Bibliographies thématiques / Swiss Motion picture plays

Littérature scientifique sur le sujet « Swiss Motion picture plays »

Auteur : Grafiati
Publié le 27 juillet 2024
Mis à jour le 29 juillet 2024

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Articles de revues sur le sujet "Swiss Motion picture plays"

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Pan, Jie, Yu Fu et Ru Xu Du. « Kinematic Analysis of Swiss Lever Escapement ». Advanced Materials Research 945-949 (juin 2014) : 684–89. http://dx.doi.org/10.4028/www.scientific.net/amr.945-949.684.

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The escapement mechanism in a mechanical watch movement plays a critical role. Its purpose is to maintain and count the oscillations of the balance wheel. The timekeeping accuracy is therefore regulated. The motion of the escapement mechanism is highly complicated and no in-depth study on its kinematics has been done by now. This paper investigates the kinematics of the Swiss lever escapement which is used in almost all mechanical watches. One half cycle of the motion is described in different phases. Mathematical models for each key component are developed. Simulation result shows that the model is precise in describing and predicting the motion of the escapement. This method is essential for improving and optimizing the design.
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Djaha, Siti Susanti Mallida. « THE EMERGENCE OF NEW MEDIUM ». Notion : Journal of Linguistics, Literature and Culture 1, no 1 (30 mai 2019) : 21. http://dx.doi.org/10.12928/notion.v1i1.712.

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This study aims at finding the development of new medium of drama in English literary history. From the very first emergence of drama, the plays that have been written were performed in the theater and in many kinds of theater were appears to represent some ideas from the society. As time passing by, these kind of theater had a kind of transformation to be the new medium that we called motion picture. This motion picture began with the silent movie, then it became the talking picture, and it was improved to be the cinema. In its development until today, which we had been known as the movie. This new medium emerged to replace the live theater performance especially in Edwardian era.
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Verma, Himangi, Aditya Vidyarthi, Abhijit V. Chitre, Kirti H. Wanjale, M. Anusha, Ali Majrashi et Simon Karanja Hinga. « Local Binary Patterns Based on Neighbor-Center Difference Image for Color Texture Classification with Machine Learning Techniques ». Wireless Communications and Mobile Computing 2022 (8 août 2022) : 1–11. http://dx.doi.org/10.1155/2022/1191492.

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This is a topic that receives a lot of interest since many applications of computer vision focus on the detection of objects in visually appealing environments. Information about an object’s appearance and information regarding the object’s motion are both used as crucial signals in the process of identifying and recognising any given item. This information is used to characterise and recognise the item. The identification of objects based solely on their outward appearance has been the subject of a substantial amount of research. However, motion information in the recognition task has received only a marginal amount of attention, despite the fact that motion plays an essential role in the process of recognition. In order to analyze a moving picture in a way that is both fast and accurate, it is required to make use of motion information in conjunction with surface appearance in a strategy that has been designed. Dynamic texture is a kind of visual phenomenon that may be characterised as a type of visual phenomenon that shows spatially repeated features as well as some stationary properties during the course of time by using methodologies that are associated with machine learning. The design of modern VLSI systems takes into consideration a larger chip density, which results in a processor architecture with several cores that are capable of performing a wide range of functions (multicore processor architecture). It is becoming more challenging to run such complicated systems without the use of electric power. In order to increase the effectiveness of power optimization strategies while maintaining system performance for text data extraction, it has been developed and put into practice power optimization strategies that are based on scheduling algorithms. Over the last twenty years, texture analysis has been an increasingly busy and profitable field of study. Today, texture interpretation plays a vital role in various activities ranging from remote sensing to medical picture analysis. The absence of tools to newline analyze the many properties of texture pictures was the primary challenge faced by the texture analysis approach. Texture analysis may be roughly categorised as texture classification, texture segmentation, texture synthesis, and texture synthesis. Texture categorization is useful in numerous applications, such as the retrieval of picture databases, industrial agriculture applications, and biomedical applications. Texture categorization relies on three distinct methods, namely, statistical, spectral, and structural methods. Statistical methods are based on the statistical characteristics of the image’s grey level. Features are collected using second order statistical order, autocorrelation function, and grey level co-occurrence matrix function.
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Kunze, Oliver, et Fabian Frommer. « The Matrix vs. The Fifth Element—Assessing Future Scenarios of Urban Transport from a Sustainability Perspective ». Sustainability 13, no 6 (22 mars 2021) : 3531. http://dx.doi.org/10.3390/su13063531.

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The future of urban transport (including passenger transportation and goods logistics) may develop in significantly different directions. Depending on changes in urban behavior, and depending on decisions made by lawmakers and governmental bodies, as well as by commercial players, this future may show a significantly reduced mobility of people and goods (for example, as depicted in the motion picture The Matrix, where people live immobilized in cocoons) or a significantly increased mobility (for example, as depicted in the motion picture The Fifth Element, where multiple layers of air traffic are added to road and rail traffic). We applied a systems thinking method to create a model for political decision makers and researchers. This model can contribute to a better understanding of the interrelations of societal factors (e.g., behavioral changes in the current COVID-19 situation), technological factors (e.g., the role of data traffic or emerging urban air traffic) and environmental factors (e.g., noise or CO2 emissions) in an urban mobility and logistics system. The research also shows that data traffic has the potential to partially substitute physical passenger and goods traffic under certain circumstances. Thus, data networks should conceptually be regarded as a new mode of transport that plays a role in the urban modal split.
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Ruban, Dmitry A. « Did plate tectonics control the generic diversity of Jurassic brachiopods ? One point of view ». Geologos 24, no 1 (1 mars 2018) : 79–84. http://dx.doi.org/10.2478/logos-2018-0006.

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Abstract Possible plate tectonic controls on faunal diversity dynamics have been discussed in the geological literature for around 50 years. The new model of plate tectonic processes is here linked to Jurassic generic diversity (simple α-diversity) of brachiopods. This comparison offers three observations, four hypotheses and three unresolved issues. Most importantly, changes in the global plate root mean square speed coincided with brachiopod diversity dynamics, which can be explained hypothetically by either environmental disturbance triggered by more active plate motion or activity of any process (such as eustasy) tied to plate tectonic mechanisms and with an impact on marine benthic communities. It is also established that global generic diversity dynamics of brachiopods during the Jurassic coincided with the regional picture as established for the Northern Caucasus and the Swiss Jura Alps; this coincidence is difficult to explain with regard to plate tectonics. These and other speculative considerations do not clarify the role of the plate tectonic factor in Jurassic generic diversity dynamics of brachiopods, and, thus, they indicate important issues for further research.
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Park, Sangyoub, et Eui Hang Shin. « Patterns of Market Polarization and Market Matching in the Korean Film Industry ». Journal of East Asian Studies 4, no 2 (août 2004) : 285–300. http://dx.doi.org/10.1017/s1598240800001843.

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Despite its embedded ambiguity, conventional wisdom tends to prevail over time. This may be because old adages recurrently embrace some ingredients of truth. As James A. Mathisen highlights, conventional wisdom plays a significant role in constituting knowledge as a starting point. For many people, numerous adages (the rich get richer while the poor get poorer; birds of a feather flock together) are most commonly perceived as true. More interestingly, the accuracy of the two folk wisdoms appears to be more salient in culture-producing industries, including the motion picture industry. Concomitantly, the two adages have long been connected to diverse societal phenomena and sociological knowledge.
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Ambrosetti, Julia, Laura Macheret, Aline Folliet, Alexandre Wullschleger, Andrea Amerio, Andrea Aguglia, Gianluca Serafini et al. « Impact of the COVID-19 Pandemic on Psychiatric Admissions to a Large Swiss Emergency Department : An Observational Study ». International Journal of Environmental Research and Public Health 18, no 3 (28 janvier 2021) : 1174. http://dx.doi.org/10.3390/ijerph18031174.

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The coronavirus disease 2019 (COVID-19) pandemic is a public health emergency with profound mental health consequences. The psychiatric emergency department (ED) plays a key role during this mental health crisis. This study aimed to investigate differences in admissions at a Swiss psychiatric ED from 1 April to 15 May during a “pandemic-free” period in 2016 and a “during-pandemic” period in 2020. The study included 579 consultations at psychiatric ED in the “during-pandemic” period and 702 in the “pandemic-free” period. Sociodemographic and clinical characteristics were compared, and logistic regression analysis was performed to identify variables associated with psychiatric admissions during the pandemic. A reduction in total psychiatric ED admissions was documented during COVID-19. Logistic regression analysis predicted the independent variable (ED admission during the pandemic) and estimated odds ratio (OR) for being unmarried/not in a relationship, arrival in an ambulance, suicidal behavior, behavioral disorders and psychomotor agitation. Though only statistically significant in bivariate analysis, patients were also more likely to be involuntarily hospitalized. This picture appears to be reversed from a sociodemographic and clinical point of view to our observation of psychiatric ED consultation in 2016. These findings highlight that the reduction in psychiatric ED admissions during the pandemic seems to be associated with living alone and more severe psychopathologies, which must alert psychiatrists to ensure access to mental health care in times of pandemic.
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Purwono, Prahoro Yudo. « Citraan pada Kumpulan Puisi Bertema Musim Gugur Karya Goethe ». JURNAL Al-AZHAR INDONESIA SERI HUMANIORA 6, no 2 (30 septembre 2021) : 107. http://dx.doi.org/10.36722/sh.v6i2.624.

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<p><strong>Imagery plays an important role in literary works, and poetry is no exception. In Goethe's poetry, the romantic era which tries to describe the beauty of nature as the main object is very strong. One of the natural beauties that are trying to be described and famous is autumn in Germany. This natural phenomenon is trying to be described through imagery, so readers need to understand the imagery in poetry to get a clear picture and understand the intent or message in the poem. This study aims to describe the meaning related to imagery and the types of imagery contained in Goethe's poems. The research method used is qualitative with the theory of Pradopo. The results showed that in the process of understanding the images or images contained in poetry, an understanding of the meaning contained in the poem as a whole was needed to get a clear picture. Meanwhile, based on the results of the analysis, found 4 types of imagery in Goethe's autumn-themed poetry, namely visual imagery, auditory imagery, tactile imagery, and motion imagery. The number of each image is 8 visual images, 2 auditory images, 2 tactile images, and 3 motion images.</strong></p><p><strong><strong><em>Keywords</em></strong>–</strong><em>Goethe, Imagery, Poetry</em><em>, Herbsgedichte</em></p>
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Miller, Laurence. « Classification of Psychopathology According to a Scientific (Psychology and Psychiatry) and an Artistic (Film Noir) Perspective ». Psychological Reports 61, no 1 (août 1987) : 287–99. http://dx.doi.org/10.2466/pr0.1987.61.1.287.

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Psychopathology can be studied from a scientific or artistic perspective. While there are important differences between the two perspectives, similarities also exist. Recognition of these similarities and differences provides a treatment of psychopathology different than that provided by either perspective alone. The classification by the sciences of psychology and psychiatry and the art-form motion picture genre called film noir is discussed. Film noir was chosen because, like psychology and psychiatry, psychopathology plays a central role, and it is presented in a cohesive and consistent manner. Classification is discussed in the context of the Diagnostic and Statistical Manual of Mental Disorders (DSM). If film noir is classified according to DSM, it can be seen that film noir presented almost all of the classes of psychopathology and many of the categories, as well as several other important aspects about psychopathology.
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Rhimi, M. N., R. El-Bahi et A. W. Cheikhrouhou. « Classical harmonic oscillator approach of a helical-wiggler free-electron laserwith axial guide field ». Canadian Journal of Physics 78, no 12 (1 décembre 2000) : 1069–85. http://dx.doi.org/10.1139/p00-083.

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Electron beam dynamics in a helical-wiggler free-electron laser (FEL) with a uniform axial guide magnetic field are studied using a three-dimensional Hamiltonian approach. The basic feature of the analysis is the definition of a rotational variable, [Formula: see text], that plays the primordial role in lowering to the half the dimension of the quadratic Hamiltonian as a system of two uncoupled oscillators with definite frequencies and amplitudes. It is through applying this variable in the vicinity of a fixed point that the Heisenberg picture of the dynamics of the particles comes to light, leading thus to the association of the steady-state ideal helical trajectories with arbitrary trajectories. The approach recognized the usual two constants of motion, one being the total energy while the other is the canonical axial angular momentum, Pz'. If the value of the latter is such that a fixed point exists, the Hamiltonian is expanded about the fixed point up to second order. The so-obtained oscillator characteristic frequencies allowed one to study the different modes of propagation and to identify, and then avoid the problematic operating conditions of the FEL concerned. On the other hand, the amplitudes of the oscillations, which do depend on the frequencies, are fortunately found to be constants of motion and then controlled by the boundary conditions (initial conditions). PACS Nos.: 52.40-w, 52.60+h, 42.55.Tb, 52.75Ms
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Thèses sur le sujet "Swiss Motion picture plays"

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Pramik, Nicole R. « Chaotic angel ». Huntington, WV : [Marshall University Libraries], 2007. http://www.marshall.edu/etd/descript.asp?ref=730.

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Perkins, Margaret. « Song of Bacchus a thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts (Communication Studies), Auckland University of Technology, 2004 ». Full thesis. Abstract, 2004.

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Abruzzi, Geoffrey. « Three screenplays ». To access this resource online via ProQuest Dissertations and Theses @ UTEP, 2008. http://0-proquest.umi.com.lib.utep.edu/login?COPT=REJTPTU0YmImSU5UPTAmVkVSPTI=&clientId=2515.

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Cooper, Madeline. « Exegesis and screenplay for a feature film entitled : PictureSque a dissertation submitted to Auckland University of Technology in partial fulfilment of the requirements for the degree of Bachelor of Communication Studies (Honours) (BCS(Hons)), 2008 / ». Click here to access this resource online, 2008.

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Snead, Nicholas DeVan. « Fabulistic : Examination and application of narratology and screenplay craft ». CSUSB ScholarWorks, 2011. https://scholarworks.lib.csusb.edu/etd-project/3320.

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This project contains a literature review, a discussion, and an original feature length screenplay. The review of literature examines the various structuralist-inspired theories of narratology and the three-act structure method of screenplay construction.
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Melville, Andrew. « Exegesis and screenplay for a film entitled Mangrove a thesis submitted to the Auckland University of Technology in partial fulfilment of the degree of Master of Arts (Communication Studies), August 2004 ». Full thesis. Abstract, 2004.

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Exegesis (MA--Communication Studies) -- Auckland University of Technology, 2004.
Title page and table of contents missing from e-thesis. Also held in print (14 p., 30 cm.) in Wellesley Theses Collection (T 791.4372 MEL)
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Armanno, Venero. « Three screenplay adaptations and the ownership effect ». Thesis, Queensland University of Technology, 2003.

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This PhD consists of three screenplays adapted from my novels and an exegesis which explores the involvement and influences producers have had on the eventual screenplay outcomes. In developing a first draft of original screenplays writers often work alone and without critical feedback, development assistance or encouragement from third parties. The writing process can continue in this way for some time, through many drafts, until the writer either abandons the project or finds some development assistance either from government film support agencies, producers, or both. At that stage, the writer enters a new creative process which involves collaboration, negotiation, and a series of artistic and institutional expectations which will no longer be theirs alone. In the situation where a producer options an existing creative work, such as a novel, and commences an adaptation project, this scriptwriting collaborative process will start much earlier. This is usually the case when a producer options a novel and employs a scriptwriter to create a film version of that story. The scriptwriter must attempt to meet the aesthetic requirements of the material at hand, yet also meet the film expectations that exist in the producer's mind - who, in his or her imagination, will already have cast, filmed and screened the film adaptation on a mental canvas. Where the screenplay adaptor is also the creator of the original material, a series of questions are raised which affect the rights of the original writer to maintain some control over their material balanced against the rights of the producer (the material's new "proprietor") to tell the story in whichever way he or she thinks is best. This exploration is balanced by studying practitioner accounts of the novel to film adaptation process, and by considering the critical literature on the subject. The exegesis argues that when a producer takes ownership of a novel's screen rights, he or she can have a marked affect on the screenplay adaptation process. The reinterpretation of that material for the screen can be more closely aligned to the producer-proprietor's expectations than those of the original creator or the screenwriter employed to write the novel to film adaptation.
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Eggert, Silke. « Exegesis and screenplay for a film entitled : Spaces between us a thesis submitted to the AUT University in partial fulfilment of the degree of Masters of Communication studies (MCS), 2008 / ». Click here to access this resource online, 2008. http://hdl.handle.net/10292/482.

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Su, Xinxin. « Genesis : a feature screenplay / ». Online version of thesis, 2009. http://hdl.handle.net/1850/8692.

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McVeigh, Kathryn Margaret. « Work in progress : the writing of Short changed ». Thesis, Queensland University of Technology, 1999.

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Work in Progress - the Writing of Short Changed is the account of the script writing process I developed and followed in the writing of the first draft of the Low Budget feature film, Short Changed. It is a process that was developed by a combination of guidance, mentorship, research, experiment and talking with and listening to other writers during the 1998 Pacific Film and Television Commission's New Writer's Workshop. Short Changed was written over a six month period. During the previous year I had intermittently researched and pondered on the knowledge of an event that had invaded my mind. In the process of writing Short Changed, I have learnt much about the craft of screen writing and I have developed an approach which I intend to use in the writing of future screenplays. There are many ways to write a screenplay. My goal as a writer was to find the way that worked for me; to find the process that created a screenplay that embodied the hallmarks of both creativity and craft. As an accomplished writer of expository prose, I was searching for the key that would unlock the door to the world of writing creative fiction. This document is a reflective account of my creative writing process. It includes the exploration and actualization of the complex and intricate workings of the mind.
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Livres sur le sujet "Swiss Motion picture plays"

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Bowie, Tom. 3 screen plays for reading. St. Charles, IL : Seven Oaks Press, 1991.

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Fassbinder, Rainer Werner. Fassbinders Filme. Frankfurt am Main : Verlag der Autoren, 1990.

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Towne, Robert. Chinatown ; The last detail : Screenplays. New York : Grove Press, 1997.

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Rājēndran, Lenin. Anyar. Ālappul̲a : Phēbian Buks, 2004.

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Jarman, Derek. Up in the air : Collected film scripts. London, England : Vintage, 1996.

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Allen, Woody. Three films of Woody Allen. New York : Vintage Books, 1987.

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Delluc, Louis. Drames de cinéma : Scénarios et projets de films. Paris : Cinémathèque française, 1990.

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Ismael, Caneppele, dir. Os famosos e os duendes da morte : Baseado no livro homônimo de Ismael Caneppele : versão final, 27/06/08. São Paulo : Imprensa Oficial, 2010.

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Khouri, Callie. Thelma and Louise : Screenplay. London : ScriptCity, 1990.

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Edward, Burns. Three screenplays. New York : Hyperion, 1997.

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Chapitres de livres sur le sujet "Swiss Motion picture plays"

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« Annotated Films and Plays ». Dans The Hollywood Motion Picture Blacklist, 185–92. The University Press of Kentucky, 2022. http://dx.doi.org/10.2307/j.ctv2ndwxd0.14.

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Stokes, Melvyn. « Thomas Dixon Jr. » Dans D. W. Griffith’s The Birth of a Nation, 27–54. Oxford University PressNew York, NY, 2008. http://dx.doi.org/10.1093/oso/9780195336788.003.0003.

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Abstract The essential narrative and the principal fictional characters of The Birth of a Nation were originally created by Thomas Dixon Jr. Any attempt to understand the genesis of the film, therefore, must start with Dixon. Successively lawyer, politician, minister, lecturer, novelist, dramatist, actor, theatrical and motion picture producer, and real estate entrepreneur, he was a man of tremendous energy, considerable versatility, and enormous ambition. Almost forgotten nowadays, he was a significant figure in early twentieth-century American culture. He was a highly successful minister and popular lecturer. His novels, frequently addressing racial issues, enjoyed huge sales. He also wrote a number of plays that attracted large, enthusiastic audiences. The popularity of Dixon’s novels and plays, indeed, suggests that the issues he addressed struck a responsive chord among many Americans of his time.
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Sheen, Erica. « Economic Iron Curtains ». Dans Geopolitical Shakespeare, 71–90. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/9780191995163.003.0004.

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Abstract This chapter presents an account of the confrontation between British actor Laurence Olivier and American producer David O. Selznick over what were effectively rights of property in films of Shakespeare plays. In April 1946, Selznick registered the titles of seven Shakespeare plays, including Hamlet, with the Title Registration Bureau of the Motion Picture Association of America. Following his refusal to allow Vivien Leigh to take the part of Katherine in Henry V, Selznick used this registration to try to frustrate Olivier’s plans for his celebrated production of Hamlet. The chapter discusses the importance of Shakespearean films in the internationalist milieu of the post-war American film industry, and tracks Selznick’s deployment of title registration as a form of industrial espionage into the anti-communist backlash of HUAC and the post-Marshall Plan stand-off between the British and American film industries in 1947–8.
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Decherney, Peter. « 1. Before Hollywood ». Dans Hollywood : A Very Short Introduction, 5–18. Oxford University Press, 2015. http://dx.doi.org/10.1093/actrade/9780199943548.003.0002.

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‘Before Hollywood’ describes how early film technology and storytelling methods developed out of older media. It begins with Thomas Edison’s Vitascope and the first dedicated movie theaters—nickelodeons—which began to appear around 1903. Around 1908–9, filmmaking and the film industry underwent a number of changes: established film companies started to court a middle-class audience in order to expand the industry’s reach; production companies made films based on novels and Broadway plays; and stories began to be told in new ways. The creation of the trust, Motion Picture Patents Company, in 1908 and the rise of independents saw a restructuring of the American film industry.
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Rubin, Yoram. « The Lagrangian Picture, Part I : Fundamentals of the Lagrangian Approach to Solute Transport ». Dans Applied Stochastic Hydrogeology. Oxford University Press, 2003. http://dx.doi.org/10.1093/oso/9780195138047.003.0014.

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This chapter explores the principles of the Lagrangian approach to solute transport, with an emphasis on the dispersive action of the spatial variability of the velocity field. We start by developing the tools for characterizing the displacement of a single, small solute particle that will subsequently be used for characterization of the concentration’s variability and uncertainty, and we continue with a discussion of the stochastic description of solute travel times and fluxes. The principles presented in this chapter will be employed in chapter 10 to derive tools for applications such as macrodispersion coefficients, solute travel time moments, the moments of the solute fluxes and breakthrough curves, and transport of reactive solutes. As has been observed in many field studies and numerical simulations, the motion of solute bodies in geological media is complex, making the geometry of the solute bodies hard to predict. Furthermore, the concentration varies erratically, sometimes by orders of magnitude, over very short distances. The variability of the velocity field plays a significant role in shaping this complex geometry, and makes it impossible to characterize the concentration field deterministically. The alternatives we will pursue include characterizing the concentration through its moments such as the expected value and variance, and other descriptors of transport such as solute fluxes and travel times. This line was pursued in chapter 8 using the Eulerian framework. In this chapter we pursue this line from the Lagrangian perspective. Applications of these concepts are presented in chapter 10. Let us consider the displacement of a marked solute particle over time.
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Lupack, Barbara Tepa. « Introduction ». Dans Silent Serial Sensations, 1–13. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501748189.003.0001.

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This introductory chapter provides an overview of the serial motion picture. Typically two-reel action-packed films that ran for ten, fifteen, or more installments, serials often ended with a cliffhanger and a promise “to be continued next week.” Episodically structured and suspensefully plotted, they not only served as the precursors of the popular installment dramas and crime procedurals that have become staples of modern network and cable television programming; they also anticipated the extended incremental storytelling methods and “thrilling episodes of inescapable fatality and hair-breath escapes” that later filmmakers would exploit in commercial blockbusters such as the Star Wars series and the Indiana Jones and Marvel movie franchises. Moreover, serials helped to forge a strong link between the print and the film industries. The chapter then traces the evolution of the serial form, looking at an early twelve-part Edison production, What Happened to Mary, whose first installment was released on July 26, 1912. It also describes the serial The Perils of Pauline (released beginning March 23, 1914), which not only heightened interest in the genre; it also immortalized its star, Pearl White, and became the most famous of all the early chapter plays. However, it was the pioneering serials produced by filmmakers Ted and Leo Wharton that would have the most profound and sustained impact on the genre.
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