Littérature scientifique sur le sujet « Spanish Contemporary History »
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Articles de revues sur le sujet "Spanish Contemporary History"
Moradiellos, Enrique. « Contemporary Spanish History Journals : an Overview ». Contemporary European History 5, no 2 (juillet 1996) : 267–71. http://dx.doi.org/10.1017/s0960777300003817.
Texte intégralBhattacharjee, Darshana. « Mate Drinks : Evolution, History, and Contemporary Times ! » Praxis International Journal of Social Science and Literature 6, no 7 (25 juillet 2023) : 57–65. http://dx.doi.org/10.51879/pijssl/060706.
Texte intégralJordan, Barry, et Jo Labanyi. « Myth and History in the Contemporary Spanish Novel ». Modern Language Review 87, no 2 (avril 1992) : 514. http://dx.doi.org/10.2307/3730759.
Texte intégralPérez, Janet, et Jo Labanyi. « Myth and History in the Contemporary Spanish Novel ». World Literature Today 64, no 3 (1990) : 445. http://dx.doi.org/10.2307/40146653.
Texte intégralMiller, Stephen, et Jo Labanyi. « Myth and History in the Contemporary Spanish Novel ». South Central Review 8, no 3 (1991) : 111. http://dx.doi.org/10.2307/3189261.
Texte intégralGold, Hazel. « Myth and history in the contemporary Spanish Novel ». History of European Ideas 13, no 3 (janvier 1991) : 292–93. http://dx.doi.org/10.1016/0191-6599(91)90200-i.
Texte intégralSuprunov, Semen E., Irina A. Deeney (Kuprieva) et Ekaterina Alexandrovna Drozdova. « Spanglish in contemporary music ». SHS Web of Conferences 101 (2021) : 01015. http://dx.doi.org/10.1051/shsconf/202110101015.
Texte intégralArtemova, L. V. « La leyenda negra” in contemporary Spanish authors´ articles ». PROBLEMS OF SEMANTICS, PRAGMATICS AND COGNITIVE LINGUISTICS, no 36 (2019) : 102–16. http://dx.doi.org/10.17721/2663-6530.2019.36.08.
Texte intégralCabrera, Miguel A. « Developments in Contemporary Spanish Historiography : From Social History to the New Cultural History ». Journal of Modern History 77, no 4 (décembre 2005) : 988–1023. http://dx.doi.org/10.1086/499832.
Texte intégralPountain, Christopher J. « Towards a history of register in Spanish ». Language Variation and Change 3, no 1 (15 juin 2006) : 5–24. http://dx.doi.org/10.1075/sic.3.1.03pou.
Texte intégralThèses sur le sujet "Spanish Contemporary History"
Herrera, Adriana. « Ficción Extrema : Deslizamientos en la Realidad a Través de la Relación Entre Arte y Literatura (Max Aub, Leonora Carrington y Enrique Vila-Matas) ». FIU Digital Commons, 2014. http://digitalcommons.fiu.edu/etd/1741.
Texte intégralHenricksen, Richard A. « The Flux of Agency : Unsettling Objects in Contemporary Spanish Civil War Novels (1998-2008) ». The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1470585727.
Texte intégralKennedy, Lea Graner. « Teaching appreciation of Spanish-American culture and history through contemporary Latino literature : a multicultural approach to integrating diversity appreciation into high school curriculum / ». View abstract, 1999. http://library.ctstateu.edu/ccsu%5Ftheses/1529.html.
Texte intégralThesis advisor: Antonio García-Lozada, Ph. D. "...in partial fulfillment of the requirements for the degree of Master of Arts in Spanish." Includes bibliographical references (leaves 163-168).
Bilodeau, Annik. « The Politics of Cosmopolitanism in Contemporary Spanish American Literature : Elena Poniatowska, Mario Vargas Llosa, and Jorge Volpi Within a Disputed Tradition ». Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/35573.
Texte intégralHeredia, Martínez María del Carmen. « El legado de una herencia cultural gitana : lunares e imágenes flamencas en la historia de España del primer tercio del siglo XX ». Electronic Thesis or Diss., Bourgogne Franche-Comté, 2024. http://www.theses.fr/2024UBFCH005.
Texte intégralThis Doctoral Thesis tries to understand and explain the importance omitted inthe History of Spain between the current cultural association of the phenomenonof flamenco and the national identity of Spanishness.The work was involved within the cultural characteristics of the gypsypeople in the «rompien» or 'gitaneidad' of the values of substantial aesthetics andattending to the modal categories not related to musicality within what we call«lo flamenco».These distinctive characteristics formed part of the repertoire andstereotype of the national identity of «Spanishness» through the use of theparticular identities of Spanish gypsies.The socio-cultural context of the gypsy people will be analysed, fromtheir arrival in the area of the Iberian Peninsula known today as Spain and theirdifficulties in being recognised as part of Spanish society due to the racistlegislative framework based on the denial of social inclusion in which Spanishpolitics has developed.Gypsies came to achieve a representative position in Spain and the worldin the brushstrokes of prestigious artists such as Fortuny, Singer Sargent andApperley. They also had a great presence in Edison's first films on the Americancontinent, such as those of Carmencita and others that were better known inSpain, such as the film María de la O (Elias 1936).The thesis will analyse how the elements of a marginalised and despisedethnic group throughout Spanish history are accepted by the centre until theybecome iconographic representations of the country.The methodology will be based on the interdisciplinary nature of thecontents and the use of diverse strategies that include: genetic studies, researchin various archives and libraries, viewing of films and photographs, personalinterviews with relevant personalities and a multitude of readings related to thesubject.Among the results of this work we can highlight: the identification of thepossible origin of the polka-dot pattern in the aesthetics of flamenco; the identityof some people in little-studied films from the first third of the 20th century; andthe value of the history of the Maya family of Sacromonte in the history offlamenco and its gypsy identity.Furthermore, in the conclusions, some aspects of the history of the gypsypeople were examined in depth and it was argued how the gypsy person hasalways been placed in a degraded position in the social, political and legislativespheres. In order to tackle the problem of non-compliance with ConstitutionalLaw, the involvement of university education in Spanish gypsy issues is apending, urgent and fundamental issue
Foehn, Salomé. « Les philosophes de l'exil républicain espagnol de 1939 : autour de José Bergamín, Juan David García Bacca et María Zambrano (1939-1965) ». Thesis, University of St Andrews, 2012. http://hdl.handle.net/10023/2551.
Texte intégralOliveira, Valéria Garcia de. « Carne de Fieras, Barrios Bajos e Aurora de Esperanza - o melodrama anarquista na produção cinematográfica da CNT, durante a Guerra Civil Espanhola (1936-1939) ». Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-19062012-160059/.
Texte intégralConsidering the relation between History and Cinema, this present dissertation will ponder on the anarchist cinematographic production of CNT during the Spanish Civil War (1936-1939) through the analysis of three of its most important fiction works: Carne de Fieras (1936/1992), Barrios Bajos (1937) and Aurora de Esperanza (1937). They were structured in a classic and melodramatic narrative and, dealing with several themes, as adultery, gangster-linked prostitution and the misfortune of unemployment, they represent a unique initiative in the construction of a social cinema, under the command of a powerful anarchist organization during the revolutionary process. In this sense, well consider the specifics in the development of Spanish anarchism and cinema, for their singular features have given a specific dynamic to those movies.
Guzman-Medrano, Gael. « Post-Revolutionary Post-Modernism : Central American Detective Fiction by the Turn of the 21st Century ». FIU Digital Commons, 2013. http://digitalcommons.fiu.edu/etd/917.
Texte intégralQuinsani, Rafael Hansen. « A revolução em película : uma reflexão sobre a relação cinema-história e a Guerra Civil Espanhola ». reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2010. http://hdl.handle.net/10183/26721.
Texte intégralThis thesis presents a reflection on the relation between Cinema and History. The cinema had difficulty being accepted by historians as a source because of the characterization and qualification of this source, as well as their unwillingness to consider them. This paper discusses the relation between cinema and history and its ability of interaction. It ponders on the subject from the perspective of the historian's work and its historiographical doings. The discussion starts with the premise that the historian can not shut his eyes to the cinema, its challenges and different uses and abuses committed against history. To renounce debate and reflection implies on the loss of the social and political function that the historiographical doing carries, and we are inseparable from it. This thesis proposes the development of a filmhistory method of analysis, seeking to synthesize the reflections of different authors in the areas of History and Cinema. Our analysis is based on three films that address the context of the Spanish Civil War. The first movie is, ¡Ay, Carmela! (Carlos Saura, 1990), which focuses on the conflict through the dramas and desires of three stage actors and their struggle for survival. This film allows us to study the interrelations between art and war and between the humor in the characters’ actions and their plays against the horror of war and its traumas. The brigade and the presence of Italian fascists during the process of internationalization of the conflict are also highlighted by the film. The second film, Land and Freedom (Ken Loach, 1995), addresses the role of the militias and especially the political divisions that emerged within the Republican camp (or fascist) during the war. The film allows a discussion on the political debate within the left and the context in which it is portrayed. The third film, Freedomfighters (Vicente Aranda, 1996) discusses the role of the anarchist militias in the Civil War front through the story of the nun Maria and her journey with a group of anarchist fighters, depicted from a collective point of view without any character on a leading role. The conclusion presents comparative elements of the three films and reflects on the Cinema- History relation and its implications for contemporary society.
Aguiar, García Carlos David. « La provincia de Santa Cruz de Tenerife entre dos dictaduras (1923-1945). Hambre y orden ». Doctoral thesis, Universitat de Barcelona, 2012. http://hdl.handle.net/10803/63172.
Texte intégralTitle of Thesis: THE PROVINCE OF SANTA CRUZ DE TENERIFE BETWEEN TWO DICTATORSHIPS (1923-1945). HUNGER AND ORDER. The doctoral thesis is divided into three blocks. In the first are traced the main points of the social, economic and political conditions in the province of Santa Cruz de Tenerife in the first half of the twentieth century. In the second section, is raised the development of political institutions (municipal, insular, provincial and national) during the examined period, taking as a common theme the survival of patronage system and chieftainship. In the third section, I study the opposition emerged against a regime that marginalizes the great majority of the population, both in the country and in the city, uniting all the political directions laid under the concept of the left-wing. The analysis of the repression emerged after the military uprising of July the 18th, 1936, has special relevance. The traditionally dominant class in the province (large landowners and merchants, enriched with the export of bananas) through its network of clientele, dominated all political structures in the province, since the dictatorship of Primo de Rivera. They kept political control during the Second Republic, holding back social reforms in areas where power was lost, and got involved in the coup of July the 18th, 1936, being restored back into the institutions that govern public life.
Livres sur le sujet "Spanish Contemporary History"
Baudilio, Ruiz Muñiz, dir. Contemporary Spanish architecture. Tokyo : Process Architecture Pub. Co., 1985.
Trouver le texte intégralRikki, Morgan-Tamosunas, dir. Contemporary Spanish cinema. Manchester : Manchester University Press, 2001.
Trouver le texte intégralVicente, Rodríguez Ortega, et Beck Jay 1966-, dir. Contemporary Spanish cinema and genre. Manchester [England] : Manchester University Press, 2008.
Trouver le texte intégralDeveny, Thomas G. Contemporary Spanish film from fiction. Lanham, Md : Scarecrow Press, 1999.
Trouver le texte intégralLabanyi, Jo. Myth and history in the contemporary Spanish novel. Cambridge [England] : Cambridge University Press, 1989.
Trouver le texte intégralJ, Rodgers E., dir. Encyclopedia of contemporary Spanish culture. London : Routledge, 1999.
Trouver le texte intégralPérez, Janet. Modern and contemporary Spanish women poets. New York : Twayne Publishers, 1996.
Trouver le texte intégral1947-, Capitel Antón, dir. Contemporary Spanish architecture : An eclectic panorama. New York : Rizzoli, 1986.
Trouver le texte intégralDeveny, Thomas G. Cain on screen : Contemporary Spanish cinema. Lanham, Md : Scarecrow Press, 1999.
Trouver le texte intégralDeveny, Thomas G. Cain on screen : Contemporary Spanish cinema. Metuchen, N.J : Scarecrow Press, 1993.
Trouver le texte intégralChapitres de livres sur le sujet "Spanish Contemporary History"
Borderías, Cristina. « Women's Work in Contemporary Spain (1856–1930) ». Dans The Routledge Handbook of Spanish History, 282–92. London : Routledge, 2023. http://dx.doi.org/10.4324/9781003218784-29.
Texte intégralGobbé-Mévellec, Euriell. « Texts and images in contemporary Spanish children’s literature ». Dans Comparative History of Literatures in European Languages, 268–81. Amsterdam : John Benjamins Publishing Company, 2016. http://dx.doi.org/10.1075/chlel.xxix.23gob.
Texte intégralAragüete-Toribio, Zahira. « Contesting Silence, Reclaiming Historical Memory in Contemporary Spain ». Dans Producing History in Spanish Civil War Exhumations, 35–68. Cham : Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-61270-6_2.
Texte intégralBarker, Jesse. « History and Trauma at the Crossroads : Guillermo del Toro’s El laberinto del fauno (Pan’s Labyrinth) and Isabel Coixet’s The Secret Life of Words ». Dans Affect and Belonging in Contemporary Spanish Fiction and Film, 61–100. Cham : Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58969-5_3.
Texte intégralMessenger, David A. « Contemporary Memory Politics in Catalonia : Europeanizing and Mobilizing the History of the Spanish Civil War ». Dans The Changing Place of Europe in Global Memory Cultures, 49–62. Cham : Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-39152-6_3.
Texte intégralOlko, Justyna. « Ihuan Yehhuan Tlacuauh Tlamauhtiah in Ichcapixqueh. “And the Shepherds Are Inspiring Great Fear”. Environment, Control of Resources and Collective Agency in Colonial and Modern Tlaxcala ». Dans Living with Nature, Cherishing Language, 55–93. Cham : Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-38739-5_3.
Texte intégralMoyna, María Irene, et Pablo E. Requena. « Chapter 7. Tracing the emergence of the voseo/tuteo semantic split in Río de la Plata second person subjunctives ». Dans Lifespan Acquisition and Language Change, 150–78. Amsterdam : John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/ahs.14.07moy.
Texte intégralStopfner, Maria. « Chapter 1. Spanish influenza 1918/19 ». Dans Manufacturing Dissent, 26–61. Amsterdam : John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/pbns.339.01sto.
Texte intégralLow, Remy Y. S. « The Historian as Pedagogue : On Hayden White’s Practical Past ». Dans Using Social Theory in Higher Education, 227–37. Cham : Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-39817-9_18.
Texte intégral« The recent history of Spain–Latin America relations ». Dans Contemporary Spanish Foreign Policy, 120–44. Routledge, 2014. http://dx.doi.org/10.4324/9781315756790-13.
Texte intégralActes de conférences sur le sujet "Spanish Contemporary History"
Camporeale, Antonio. « Spanish ‘Plastic’ Architecture. A critical reading and design approach. » Dans 8º Congreso Internacional de Arquitectura Blanca - CIAB 8. Valencia : Universitat Politècnica València, 2018. http://dx.doi.org/10.4995/ciab8.2018.7594.
Texte intégralCerro, Camilo. « Understanding the Value of Travel : Study Abroad Program in Barcelona ». Dans 2019 Teachers Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.teach.2019.63.
Texte intégralZobel, H., A. Al.-Khafaji, W. Karwowski, P. Mossakowski et M. Wróbel. « Poniatowski Bridge & ; Viaduct in Warsaw – Safety of People and Structure Versus Conservation Requirement ». Dans IABSE Symposium, Wroclaw 2020 : Synergy of Culture and Civil Engineering – History and Challenges. Zurich, Switzerland : International Association for Bridge and Structural Engineering (IABSE), 2020. http://dx.doi.org/10.2749/wroclaw.2020.1197.
Texte intégralDel Cueto, Beatriz. « From Natural to Artificial : Vernacular housing in the Spanish Caribbean ». Dans HERITAGE2022 International Conference on Vernacular Heritage : Culture, People and Sustainability. Valencia : Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.14218.
Texte intégralBogaert, V. « Unusual Composition and Load-Carrying Capacity of a 100-Year Old Early Age Steel Exposition Hall ». Dans IABSE Symposium, Wroclaw 2020 : Synergy of Culture and Civil Engineering – History and Challenges. Zurich, Switzerland : International Association for Bridge and Structural Engineering (IABSE), 2020. http://dx.doi.org/10.2749/wroclaw.2020.0208.
Texte intégralAnglim, Christopher Thomas. « COVID-19 in Context : A Pandemic in Its Historical Context ». Dans 3rd Annual Faculty Senate Research Conference. AIJR Publisher, 2023. http://dx.doi.org/10.21467/proceedings.148.2.
Texte intégralGentilini, Giorgia. « Restauro e consolidamento della parte sommitale di castel Penede a Nago (Trento) sul lago di Garda. Un progetto di conoscenza ». Dans FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia : Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11345.
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