Thèses : « Storming of the Bastille »

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Brennan, Patricia L. « Storming the ramparts, employment equity and the military ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0011/MQ32904.pdf.

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Steffel, Jennifer Elaine. « Storming the suburban fortress : understanding the NIMBY phenomenon ». Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23704.

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The ubiquitous settlement pattern of the American suburb is in fact a carefully constructed reality. Because the vision of the home in the suburbs is very deeply rooted, any development which is considered threatening to this image is met with a defensive reaction. Too often, however, when these NIMBY ("Not In My Back Yard") sentiments are permitted to dictate what is acceptable in a community, housing affordable to low- and moderate-income households is purposely excluded.
This thesis explores the processes by which discriminatory NIMBY sentiments are realized as legal development regulations in contemporary suburbs. The historic evolution of the suburbs and the psychological foundations behind their typical characteristics are presented as the sources of a suburban value structure which esteems NIMBY. Suburban governments are mandated to represent their constituents' values, but exclusionary development controls are a complex product of constituent demands, fiscal constraints, and constitutional limits.
This analysis reveals that legislative responsibility often bows to political weakness. NIMBY groups use political pressure to manipulate municipal governments into using their vast discretionary powers over development as a weapon for exclusion. In response to either political or fiscal motivations, legislators pressure planners to validate discriminatory legislative agendas with their plans, thus undermining their abilities to guide growth effectively. Although the process of development regulation is well-grounded in historic and legal precedents, when legislation is used for discriminatory ends, citizens' civil and property rights are jeopardized. This thesis explains how regulations such as zoning ordinances can be used for exclusion when municipal government disregards its mandate to be the guardian of the general welfare.
Increased awareness of both the motivations and the manifestations of the NIMBY phenomenon may enable individuals as well as lawmakers to create a more equitable suburbia.

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Robveille, Yolande. « Les ateliers-lofts de la bastille. Urbanite et parole habitante ». Paris 8, 1989. http://www.theses.fr/1989PA080413.

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Les ateliers-lofts de la bastille. Description d'un micro-phenomene exprimant un desir habitant en resonnance avec la reconquete de la forme originelle de l'urbanite comment des amoureux de l'urbain concoivent leur territoire au sein des megalopoles. Comment une fois de plus des minoritaires (artistes,marginaux) fabriquent une mode qui meme recuperee par les professions liberales est significative d'une volonte de reconstruction d'un espace urbain favorable a l'homme. Presentation du quartier, des lieux, des gens, paroles de leur vecu habitant et elements d'analyse sont retranscrits dans ce memoire ainsi que dans le film video qui en fait partie
Description of a micro-phenomena that means a desire of dwelling dealing with reconquest of urbanity's original feature. How people liking downtown living think about their own territory inside megalopolis. Once more, how minirities (artists,marginals) create new fashions expressing a will of rebuilding an urban spice favorable to man. Even if then recovered by other social groups as liberal professions. Introduction to the neighbourhood, the places, the dwellings, the people, how they live and how they talk from it, and all elements pf analysis are also showed in the video movie which is part of this work

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Barnet, Belinda. « Storming the interface : hypertext, embodied flows and fast-forward feedback loops / ». Title page, contents and conclusion only, 1997. http://web4.library.adelaide.edu.au/theses/09AR/09arb261.pdf.

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Assennato, Marco. « Une Marseillaise sans Bastille à prendre : Manfredo Tafuri enquête par la philosophie ». Thesis, Paris Est, 2017. http://www.theses.fr/2017PESC1019/document.

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Depuis quelques années, une certaine récupération des idées de Manfredo Tafuri est en cours. Pourtant cette diffusion d'idées n'est pas exempte d’incompréhensions et de malentendus. L'œuvre de Tafuri est marqué par une approche théorique forte: dans ses écrits travaillent les questions le plus aiguës d'un chapitre oublié et pourtant fondamental de la philosophie italienne récente. La recherche porte principalement le schéma de ce questionnement philosophique et sur son impact sur le débat architectural. Il s'agit de sonder une série de nœuds théoriques apparemment distincts ou plus larges que les problématiques architecturales telles qu’elles sont habituellement posées: la modernité, la technique, les langages, la liberté et les conditionnements de l'action subjective. A travers la pluralité des thèmes affrontés, ce qui s’est dégagé, est que le travail de cet historien, dans son ensemble, a été principalement traversé par le problème théorique du projet. Chez Tafuri on trouve une extraordinaire cartographie philosophique de l'architecture. Cartographie qui fonctionne par fragments, traces, emblèmes d'un débat plus large qui concerne la politique et l'histoire des intellectuels italiens entre 1960 et 1980
Certain aspects of Manfredo Tafuri's work have been recently reexamined by the academic community. However, the redraft of his ideas has likely generated both several misunderstandings and misconceptions. His theoretical approach is one of the main keys to interpret his work: the issue of any architectural process is the complexity of the process itself. The theoretical issues of an architectural project relates to Tafuri’s argument regarding the basic constraints that we could find in the philosophical debate about modernity, techniques, languages, freedom and the constraints on subjective action. Tafuri tracks an extraordinarily rich cartography of architecture and a cultural and political pathway that connects a wide critical thinking sphere of the Italian intelligentsia between the 1960s and 1980s

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Moss, John. « Storming the Castle : Non-Secular Subversion of the Pas D'Armes in The Castle of Perseverance ». VCU Scholars Compass, 2008. http://scholarscompass.vcu.edu/etd/1600.

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It is important to remember that the categories of medieval performance were established far removed from their period in history. As a genre, the morality play includes a wide diversity of time, geography, content and performance styles. Such disparities have made it difficult to develop a comprehensive definition, without which comparisons between works cannot be consistent. As scholarship continues to explore these works in context of their performance, it becomes increasingly important to identify which performance styles best inform their production. In examining The Castle of Perseverance within the parameters of pas d’armes, new meanings can be drawn from its text. Instead of simply incorporating the conventions of tournament staging, the play exposes the faults of the secular societies they were intended to promote. Currently it is impossible to determine definitely that The Castle of Perseverance was intended to be a subversion of the pas d’armes. There is no identified author or even record of a single performance in medieval times. Yet the circumstantial evidence within the text supports the theory of subversion. Further research is still needed on the performance of The Castle of Perseverance within the appropriate historical context in order to better understand its place within the larger canon of medieval drama.

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Cleveland, Clayton. « Storming the Security Council : The Revolution in UNSC Authority Over the Projection of Military Force ». Thesis, University of Oregon, 2013. http://hdl.handle.net/1794/12971.

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Why have states requested international authorization for their projections of military force more after 1989? One perspective suggests powerful states should not make such requests. Rather, they should look to their own power instead of international organizations. Another view suggests international authorization is a way to provide credible signals about state intentions. A third perspective suggests states view international authorization of military force as appropriate. I establish that states have changed their behavior, requesting international authorization more often after 1989. Then, I develop hypotheses involving material power, burden-sharing, informational signaling, and international norms. I assess their ability to explain the increase in authorization requests through evidence from over 150 military force projections by a wide range of states and through a detailed evaluation of United States behavior. The U.S. provides a strong test case for the theories evaluated, since powerful states should be least susceptible to pressures for requesting authorization, and yet it does so more frequently after 1989. I find the expectation that states should request international authorization emerged after the U.S. set a precedent during the Persian Gulf War. The end of the Cold War changed the perceived "viability" of different strategies for projecting military force for U.S. policy-makers. Requesting authorization from the UN became a plausible alternative. The decision to request international authorization--and the justifications U.S. decision makers offered for doing so--led to the expectation by other states that the U.S. would do so for future projections of military force. This international norm helps explain the politics of international authorization for the airstrikes on Iraq (1998), the Iraq War (2003) and the Libyan intervention (2011). The response of other countries to the Clinton Administration's failure to request authorization for airstrikes on Iraq in 1998 demonstrates that expectations regarding whether the U.S. should request authorization had shifted. The subsequent consolidation of the norm helps explain the requests for authorization by the Bush Administration for the Iraq War in 2003 and by the Obama Administration for Libya in 2011. The dissertation increases our understanding of the relationship, and the role of authority, between states and international organizations.

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Zeller, Benjamin E. Ariel Yaakov S. « Storming the gates of the Temple of Science religion and science in three new religious movements / ». Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2007. http://dc.lib.unc.edu/u?/etd,733.

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Thesis (Ph. D.)--University of North Carolina at Chapel Hill, 2007.
Title from electronic title page (viewed Dec. 18, 2007). "... in partial fulfillment of the requirements for the degree of Doctorate of Philosophy in the Department of Religious Studies." Discipline: Religious Studies; Department/School: Religious Studies.

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Rochegude, Johanna A. « Interactive Dreams ». Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-21734.

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This thesis aim was to design a new form of playful interaction engaging dreaming and awake players. In the tested concept, “Wakers” were able to influence and interact with the dreams of “Dreamers” (with the help of BCI to detect their brainwaves, emotional states and REM phases) by applying external stimuli on the dreamer (somatosensory stimulation, specifically vibrations). In the concept, the dreamer was wearing “the stimuli pajamas”, which vibrated in different ways every time the waker would poke, stroke, shake “the ball”, a prototype displaying the emotional states, sleep stages and movements of the dreamer. Each time the waker would interact with the ball, feedback would be transmitted to the vibrating pajamas, thus influencing the dream and state of the dreamer, which would then be transmitted back and displayed on the ball. A new playful experience was created using sleep as a necessary component.The research was experiment-driven (with body-storming and lo-fi prototyping), and revealed touch to be a powerful and underexplored way to influence dreams. Furthermore, transmitting the emotional states of the dreamer to “the ball” helped render the abstract notion of someone else’s sleep tangible to the waker. The co-creation session organized revealed that the particular concept developed in the context of sleep was tied to interesting notions, such as bringing forward the relationships between the players, the unbalanced power relations, sensual play, abusive play and more. The concept sketches explored the design space around the main concept and shaped some of these different scenarios. All these contributions are aimed to be inspirational material for further research in the field.

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Kappenstein, Reinhild. « Décor et mise en scène actuels de l'opéra : décor et mise en scène d'un opéra romantique, à l'exemple de Samson et Dalila de Saint-Sae͏̈ns, monté par Pier Luigi Pizzi le 24.5.1991 à l'Opéra Bastille ». Paris 1, 1996. http://www.theses.fr/1996PA010658.

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L'opéra "Samson et Dalila" de Saint-Saëns, monté par Pier Luigi Pizzi à l'opéra Bastille en 1991, nous sert d'exemple pour relever le lien qui existe entre l'histoire de l'art et l'opéra. Pizzi, décorateur et metteur en scène à la fois, se prête bien à ce genre d'étude : ses spectacles sont surtout portés vers les beaux-arts et, notamment, vers la peinture. Le thème de "l'image scénique" est donc le pivot de notre recherche. On a essayé de dégager des références culturelles (beaux-arts, musique, littérature, film, etc. ) qui ont ou auraient pu nourrir et composer l'image scénique. Notre choix, souvent subjectif, reste ouvert à l'imagination libre du lecteur, ce qui s'explique en outre par le fait que l'image scénique (en soi) est censée susciter des images mentales et virtuelles. L'image scénique présente un tableau d'ensemble dont les éléments divers ont été définis, voire aménagés différemment au fil des époques. Ici, on a examiné leur position dans l'ensemble de l'opéra et leurs rôles au carrefour de l'esthétique romantique et contemporaine en particulier, l'esthétique du chant a été surtout liée à la notion de l'âme et de la pensée à l'époque romantique; elle trouve aujourd'hui le corps comme vecteur (d'expression). Comment l'âme et le corps sont-ils alors rendus maintenant en fonction de l'image scénique, comment se traduisent et se définissent-ils à l'intérieur de la représentation scénique, voire à celui des institutions des arts ? Cette question nous amène à examiner l'identité des institutions lyriques de Paris, "l'opéra national de Paris" (la mise en scène de "Samson et Dalila" de Pizzi y fait largement allusion), leur relation entre elles et leur position au sein des institutions de l'art en général
The opera "Samson et Dalila" by Camille Saint-Saëns produced on stage by Pier Luigi Pizzi at the opera "Bastille" in 1991 served as an example for pointing out the link which exists between art history and opera. Pizzi, who is both stage designer and producer, offers an excellent example for this kind of study: his stage representations mainly turn toward the fine arts and especially toward painting. The subject of his stage design is the topic of our research. We tried therefore to determine the cultural references (fine arts, music, literature, film, etc. ) Which have been our could have been used for the stage design. Our choices, often personal, still are open to the free imagination of the reader, which may be explained by the fact that the stage design by itself is supposed to stimulate an imaginative response in the spectator. The stage design presents a composition of opera as a whole and also its part in crossing over between romantic and contemporary esthetics. Especially the esthetics of singing was linked to the idea of the "soul" and the "mind" in the romantic period. Today the "body" itself represents the means of expression. How now to render "soul" and "body" according to stage design ? How to translate and to define them in the context of stage representation, as well as in other institutions of art ? These questions lead to an analysis of the identity of the parisian opera houses such as the "national opera of paris" (the stage setting of "Samson et Dalila" by Pizzi widely referred to them), their relationships among themselves, and their position among art institutions in general

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Age, Katrin. « Balettmapp Kungliga Operan : Operahusens design och arkitektur ». Thesis, Högskolan Dalarna, Grafisk teknik, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:du-1531.

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En presentation av Kungliga Svenska Baletten. Denna ska distribueras till operahus världen över innan ny turné påbörjas. Shanghais operahus var det första som fick den färdiga produkten.Fördjupningen rör olika operahus design och arkitektur ut- och invändigt. Även en del av husens relevanta historia tas upp.

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Delarc, Morgane. « Une immersion dans le projet "Réinventons nos places" à Paris (Places des Fêtes, de la Nation et de la Bastille) : une analyse de situations de travail et de productions de connaissances au sein des services de la Ville de Paris ». Thesis, Paris Est, 2018. http://www.theses.fr/2018PESC1089/document.

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Cette thèse étudie les évolutions de pratiques et de savoirs au sein des services de la Ville de Paris, en entrant par un grand projet d’espaces publics parisien : « Réinventons nos places ». En s’appuyant plus particulièrement sur trois réaménagements de places publiques (Place des Fêtes, Place de la Nation et Place de la Bastille), elle a souhaité observer des situations de travail au sein de ce projet. Elle vise ainsi à analyser l’adaptation des professionnels à divers défis posés par la Mairie de Paris dans ce cadre (intégration du genre dans un projet d’espace public, objets numériques, nouvelles temporalités dans les processus de projet et de gestion des espaces...). L’étude de cette adaptation des services « en situation de travail » conduit à décrire, pour partie, des processus de productions de connaissances théoriques et/ou pratiques dans un contexte situé. In fine, la Mairie de Paris à travers des modifications apportées progressivement au travail, aux schémas d’acteurs et aux objectifs du projet, semble vouloir construire un «nouveau modèle» d’aménagement des espaces publics. Nous étudions une première étape de cette construction, au cours de laquelle les ingénieurs et les architectes de la Ville s’adaptent et participent à travers, notamment, la construction et la traduction de ces objets encore inconnus à un territoire spécifique et à un contexte qu’ils connaissent : les espaces publics à Paris
The aim of this thesis is to observe the evolution of the specific knowledge and practices of the City of Paris’ technical services and this, through the example of an ambitious Parisian urban development project called “Réinventons nos places”. The study focuses on the professional activities performed in the development of three public squares (Place des Fêtes, Place de la Nation, and Place de la Bastille), with the purpose to see how the specialists adapted themselves to the various challenges offered by the City council (for instance, to take into account : the Gender in the development of a public space, digital objects, innovation in project management and in the way of managing space)... To examine this process “in a work situation” will lead us, for example, to describe the way these specialists will assimilate new knowledge and know-how in this particular context. Ultimately, the City Council, when progressively adapting the work and the work organization of the various actors, as well as the project goawls themselves, seems to be aiming at the creation of a “new model”, a new way of developing public spaces. We are going to examine the first step within this new way, in which engineers and architects have to reconsider their habits in order to meet new demands – they do this, notably, by making still unknown objects and by fitting them into both a specific area and a background they know well : Paris’ public spaces

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Jou, Myongcheol. « Les gens du livre embastillés : (1750-1789) ». Paris 1, 1986. http://www.theses.fr/1986PA010649.

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Il s'agit des gens embastillés pour délit de librairie des années 1750-1789. Dans la première partie, 360 personnes sont étudiées avec les archives de la Bastille: elles représentent 62 libraires et imprimeurs, 27 compagnons-imprimeurs, 21 colporteurs, 5 relieurs, un imprimeur en taille-douce, 32 nouvellistes, 111 auteurs et 101 distributeurs. En tant que fabricants et commerçants, les gens de métier et les distributeurs sans qualité à la bastille sont presque victimes de l'ancien régime du livre fondé sur le privilège. Ils sont plutôt "vairons" que "carpes", c'est-à-dire mineurs de la communauté des gens du livre. Comme la source des mauvaises attitudes, les nouvellistes et les auteurs sont aussi mineurs dans la république des lettres, parce que les grands philosophes comme voltaire, Diderot et Rousseau quittent prudemment Paris pour échapper à la prison après avoir lancé l'écrit scandaleux. D'après les activités de ces prisonniers, on constate donc un phénomène du mouvement philosophique sur le plan à la fois économique et idéologique. Dans la deuxième partie, l'étude des livres interdits puisée dans une source policière concernant leur pilon complète celle des embastillés. Elle renseigne sur les marchandises illégales et leur contenu. À travers ce dernier, on constate le changement du gout des lecteurs. Comme on le sait bien, à la fin du dix-septième siècle, la police a saisi les produits dont plus d'une moitié sont de caractère théologique. Mais, le 14 juillet 1789, les vainqueurs de la bastille ont trouvé à son dépôt d'archives une collection d'imprimés saisis dont sur dix titres sept concernent l'histoire et les belles lettres qui n'atteignent que 17% au crépuscule du siècle précèdent. Au total, cette étude a pour but de comprendre le monde du livre à la fin d'ancien régime à travers les activités des prisonniers de librairie et le contenu philosophique des livres prohibés

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Dengate, Jacob. « Lighting the torch of liberty : the French Revolution and Chartist political culture, 1838-1852 ». Thesis, Aberystwyth University, 2017. http://hdl.handle.net/2160/eee3b4b8-ba1e-48bd-848e-26391b96af26.

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From 1838 until the end of the European Revolutions in 1852, the French Revolution provided Chartists with a repertoire of symbolism that Chartists would deploy in their activism, histories, and literature to foster a sense of collective consciousness, define a democratic world-view, and encourage internationalist sentiment. Challenging conservative notions of the revolution as a bloody and anarchic affair, Chartists constructed histories of 1789 that posed the era as a romantic struggle for freedom and nationhood analogous to their own, and one that was deeply entwined with British history and national identity. During the 1830s, Chartist opposition to the New Poor Law drew from the gothic repertoire of the Bastille to frame inequality in Britain. The workhouse 'bastile' was not viewed simply as an illegitimate imposition upon Britain, but came to symbolise the character of class rule. Meanwhile, Chartist newspapers also printed fictions based on the French Revolution, inserting Chartist concerns into the narratives, and their histories of 1789 stressed the similarity between France on the eve of revolution and Britain on the eve of the Charter. During the 1840s Chartist internationalism was contextualised by a framework of thinking about international politics constructed around the Revolutions of 1789 and 1830, while the convulsions of Continental Europe during 1848 were interpreted as both a confirmation of Chartist historical discourse and as the opening of a new era of international struggle. In the Democratic Review (1849-1850), the Red Republican (1850), and The Friend of the People (1850-1852), Chartists like George Julian Harney, Helen Macfarlane, William James Linton, and Gerald Massey, along with leading figures of the radical émigrés of 1848, characterised 'democracy' as a spirit of action and a system of belief. For them, the democratic heritage was populated by a diverse array of figures, including the Apostles of Jesus, Martin Luther, the romantic poets, and the Jacobins of 1793. The 'Red Republicanism' that flourished during 1848-1852 was sustained by the historical viewpoints arrived at during the Chartist period generally. Attempts to define a 'science' of socialism was as much about correcting the misadventures of past ages as it was a means to realise the promise announced by the 'Springtime of the Peoples'.

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Mohaiemen, Naeem. « Storming Heaven With Memories ». Thesis, 2019. https://doi.org/10.7916/d8-hcyr-8634.

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This dissertation follows the historians of left politics in Bangladesh, a country that went through a century of independence and reversal under three signs–British India, Pakistan, and Bangladesh. While the country kept reimagining itself under new identities, the idea of communism was underground and persecuted in all three periods, although the forms of struggle and the shape of ideas kept changing. This research is an ethnography of forms of writing history, the purchase of the celebration or censure of the work, and new socialities and rearranged hierarchies that emerge from this process. For a small but significant group of journalists, publishers, activists, and survivors, the project of arguing, understanding, documenting, writing down, and reenacting particular moments of Bangladesh history is a vital and presentist task.

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Adamson, Mark, Matthew D. Munn et Gerry O’Hara. « Storming the beaches : surface water aspects of the Britannia Mine remediation ». 2007. http://hdl.handle.net/2429/8308.

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The Britannia Beach area has been affected by historical mining activity with deposits of mine waste (mostly waste rock and concentrated ore) at various locations. The area is characterized by steep slopes draining onto a flat alluvial fan, bisected by Britannia Creek. The mine is located in the temperate rainforest region of B.C., and significant volumes of stormwater run-off are generated in the wet months (October through April). Where surface water runs off mine wastes, the water quality is adversely affected (low pH and increased metal concentrations), and this water ultimately discharges to Howe Sound. A study of the existing surface water drainage system was initiated in 2006 with the objective of characterizing the metal flux discharging to Howe Sound via Britannia Beach storm drains. The purpose of the study was to identify ways to reduce this flux. This paper describes the field program and instrumentation used to collect flow and water quality data, and outlines different mitigation measures that could improve the stormwater discharge quality to Howe Sound. Such measures include separation of uncontaminated stormwater from contaminated run-off, rehabilitation of existing infrastructure, integration with the existing mine water treatment facility and lime addition.

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Huang, Chun-Chieh, et 黃俊傑. « Idea Storming Cube : An Online Brainstorming System to Support Collaborative Creative Thinking ». Thesis, 2007. http://ndltd.ncl.edu.tw/handle/10854464961243600149.

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碩士
國立政治大學
資訊科學學系
95
The objective of this research is to develop a Web-based collaborative tool for learning creativity. This research describes a game-based system, Idea Storming Cube, in support of creative thinking. It aims to make people form a creative and Perspective-Modifying thinking habit. Based on theories of this kind support system and prior studies, we propose to integrate exciting game environment and intelligent support mechanism into the creativity thinking support system. The system acquires knowledge from domain expert, user inputs history, and individuals of a brainstorming group, and then provides user-, goal- and context-sensitive supports. Compared to classic tutoring systems, it focuses more on stimulating divergent thinking. The system can be utilized with two distinct support strategies, Basic Mode and Agent-Assist Mode, in order to support different learning objectives. One focus on knowledge learning, the other highlights the divergent thinking ability. The proposed Human-Computer Interaction (HCI) tool for collaborative idea generation has been implemented, and two experiments for preliminary evaluation of the system are also reported in this thesis. The major results of this study show that the game-based brainstorming system with appropriate intelligent support outperforms the other types of systems because the game competition environment can make them concentrate on the brainstorming tasks and let them think more from different view points for learning the knowledge with the support of the peer-like agent.

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ZHANG, MING-XIANG, et 張明翔. « Implementing domain model with event storming design on clean architecture : A case study of ezKanban ». Thesis, 2019. http://ndltd.ncl.edu.tw/handle/w68a8v.

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碩士
國立臺北科技大學
資訊工程系
107
Clean Architecture has become a popular software architecture in recent years because of its independence from the framework, user interface, database and external programs, and its ease of testing. In Clean Architecture, the entities layer and the use case layer are the core of the whole architecture. However, in Clean Architecture, there is not much explanation on how to disassemble the problem domain into domain models and use cases. Based on Morris’s thesis, this thesis first discusses the problems encountered in the kanban system, ezKanban, which uses the object-oriented analysis and design method to implement Clean Architecture. The dependence of domain objects is too complicated, and how to maintain the invariants represented by domain objects, persistence interface grain size design of domain models, output interface and grain size design of use cases. We further propose to solve the above problems by using event storming, domain event pattern, aggregate pattern and repository pattern commonly used in the domain-driven design field. The research results show that the domain model established by object-oriented analysis and design, combined with the method proposed in this thesis, can simplify the implementation of Clean Architecture and avoid the problems that may be caused by the object-oriented analysis and design.

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Tseng, Tzu-Yu, et 曾子祐. « The Influence of Embodied Storming in Design Team Concept Generation in the Mixed Reality Design Process ». Thesis, 2018. http://ndltd.ncl.edu.tw/handle/8bs5g3.

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碩士
國立臺灣科技大學
設計系
106
The Mixed Reality technology trend has undergone recently, the way human interacting with information is transferring 2D interface into 3D environment. Likewise, the method that the design team members generate the concept has to be changed as well. Because of the user input and other operation of Mixed Reality have a significant correlation with the physical environment, using current method like brainstorming, the design team may hardly envisage the multilevel interactive operation details in the physical environment. This study shows that both the embodied storming and Mixed Reality emphasize the interaction between the user and physical environment. Therefore, we proposed a core hypothesis that the embodied storming method can effects on team concept generation in the Mixed Reality design process. Our major research question is to find the differences in the design activity between embodied storming and brainstorming. The aim of our study is to discuss how the embodied storming method effects on team concept generation in the Mixed Reality design process. Through the setting of experimentation to show the correlations between the embodied storming method and the Mixed Reality concept design process, and focused on the analysis of what does this method impact on the scenario and the interaction details of concept. We conducted two design teams by the control experiment method, which develop the same design subject within the time and recorded the discussion in the process on video. The experiment is divided into two teams, which is named as team E and team B. As for the team E, conducting the embodied storming method with transparent sheet-prototyping. In team B, using the brainstorming as well as scenario design approach with sticky note. With protocol analysis, results showed first, the thinking logic of embodied storming is commenced from the layout of virtual information performed by body language, associated with interaction and operation, subsequently to develop the concept of scenario; second, we compare the descriptions of discussing with two teams, the quantity of narrative included physical and digital interactions indicated that team E is larger than team B; and third, according to the analysis and interview results, the embodied storming method can help communicate and understand the idea between each other. On the one hand, the experiment confirmed that the team B hardly envisage the multilevel interactive operation details. The concept generated from team B merely presented with the visual form, with rarely the narrative of physical and digital interactions. To conclude, the embodied storming showed that this method can have a great effect on Mixed Reality concept design process. Additionally, the design activity had obvious difference between team E and team B. Furthermore, we suggest that the design team can use embodied storming method and brainstorming method by turns to come up with more potential forms of interaction in detail. This effective method can make the design team more vivid in the Mixed Reality concept generation process.

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Gaudreau, Nicolas. « La couleur de la ruine et la salpêtre de la Bastille Topographie de la patine architecturale au siècle des Lumières ». Thesis, 2005. http://spectrum.library.concordia.ca/8732/1/NR16301.pdf.

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The place of patina, or weathering, in the architecture of the Enlightenment has been somehow neglected by historians of architecture. This study aims at showing that patina became an important issue of architecture in England and France during the second half of the eighteenth century. First, this thesis looks at the patina of painting and sculpture, which was already a topic of interest in the artistic world. The patina of architecture only grew in importance during the eighteenth century. It was then that it became more and more present in architectural representations, especially in the numerous views of Antique ruins. Patina also became increasingly popular and discussed among garden architects and theoreticians, who appreciated its contribution to landscape harmony. At the same time, the theoreticians of the Picturesque mentioned patina as a central characteristic of rustic and vernacular architecture. While patina was adopted in the garden and incorporated into the aesthetics of the Picturesque, it did not raise the same enthusiasm in the city. On the contrary, at a time of hygiene reform, patina was considered filthy and seen as a symptom of contamination. As a result, weathered and dirty surfaces were frenetically cleaned and whitewashed. Architects were no longer ready to accept the forming of patina on their work. Such a reaction was no surprise since classical architecture had always considered as its task to conceive an abstract idea of a building. The physical relation of architecture to its environment was not an important concern, and it was left to technical innovation to guarantee immutability. Finally, patina also raises the question of time in architecture. Resistance to patina occurred in places where relation to time was problematic. Such was the case in eighteenth-century European culture.

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Maw, Chen Kuen, et 陳坤茂. « The effects of “award-giving” and “brain-storming” teaching methods on math learning performance of first-grade junior high school students ». Thesis, 2006. http://ndltd.ncl.edu.tw/handle/04154689903753897609.

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碩士
慈濟大學
教育研究所
94
The purpose of this study is to examine the impacts of “Award-giving” and “Brain-storming” teaching methods on math learning attitude, achievement, and problem-solving ability of first-grade junior high school students. The researcher adopted “Award-giving” and “Brain-storming” methods in teaching math which assists students learn from game-playing activities. The sample included two first-grade junior high school classes, one as experimental group, and the other as control group. There were 35 students in the experimental group which was given “Brain-storming” and “Award-giving” teaching methods. There were 35 students as well in the control group which was given traditional teaching method. The instruments developed and used in the study were (1) the Test of Learning Attitude in Math Learning that includes confidence, interest and belief sub-instruments, (2) the Tests of Math Learning Achievement [1] and [2] , (3) the Tests of Problem-Solving [1] and [2] that include realizing problem, defining problem, identifying factor, providing information and deciding strategy sub-instruments, (4) the Questionnaire of Problem-Solving Ability. Statistical methods were utilized to test their significance. There is no significant difference on achievement tests, belief of learning math, defining problem and deciding strategy. The results suggest that the experimental group has significant difference on total attitude, confidence, interest of learning and total problem-solving ability, realizing problem, identifying factors and providing information. It indicates that the style of “Brain-storming” and “Award-giving” teaching strategies can improve student’s problem-solving ability. In summary, the teaching style of “Brain-storming” and “Award-giving” is recommended to teach junior high school math. Suggestions for teaching and further study were made at the end of this thesis.

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Thèses sur le sujet « Storming of the Bastille »

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