Littérature scientifique sur le sujet « Syrian Mural painting and decoration »
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Articles de revues sur le sujet "Syrian Mural painting and decoration"
Vojvodic, Dragan. « Wall paintings of the Davidovica monastery : Additions to the thematical programme and dating ». Zograf, no 39 (2015) : 177–92. http://dx.doi.org/10.2298/zog1539177v.
Texte intégralLampakis, Dimitrios, Ioannis Karapanagiotis et Olga Katsibiri. « Spectroscopic Investigation Leading to the Documentation of Three Post-Byzantine Wall Paintings ». Applied Spectroscopy 71, no 1 (20 juillet 2016) : 129–40. http://dx.doi.org/10.1177/0003702816654151.
Texte intégralTomic-Djuric, Marka. « To picture and to perform : The image of the Eucharistic Liturgy at Markov Manastir (I) ». Zograf, no 38 (2014) : 123–41. http://dx.doi.org/10.2298/zog1438123t.
Texte intégralLysun, Yaryna. « Monumental painting in stone Catholic churches of Eastern Galicia in the second half of XVIII century. Topography, compositional types and techniques of illusionistic monumental art ». Almanac "Culture and Contemporaneity", no 1 (31 août 2021) : 200–204. http://dx.doi.org/10.32461/2226-0285.1.2021.238622.
Texte intégralMezzadri, P., et J. Russo. « THE CASE OF CAPOGROSSI IN ROME : COLLECTING DATA WITH DIFFERENT TECHNOLOGIES ON A CONTEMPORARY MURAL PAINTING ». ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-5/W1 (15 mai 2017) : 211–18. http://dx.doi.org/10.5194/isprs-archives-xlii-5-w1-211-2017.
Texte intégralЭтингоф, О. Е. « Mosaics of the Basilica of the Nativity in Bethlehem and Crusader monumental painting in the Holy Land in the 12th century ». Iskusstvo Evrazii [The Art of Eurasia], no 2(33) (28 juin 2024) : 96–111. http://dx.doi.org/10.46748/arteuras.2024.02.007.
Texte intégralTyshchyk, V. « Programmability projections in “The Ancient Kiev Frescoes” by A. Stashevsky for the button accordion ». Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 55, no 55 (20 novembre 2019) : 33–49. http://dx.doi.org/10.34064/khnum1-55.03.
Texte intégralStarodubcev, Tatjana. « Physician and miracle worker. The cult of Saint Sampson the Xenodochos and his images in eastern Orthodox medieval painting ». Zograf, no 39 (2015) : 25–46. http://dx.doi.org/10.2298/zog1539025s.
Texte intégralBardik, Maryna. « The Great Pechersk Church’ Mural Paintings of the Late 19th Century as the Interpretation of Its Old Russian Image ». National Academy of Managerial Staff of Culture and Arts Herald, no 3 (16 novembre 2021). http://dx.doi.org/10.32461/2226-3209.3.2021.244412.
Texte intégralBardik, Maryna. « Theological Programme, Analogies, Innovations in Mural Painting of the Exaltation of the Precious Cross Church of the Kyiv-Pechersk Lavra in 1894 ». Almanac "Culture and Contemporaneity", no 2 (20 décembre 2023). http://dx.doi.org/10.32461/2226-0285.2.2023.293872.
Texte intégralThèses sur le sujet "Syrian Mural painting and decoration"
Tamm, John A. « Argentum potorium in Romano-Campanian wall-painting / ». *McMaster only, 2001.
Trouver le texte intégralSteinlauf, Eva. « The frescoes of the Dura-Europos Synagogue : multicultural traits and Jewish identity ». Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=83151.
Texte intégralSuwannakudt, Phaptawan. « The Elephant and the Journey : A Mural in Progress ». Thesis, The University of Sydney, 2005. http://hdl.handle.net/2123/1101.
Texte intégralSuwannakudt, Phaptawan. « The Elephant and the Journey : A Mural in Progress ». University of Sydney, 2005. http://hdl.handle.net/2123/1101.
Texte intégralThe Elephant and the Journey is about what and how people see in the land and how this is expressed through art forms. The dissertation consists of three main parts. The first in the introduction explains the use of the narrative figuration form in Thai temple mural painting in my practice, and how I used it to apply to the contemporary context in Australia. The second concerns three main groups of work including Australian landscape paintings in the nineteenth century, aboriginal art works and Thai mural painting, which apply to the topic of landscape. The second part in Chapters I and II, examine how significant the perspective view in the landscape was for artists during the colonial period in Australia. At the same time I consult the practice in Aboriginal art which also concerns land, and how people communicate through the subject and how both practices apply to Thai art, with which I am dealing. Chapter III looks at works of individual artists in contemporary Australia including Tim Johnson, Judy Watson, Kathleen Petyarre Emily Kngwerreye, and then finishes with my studio work during 2004-2005. The third part, the conclusion refers to the notions of cultural geography as suggested by Mike Crang, Edward Relph and Christopher Tilley, which analyse how people relate to a location through their own experience. I describe how I used a Thai narrative verse written by my father to communicate my work to the Australian society in which I now live.
Damiani, Piergiovanni. « L'oratorio dei confratelli di Civo religiosità popolare ed arte in Valtellina tra Quattro e Cinquecento / ». Sondrio : Società storica valtellinese, 2003. http://catalog.hathitrust.org/api/volumes/oclc/53878936.html.
Texte intégralBaird, Kathryn. « Secular wall painting in the sixteenth and seventeenth centuries ». Thesis, University of Oxford, 2003. http://ora.ox.ac.uk/objects/uuid:bcc25824-3997-43ce-91d1-a58331519d68.
Texte intégral- 1. Wall paintings were much more widespread than existing records suggest and were probably universal where there was money to spend on embellishing a house.
- 2. Following on from this, wall paintings would have been found in houses throughout the social scale, apart from the humblest dwellings.
- 3. The paintings were executed by itinerant painters who used pattern books as a source of design.
- 4. This form of decoration was most commonly found in the period 1550-1625, with few paintings prior to this date and a rapid decline in numbers after this period.
- 5. In some cases there is a connection between the content of the painting and the function of the room.
Bayle, Beatrice. « Conserving mural paintings in Thailand and Sri Lanka : conservation policies and restoration practice in social and historical context / ». Connect to thesis, 2009. http://repository.unimelb.edu.au/10187/7144.
Texte intégralDavos, Afroditi Climis. « Locating the politics of contemporary public art towards a new historiography / ». Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1973060661&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Texte intégralOlsson, Melinda. « The Casa della Venere in Bikini (I 11, 6-7) at Pompeii : its decoration and finds / ». Title page, contents and abstract only, 1989. http://web4.library.adelaide.edu.au/theses/09PH/09pha733.pdf.
Texte intégralVol. 2. consists of 64 leaves of mounted photographs. Plate 1 is Plan of I 11, 6-7, by Barry Rowney of Dept. of Architecture, University of Adelaide. Includes bibliographical references (leaves 276-291).
Segal, Marcelle. « Street art commentary as inspiration for jewellery design ». Thesis, Cape Peninsula University of Technology, 2010. http://hdl.handle.net/20.500.11838/1442.
Texte intégralThe purpose of this research is to investigate whether street artists make statements about current socia-political affairs as a form of popular protest and whether those statements can be reflected in another design discipline. such as jewellery design. while reflecting upon the work of Faith47. a South African social commentator. Cultural studies has been referenced as a theoretical framework in relation to cultural sup-groups and. a historic context is provided in order to better understand the significance of social commentary in graffiti, a form of street art produced by social sub-qroup, and made during a period known as Apartheid and currently. in Post-Apartheid South Africa. A range of jewellery then emerged from the research. dealing with the aspects of social-political commentary. as an interpretation of a form of protest art and applied to wearable jewellery. The products incorporate word and images that are provocative and invite the viewer to question and reflect upon what in my view was a contentions and significant period in the history of South Africa.
Livres sur le sujet "Syrian Mural painting and decoration"
Pontifical Institute of Mediaeval Studies., dir. The frescoes of Mar Musa al-Habashi : A study in medieval painting in Syria. Toronto : Pontifical Institute of Mediaeval Studies, 2001.
Trouver le texte intégralMuseum für Islamische Kunst (Berlin, Germany), dir. Das Aleppozimmer : Strukturen und Dekorelemente der Malerein im Aleppozimmer des Museums für Islamische Kunst in Berlin. Berlin : Staatliche Museen zu Berlin, 2006.
Trouver le texte intégralFowden, Garth. Quṣayr ʻAmra : Art and the Umayyad elite in late antique Syria. Berkeley : University of California Press, 2004.
Trouver le texte intégralElias, Zayat, Immerzeel Mat et Saliby Nessib, dir. Documentation and conservation of art in Syria : Papers of the workshop held at Damascus University, 16-19, September 1996. Leiden : Research School for African, Asian, and Amerindian Studies, Leiden University, 2000.
Trouver le texte intégralMural painting. Charleston, SC : BiblioLife, 2010.
Trouver le texte intégralRodríguez, Antonio. Diego Rivera : Mural painting. Sous la direction de Rivera Diego 1886-1957 et Fondo Editorial de la Plástica Mexicana. 3e éd. México City : Fondo Editorial de la Plástica Mexicana, 1991.
Trouver le texte intégralGonnella, Julia. Ein christlich-orientalisches Wohnhaus des 17. Jahrhunderts aus Aleppo (Syrien) : Das "Aleppo-Zimmer" im Museum für Islamische Kunst, Staatliche Museen zu Berlin-Preussischer Kulturbesitz. Berlin : Museum für Islamische Kunst, 1996.
Trouver le texte intégralKenna, Carol. Mural manual. 3e éd. London : Greenwich Mural Workshop, 1991.
Trouver le texte intégralPhlāinō̜i, Sombat. Mural paintings. [Bangkok] : Office of the National Culture Commission, Ministry of Education, 1985.
Trouver le texte intégralJenei, Dana. Gothic mural painting in Transylvania. Bucureşti : NOI Media Print, 2007.
Trouver le texte intégralChapitres de livres sur le sujet "Syrian Mural painting and decoration"
Kriza, Ágnes. « Depicting Orthodoxy in Rus ». Dans Depicting Orthodoxy in the Russian Middle Ages, 188–218. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198854302.003.0010.
Texte intégralActes de conférences sur le sujet "Syrian Mural painting and decoration"
Saihoo, Nam-oi. « THE STUDY OF COLOR SCHEME OF MURAL PAINTING AND DECORATION IN INTERIOR ARCHITECTURE (CASE STUDY : TEMPLES IN KHONKAEN) ». Dans International Conference on Arts and Humanities. The International Institute of Knowledge Management (TIIKM), 2018. http://dx.doi.org/10.17501/icoah.2017.4103.
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