Livres sur le sujet « Table scenes »

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1

Jooss, Kurt. The green table : A dance of death in eight scenes. New York : Routledge, 2003.

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2

Queen's, University (Kingston Ont ). Industrial Relations Centre. The Current industrial relations scene in Canada : Collective bargaining, reference tables. Kingston, Ont : Industrial Relations Centre, Queen's University, 1989.

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3

Queen's, University (Kingston Ont ). Industrial Relations Centre. The Current industrial relations scene in Canada : Wages, productivity and labour costs, reference tables. Kingston, Ont : Industrial Relations Centre, Queen's University, 1989.

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4

Queen's University (Kingston, Ont.). Industrial Relations Centre. The Current industrial relations scene in Canada : Labour legislation and public policy, reference tables. Kingston, Ont : Industrial Relations Centre, Queen's University, 1989.

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5

Landrey, David. Intermezzi to Divorce Poems and Dinner Table Scenes. Jensen/Daniels, 2002.

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6

1901-, Jooss Kurt, Cohen Frederic A. 1901-1967 et Markard Anna 1931-, dir. The green table : A dance of death in eight scenes. New York : Routledge, 2003.

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7

Ryan, Richard. Dramatic Table Talk : Or, Scenes, Situations, & Adventures, Serious & Comic, in Theatrical History & Biography. HardPress, 2020.

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8

Peterson, Molly (Molly M.) et Madison Deborah, dir. Growing tomorrow : A farm-to-table journey in photos and recipes : behind the scenes with 18 extraordinary sustainable farmers who are changing the way we eat. 2015.

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9

Allman, Jean. Between the Present and History. Sous la direction de John Parker et Richard Reid. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199572472.013.0012.

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It is now a half-century since most countries on the African continent saw the end of colonial rule. The first sustained scholarly attention to decolonization was authored largely by social scientists in the 1950s, who focused on ruling elites, party politics, constitutional development, and the transfer of power. Their successors, in the 1960s–1970s, brought new interpretive tools to the study of decolonization, including dependency theory, in order to make sense of the contemporary realities of political instability and economic underdevelopment. Since the 1980s, historians have brought the insights of women’s history, labour history, and social history to the table in order to demonstrate that nationalist scripts were often written ‘from below’. More recently, a focus on political imagination and political cultures, as well as the utilization of comparative and transnational approaches, has worked to free decolonization from its moorings as either the triumphal ‘end’ of colonial history or the opening scene in a postcolonial tale of ‘what went wrong’.
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Tanner, Andrew. Batch : Craft, Design and Product. Bloomsbury Publishing Plc, 2010. http://dx.doi.org/10.5040/9781789942675.

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This is a glamorous coffee table book covering the work of the international designer, maker and craftsperson. Batch showcases the cream of the contemporary craft world crossing different disciplines in design including; furniture, surface design and decoration, glass, ceramics, textiles, precious metals and multidiscipline design. Designers and craftspeople are pushing the boundaries and concept of craft, creating batches of work which emphasise the skill behind the object. These high-end craft objects are sold through design boutiques, galleries and department stores and they are produced by designers and makers successfully carving our lifestyle trends. In a retail environment where product design is becoming a cloned marketplace, Batch celebrates those products which have a story behind them and which have a high level of care and finish, which make them stand out in the crowd. The book presents the work through interviews with both national and international designers who explain the ideas and concepts behind their work, how they got started and how they have developed their businesses. The book also includes practical information in the 'Behind the Scenes' chapter on running a small business, liaising with manufacturers, dealing with press, setting up exhibitions, sourcing commissions and marketing. And when you are ready to start shopping, it also offers a shop guide compiled by the designers themselves. This book will not only appeal to makers for both visual interest and practical information but also to the buyers, collectors and admirers of contemporary craft and designers.
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O'Neill, Barbara. Setting the Scene : The Deceased and Regenerative Cult Within Offering Table Imagery of the Egyptian Old to Middle Kingdoms. Archaeopress, 2015.

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12

Smollett, Tobias. The Adventures of Roderick Random. Sous la direction de Paul-Gabriel Boucé. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199552344.001.0001.

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Roderick Random (1748), Smollett's first novel, is full of the dazzling vitality characteristics of all his work, as well as of his own life. Roderick is the boisterous and unprincipled hero who answers life's many misfortunes with a sledgehammer. Left penniless, he leaves his native Scotland for London and on the way meets Strap, and old schoolfellow. Together they undergo many adventures at the hands of scoundrels and rogues. Roderick qualifies as a surgeon's mate and is pressed as a common soldier on bord the man-of-war Thunder. In a tale of romance as well as adventure, Roderick also finds time to fall in love... Smollett drew on his own experiences as a surgeon's mate in the navy for the memorable scenes on board ship, and the novel combines documentary realism with great humour and panache.
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Gissing, George. The Nether World. Sous la direction de Stephen Gill. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199538287.001.0001.

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The Nether World (1889) is generally regarded as the finest of Gissing’s early novels. A fast moving story of highly dramatic, sometimes violent scenes, it depicts life amongst the artisans, factory-girls, and slum-dwellers of Clerkenwell in the 1870s. But this is not just a novel of documentary realism. It is one man’s mordant vision -shaped by bitter personal experience of poverty - of the quality of life endured by a variety of characters in the nether world. With Zolaesque intensity and relentlessness, Gissing lays bare the economic forces which determine the aspirations and expectations of those born to a life of labour. This is a tale of intrigue, as rapacious schemers try to wrest a fortune out of a mysterious old man who has returned to their midst, and of thwarted love. There is no sentimentality. This is a world in which the strong exercise power against their own kind, scheming and struggling for survival, a world from which, Gissing bleakly maintains, there can be no escape.
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14

Strouse, A. W. Form and Foreskin. Fordham University Press, 2021. http://dx.doi.org/10.5422/fordham/9780823294749.001.0001.

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Why did Saint Augustine ask God to “circumcise [his] lips”? Why does Sir Gawain cut off the Green Knight’s head on the Feast of the Circumcision? Is Chaucer’s Wife of Bath actually—as an early glossator figures her—a foreskin? And why did Ezra Pound claim that he had incubated The Waste Land inside of his uncut member? In this book, A. W. Strouse excavates a poetics of the foreskin, uncovering how Patristic theologies of circumcision came to structure medieval European literary aesthetics. Following the writings of Saint Paul, “circumcision” and “uncircumcision” become key terms for theorizing language—especially the dichotomies between the mere text and its extended exegesis, between brevity and longwindedness, between wisdom and folly. Form and Foreskin looks to three works: a peculiar story by Saint Augustine about a boy with the long foreskin; Sir Gawain and the Green Knight; and Chaucer’s Wife of Bath’s Tale. By examining literary scenes of cutting and stretching, Strouse exposes how Patristic treatments of circumcision queerly govern medieval poetics.
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Samalin, Zachary. The Masses are Revolting. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501756467.001.0001.

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This book reconstructs a pivotal era in the history of affect and emotion, delving into an archive of nineteenth-century disgust to show how this negative emotional response came to play an outsized, volatile part in the emergence of modern British society. Attending to the emotion's socially productive role, the book highlights concrete scenes of Victorian disgust, from sewer tunnels and courtrooms to operating tables and alleyways. The book focuses on a diverse set of nineteenth-century writers and thinkers whose works reflect on the shifting, unstable meaning of disgust across the period. It elaborates this cultural history of Victorian disgust in specific domains of British society, ranging from the construction of London's sewer system, the birth of modern obscenity law, and the development of the conventions of literary realism to the emergence of urban sociology, the rise of new scientific theories of instinct, and the techniques of colonial administration developed during the Indian Rebellion of 1857. By bringing to light disgust's role as a public passion, the book reveals significant new connections among these apparently disconnected forms of social control, knowledge production, and infrastructural development.
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Kids, Brock Coloring. Farm Scenes Country Life Coloring : Axe, Diagram, Tablet, Apples, Tulip, Organicfood, Waterwell, Carrots for Grown Ups Picture Quiz Words Activity and Coloring Book 40 Image. Independently Published, 2020.

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17

Hamera, Judith. Consuming Passions, Wasted Efforts. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199348589.003.0003.

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This chapter examines Michael Jackson’s fiscal travails from 2002 to the release of This Is It in 2010, reading coverage of his consumption, debt, and attempts at recovery as racialized public melodrama. It begins with a scene of Jackson shopping in Las Vegas taken from Living with Michael Jackson, viewed through both the emerging consumer credit bubble and the temperance melodrama The Drunkard. It then turns to the ways testimony about Jackson’s finances, particularly his debts, played a pivotal role in his child molestation trial, reproducing a financialized melodramatic racial dialectic that emerged again in the subprime mortgage crisis. It concludes by reading parallels between accounts of Jackson’s physical wasting on the set of This Is It and that of the compulsively dancing child in Hans Christian Andersen’s tale “The Red Shoes.” Both represent the process of disciplining past excesses through redemptive contraction as US austerity rhetoric reached a crescendo.
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Greig, Matilda. Dead Men Telling Tales. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192896025.001.0001.

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Dead Men Telling Tales is an account of the lasting cultural impact made by the autobiographies of Napoleonic soldiers over the course of the nineteenth century. Focussing on the nearly three hundred military memoirs published by British, French, Spanish, and Portuguese veterans of the Peninsular War (1808–1814), it charts the histories of these books over the course of a hundred years, around Europe and the Atlantic, and from writing to publication to afterlife. Drawing on extensive archival research in multiple languages, the book challenges assumptions made by historians about the reliability of these soldiers’ direct eyewitness accounts, revealing the personal and political motives of the authors and uncovering the large cast of characters, from family members to publishers, editors, and translators, involved in production behind the scenes. By including literature from Spain and Portugal, it also provides a missing link in current studies of the Revolutionary and Napoleonic Wars, showing how the genre of military memoirs developed differently in south-western Europe and led to starkly opposing national narratives of the same war. The book’s findings tell the history of a publishing phenomenon which gripped readers of all ages across the world in the nineteenth century, made significant profits for those involved, and was fundamental in defining the modern ‘soldier’s tale’.
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Budick, Sanford. Hazarding All. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474493154.001.0001.

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Hazarding All focuses on the second half of Shakespeare’s career, which pivots (even far more significantly than Stephen Greenblatt has noted) on the conceptual and theatrical breakthroughs of Hamlet. The book is structured on a series of pairings of plays: Hamlet and As You Like It; The Merchant of Venice and Othello; and King Lear and The Winter’s Tale. Each pairing discloses Shakespeare’s effort to achieve intersubjectivity by negating the theatricalising impulses of the ego. He achieves this by means, in fact, of a highly demanding species of theatricalisation. In these texts Shakespeare’s language of theatrical representation, as well as the structure of theatrical scenes, repeatedly employs the figure of chiasmus to create an empty mid-space—a “negativity”—that is coordinated with an intricate language of the “nothing.” In partnership with the playwright, the spectator thus experiences this special “nothing” at the centre of these plays. The eclipsing of ego and the sharing of consciousness that result from this experience are at times incipiently experienced by characters within the plays. Yet the more significant achievement of this sharing of consciousness is generated between the consciousnesses of the playwright and the spectator, each in the condition of what Husserl would call onlookers (“God’s spies,” as Lear will phrase it) to the bracketed fictions of the plays themselves.
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20

James, Henry. Daisy Miller and An International Episode. Sous la direction de Adrian Poole. Oxford University Press, 2013. http://dx.doi.org/10.1093/owc/9780199639885.001.0001.

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An inscrutable combination of audacity and innocence’ ... Young Daisy Miller perplexes, amuses, and charms her stiff but susceptible fellow-American, Frederick Winterbourne. Is she innocent or corrupt? Has he lived too long in Europe to judge her properly? Amid the romantic scenery of Lake Geneva and Rome, their lively, precarious relationship develops to a climax in the Colosseum at midnight. The tale gave James his first popular success, yet some compatriots detected treachery in its portrayal of young American womanhood. James responded with ‘An International Episode’, which exposes a couple of English gentlemen to the charm and wit of American sisters in Newport, RI and then in London. Independently read, these short masterpieces probe the manners and morals of a newly emergent transatlantic world. Together they shed light on each other, demonstrating the range of James's own manners, from sharp satire and buoyant comedy to complex, perhaps even tragic, pathos.
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Renker, Elizabeth. Realist Poetics in American Culture, 1866-1900. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198808787.001.0001.

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The terms “poetry” and “realism” have a complex and often oppositional relationship in American literary histories of the postbellum period. The core narrative holds that “realism,” the major literary “movement” of the era, developed apace in prose fiction, while poetry, stuck in a hopelessly idealist late-romantic mode, languished and stagnated. Poetry is almost entirely absent from scholarship on American literary realism except as the emblem of realism’s opposite: a desiccated genteel “twilight of the poets.” Realist Poetics in American Culture, 1866–1900 refutes the familiar narrative of postbellum poetics as a scene of failure, and it recovers the active and variegated practices of a diverse array of realist poets across print culture. The triumph of the twilight tale in the twentieth century obscured, minimized, and flattened the many poetic discourses of the age, including but not limited to a significant body of realist poems currently missing from U.S. literary histories. Excavating an extensive archive of realist poems, this volume offers a significant revision to the genre-exclusive story of realism and, by extension, to the very foundations of postbellum American literary history dating back to the earliest stages of the discipline.
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22

How Do Dinosaurs Eat Cookies. Cartwheel Books, 2012.

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23

Bassett, Jordan. Here’s Little Richard. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781501389146.

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From male bisexuality to religion in pop, Little Richard spent the 1950s pioneering ideas that are still too challenging for the mainstream. As a Black multimillionaire rock star, he was the most exciting person on the planet between 1955 and 1957, the years in which his seismic debut album was created. Featuring new interviews with famous fans including Sir Elton John, Dave Grohl, Joan Jett and Nile Rodgers, this is the first in-depth look at Here’s Little Richard since Richard Penniman’s death in May 2020. The book explores his roots in the queer underground of the American South, a scene so progressive you’d scarcely believe it thrived seven decades ago, and early rebel music such as jump blues, which soon collided with the emerging juggernaut that was rock’n’roll. When that weird alchemy occurred, the self-proclaimed Living Flame was ready to spark the likes of The Beatles, David Bowie and Prince into existence. Those close to the tale pinpoint the ways in which ‘Long Tall Sally’ and ‘Tutti Frutti’ remain omnipresent – and why the latter was the ‘WAP’ of its day. This is the story of how Little Richard changed the world in 28 minutes and 30 seconds. A-wop-bop-a-loo-bop-a-lop-bam-boom!
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Hutchings, James Mason. In the Heart of the Sierras : The Yo Semite Valley, Both Historical and Descriptive : And Scenes by the Way. Big Tree Groves ... and Other Objects of ... Tables of Distances and Altitudes, Maps, Etc. Franklin Classics Trade Press, 2018.

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Hutchings, James Mason. In the Heart of the Sierras : The Yo Semite Valley, Both Historical and Descriptive : And Scenes by the Way. Big Tree Groves ... and Other Objects of ... Tables of Distances and Altitudes, Maps, Etc. Franklin Classics Trade Press, 2018.

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Hutchings, James Mason. In the Heart of the Sierras : The Yo Semite Valley, Both Historical and Descriptive : And Scenes by the Way. Big Tree Groves ... and Other Objects of ... Tables of Distances and Altitudes, Maps, Etc. Franklin Classics, 2018.

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Hutchings, James Mason. In the Heart of the Sierras : The Yo Semite Valley, Both Historical and Descriptive, and Scenes by the Way ; Big Tree Groves ; The High Sierra, with Its ... Objects of Interest, with Tables of Distanc. Franklin Classics Trade Press, 2018.

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28

Hutchings, James Mason. In the Heart of the Sierras : The Yo Semite Valley, Both Historical and Descriptive, and Scenes by the Way ; Big Tree Groves ; The High Sierra, with Its ... Objects of Interest, with Tables of Distanc. Franklin Classics, 2018.

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29

Hutchings, James Mason. In the Heart of the Sierras : The Yo Semite Valley, Both Historical and Descriptive, and Scenes by the Way ; Big Tree Groves ; The High Sierra, with Its ... Objects of Interest, with Tables of Distanc. Franklin Classics Trade Press, 2018.

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30

Hutchings, J. M. 1820-1902. In the Heart of the Sierras ; the Yo Semite Valley, Both Historical and Descriptive : And Scenes by the Way. Big Tree Groves ... and Other Objects of Intest ; with Tables of Distances and Altitudes, Maps, Etc... Creative Media Partners, LLC, 2018.

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31

Hutchings, J. M. 1820-1902. In the Heart of the Sierras ; the Yo Semite Valley, Both Historical and Descriptive : And Scenes by the Way. Big Tree Groves ... and Other Objects of Intest ; with Tables of Distances and Altitudes, Maps, Etc... Creative Media Partners, LLC, 2018.

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32

Hutchings, J. M. 1820-1902. In the Heart of the Sierras ; the Yo Semite Valley, Both Historical and Descriptive : And Scenes by the Way. Big Tree Groves ... and Other Objects of Intest ; with Tables of Distances and Altitudes, Maps, Etc... Creative Media Partners, LLC, 2018.

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33

Hutchings, J. M. 1820-1902. In the Heart of the Sierras ; the Yo Semite Valley, Both Historical and Descriptive : And Scenes by the Way. Big Tree Groves ... and Other Objects of Intest ; with Tables of Distances and Altitudes, Maps, Etc... Creative Media Partners, LLC, 2018.

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34

Hutchings, James Mason. In the Heart of the Sierras : The Yo Semite Valley, Both Historical and Descriptive : And Scenes by the Way. Big Tree Groves ... and Other Objects of Intest ; with Tables of Distances and Altitudes, Maps, Etc. Creative Media Partners, LLC, 2018.

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35

Daggett, Melissa. Spiritualism in Nineteenth-Century New Orleans. University Press of Mississippi, 2016. http://dx.doi.org/10.14325/mississippi/9781496810083.001.0001.

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The advent of Modern American Spiritualism took place in the 1850s and continued as a viable faith into the 1870s. Because of its diversity and openness to new cultures and religions, New Orleans provided fertile ground to nurture Spiritualism, and many séance circles flourished in the Faubourgs Tremé and Marigny as well as the American sector of the city. This book focuses on Le Cercle Harmonique, the francophone séance circle of Henry Louis Rey, a Creole of color who was a key civil rights activist, author, and Civil War and Reconstruction leader. His life has remained largely in the shadows of New Orleans historiography owning, in part, to a language barrier. The book weaves an intriguing historical tale of the supernatural, chaotic postbellum politics, and the personal triumphs and tragedies of Henry Louis Rey. Besides Rey’s séance circle, there is also a discussion about the Anglo-American séance circles in New Orleans. The book places these séance circles within the context of the national scene, and the genesis of nineteenth-century Spiritualism is examined with a special emphasis placed on events in New York and Boston. The lifetime of Henry Rey and that of his father, Barthélemy Rey, spanned the nineteenth century, and mirror the social and political dilemmas of the black Creoles. The book concludes with a comparison of Spiritualism with the Spiritualist and Spiritual churches, as well as voodoo. The book’s narrative is accompanied by wonderful illustrations, reproductions of the original spiritual communications, and photographs.
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McMullen, James, dir. Murasaki Shikibu's The Tale of Genji. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190654979.001.0001.

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Abstract The Tale of Genji, written by a Murasaki Shikibu, a female courtier commonly celebrated as a genius, is the greatest work of Japanese literature and has fascinated readers for more than a millennium. It depicts a court life of great sophistication over four generations, concentrating on the ascendancy of a gifted son of an emperor and his relationships with numerous women. Its psychological depth and brilliant narrative technique have astounded critics and general readers alike. Outside Japan, however, little attention has been paid to the philosophical assumptions underpinning this compelling masterpiece. The present volume contains eight essays by scholars of classical Japanese literature, which explore the assumptions and beliefs concerning human experience and its literary presentation that inform the narrative. An introduction sets the historical scene. Successive chapters analyze aspects of the work that are fundamental to its understanding of its own world and, at the same time, resonate with preoccupations of the twenty-first century reading public. The first group of three essays addresses the nature of political power and its relationship with mythology, the concept of time and space and the influence of China, and the construction of moral personhood that enables men to engage in multiple love affairs. Three essays describe the important cultural practices of poetry, calligraphy, and garden- making. Two concluding essays explore the concept of gender that facilitated the creation of the work by a female author in a society which disprivileged women and the pervasive influence of Buddhism on both the work itself and how it has been understood in Japan.
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How Do Dinosaurs Eat Cookies ? Scholastic, 2012.

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Hutchings, James Mason. In the Heart of the Sierras : The Yo Semite Valley, Both Historical and Descriptive, and Scenes by the Way ; Big Tree Groves ; the High Sierra, with Its Magnificent Scenery, Ancient and Modern Glaciers, and Other Objects of Interest, with Tables of Distanc. Creative Media Partners, LLC, 2018.

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In the Heart of the Sierras : The Yo Semite Valley, Both Historical and Descriptive, and Scenes by the Way ; Big Tree Groves ; the High Sierra, with Its Magnificent Scenery, Ancient and Modern Glaciers, and Other Objects of Interest, with Tables of Distanc. Creative Media Partners, LLC, 2022.

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In the Heart of the Sierras : The Yo Semite Valley, Both Historical and Descriptive, and Scenes by the Way ; Big Tree Groves ; the High Sierra, with Its Magnificent Scenery, Ancient and Modern Glaciers, and Other Objects of Interest, with Tables of Distanc. Creative Media Partners, LLC, 2022.

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