Littérature scientifique sur le sujet « Symbolism – early works to 1800 »
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Articles de revues sur le sujet "Symbolism – early works to 1800"
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Sarycheva, Kristina V. « Leconte de Lisle in Russian literary criticism of the 1880s – early 1910s ». Vestnik Tomskogo gosudarstvennogo universiteta. Filologiya, no 81 (2023) : 256–68. http://dx.doi.org/10.17223/19986645/81/14.
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The article examines the evolution of the perception of the works of Charles Leconte de Lisle in Russian literary criticism in the late 1880s – early 1910s. The chronological framework of the study is due to the fact that in 1889 the first detailed analysis of works by Leconte de Lisle appeared and, in the 1890s, Russian symbolists paid attention to the French poet; the other chronological boundary was caused by the crisis and end of Russian symbolism in in the late 1900s and early 1910s. Using the historical comparative method, the author analyzes articles by Maria Frishmut, Dmitry Merezhkovskiy, Valery Bryusov, Innokentiy Annenskiy, fully or partially dedicated to Leconte de Lisle. The author discovers that Russian critics relied on French critical works on Leconte de Lisle: critics saw his poetry as cold, dispassionate, objective (nonpersonal), possessing the perfection of a poetic form close to sculpture and painting. While Frishmut uses the judgments of his French predecessors, relying primarily on Paul Bourget, the symbolists put works of Leconte de Lisle in the context of the genealogy of Russian symbolism. Merezhkovskiy in the 1890s leads the genealogy of the symbolists from Leconte de Lisle. Bryusov considered Leconte de Lisle a classic and a representative of a certain line in poetry characterized by a careful accomplishing of a poetic form. The author pays particular attention to the evolution of the perception of Leconte de Lisle in Annenskiy’s literary criticism. She shows that Annenskiy developed his aesthetic concepts on the basis of Leconte de Lisle’s works and infers that in the late 1890s–1900s, during the period of the formation of symbolism, Annensky formed the concept of art as a symbol based on Leconte de Lisle’s works and in the late 1900s, in the period of the crisis of symbolism and the appeal to extra-aesthetic reality, considered Leconte de Lisle in the appropriate categories, seeing his tragedy in the fact that in his work he turned away from life and always talked about death. A statue is a stable image in Annenskiy’s articles that mention Leconte de Lisle; for the critic, a statue as a perfection of form and a classic monument corresponds to all Leconte de Lisle’s works and his place in the history of literature.
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Egorova, L. V. « Svetlov, I., Lukicheva, K. and Arias-Vikhil, M., eds. (2023). Paris around the 1900s. Joséphin Péladan’s Society of ‘Rose + Croix.’ St. Petersburg : Aleteya. (In Russ.) ». Voprosy literatury, no 2 (15 mars 2024) : 174–77. http://dx.doi.org/10.31425/0042-8795-2024-2-174-177.
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The review discusses a collection of articles produced by a team of scholars under the supervision of professor Igor Svetlov. The book focuses on alternative experiments in late 1800s — early 1900s French art, which, although they failed to grow into independent movements, succeeded in producing several interesting concepts. The study is especially concerned with the Paris-based salon of ‘Rose + Croix’ and its founder Josephin Peladan — a writer, philosopher, occultist, and an able organizer. The book considers his artistic interests and views on the connection between art and religion, the role of symbolism in artistic thought, and the relationship between the modernity of his day and the previous epochs, including the esoteric and magical traditions. The collection covers a broad variety of subjects, such as the fantastic and the demonic in Paris, the mystical components in landscape paintings of the late 1800s, illustrations in the era of decadent art, intellectualism and intuition of the regulars of Peladan’s salons, esotericism and symbolism as a bridge into otherness, the existential and the universal in 1900s’ Parisian architecture, M. Voloshin’s turn-of-the-century spiritual and aesthetic experiments, the Parisian ‘imprint’ in Kandinsky’s early works, and Paris photographed at nighttime.
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Редькин, Валерий Александрович. « IRREALISM IN THE STORIES OF A.P. CHEKHOV OF THE MIDDLE 1880s ». Вестник Тверского государственного университета. Серия : Филология, no 1(68) (9 avril 2021) : 62–73. http://dx.doi.org/10.26456/vtfilol/2021.1.062.
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В статье рассматривается проблема творческого метода и стиля А.П. Чехова середины 1880-х годов. Анализ основывается на развитии методологии П.Н. Сакулина, разработавшего концепцию двух методов/стилей творчества: реализма и ирреализма. Ведется полемика с теми литературоведами, которые видели в Чехове только реалиста, чуждого новым эстетическим течениям и тенденциям в искусстве конца ХIХ - начала ХХ века, и противопоставляли его Д. Мережковскому, З. Гиппиус, Вл. Соловьеву и в целом декадансу и символизму, утверждали безрелигиозный характер его творчества. Делается вывод о том, что Чехов перешагивал через головы искателей новой веры и адептов субъективных её трактовок, возвращался к национальным историческим и культурным основам. Элементы иррационализма в его прозе становятся носителями духовного реализма, который во всей полноте проявился позже, в творчестве И. Шмелева, Б. Зайцева, Н. Гумилева, А. Ахматовой. The article deals with the problem of the creative method and style of A.P. Chekhov in the mid-1880s. The analysis is based on the development of the methodology of P.N. Sakulin, who developed the concept of two methods / styles of creativity: realism and unrealism. A controversy is being conducted with those literary critics who saw in Chekhov only a realist, alien to new aesthetic currents and trends in art of the late 19th - early 20th centuries, and opposed him to D. Merezhkovsky, Z. Gippius, Vl. Solovyev and decadence and symbolism in general, were affirmed the irreligious nature of his work. It is concluded that Chekhov stepped over the heads of seekers of a new faith and adherents of its subjective interpretations, returning to national historical and cultural foundations. Elements of irrationalism in his prose become carriers of spiritual realism, which in its entirety manifested itself later, in the works of I. Shmelev, B. Zaitsev, N. Gumilyov, A. Akhmatova.
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Kirillina, Larissa V. « The Dancing Prometheus : Beethoven and Ballet ». Contemporary Musicology, no 3 (2023) : 63–81. http://dx.doi.org/10.56620/2587-9731-2023-3-063-081.
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Beethoven’s music has frequently appeared in ballet productions in the 20th and early 21st centuries. However, his only full-scale ballet, Die Geschöpfe des Prometheus (1801), remains outside of the theatrical mainstream. Meanwhile, this work was important for both of its creators: the great choreographer Salvatore Viganò and Beethoven. The ‘Promethean’ line in Beethoven’s and Viganò’s legacy continued after the ballet’s premiere in 1801. A number of Beethoven’s works from 1801–1804 are united by the so-called ‘Promethean theme’ (the quotation or reminiscence from the final counterdance of the ballet). Viganò, not satisfied with the Vienna production of Prometheus of 1801, staged an expanded version of the ballet in Milan in 1813. In that performance, it became possible to accentuate the moments covert in the Vienna version: the striking analogies between the images of Prometheus and Christ. Being a good musician, Vigano used fragments of Beethoven’s other new works, besides Prometheus, in his ballets in Milan. Their artistic quests ran parallel to each other, although Beethoven never turned to the genre of the ballet afterwards. The magnificent orchestral score of Die Geschöpfe des Prometheus has taken on a life of its own. The ballet in its 1801 version was rarely staged during the 19th and the 20th centuries. However, there has been a revival of interest in it in the 21st century. In recent years, a number of stage incarnations of Beethoven’s ballet have appeared, in which the plot has undergone various transformations. Francesca Harper proposed a reading of the work by means of contemporary dance (2005, New York). At the same time, Helena Kazarova staged Die Geschöpfe des Prometheus in an authentic manner in 2016 (Czech Republic, Valtice Castle Theater). Another solution – a very ascetic and symbolist one – was proposed by Attila Egerhazy, who staged the ballet in 2017 by means of the Dance Center of the Prague Conservatory. Finally, in 2021 in Bologna, choreographer Monica Miniucchi created a performance based on Die Geschöpfe des Prometheus bearing very little resemblance to a traditional ballet, performed mainly by means of pantomime. All these endeavors show that Beethoven’s sole ballet is by no means a museum legacy of the past. It has the ability of becoming an organic part of contemporary musical theater.
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Oprea, Florea. « Formats of Early Book : Symbolism, Ill Treatmeant, Initial Size Recalculation ». Études bibliologiques/Library Research Studies 2, no 2 (2020) : 5–20. http://dx.doi.org/10.33993/eb.2020.01.
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The current study will aim to present several considerations on the formats of codices and early printed books, with special reference to the proportions, the virtual geometrical structure of the page dimensions and the entire surface of the open book. The author proposes herein that such ratios and virtual geometric arrangements are elements of a hidden religious symbolism inherited from antiquity. To support this argument, some codices and early printed books will be indicated that underwent repair works and were re-bonded. Ten material signs by which one could identify any re-binding works will be indicated herein. Supplementary, four methods for recalculating the initial paper size of codices and early printed books, before the trimming of the book block was performed, will be indicated as well.
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Serova, M. V., et A. M. Vakhnina. « OPTION OF OVERCOMING SYMBOLISM IN THE EARLY WORKS OF BORIS PASTERNAK ». Bulletin of Udmurt University. Series History and Philology 31, no 2 (11 mai 2021) : 325–29. http://dx.doi.org/10.35634/2412-9534-2021-31-2-325-329.
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The article presents a comparative analysis of Annensky's poem “Black Spring” and Pasternak's poem “February”; it helps to show how symbolist attitude is overcome by recoding “set of images” of the first text in the second text. First, the topic of “transition” that is important for Pasternak is developed. The “transition” is rebirth of a person into a poet by writing poetry. Watching of the state of the world (especially nature) becomes important, the world is associated with the feelings and sensations of the poet, the process of rebirth is inscribed in the calendar cycle. Then the artistic systems of Pasternak and Annensky are compared. A prerequisite for this is the image of the “black spring” found in Pasternak's text and which is a direct reference to Annensky's text. We find the philosophical polemic of the two authors when we are comparing the two poems. If there is no creation in Annensky's world, all of images are endowed with the semantics of death, then Pasternak's world is formed and charged with poetry that is born in a continuous life cycle. In Pasternak's poetic system, Annensky's images are rebuilt and endowed with the semantics of birth, thereby expressing the author's life-affirming attitude. The poem "February" shows the overcoming of the drama of non-incarnation faced by the second generation Symbolists.
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Shalaverova, Galina. « THE SYMBOLISTIC CODE IN THE EARLY PROSE OF GEORGY RAICHEV ». Годишник на Шуменския университет. Факултет по Хуманитарни науки XXXIIIA, no 2 (10 novembre 2022) : 316–22. http://dx.doi.org/10.46687/qtxt7207.
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The text explores the relationship between the early prose of Georgi Raichev and the symbolism in Bulgaria, emphasizing on the poem in prose "Companions" and the short story "Aglayda". Published in the magazines "Our Life" and "Zveno", the works set some of the directions in which Raichev's work developed over the next two decades.
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Abdul Malik, Mohd Puaad, Faisal @. Ahmad Faisal Abdul Hamid et Rahimin Affandi Abdul Rahim. « Analyse Malay Fiqh Works Writing 1600-1800 ». Al-Muqaddimah : Online journal of Islamic History and Civilization 6, no 2 (31 décembre 2018) : 71–89. http://dx.doi.org/10.22452/muqaddimah.vol6no2.6.
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In essence, this article will focus on the subject classical Malay fiqh works 1600-1800. Classical Malay fiqh works are Malay intellectual works produced by Malay Muslim scholars in various topics of Islamic law including worship (ibadah), commercial transaction law (muamalah), family law (munakahat) and others. This fiqh Malay work played an important role in Malay society at the beginning of Islamic development in the Malay world. It is a means of communication, scientific knowledge or developmental science. The premise of this article analyzes the writing of fiqh works that developed in the early days of the great intellectual nature of the Malay world. There are features of fiqh writing in the year 1600 and it is different from the features of fiqh writing in 1700 and 1800. The discussion of this writing includes the difference between the writing text and the style of writing fiqh and being reviewed from various scopes, items and writing features. The method of analysis used is the method of historiography or historicalism which examines the development of an idea. Facts obtained will be thoroughly screened using the Malay induction history approach. Research shows that the earliest classic Malay fiqh writing has its own identity and superiority and is a Malay intellectual work.
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Špelda, Daniel. « Kepler in the Early Historiography of Astronomy (1615–1800) ». Journal for the History of Astronomy 48, no 4 (novembre 2017) : 381–404. http://dx.doi.org/10.1177/0021828617740948.
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This article discusses the reception of Kepler’s work in the earliest interpretations of the history of astronomy, which appeared in the seventeenth and eighteenth centuries. The focus is not on the reception of Kepler’s work among astronomers themselves but instead on its significance for the history of science as seen by early historians of mathematics and astronomy. The first section discusses the evaluation of Kepler in the so-called “Prefatory Histories” of astronomy that appeared in various astronomical works during the seventeenth century. In these, Kepler was considered mainly to be the person who brought the work of Tycho Brahe to completion, rather than an original astronomer. The second section is devoted to the evaluation of Kepler in interpretations of the history of astronomy that appeared in the eighteenth century (often as part of the history of mathematics). In these works, Kepler is regarded as a genius who deserves tremendous credit for the advancement of the human spirit. Both sections also devote attention to Copernicus and Tycho Brahe because this facilitates the explanation of how Kepler’s contribution was judged. By studying the reception of Johannes Kepler’s work, we may gain greater insight into the transition from a cyclical perception of the history of science to the progressive model.
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Bragina, Natalia, et Vladislav Stepanov. « PHILOSOPHICAL INTERPRETATION OF SYMBOLISM OF ČIURLIONIS’ PAINTINGS ». SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference 4 (25 mai 2018) : 360–71. http://dx.doi.org/10.17770/sie2018vol1.3196.
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The art of M.-K. Čiurlionis is unique and at the same time emblematic of the culture of the art nouveau period. A deep connection of his art to Lithuanian folklore was combined with his fascination with European philosophical trends of the turn of the 19th - 20th centuries. The aim of this article is to identify the cross-cutting themes (leitmotifs) in the artist’s works and, with the help of this, to reveal the philosophical basis of his works. The methods of research are the study and analysis of both individual Čiurlionis’ paintings and his artistic production in general, as well as the analysis of the literature devoted to his works. As the result, two groups of leitmotifs were identified in the Čiurlionis’ paintings: a) figurative themes; and b) non-figurative themes (up to complete abstraction). Analysis of the meanings of these themes and of their influence on the content of the paintings shows that concrete figurative images (themes of kings, bird, hand, and castle) are associated with Lithuanian folklore. Semi-abstract and abstract images (chaos, glance, gesture, and beauty) reveal the connection between the art of Čiurlionis and European philosophy, from Plato's ideas to Nietzscheism and mystic-visionary movements of the early 20th century. Revealing the philosophical basis of his paintings makes it possible to simultaneously review the artist’s entire work in the context of culture of art nouveau, understand this culture more deeply, and thus get a better understanding of some important phenomena of our time.
Thèses sur le sujet "Symbolism – early works to 1800"
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McNally, Louis K. « The Weather of 1785 : An Interdisciplinary Approach to Meteorological Reconstruction Using Forensic Synoptic Analysis ». Fogler Library, University of Maine, 2004. http://www.library.umaine.edu/theses/pdf/McNallyLK2004.pdf.
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Préfontaine, Jennifer. « Secrets des femmes ». Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98575.
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The goal of this thesis is a critical edition of the Secrets des femmes, a text attributed to Arnold de Vilanova. In the exegetic tradition, this attribution has been widely argued. Our preliminary findings lead to the same conclusions. The text composed in French couldn't have been written by Vilanova, who would have composed it in Latin, the language of the "clerks", or in Catalan, his first language. Critical tradition shows that the Secrets des femmes is based on three manuscripts. But we have demonstrated that the Mazarine's manuscript is not at the base of this work, but rather of a text entitled Les Termes et secrets des femmes. For the critical edition, which is the objective of our study, there is no doubt that the Arsenal's text is the basic manuscript, while the Vatican's manuscript is the Arsenal's metalanguage.
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Labriola, Daniele. « On Plato's conception of philosophy in the Republic and certain post-Republic dialogues ». Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/4497.
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This dissertation is generally concerned with Plato's conception of philosophy, as the conception is ascertainable from the Republic and certain ‘post-Republic' dialogues. It argues that philosophy, according to Plato, is multi-disciplinary; that ‘philosophy' does not mark off just one art or science; that there are various philosophers corresponding to various philosophical sciences, all of which come together under a common aim: betterment of self through intellectual activity. A major part of this dissertation is concerned with Plato's science par excellence, ‘the science of dialectic' (he epistêmê dialektikê). The science of dialectic is distinguished in Plato by being concerned with Forms or Kinds as such; the science of dialectic, alone amongst the philosophical sciences, fully understands what it means for Form X to be a Form. I track the science of dialectic, from its showcase in Republic VI and VII, and analyze its place in relation to the other philosophical sciences in certain post-Republic dialogues. Ultimately, I show that, whilst it is not the only science constituting philosophy, Plato's science of dialectic represents the intellectual zenith obtainable by man; the expert of this science is the topmost philosopher. In this dissertation I also argue that Socrates, as variously depicted in these dialogues, always falls short of being identified as the philosopher par excellence, as that expert with positive knowledge of Forms as such. Yet I also show that, far from being in conflict, the elenctic Socrates and the philosopher par excellence form a complementary relationship: the elenctic philosopher gets pupils to think about certain things in the right way prior to sending them off to work with the philosopher par excellence.
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蔡瑞珩. « 《鍼經指南》之鍼刺手法研究 ». HKBU Institutional Repository, 2015. https://repository.hkbu.edu.hk/etd_oa/132.
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《鍼經指南》為元代竇默，字漢卿，所著。其所記載的鍼刺手法上承《黃帝內經》、《難經》，下啟《金鍼賦》、《玉龍歌》、《鍼灸大成》等，為鍼刺手法發展史上里程碑，亦是後世各種複式手法發展的啟蒙。 本文通過對《鍼經指南》相關鍼刺手法的篇章進行整理，從＂呼吸補瀉＂、＂燃轉補瀉＂、＂提插補瀉＂、＂迎隨補瀉＂、＂寒熱補瀉＂，及＂手指補瀉十四法＂等方面展開分析，分別探討《鍼經指南》的學術淵源和《鍼經指南》對元明時期鍼刺手法發展的影響。最後將相關醫家觀點與《鍼經指南》中鍼刺手法理論進行對比分析，討論其異同點。 通過資料整理，學術思想的對比分析，筆者總結《鍼經指南》對鍼刺手法理論主要貢獻是：1.提出調息治神法﹔ 2.熱補涼瀉復合補瀉手法﹔ 3.＂提鍼豆許＂手法技巧﹔ 4.＂瀉南補北＂迎隨補瀉理論。元代與明代主要鍼灸醫家的手法技巧和鍼刺理論均從《鍼經指南》的內容中發展與推衍出來。 根據研究結果顯示，鍼刺手法自《鍼經指南》后空前發展。鍼刺補瀉理論體系更加完善，手法操作更加繁複。符合由簡而繁的事物發展規律。此外，後世醫家在臨床實踐中將《鍼經指南》的鍼刺手法理論與當代文化思想結合并產生新的鍼刺手法及鍼刺理論，從另一方面體現了理論與實踐相結合的哲學思想。 關鍵詞：誠刺手法﹔《鍼經指南》﹔竇漢卿
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Kotarcic, Ana. « Aristotle's concept of lexis : a theory of language and style ». Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/7754.
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Aristotle's concept of lexis has been discussed by numerous scholars, yet no comprehensive account of lexis has been produced so far. To fill this gap in scholarship, this thesis offers a systematic analysis of Aristotle's concept of lexis by dividing it into three levels, which allow a step-by-step approach to understanding this multi-layered concept. By considering Plato's and Isocrates' thoughts on lexis, Chapter 1 outlines the intellectual context in which Aristotle's ideas on the concept of lexis developed. Chapters 2-5 focus on the three levels of lexis and Chapter 6 brings a concluding discussion of metaphor. In Chapter 2 the linguistic elements treated under the notion of lexis and Aristotle's theory of language are delineated. These not only present Aristotle's thoughts on language as an abstract system, but they also form the most fundamental level upon which the remainder of Aristotle's thoughts on the concept of lexis are based. Chapter 3 explores Aristotle's remarks regarding individuals' use of linguistic elements as determined by sociolinguistic factors. Aristotle's occasional statements about language usage within the concept of lexis provide valuable pieces of evidence for studies in sociolinguistics and for his ideas on lexis on its third level as discussed in Chapters 4 and 5. In Chapter 4 the intra-textual aspect of Aristotle's remarks on lexis as a means for the creation of different kinds of poetry and rhetoric, i.e. lexis as technē, is examined. In Chapter 5 extra-textual factors are considered and are followed by a discussion of the purpose and function of lexis on its third level. Chapter 6 concludes the discussion of lexis by focusing on metaphor, the linguistic and stylistic element par excellence treated under the notion of lexis, which further highlights the benefits of a three-level approach to Aristotle's concept of lexis.
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Littlehailes, Lucy Elizabeth. « Vital heat, conception and development in Aristotle ». Thesis, University of Oxford, 1990. http://ora.ox.ac.uk/objects/uuid:a8e96b05-0ff7-4791-a65a-6135be68df57.
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In this account of the pan that heat plays in the conception and development of living substances according to Aristotle, I begin by examining the concept of heat. I discover that Aristotle uses a distinction between to thermon and thermotes: the former is, in living substances, material; the latter is never material, being the powerful aspect of heat. For example, an animal possesses heat (to thermon) which maintains it through its power (thermotes) to concoct. I then turn to the biological works. Conception, it seems, does not fit the standard account of change, but is rather a concoction, performed by the heat of the semen. Nor is the usual account of conception ascribed to Aristotle adequate: I attempt to demonstrate that he held a more moderate account in which pneuma, the nature of which is to thermon, is transmitted to the embryo. I then examine the development of the embryo, which is performed using to thermon as a tool. The transmission and development of the rational psuche in particular has often caused problems: I offer an account of the transmission of psuche from parent to embryo, and describe the part that pneuma plays in this transmission and in the development and operation of the various levels of psuche. Development extends from foetal development until adulthood, and this poses another problem for the standard account of change as it appears to be neither substantial nor accidental change, yet these are apparently exhaustive possibilities. I conclude that development, like conception, is a concoction performed by the vital heat. Finally, I turn to the conception and development of spontaneously generated animals, and of abnormal animals such as monsters. I demonstrate the relationship between these generations and sexual generation, and the significance of heat and pneuma.
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周瑩. « 古代飲茶致病的文獻探究 ». HKBU Institutional Repository, 2015. https://repository.hkbu.edu.hk/etd_oa/127.
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中國茶文化源遠流長，茶作為一種日常飲品，與咖啡、可可並稱為世界三大無酒精飲料。近年來，隨著人們生活水平的日益提高，茶葉的保健功效越來越受到社會的重視。據各文獻史料記載，我國飲用茶葉已有千年曆史，記載有關茶葉的文獻古籍繁多。而一直以來，茶葉與“健康”一詞密不可分，古人經過歸納前人的記述總結出了茶葉的二十四功效，如清熱、消食、醒酒、去疾等，並對茶有著極高的評價，然而很少人注意到通過飲茶所達到的有利功效需要建立在適度飲茶，科學飲茶的前提下，盲目品飲只會起到相反效果。與此同時，隨著醫學經驗、藥學知識的日益豐富，不當飲茶所帶來的一些副作用同樣也引起了古代醫學家與茶人的重視，人們開始不僅只是單純的追求茶葉的口感，更多的是開始關注飲茶對身體的影響及飲茶時的身心體驗，通過自己多年的親身感悟，長期與他人的經驗分享，總結歸納出了飲茶的利弊，教導後人飲茶需有度，因人而飲。 本文擬在分析我國古代文獻中飲茶不當導致的疾病，尋找飲用單一味茶葉對人體所產生的不良反應，其中不包括複方茶及非茶之“茶”，通過歸納、整理，探究古代不當飲茶所造成的對人體的危害疾病，提出適度飲茶，健康飲茶，科學飲茶的觀念，為今後的茶學及醫學研究不當飲茶致病因素提供古代文獻線索依據。 關鍵字：過度飲茶，過派飲茶，飲茶致病
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Harrop, Patrick H. « Inseminate architecture : an archontological reading of Athanasius Kircher's Turris Babel ». Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56976.
Texte intégralRésumé :
Among the vast assembly of Biblical mythology, the tower of Babel stands as an exclusive representation of the limits of human endeavor. As a paradigmatic extremity, it circumscribes the field of civic artifice. Babel is the absolute limit, and in that regard, its presence is enduring and timeless. The legacy of exegetic readings are textual shades, emanating from the point source of the paradigm. Athanasius Kircher's Turris Babel is an appropriate and intentional unfolding of this condition.Firstly, that in the awakening of the Baroque scholar to history, origin materializes as the sole legitimate chronological reference.
Secondly, that the paradigmatic extremities collapse into the empirical standard of the theoretical discourse.
This thesis is a speculative study of architecture, drawn through Turris Babel, in the shadow of the paradigmatic limits of Babel. Written in three parts, each dealing with the implications of artifice in confrontation with the post-Babel adversaries of dispersion, tyranny, and decay.
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朱加正 et Ka-ching Chu. « Reflections of the development and philosophy of Mathematics originating in a comparative study of Liu Hui's redaction of 'JiuZhang Suan Shu' and Euclid's 'Elements' ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1992. http://hub.hku.hk/bib/B31211380.
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Letts, Melinda. « Questioning the patient, questioning Hippocrates : Rufus of Ephesus and the limits of medical authority ». Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:917c8cac-6fb4-4217-95df-8e3f9db8692f.
Texte intégralRésumé :
Rufus of Ephesus's 'Quaestiones Medicinales' is an under-studied work by one of the most respected doctors of Greco-Roman antiquity. This thesis presents a new translation - the first in English of the complete work - and a reassessment of the treatise. I propose that, far from being a simple handbook teaching doctors how to take a patient history, as has hitherto been assumed, QM is an ardent plea for doctors to recognise the limits of their own knowledge and the indispensability of questioning the patient. I argue that QM articulates the idea that the aim of medicine cannot be achieved through medical knowledge alone, and that, in constructing the patient as an essential partner in diagnosis and decisions about treatment, Rufus implies a sharing of authority between doctor and patient that is noticeably different from the emphasis that other authors, particularly the determinedly hierarchical Galen, place on securing patients' obedience, a subject on which Rufus is noticeably silent. I argue that Rufus is unusual in the clarity and candour with which he perceives and acknowledges the limits of medical knowledge, in his conceptualisation of questioning as a discursive rather than a formulaic activity, in his explicit insistence that it must be addressed directly to the patient, in his psychological concept of habits, and in his recommendation of questioning as a strategy for resolving the tension between universal theory and individual experience. I look at modern cross-cultural research into the factors that drive patient compliance, and note that chief among them is patients feeling they are partners in the treatment process. This raises the question whether and to what extent the features that drive compliance are diachronically as well as cross-culturally consistent, and whether Rufus's shared authority model is more likely to have produced successful treatment outcomes than the autocratic paradigm promoted by Galen, and subsequently absorbed into Western medical tradition, that seems to have met with so much resistance.
Livres sur le sujet "Symbolism – early works to 1800"
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Adam, McLean, dir. The Magical calendar : A synthesis of magical symbolism from the seventeenth century Renaissance of Medieval occultism. Grand Rapids, MI : Phanes Press, 1994.
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Porphyry. Sui simulacri. Milano : Adelphi, 2012.
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Saint-Martin, Louis Claude de. Des nombres. Paris : Éd. Traditionnelles, 1998.
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Postel, Guillaume. Des admirables secrets des nombres platoniciens. Paris : J. Vrin, 2001.
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Horapollo. Horapollo : Zwei Bücher über die Hieroglyphen : in der lateinischen Übersetzung von Jean Mercier nach der Ausgabe Paris 1548. Erlangen : Specht, 1997.
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Morato, Fulvio Pellegrino. On the signification of colours. Boca Raton : BrownWalker Press, 2013.
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Pitture del Doni : Academico pellegrino. Napoli : La stanza delle scritture, 2004.
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Iconografie accademiche : Un percorso attraverso il cantiere editoriale delle Symbolicae quaestiones di Achille Bocchi. Bologna : CLUEB, 2012.
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Anne, Rolet, dir. Les questions symboliques d'Achille Bocchi : Symbolicae quaestiones, 1555. Tours : Presses universitaires François Rabelais de Tours, 2015.
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Ruspoli, Stéphane. Le traité de l'Esprit saint de Rûzbehân de Shîrâz : Étude préliminaire, traduction annotée suivies d'un commentaire de son "Lexique du Soufisme". Paris : Cerf, 2001.
Trouver le texte intégralChapitres de livres sur le sujet "Symbolism – early works to 1800"
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Prieto, Moisés. « Corrupt and Rapacious : Colonial Spanish-American Past Through the Eyes of Early Nineteenth-Century Contemporaries. A Contribution from the History of Emotions ». Dans Palgrave Studies in Comparative Global History, 105–39. Singapore : Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-0255-9_5.
Texte intégralRésumé :
AbstractAround 1800, merchants, scientists and adventurers travelled to Latin America with different purposes. Their multifaceted interests in a world region, experiencing a threshold of independence from Spanish colonial rule, inspired new historical and political works about the continent’s recent past. The Enlightenment provided not only the philosophical armamentarium against corruption, but it also paved the way to a new expression of sentiments and to the loss of fear when addressing injustice. Some examples of these are Hipólito Villaroel’s list of grievances and Humboldt’s Political essay. These two authors provide some thoughts on the political landscape of New Spain (now Mexico), while the two Swiss physicians Rengger and Longchamp describe the ruthless and odd dictator Francia of independent Paraguay as a champion of anti-corruption. Finally, Argentine dictator Rosas—and his robberies as described by Rivera Indarte, Sarmiento and other anonymous authors—represent the embodiment of corruption through pure larceny, for whose crimes the Spanish colonial past apparently no longer served as a comparison.
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Duthille, Rémy. « Political Toasting in the Age of Revolutions : Britain, America and France, 1765–1800 ». Dans Liberty, Property and Popular Politics. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474405676.003.0006.
Texte intégralRésumé :
This chapter examines the emergence of political toasting in revolutionary France and during the ‘age of revolutions’ in Britain and America from 1765 to around 1800. Drinking and toasting were integral to the expression of popular politics. Contemporaries and historians have used toast lists as precious, if rough, indexes of popular opinion and, during the 1790s, as evidence of sympathy for the French Revolution and transnational republicanism. Toasting was a common practice in the American colonies and the young republic, and was adopted later in France. David Waldstreicher has shown the crucial role of civic celebrations and convivial gatherings in the forging of a new, republican identity during the American Revolution and in the early years of the republic. In his work on Ireland, Martyn Powell showed how toasting, while drawing on English and American symbolism, displayed an increasing sense of Irishness after the 1760s.
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Halkias, Georgios T. « Timeless Symbolism ». Dans The Oxford Handbook of Tantric Studies, C19.S1—C19.N35. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780197549889.013.19.
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Abstract The life of Śrī Siṃha, the early contemplative patriarch of the teachings of the Great Perfection, is shrouded in mystery. Our knowledge of the life of this teacher is indebted to Tibetan hagiographical records of the Treasure and oral traditions, centuries after the latest date assigned to him in the first half of the ninth century. Śrī Siṃha occupies a seminal role in the Nyingma history of the transmission of the Great Perfection to Tibet and there are a good number of texts attributed to him in the Tengyur, Vairocana’s Collected Tantras, and the Collected Tantras of the Nyingma. With the aim of examining Śrī Siṃha’s contribution to the earliest genealogies of Dzogchen in Tibet, this study will serve as an overview of his works and life by examining traditional methods of explanation of the Great Perfection’s Symbolic Lineage of Transmission.
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Vilain, Robert. « Mapping the Terrain : Symbolism in Vienna in the Early 1890s ». Dans The Poetry of Hugo von Hofmannsthal and French Symbolism, 10–73. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198160038.003.0002.
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Abstract In both published works and private letters, Hofmannsthal had a tendency to slip into a distinctive ‘manifesto’ mode, characterized by categorical statements describing himself and his function as a poetically creative individual in relation to the world.
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Ellis, Katharine. « 1800-1846 ». Dans Interpreting the Musical Past, 3–41. Oxford University PressNew York, NY, 2005. http://dx.doi.org/10.1093/oso/9780195176827.003.0001.
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Abstract The story of early music performance in nineteenth-century France has no clear beginning. Instead, it arises from eighteenth-century traditions that persisted despite changing ideologies brought by the Revolution, the Empire, the Restoration, and the July Monarchy. The new century saw a small number of works between 2 5 and 65 years old by Pergolesi, Durante, Jommelli, Rousseau, and Rameau (the latter heavily diluted)-survive the turmoil of the 1790s and achieve a place in the repertories of Paris’s leading musical institutions: the recently opened Conservatoire, the concerts spirituels, and the Opera.
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Brino, Omar. « Early Writings on Ethics ». Dans The Oxford Handbook of Friedrich Schleiermacher, 417–33. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780198846093.013.25.
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Abstract The short Monologen (1800) and the broad Grundlinien einer Kritik der bisherigen Sittenlehre (1803) argue for an ethical perspective based on mutually “formative” (bildende) interactions between individuals and communities as well as between peculiarity and universality. Whereas in the Monologen this perspective is presented in an “effusive” and “evocative” style, the Grundlinien develop it at a theoretically deeper level, detailing an impressive systematic confrontation with ancient, modern, and contemporaneous philosophers. The Vertraute Briefe über die Lucinde von Schlegel (1800) also consider conjugal love and the relationship of sexes from a “formative” ethical perspective. There are some differences between these early works and the later writings, both in an attenuation of the more “ideal” and “prophetic” aspects and in an accentuation of the “institutional” and “pragmatic” ones; however, the republications of the Monologen until 1829 and the systematic relationships between the Grundlinien and the late academic papers demonstrate a specific continuity on important basic principles of Schleiermacher’s “formative” ethical thought.
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Herold-Zanker, Katharina. « ‘Ex septentrione lux’ ». Dans Decadence and Orientalism in England and Germany, 1880-1920, 179–228. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/9780191990489.003.0005.
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Abstract This chapter traces the development from the cosmopolitan decadence of the 1890s to a nationalist poetry negotiated through the inclusion and exclusion of the East, evident in the works of poet Stefan George. It compares unpublished archival material from the Stefan George Archiv in Stuttgart to George’s later poetry symptomatically referred to as ‘aesthetic fascism’ and situates his work in the larger context of international conservative modernism. As evident from his early letters to his London friend, George stylized himself as the cosmopolitan decadent dandy, embracing symbolist and Orientalist trends from France, Italy, Belgium, and England, which he gathered in his publication of his Blätter für die Kunst and his translation of Baudelaire, Ernest Dowson, and D’Annunzio. The chapter reads his early poetic masterwork Algabal (1892), dedicated to and modelled on King Ludwig II, as a companion piece to Wilde’s Salome in which George celebrates attributes of decadent Orientalism in the poem’s Byzantine splendour. Similar to the influence of ancient architecture on Wilde’s Orientalist writing, George imported pieces of ‘exotic’ architecture into his cycle of poetry. At the end of the 1900s, his ideology gravitated towards a purified poetry acting as a self-critique of his own former attachment to decadent literature. Exclusive of foreign influences and expressive of a messianic vision to reform German culture through a Nietzschean vitalist rather than decadent programme, his later poetic cycles are in dialogue with cultural anxieties of a decline of the West as expressed by contemporary authors Theodor Lessing and Oswald Spengler.
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Velji, Jamel A. « Taʾwīl of an Apocalyptic Transcript I : The Book of Unveiling ». Dans An Apocalyptic History of the Early Fatimid Empire. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9780748690886.003.0004.
Texte intégralRésumé :
This chapter examines the apocalyptic symbolism of one of the first works of taʾwīl attributed to the Fatimids, the Kitāb al-kashf, or Book of Unveiling. After a brief introduction to the apocalyptic elements of the Quran, the chapter shows how the author of the Kitāb al-kashf interpreted the text to argue that the Quran’s descriptions of the end of time in actuality referred to the coming of the awaited eschatological figure, the mahdi. The chapter argues that the Kitāb al-kashf’s taʾwīl of the Quran’s eschatological and apocalyptic imagery created a new transcript whose soteriological structure was centred around belief in and support for the mahdi and his cause.
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‘Connor, Thomas O. « Religious Change, 1550–1800¹ ». Dans The Irish Book in English 1550-1800, 169–93. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780199247059.003.0010.
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Abstract The press was an integral part of the religious revival that swept through early modern Ireland but the different doctrinal, political, and pastoral priorities that separated the reforming agencies, Catholic and Protestant, ensured that the book functioned in confessionally distinctive ways. For reforming Catholics, the encounter with God took place primarily through the sacraments, administered, in Latin, by a trained priest.² Here the potential of the press lay in modernizing the inherited devotional system, largely by providing the clergy with catechetical and homeletical material and supplying the laity with works of piety. For reforming Protestants, on the other hand, God was encountered in the Scriptures, a fact that tied the success of their mission to the provision of the vernacular Bible and form of service.
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Deans, Alex. « ‘At the Grave of Burns’ ». Dans The Oxford Handbook of Robert Burns, 355–64. Oxford University Press, 2024. http://dx.doi.org/10.1093/oxfordhb/9780198846246.013.26.
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Abstract This chapter considers the posthumous reception of Robert Burns and his work in the years following 1800, in relation to the development of British Romanticism, both as an ideology that privileged the individual poetic voice and a phenomenon that responded to the shifting forms of nation, politics, and class. In particular, it traces how James Currie’s 1800 ‘Life of Burns’ and ‘Remarks on the Character and Condition of the Scottish Peasantry’ established a connection between Burns’s works, personal character, and social background to illustrate the moral and political dangers of excessive sensibility. The chapter explores how William Wordsworth in particular drew on Currie’s account of Burns to construct a mode of poetic identity and purpose that was influenced by Burns even as it sought to distance itself from him. The chapter then considers how debates over Burns’s cultural and political symbolism, again based on Currie, fuelled the heated periodical culture of nineteenth-century Scotland.
Actes de conférences sur le sujet "Symbolism – early works to 1800"
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MUȘAT, Liliana. « The manifestation of the symbolism in Romania ». Dans Învățământul superior : tradiţii, valori, perspective. "Ion Creanga" State Pedagogical University, 2023. http://dx.doi.org/10.46727/c.29-30-09-2023.p288-296.
Texte intégralRésumé :
The Symbolist literary movement emerged in Romania in the late 19th and early 20th centuries, heavily influenced by French Symbolism and the works of poets like Baudelaire and Rimbaud. Romanian Symbolism was characterized by a focus on subjective experience, mysticism, and the use of symbols and metaphors to convey deeper meanings. Prominent Romanian Symbolist poets and writers included George Bacovia, Ion Minulescu, and Alexandru Macedonski.
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Musaeva, A. « SYMBOLISM IN THE POETRY BY S. SOKOLKIN AND A. ABDURASHIDOVA ». Dans VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3714.rus_lit_20-21/155-157.
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Symbols play an important role in the lyrics of poets of the late 20th - early 21st centuries. The article is devoted to their identification and study in the works of modern Russian poets: Sergey Sokolkin and Aminat Abdurashidova. The achievements of science, historical processes have had a strong influence on the development of modern poetry. Religious, scientific, folklore symbolism is actively used by these poets to create images in poems.
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PACIURCA, Aliona. « Sources of Inspiration in Composer Tudor Chiriac’s Creations. “Miorița” the Poem ». Dans The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0010.
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Tudor Chiriac has had numerous sources of inspiration in his creations. While the composer has been consistent in terms of composition principles and key concepts, his sources of inspiration have varied greatly showing his inexhaustible originality and endless imagination. Tudor Chiriac has noticed the beauty, originality and virtues of folklore and popular music since his early childhood, and still is to this day fond of the specific national ethos and melos. Tudor Chiriac followed into Constantin Brăiloiu's footsteps when he supported the development of Romanian academic music in its own musical genres. Thus, due to his clear vision of the development of Romanian music and of the background against which the composition techniques specific to the 20th and 21st centuries have evolved, Tudor Chiriac has refined folklore suggestions in his own, unmistakable manner. Myths, fairy tales and legends are another highly attractive source of inspiration for many creators. Their value lies in the connection to the primordial archetypal meaning endowed with a rich, often esoteric symbolism. Tudor Chiriac has used several themes and symbols inspired by Romanian mythosophy. An edifying example is the poem Miorița, generally acknowledged as a masterpiece in terms of the symbiosis of a ballad theme with the most modern compositional techniques. Tudor Chiriac emphasized the semantics of musical works and the creation of an original ideational concept perceptible by the listener. Therefore, he made a rigorous selection of literary creations from poets/writers from both banks of the Prut River, thus enhancing and further emphasizing the message behind his works.