. This sporty recognition in social representations is effective a few years after its institutionalisation. Monolithic vision, fashionalso hides and revives other tendencies. A bourgeois reminiscence makes it a popular game in the holiday destinations. It also expands in the coffee shops. Once passed its height, pingpong as a « sport » loses members in the federations in the middle of the 1930s. Its sporty image falters. This phenomenom explains itself by the hardly mesurable place of the informalgame, which satisfies the players. This entertainment is perceived as a relaxing game, as an informal way to practice sport out of the institutions
Cho, Sung Moon. « La céramique et la verrerie de table en France à l’époque de Jean Luce, 1910-1960 : de la conception à la réception des œuvres ». Thesis, Sorbonne université, 2020. http://www.theses.fr/2020SORUL101.
Texte intégralThis thesis sheds light on the history of the French tableware between 1910 and 1960 by examining the unexplored collection devoted to Jean Luce (1895-1964) at the Musée des Arts Décoratifs of Paris. These everyday objects are rarely studied by art historians, even though they remarkably capture the evolution of visual arts over that half-century. Luce’s creations exemplify the diversity of the Art Deco style in the inter-war period and the advent of design in the immediate post-war period. Furthermore, Luce reinvented the figure of the creator-editor specialized in this field by designing forms and motifs for both crockery and glassware, having them produced by an industrial chain and distributing them personally in his Parisian store on rue La Boétie. His work is our starting point, but we are also interested in the work of industrial designers, manufacturers of porcelain, earthenware and glass as well as tableware retailers, all of whom, in a mass production context, influenced aesthetic choices. From this, we look at how a style develops and spreads as we study the stages of creation, production and distribution of the tableware. More broadly, the evolution of these consumer goods was shaped by new manners of socializing and other changes in daily life. Consequently, our survey uses, in addition to the tools of art history, those of socio-cultural history
Escalante, Simone Bordallo de Oliveira. « O uso do tablet como recurso de apoio ao processo de ensino e aprendizagem : a percep????o de jovens e professores do ensino m??dio ». Universidade Cat??lica de Bras??lia, 2013. https://bdtd.ucb.br:8443/jspui/handle/tede/1986.
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The present study aimed at investigating the perception of first grade students in a private school in Brasilia, Distrito Federal - DF, on the use of the tablet in the development of their studies. It intended to analyze, from the point of view of young students, the challenges, the difficulties, and the conveniences of using the tablet in carrying out their activities in the classroom. This evaluation was conducted with 186 (one hundred eighty-six) young people aged between 14 and 17 years. Also participating in the research were fifteen (15) teachers, the Pedagogical Director of the school, and the teacher responsible for the project which inserted the tablet in the classroom activities. A qualitative and quantitative research was chosen, using the following techniques to collect data: questionnaires, focus groups, and semi-structured interviews. Given the results expressed therein, it was found that the tablet, from the perspective of students, was basically used as a digital book. The results showed that the use of the tablet may contribute to increased students??? performance, to the extent that the functions and available resources are exploited and used in the classroom, in order to set up a pedagogical resource in the teaching and learning process of young students along their school years.
O presente trabalho investigou a percep????o dos alunos da 1?? s??rie do ensino m??dio em uma escola particular de Bras??lia, Distrito Federal ??? DF, sobre o uso do tablet no desenvolvimento de seus estudos. Intencionou-se analisar, do ponto de vista dos jovens estudantes, os desafios, as dificuldades e as facilidades na utiliza????o do tablet na realiza????o de suas atividades em sala de aula. O estudo foi realizado com 186 (cento e oitenta e seis) jovens da faixa et??ria entre 14 e 17 anos. Participaram, tamb??m, da pesquisa, 15 (quinze) professores, a Dire????o Pedag??gica da escola e o professor respons??vel pelo projeto de inser????o do tablet em sala de aula. Optou-se pela realiza????o de uma pesquisa quali-quantitativa, com a utiliza????o das seguintes t??cnicas de coleta de dados: question??rios, grupos focais e entrevistas semiestruturadas. Diante dos resultados expressos neste trabalho, verificou-se que o tablet, sob a ??tica dos alunos, foi usado, basicamente, como livro digital. Os resultados obtidos revelaram que o uso do tablet poder?? contribuir para um maior desempenho dos alunos, na medida em que as fun????es e recursos dispon??veis sejam explorados e utilizados, em sala de aula, de forma a configurar um recurso pedag??gico no processo de ensino e aprendizagem dos jovens estudantes durante a trajet??ria escolar.
Ferrato-Combe, Brigitte. « Écriture et peinture chez Claude Simon : fonction de la description de tableau dans le roman ». Paris 4, 1992. http://www.theses.fr/1992PA040133.
Texte intégralThe meditation upon art is essential to Claude Simon's poetics as a novelist, for whom painting is a mirror of writing some of his novels, founded on commentaries about painting intimely linked with fiction, are akin to the literary genre of essay. Describing pictures seems to be a dominant stylistic feature of such a dialogue between genres. Claude Simon's novels renew some pictural "topoi" – the painter as a character, his workshop, museums or galleries of portraits, from which surge an imaginary world. Beyond the subject of these novels, pictures - by Uccello, Poussin, David, as well as by Renoir, Bacon, Rauschenberg generate fiction through descriptions. Further more, Claude Simon composes his works as a painter, since he uses the technique of sticking or challenges the dynamic composition of baroque polyptics. Painting is not only a metaphor or a model of writing, but its principale
Gambarra, Wanessa Porto Tito. « Toxoptera citricidus (Kirkaldy,1907) (HEMIPTERA : APHIDIDAE) : aspectos biológicos e respostas às ações de bioinseticidas ». Universidade Federal de São Carlos, 2015. https://repositorio.ufscar.br/handle/ufscar/7654.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Aphids are important pests in agriculture, mainly because they are vectors of phyto-pathogenic virus. One of the ways to control these insects, is the use of botanical insecticides. However in order to the control to be effective it is also necessary to know their biological characteristics. In this context, the aim of the present study was to evaluate the bioactivity of several plant extracts upon Toxoptera citricidus, presently considered one of the most important pests of citric plantations. For this purpose its life cycle has been studies and important metabolic processes as: consumption, production, respiration and excretion were quantified. Based on these data the species life table and energy budget were constructed. The bioactivity of 11 species of plants including a nanoformulation of the neen, Azadirachta indica, was evaluated through acute toxicity tests. T. citricidus was maintained on Citrus limonia under controlled constant conditions in the laboratory. Among these 5 had insecticide activity upon T. citricidus causing mortality to 80 % of the individuals tested or more. The lethal median concentration (CL50 48h) varied from 0.17 to 4.10 mg/mL for the nynphal phases and from 0.30 to 5.01 mg/mL to adults thus evidencing insecticide properties and presenting high to be used in the management of this pest. A magnetic nuclear ressonance of honeydew, the excretion product of this aphid, evidenced the presence of important aminoacids besides carbohydrates allowing an advance in the knowledge on aphid-ants and aphid- host plant. The total energy budget of of T. citricidus varied According to the aphid age. Mean daily energy consumption were 0.3717 cal for nymphs and 0.4761cal for adults. The energy fraction invested in production by T. citricidus was high, with a mean value around 60%, evidencing high efficiency of energy retention. It was concluded that considering its biological characteristics T. citricidus has a relevant role in the energy transference across the ecosystem.
Os afídeos são importantes pragas na agricultura, principalmente por serem vetores de vírus fitopatogênicos. Entre as formas de controle desses insetos, estão incluídos os inseticidas botânicos, no entanto, para que o seu controle seja eficiente é necessário também que se conheçam as suas características biológicas. Nesse contexto, esse trabalho teve como objetivo avaliar a bioatividade de diversos extratos vegetais sobre Toxoptera citricidus, considerado uma das mais importantes pragas das plantações cítricas. Para isso foi estudado o ciclo de vida e quantificados importantes processos metabólicos, como: consumo, produção, respiração e excreção, e com base nestes, determinado o balanço energético e construída a tabela de vida da espécie. A bioatividade de 11 espécies de plantas incluindo uma nanoformulação do nim, Azadirachta indica, foi avaliada por meio de toxicidade aguda. Para isso T. citricidus foi mantida sobre Citrus limonia em condições controladas e contantes de laboratório. Destas, 5 espécies tiveram ação inseticida sobre T. citricidus, causando mortalidade igual ou superior a 80%. A concentração letal mediana (CL50) variou de 0,17 a 4,10 mg/mL para ninfas e de 0,30 a 5,01 mg/mL para adultos, assim evidenciando propriedades inseticidas e apresentando elevado potencial para serem utilizados no manejo dessa praga. Uma análise por ressonância magnética nuclear do honeydew permitiu evidenciar a presença de importantes aminoácidos além de carboidratos permitindo aprofundar o conhecimento sobre as interações afídeo-formiga e afídeoplanta hospedeira. O balanço energético total do T. citricidus variou dependendo da idade do afídeo. O consumo energético diário foi em média 0,3717 cal para as ninfas e de 0,4761 cal para os adultos. A fração energética à produção foi bastante elevada, em média 60%, evidenciando alta eficiência na retenção de energia. Conclui-se que T. citricidus tem importante papel na transferência de energia através dos ecossistemas.
Laktim, Mariana Costa. « Cama, mesa e banho : desenvolvimento de materiais e processos têxteis, design e moda no Brasil (1976 - 2017) ». Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/100/100133/tde-31102018-172203/.
Texte intégralThe trousseau has been known since antiquity and has undergone a series of modifications, reflected in the type of fabric, confection, design, fashion and market share. These changes were also influenced by the changing position of women in society. The present study aimed to study the development of the bed, table and bathroom sector in Brazil, from 1976 to 2017, in terms of market, materials and textile processes, design and fashion. The methodology consisted of a survey of Casa Vogue Brasil and Casa Claudia magazines from 1977 to 2017 for the study and analysis of textile materials, designs and brands in the bed, table and bathroom sector based on images and texts. In addition, on the basis of the main reports related to the textile and clothing industry and other literature, research was carried out on the processes and machinery for the production of bed, table and bath and market aspects of this sector. Finally, interviews were conducted with companies in the bed, table and bathroom sector. The classic textile materials and designs are crisp in style presentation preference. In terms of trade, there were major changes in the Brazilian market from 1976 to 2017. At the beginning of this period the highlights were department stores and, over the years, companies were creating their space with highlights in the brands. The most prominent brands in the last two decades (2000 and 2010) of Casa Vogue Brasil magazine were Trousseau, Trussardi and the multi-brand department store Mundo do Enxoval (these brands have the highlight for the most affluent public in Brazil). In the magazine House Claudia, were Buddemeyer, Trousseau and MMartan. With the technological advance, it became more accessible the purchase of products of bed, table and bath industrialized and thus increased the Brazilian export. The evolutions of the machinery and the whole process involved, helped to obtain products with more accessible values, better quality and standardization of the finished products. It is observed that, the sector advances and develops playing an important role in the textile production. However, classic patterns predominate with white and cotton in bed, table and bath products, with embroidery being the most outstanding ornament of the style of these products. The maintenance of these standards by the Brazilian manufacturers is interesting to maintain sales in the domestic market, but a limitation for export products destined to audiences with different values and aesthetic tastes and with a greater supply of items with a variety of surface designs
Teo, Nikki Jern-Li. « Developing Countries at the Double Taxation Negotiating Table and the United Nations’ False Start at Global Tax Coordination : The Fiscal Commission Years (1946–1954) ». Thesis, The University of Sydney, 2021. https://hdl.handle.net/2123/25867.
Texte intégralMehlecke, Clarissa de Mattos. « Um estudo do contexto histórico das contribuições de Mendeleev para construção da tabela periódica em livros didáticos de química para o ensino médio e inserção deste contexto em sala de aula ». reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2010. http://hdl.handle.net/10183/27042.
Texte intégralThe aim of this work is to analyze Brazilian didactic books for intermediate education concerning the subject of History and Philosophy of Science (HPC) and the insertion of History of Science in the classroom within the periodic table topic. The first part of this research was the selection of chemistry books from the “Programa Nacional do Livro Didático de Ensino Médio” (PNLEM) (National Didactic Book Program for High school) and as analysis criteria it was used Niaz’s from a research carried out in Venezuela on chemistry didactic books used in Higher Education. Subsequently, that stage, a research was conducted out in classroom to assess how students perceive History of Science when it was used as a teaching strategy to improve understanding of the periodic table. From the analysis of the didactic books, it can be seen that they show information concerning history of science, however it is presented in a way that is detached from the specific content, all pieces of information found in the books are merely for illustrative purposes and are not used as a didactic resource. In the classroom it can be perceived that students show receptiveness in knowing the origin of the periodic table, but do not seem to believe that it interferes with their learning. However, it was found through questionnaires applied after the study in classroom, using the historic context of the construction of the periodic table, that students showed (more) gabbiness when studying the structure of the periodic table.
Cendoya, Jessica. « Le Guernica : un tableau-monument en expositions. Support de réactivation et d’actualisation des mémoires de la Guerre Civile espagnole (1936-1939) ». Thesis, Avignon, 2018. http://www.theses.fr/2018AVIG1192.
Texte intégralThe research aims to define how the construction of regimes of artistic, memorial and historical values of Guernica - a work of art made by Pablo Picasso in 1937 - participates in the patrimonial writing of the painting-monument, on the one hand, and becomes operative in the reactivation or updating of the memory of the events to which it refers, as part of the museum visit, on the other hand. Three levels of research have been thought out. The first was to circumscribe the Guernica object as an art object by placing a base of analysis of the object detached from any context, and this, in order to better understand those by which it exists as a cultural object signified in temporal and geographical contexts. In a second step, the analysis of the different exposures of Guernica made it possible to grasp the different values of use which were attributed to him and this to understand how it was constructed as a patrimonial object. Finally, in a third step, in the light of a detailed analysis of the exhibition of Guernica at MNCARS in 2009 and 2013, 60 interviews conducted according to a qualitative methodology after the visit were analyzed in order to understand the use values that mobilize the spaniards at the reception and for what reasons. The interest of the investigation is to have revealed that there was a range of memories and apprehensions related to the Guernica object. The surveys were analyzed under the prism of political sensitivity (Republicans and Nationalists), but especially under that of the generational prism, and for which four generations are identified. The results of analysis by generations, allow to distinguish two types of report to Guernica: reactivation and actualization. The notions of reactivation and actualization (Georgescu-Paquin, 2013) are part of a logic of rupture-continuity, which is necessary for any heritage-making process (Davallon, 2006). In this case of study, the MNCARS proposes a framework on a side of the history which, if not soothing the tensions, revives them for some (Nationalists); while others, find themselves in a process started recently (Republicans), following the so-called law of "historical memory" (2007). On the other hand, the new generations present a calm and distanced glance which allows them to make operative the patrimonial writing of Guernica
Noejovich, Chernoff Héctor Omar. « Jorge, ROJAS ; Las Políticas Comerciales y Cambiarias en el Perú : 1960- 199.5. Lima, Pontificia Universidad Católica del Perú, Fondo Editorial, 290 páginas ; contiene gráficos y tablas ». Economía, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/118059.
Texte intégralMegne, M'Ella Oscar. « Esthétique et Théorie de l'Obscène dans la modernité littéraire négro-africaine : les cas de Places des fêtes et de Hermina de Sami Tchak ». Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030178/document.
Texte intégralIf we accept the idea that unlike modern novel, contemporary novel does not absolutely seek to recreate the human figure, but rather thinks of it as a « trans-individual » image of the human being, then the taking into account of the Obscene in the « Negro-African » literature's context of these last 30 years makes sense. The ludicrous break with the linearity and the use of language as cathartic effect enable to express differently a future which is more and more beyond our control.We are trying to understand the upsurge of the Obscene in the new african fiction writings as a contemporary symptom and a new approach on the part of tthe authors of the fourth generation, to truly comandeer the sense of the word « individual » in the « Negro-African » context.If, according to the Petit Larousse dictionary, the Obscene is « what offends openly the modesty through sexual representations », it has deep ethical consequences in a « Negro-African » context where strong cultural taboos on sexual initmacy productions exist. We will try to explain at what cost the Obscene can set itself up as an element of literarity or as a theory able to sustain the subject practising it. However, is a community still possible beyond the disruption of the ethical values caused by a possible aesthetic of the Obscene ?
Milani, Paulo Giacomo. « Um sistema de gerenciamento de software para o controle de órbita e atitude de satélites, baseado em tabelas de decisão, para um centro de controle multimissao ». Instituto Nacional de Pesquisas Espaciais (INPE), 1986. http://urlib.net/sid.inpe.br/iris@1905/2005/07.27.03.17.
Texte intégralA structure for the control of space missions is proposed utilizing a management concept based on Decision Table converted to its associated Decision Tree. A study is initially made on Decision Tables and its corresponding conversion to Decision Trees. The modules that compose the system are presented afterwards through a top-dowm decomposition, with every input and output made explicit at the last level of decomposition. Then the management structure (based on Decision Table) is presented down to the level of its component routines. The structure showed to be applicable to multimission control centers and presented good characterístics of adaptability to new missions.
Vasquez, Monica. « Le lieu de l’échange invisible entre le regard du spectateur et le tableau dans l’œuvre de Francis Bacon ». Paris 8, 2013. http://www.theses.fr/2013PA083904.
Texte intégralThe screaming open mouth represented in the work Study after Velasquez’s portrait of Pope Innocent X, 1953, is the pictorial element which aroused our interest in the work of the painter Francis Bacon. It is also the means by which we enter the fictitious space of the painting. It presents itself unexpectedly to the spectator’s eyes. It introduces a first enigma as, isolated by our look into the canvas, it neutralizes the other pictorial elements and relegates them to a position of secondary importance. It is an essential element as it summons and captures our look and anchors us to the canvas. This unusual experience of the look brings us to think of the existence of a precise point in the work, namely, a place of invisible exchange between the spectator’s look and the painting through which we enter the fictitious space of paintings. We have called this place “the point that hooks one to the work”. It was the pivot, the vital lead in this research. It has been articulated according to three axes which are equally fundamental: the study of what the work offers to the sight, the way we look at it as spectators and artists, and certain concepts of psychoanalysis. This articulation has allowed us to get rid of stereotypes long linked to the work, as the latter cannot just be explained through the feelings of fear and strangeness it arouses. This articulation has made it possible to deepen, bypass, configure, reorient, analyze and watch in a different way the artist’s paintings. To do so, we have advanced four hypotheses in order to be able to meet “the point that hooks one to the work” and thus understand how and why the spectator is affected by this work
Delbaere, Denis. « Table rase et paysage : projet d'urbanisme et contextualité spatiale dans le Plan Voisin de Le Corbusier (1925) et la cité Concorde de Le Maresquier (1954) ». Paris, EHESS, 2004. http://www.theses.fr/2004EHES0144.
Texte intégralIn this work, we are exploring what we call "the minimum de gree of contextuality in urbanism" with the study of two contrasted projects, both built on a "tabula rasa" : the Plan Voisin in Paris (Le Corbusier, 1925) and the Concorde housing district in Lille (Le Maresquier, 1954). The texts and the figures are studied first from the point of view of their history and then of their "stating scene". We show how the rules for a "treatise on urbanism" (Plan Voisin) or the rules for an "architectural contest's file" (Concorde) are stating both project's contextuality. Tools are set up for the analysis of figures, And, beyond differences, a comon contextuality appears which is anticipating the inadequation between the project and the place it's located on. This is achived by creating an "infralieu", meaning a virtual middle course issued by the figuration, after a discreet process of avoiding, transfering and reversing selected aspects of the place chosen for the project
Salvo, Rossi Andrea. « L’uso politico delle fonti : Tito Livio nei Discorsi di Niccolò Machiavelli ». Electronic Thesis or Diss., Paris 8, 2018. http://www.theses.fr/2018PA080143.
Texte intégralMy work focuses on the political uses of the sources of antiquity (notably the historiography of Titus Livy) in the Discorsi by Niccolò MachiavelliA preliminary part of this work was the attempt to understand what kind of cultural object the Ab urbe condita could concretely represent for a reader of the first half of the sixteenth century in Florence. This analysis constituted the first chapter of my work in which I took into consideration the main stages of the diffusion of the books of Livy during Humanism from the teaching of Francesco Petrarca who had, during the previous century, collected first, the surviving decades of Ab urbe condita.The second part of my work deals with Machiavel's operations on Livy's work. This section of my thesis consists of three chapters:1. Latin quotations in the Discorsi. This chapter attempts to construct a typology of citation in Machiavelli, highlighting the centrality of the syntactic tool of oratio recta in the Discorsi.2. Translations: this chapter is developed from a summary of the loci of Machiavelli as translator of Livio, in the attempt to demonstrate that the operations of Machiavelli aim to "politicize" Roman history, namely to make the episodes of ancient history useful for understanding the present and its transformation.3. Rewritings: this chapter deals with the chapters of Discorsi in which Machiavelli deliberately abandons the letter of the text of Ab urbe condita, in order to devote himself to a real rewrite of the work
Galliot, Anne. « Unification et différences : identités et identités sexuelles dans les romans arthuriens de Mary Stewart et Marion Bradley ». Paris 7, 2000. http://www.theses.fr/2000PA070101.
Texte intégralThis study is an exercise of feminist literary criticism applied to selected Arthurian novels written by two contemporary female writers, Mary Stewart and Marion Bradley. In including these writers in an evolving Arthurian tradition, we offer a definition of an Arthurian genre and we survey the narrative and structural constraints it requires. We outline the concepts of identity and that of sexual identity in an attempt to define the terms of our study. We conclude, in line with a feminist argument, that the construction of identity and sexual identity is based less on biological difference than on sociocultural conventions. We note that, in medieval and 19th-century Arthurian traditions, such sociocultural conventions are inscribed in the texts and restrict the definitions of identity and sexual identity to a system of binarisms. We suggest that, in their Arthurian novels, Mary Stewart and Marion Bradley attempt to define identities and sexual identities beyond the restrictions of binarisms by developing difference and differences. They attempt to include differences in the narrative structures of their novels as well as in the social structures they depict. However, we note that their reliance on the Arthurian tradition demands that both authors have to reproduce previous binarisms. We conclude that the narrative and structural constraints of the Arthurian tradition we define in our introduction are incompatible with the requirements of feminism today
Leppard, P. (Phillip I. ). « An analysis of population lifetime data of South Australia 1841-1996 ». 2002. http://web4.library.adelaide.edu.au/theses/09SM/09sml598.pdf.
Texte intégralIngram, Rebecca Elizabeth. « Spain on the Table : Cookbooks, Women, and Modernization, 1905-1933 ». Diss., 2009. http://hdl.handle.net/10161/1600.
Texte intégralWhat does it mean in Spain to talk about national cuisine? This dissertation examines how three of Spain's most prominent intellectuals of the early twentieth century—Emilia Pardo Bazán, Carmen de Burgos, and Gregorio Marañón—confronted that question in their writing in cookbooks at a pivotal moment in Spain's history. Pardo Bazán, a feminist writer and novelist, authored two cookbooks,
Their writing in cookbooks, I posit, offered Pardo Bazán, Burgos, and Marañón the opportunity to address directly the middle-class female readers who stood at the nexus of their anxieties regarding Spain's modernization. These anxieties were generated by shifting social structures as women gained access to education and to paid employment outside of the home, and as a newly mobilizing working class threatened the social order through political and labor organization, as well as with violence and unrest. By teasing out the contradictions in their cookbook prologues, I show how these intellectuals use Spanish cuisine to promote a vision of Spain's modernization that corrects for the instabilities generated by those same modernization processes.
In Chapter One, I demonstrate how Pardo Bazán uses Spain's
At a moment in which the international media identify in Spanish cuisine "the new source of Europe's most exciting wine and food" (Lubow 1), this project historicizes the notion of "Spanish cuisine" at the center of Spanish haute cuisine. It also represents a foundational study in food cultural studies in Spain, offering a critical examination of cookbooks as a genre and as crucial texts in the
Dissertation