Littérature scientifique sur le sujet « Supernatural on television »
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Articles de revues sur le sujet "Supernatural on television"
Kruuse, Kristiina, et Veronika Kalmus. « Supernatural Creatures, Accidents, and War ». Television & ; New Media 18, no 3 (1 août 2016) : 252–68. http://dx.doi.org/10.1177/1527476416652692.
Texte intégralWali, Rujum, Husin Anang Kabalmay et Husen Maswara. « Penayangan Acara Supranatural di Media Televisi (Tinjauan Hukum Islam) ». HORIZON : Indonesian Journal of Multidisciplinary 1, no 1 (30 avril 2023) : 44–57. http://dx.doi.org/10.54373/hijm.v1i1.74.
Texte intégralValenzano, Joseph M., et Erika Engstrom. « Homilies and Horsemen : Revelation in the CW’s Supernatural ». Journal of Communication and Religion 36, no 1 (2013) : 50–72. http://dx.doi.org/10.5840/jcr20133613.
Texte intégralŁuksza, Agata. « Boy Melodrama : Genre Negotiations and Gender-Bending in the Supernatural Series ». Text Matters, no 6 (23 novembre 2016) : 177–94. http://dx.doi.org/10.1515/texmat-2016-0011.
Texte intégralKoszela, Aleksandra. « The Leviathans in the Television Series ‟Supernatural” ». Literatura i Kultura Popularna 22 (6 septembre 2017) : 101–9. http://dx.doi.org/10.19195/0867-7441.22.7.
Texte intégralDarwish, Ibrahim, et Noora Abu Ain. « Foul Language on Arabic Television : A Case Study of the First Jordanian Arabic Netflix Series ». Academic Journal of Interdisciplinary Studies 9, no 1 (10 janvier 2020) : 83. http://dx.doi.org/10.36941/ajis-2020-0007.
Texte intégralNeal, Lynn S. « Review : Television, Religion, and Supernatural by Erika Engstrom and Joseph M. Valenzano III ». Nova Religio 20, no 1 (1 août 2016) : 131–32. http://dx.doi.org/10.1525/novo.2016.20.1.131.
Texte intégralMoldovan, Raluca. « “That Show You Like Might Be Coming Back in Style” : How Twin Peaks Changed the Face of Contemporary Television ». American, British and Canadian Studies Journal 24, no 1 (1 juin 2015) : 44–68. http://dx.doi.org/10.1515/abcsj-2015-0003.
Texte intégralKienzl, Lisa. « "You're My True Vessel" : Knowledge and Digital Fan Culture Discussed on the Basis of Mediumship and Possession in Supernatural's Narrative and Fandom ». Journal of Religion, Media and Digital Culture 3, no 1 (6 décembre 2014) : 155–80. http://dx.doi.org/10.1163/21659214-90000044.
Texte intégralEhab El-Qushayri, Amr, et Amira Yasmine Benmelouka. « Sociodemographic predictors of beliefs about getting HIV infection by witchcraft or supernatural means : A population-based study of 15335 Senegalese women ». African Health Sciences 24, no 1 (1 avril 2024) : 36–41. http://dx.doi.org/10.4314/ahs.v24i1.6.
Texte intégralThèses sur le sujet "Supernatural on television"
Costa, Sarah Moralejo da [UNESP]. « Supernatural na web : produção e reprodução audiovisual em suporte convergente ». Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/89376.
Texte intégralCoordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
A diversidade de suportes e mídias que povoam o mercado tecnológico atualmente desperta preocupações por parte dos produtores de conteúdo cultural comercial devido principalmente à necessidade de atender a um novo público que busca cada vez mais interagir com narrativas, com os produtores e com demais consumidores. A web, com suas ferramentas de interatividade e construção coletiva de conhecimento, se destaca como ponto de união de interesses tanto de produtores, com a maior variabilidade de suas narrativas, quanto dos consumidores, com suas diversas formas de fruição de conteúdo. Partindo da hipótese de que as ferramentas da web interferem na forma de fruição, o objetivo da pesquisa se volta para a identificação dessas ferramentas e análise crítica de sua utilização na transmissão de conteúdo audiovisual na web. A pesquisa se debruça sobre um produto audiovisual, a série de TV Supernatural, buscando observar quais são as ferramentas envolvidas no processo de convergência midiática entre televisão e internet, mais especificamente, a apropriação feita pelo público do conteúdo audiovisual para sua transmissão na web, originalmente produzido para a TV. O objetivo é compreender criticamente esse deslocamento de conteúdo e qual a importância das características da web para essa dinâmica, buscando responder quais recursos midiáticos estão disponíveis para transmissão de conteúdo audiovisual. Esta observação se faz a partir da análise de três sites distintos, com formas diferentes de disponibilização do conteúdo de série Supernatural, buscando uma gama maior de ferramentas disponíveis próprias da web
The diversity in media and supports which populate the technology market nowadays brings about some worry on the part of the producers of culturally commercial content due, mainly, to the need of catering to a new public who looks more and mor to interact with the narrative, with said producers and with other consumers of such media. The web, with its interactivity tools and collective construction of knowledge, comes across as union focus of of interests from the part of the producers, with a greater varibility of its narratives, and also from the part of the consumers, with its many ways of fruition of such content. Coming from the bypothesis that the web-tools interfere in the ways of fruition, the aim of this research is to turn is focus on the identification of these tools and on the critical analysis of its usage in the transmission of audiovisual content over the web. The research focu on an audiovisual product, the TV series Supernatural, aiming to observe what are the tools involved in the media convergence process between television and the internet, more specifically, the appropriation made by the public of the audiovisual content for its transmission on the web, originally produced for the TV. The goal is to critically understand such content displacement and what is the importance of the web characteristics for this dynamic, trying to answer what media resources are available for the transmission of audiovisual content. This observation is made by the analyses of three distinct websites, with different ways of release of the content of the series Supernatural, trying to achieve e bigger frame of reference on the tools available over the web
Costa, Sarah Moralejo da. « Supernatural na web : produção e reprodução audiovisual em suporte convergente / ». Bauru : [s.n.], 2012. http://hdl.handle.net/11449/89376.
Texte intégralBanca: Rogério Ferraraz
Banca: Mauro de Souza Ventura
Resumo: A diversidade de suportes e mídias que povoam o mercado tecnológico atualmente desperta preocupações por parte dos produtores de conteúdo cultural comercial devido principalmente à necessidade de atender a um novo público que busca cada vez mais interagir com narrativas, com os produtores e com demais consumidores. A web, com suas ferramentas de interatividade e construção coletiva de conhecimento, se destaca como ponto de união de interesses tanto de produtores, com a maior variabilidade de suas narrativas, quanto dos consumidores, com suas diversas formas de fruição de conteúdo. Partindo da hipótese de que as ferramentas da web interferem na forma de fruição, o objetivo da pesquisa se volta para a identificação dessas ferramentas e análise crítica de sua utilização na transmissão de conteúdo audiovisual na web. A pesquisa se debruça sobre um produto audiovisual, a série de TV Supernatural, buscando observar quais são as ferramentas envolvidas no processo de convergência midiática entre televisão e internet, mais especificamente, a apropriação feita pelo público do conteúdo audiovisual para sua transmissão na web, originalmente produzido para a TV. O objetivo é compreender criticamente esse deslocamento de conteúdo e qual a importância das características da web para essa dinâmica, buscando responder quais recursos midiáticos estão disponíveis para transmissão de conteúdo audiovisual. Esta observação se faz a partir da análise de três sites distintos, com formas diferentes de disponibilização do conteúdo de série Supernatural, buscando uma gama maior de ferramentas disponíveis próprias da web
Abstract: The diversity in media and supports which populate the technology market nowadays brings about some worry on the part of the producers of culturally commercial content due, mainly, to the need of catering to a new public who looks more and mor to interact with the narrative, with said producers and with other consumers of such media. The web, with its interactivity tools and collective construction of knowledge, comes across as union focus of of interests from the part of the producers, with a greater varibility of its narratives, and also from the part of the consumers, with its many ways of fruition of such content. Coming from the bypothesis that the web-tools interfere in the ways of fruition, the aim of this research is to turn is focus on the identification of these tools and on the critical analysis of its usage in the transmission of audiovisual content over the web. The research focu on an audiovisual product, the TV series Supernatural, aiming to observe what are the tools involved in the media convergence process between television and the internet, more specifically, the appropriation made by the public of the audiovisual content for its transmission on the web, originally produced for the TV. The goal is to critically understand such content displacement and what is the importance of the web characteristics for this dynamic, trying to answer what media resources are available for the transmission of audiovisual content. This observation is made by the analyses of three distinct websites, with different ways of release of the content of the series Supernatural, trying to achieve e bigger frame of reference on the tools available over the web
Mestre
Boggs, April R. « No Chick Flick Moments : 'Supernatural' as a Masculine Narrative ». Bowling Green, Ohio : Bowling Green State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1237564610.
Texte intégralHerrmann, Andrew F. « Re-Discovering Kolchak : Elevating the Influence of the First Television Supernatural Drama ». Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etsu-works/811.
Texte intégralBeatrice, Abrahamsson. « ”What, so genesis is a lie ? Shocker.” : en kvalitativ studie om banal religion i TV-serien Supernatural ». Thesis, Uppsala universitet, Religionssociologi, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-295500.
Texte intégralHerrmann, Andrew F. « Discourses of Horror TV : Kolchak, Twin Peaks, and the Supernatural Drama ». Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/792.
Texte intégralDahlqvist, Ingeborg. « Competitive Talk and the Three Main Characters in Supernatural ». Thesis, Mälardalens högskola, Akademin för utbildning, kultur och kommunikation, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-14387.
Texte intégralHerbig, Art, et Andrew F. Herrmann. « Polymediated Narrative : The Case of the Supernatural Episode "Fan Fiction" ». Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/757.
Texte intégralJohansson, Emelie. « Up against Good, Evil, Destiny, and God himself ». Thesis, Högskolan Dalarna, Bildproduktion, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:du-27069.
Texte intégralHauser, Brian Russell. « Haunted Detectives : The Mysteries of American Trauma ». Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1227020699.
Texte intégralLivres sur le sujet "Supernatural on television"
Knight, Nicholas. Supernatural : The official companion. London : Titan, 2007.
Trouver le texte intégralKnight, Nicholas. Supernatural : The official companion, season 6. London : Titan Books, 2011.
Trouver le texte intégralEric, Kripke, dir. Supernatural : The official companion, season 7. London : Titan Books, 2012.
Trouver le texte intégralEric, Kripke, dir. Supernatural : The official companion, season 5. London : Titan Books, 2010.
Trouver le texte intégralAlexander, Irvine. The Supernatural book of monsters, spirits, demons and ghouls. London : Titan, 2009.
Trouver le texte intégralIrvine, Alexander C. The Supernatural Book of Monsters, Spirits, Demons and Ghouls. New York : HarperCollins, 2008.
Trouver le texte intégralPilato, Herbie J. Bewitched forever : The immortal companion to television's most magical supernatural situation comedy. 2e éd. Irving, Tex : Summit Pub. Group, 2001.
Trouver le texte intégralPilato, Herbie J. Bewitched forever : The immortal companion to television's most magical supernatural situation comedy. Arlington, Tex : Summit Pub. Group, 1996.
Trouver le texte intégralGreen, Paul. Encyclopedia of weird westerns : Supernatural and science fiction elements in novels, pulps, comics, films, television, and games. Jefferson, N.C : McFarland & Co., Publishers, 2009.
Trouver le texte intégralGreen, Paul. Encyclopedia of weird westerns : Supernatural and science fiction elements in novels, pulps, comics, films, television and games. Jefferson, N.C : McFarland & Co., Publishers, 2009.
Trouver le texte intégralChapitres de livres sur le sujet "Supernatural on television"
Morimoto, Lori. « From Imagined Communities to Contact Zones ». Dans Transatlantic Television Drama, 273–90. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190663124.003.0017.
Texte intégralBooth, Paul. « Crossing over the Atlantic ». Dans Transatlantic Television Drama, 291–304. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190663124.003.0018.
Texte intégralAbbott, Stacey. « A Very Slow Apocalypse : Zombie TV ». Dans Undead Apocalypse. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9780748694907.003.0005.
Texte intégralSayad, Cecilia. « Seeking ghosts ». Dans The Ghost in the Image, 19–40. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190065768.003.0002.
Texte intégralHallam, Lindsay. « Cherry Pie Wrapped in Barbed Wire : Fire Walk With Me as a Horror Movie ». Dans Twin Peaks : Fire Walk with Me, 27–74. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781911325642.003.0003.
Texte intégralViskontas, Indre. « The Challenges of Changing Minds : How Confirmation Bias and Pattern Recognition Affect Our Search for Meaning ». Dans Pseudoscience. The MIT Press, 2018. http://dx.doi.org/10.7551/mitpress/9780262037426.003.0021.
Texte intégral« “The Devil Made Me Do It!” : Representing Evil and Disarticulating Mind/Body in the Supernatural Serial Killer Film ». Dans The Changing Face of Evil in Film and Television, 71–87. Brill | Rodopi, 2007. http://dx.doi.org/10.1163/9789401205276_006.
Texte intégralHayes, Marisa C. « A Curse is Born – Context and Background ». Dans Ju-On : The Grudge, 11–20. Liverpool University Press, 2017. http://dx.doi.org/10.3828/liverpool/9781911325291.003.0002.
Texte intégralDixon, Wheeler Winston. « A Working Director ». Dans The Films of Terence Fisher, 147–80. Liverpool University Press, 2017. http://dx.doi.org/10.3828/liverpool/9781911325345.003.0004.
Texte intégralGrimm, Joshua. « Introduction ». Dans It Follows, 7–10. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781911325581.003.0001.
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