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Virtual realism. New York : Oxford University Press, 1998.
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Sapunov, Vladimir, Viktor Horol'skiy, Ekaterina Zvereva et Aleksandr Korochenskiy. Contradictions of media globalization : political economic and socio-cultural aspects. ru : INFRA-M Academic Publishing LLC., 2023. http://dx.doi.org/10.12737/1096082.
Texte intégralRésumé :
The textbook analyzes the patterns in the evolution of the media sector of world culture from the point of view of a comprehensive review of modern media. New phenomena in the system (module) of global mass media are characterized, achievements of foreign experience are correlated with Russian reality. The regularities of the evolution of a variety of media phenomena and facts are described, which at first glance represent a kaleidoscope of random, but in fact are an expression of what is characteristic of the world's mass media. An important role in the study is played by the political economic method, which allowed us to clearly characterize the main trends in the development of the modern media system: monopolization, financialization and tightening of media management.
Meets the requirements of the federal state educational standards of higher education of the latest generation.
It is intended for students and postgraduates of journalism faculties in the study of disciplines: "Modern foreign media", "Modern media systems", "Philosophical foundations of Science and modern journalism", "International Relations and Journalism", "Modern communication theories", "Western Communication Studies", "History of Mass media", as well as for graduate students and students, studying economics, political science, cultural studies, sociology, law.
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Ternovaya, Lyudmila, Marina Vrazhnova et Elena Ryabova. Political Sociology of everyday life. ru : INFRA-M Academic Publishing LLC., 2023. http://dx.doi.org/10.12737/2009681.
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In the monograph, socially and politically significant aspects of everyday life are revealed through the analysis of those meanings of life that are either brought to the fore or hidden in the process of political competition. Elements of everyday life primarily affect representatives of the younger generation in order to involve them in the ranks of political parties and movements. It is demonstrated that many usually overlooked aspects of everyday reality act as propaganda products of political cuisine. At the same time, the most vivid and effective tools for the politicization of mass consciousness remain those that allow you to visualize and mythologize everyday life, breaking out of it with holidays, parades, performances.
It is addressed to specialists in the field of sociology and political science. It may be of interest to historians and cultural scientists. It will attract the attention of a wide range of readers who are eager to find out what lies behind the objects surrounding a person every day and at the same time telling about the specifics of the socio-political structure of different states and historical periods.
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Sellers, Christopher. Health, Work, and Environment : A Hippocratic Turn in Medical History. Sous la direction de Mark Jackson. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199546497.013.0025.
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The changing ways in which human surroundings interact with human bodies have yielded some of the field's most innovative scholarship. These developments reflect trends in health and medicine from the late twentieth into the early twenty-first centuries. This article concentrates on a few representative areas where this intermeshing of socio-cultural with Hippocratic history has proven especially fruitful. It begins with the changing consideration of industrial health history. It discusses that fuller range of social and political contexts and contingencies have shaped the recognition and control of the industrial hazards and have brought new depth and realism to our understanding of the health history of industrial workplaces. The assertions and conclusions about worker influence on the outcome of struggles over occupational health have helped generate greater interest in just how workers themselves perceived and experienced these ailments.
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Brooks, Thom, et Sebastian Stein, dir. Hegel's Political Philosophy. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198778165.001.0001.
Texte intégralRésumé :
Hegel famously argues that his speculative method is a foundation for claims about socio-political reality within a wider philosophical system. This systematic approach is thought a superior alternative to all other ways of philosophical thinking. Hegel’s method and system have normative significance for understanding everything from ethics to the state. Hegel’s approach has attracted much debate among scholars about key philosophical questions—and controversy about his proposed answers to them. Is his method and system open to the charge of dogmatism? Are his claims about the rationality of monarchy, unequal gender relations, an unelected second parliamentary chamber, and a corporation-based economy beyond revision? If not, does his political philosophy collapse into relativism? Since Hegel’s method is supposed to save him from either extreme, is there anything about his criticism of previous philosophies that could make his approach attractive to contemporary thinkers? Or is it preferable to focus on Hegel’s conclusions only, disregard his method, and interpret him in a non-systematic reading? This groundbreaking collection of new essays by leading interpreters of Hegel’s philosophy is dedicated to the questions that surround Hegel’s philosophical method and its relationship to the conclusions of his political philosophy. It contributes to the ongoing debate about the importance of a systematic context for political philosophy and the relationship between theoretical and practical philosophy, and it engages with contemporary discussions about the shape of a rational social order and gauges the timeliness of Hegel’s way of thinking.
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Taylor, Dan. Spinoza and the Politics of Freedom. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474478397.001.0001.
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Taking as its starting point the formative role of fear in Spinoza’s thought, this book argues that Spinoza’s vision of human freedom and power is realised socially and collectively. It presents a new critical study of the collectivist Spinoza, wherein we can become freer through desire, friendship, the imagination, and transforming the social institutions that structure a given community. A freedom for one and all, attuned to the vicissitudes of human life and the capabilities of each one of us to live up to the demands and constraints of our limited autonomy. It repositions Spinoza as the central thinker of desire and freedom, and demonstrates how the conflicts within his work inform contemporary theoretical discussions around democracy, populism and power. Spinoza’s politics and their development are analysed both philosophically and historically. The argument approaches Spinoza’s texts critically, presenting new findings from the Latin. It critically engages with diverse hermeneutic traditions in Spinoza studies, from continental readings of Spinoza’s ontology and politics to more analytical or historicist Anglophone approaches to his epistemology and metaphysics, alongside recent work sensitive to the socially useful roles of the imagination and the affects. The book sets out new concepts to work through with Spinoza like commonality, collectivity, unanimity and interdependence, and analyses existing debates around democracy, the multitude, slavery and autonomy. Its overarching claim is that freedom in Spinoza is a necessarily political endeavour, realised by individuals acting cooperatively, requiring the development of socio-political institutions and communal imaginings that can realise the common good.
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Nwonka, Clive Chijioke. Black Boys. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781501352850.
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In Black Boys: The Aesthetics of British Urban Film, Nwonka offers the first dedicated analysis of Black British urban cinematic and televisual representation as a textual encounter with Blackness, masculinity and urban identity where the generic construction of images and narratives of Black urbanity is informed by the (un)knowable allure of Black urban Otherness. Foregrounding the textual Black urban identity as a historical formation, and drawing on a range of theoretical frameworks that allow for an examination of the emergence and continued social, cultural and industrial investment in the fictitious and non-fictitious images of Black urban identities and geographies, Nwonka convenes a dialogue between the disciplines of Film and Television Studies, Philosophy, Cultural Studies, Black Studies, Sociology and Criminology. Here, Nwonka ventures beyond what can be understood as the perennial and simplistic optic of racial stereotype in order to advance a more expansive reading of the Black British urban text as the outcome of a complex conjunctural interaction between social phenomena, cultural policy, political discourse and the continuously shifting politics of Black representation. Through the analysis of a number of texts and political and socio-cultural moments, Nwonka identifies Black urban textuality as conditioned by a bidirectionality rooted in historical and contemporary questions of race, racism and anti-Blackness but equally attentive to the social dynamics that render the screen as a site of Black recognition, authorship and authenticity. Analysed in the context of realism, social and political allegory, urban multiculture, Black corporeality and racial, gender and sexual politics, in integrating such considerations into the fabrics of a thematic reading of the Black urban text and through the writings of Stuart Hall, Paul Gilroy, Judith Butler and Derrida, Black Boys presents a critical rethinking of the contextual and aesthetic factors in the visual constructions of Black urban identity.
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Kersten, Rikki. Japan. Sous la direction de R. J. B. Bosworth. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199594788.013.0029.
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Japanese in Meiji Japan (1868–1912) came to realize that socio-political and economic change occurred as an interactive exercise with culture. Indeed, from the late Meiji onwards culture became the object of a defensive attempt to ‘protect’ Japaneseness from Western emasculation. This became an important aspect of the fascist transformation that occurred in inter-war Japan. It was in an atmosphere of anti-Western, pro-Japanese feeling that fascism entered the socio-political lexicon of modern Japan. This article holds that asking whether Japan is fascist is a conceptual quagmire. It also discusses Japan between wars, Maruyama Masao's conceptualization of Japanese fascism, Japanese writing on Japanese fascism, and restoration fascism.
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Sonboldel, Farshad. The Rebellion of Forms in Modern Persian Poetry. Bloomsbury Publishing Inc, 2024. http://dx.doi.org/10.5040/9798765103616.
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An analysis of the aesthetic, cultural and political aspects of alternative poetic movements and individual poets in three periods: the Constitutional Revolution (1900–1920), the post-constitutional era (1920–1940), and the ascendency of modernism (1940–1960). Farshad Sonboldel shines new light on the history of modern Persian poetry by re-imagining the roles that the aesthetic experimentations of alternative poets played in different phases of the literary revolution in modern Persian poetry. Dominant narratives portray modern Persian poetry as a gradual, rational, and moderate change in the classical regime of aesthetics as well as a response to – and reflection of – cultural and socio-political changes within Iranian society. They also disregard the significance of radical experiments by alternative poets and undervalue the part they played in the initiation and progress of the so-called "literary revolution." These mainstream narratives minimize the socio-political engagement of literary works with the direct reflection of the social reality, and thus neglect the way many alternative poems struggle with socio-political issues through deconstructing the old and constructing new aesthetic systems. Each chapter of The Rebellion of Forms in Modern Persian Poetry is centred around poems chosen for their potential to showcase notable experiments of pioneer movements and individuals in each given period. Examining the formal and thematic aspects of these poems, this book reformulates the story of modern Persian poetry and unravels the relationship between radical aesthetic changes in the practice of poetry and resistance against political and cultural domination in society.
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Howells, Coral Ann, Paul Sharrad et Gerry Turcotte, dir. The Oxford History of the Novel in English. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199679775.001.0001.
Texte intégralRésumé :
This book explores the history of English-language prose fiction in Australia, Canada, New Zealand, and the South Pacific since 1950, focusing not only on the ‘literary’ novel, but also on the processes of production, distribution and reception, and on popular fiction and the fictional sub-genres, as well as the work of major novelists, movements, and tendencies. After World War II, the rise of cultural nationalism in Australia, Canada, and New Zealand and movements towards independence in the Pacific islands, together with the turn toward multiculturalism and transnationalism in the postcolonial world, called into question the standard national frames for literary history. This resulted in an increasing recognition of formerly marginalised peoples and a repositioning of these national literatures in a world literary context. The book explores the implications of such radical change through its focus on the English-language novel and the short story, which model the crises in evolving narratives of nationhood and the reinvention of postcolonial identities. Shifting socio-political and cultural contexts and their effects on novels and novelists, together with shifts in fictional modes (realism, modernism, the Gothic, postmodernism) are traced across these different regions. Attention is given not only to major authors but also to Indigenous and multicultural fiction, children's and young adult novels, and popular fiction. Chapters on book publishing, critical reception, and literary histories for all four areas are included in this innovative presentation of a Trans-Pacific postcolonial history of the novel.
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Kleppinger, Kathryn A. Branding the 'Beur' Author. Liverpool University Press, 2016. http://dx.doi.org/10.5949/liverpool/9781781381960.001.0001.
Texte intégralRésumé :
Branding the Beur Author analyzes mainstream media promotion of literature written by the descendants of North African immigrants to France (often called beurs). Launched in the early 1980s, conversations between journalists and ‘beur’ authors delve into contemporary debates such as racism in the 1980s and Islam in French society in the 1990s. But the interests of journalists looking for sensational subject matter also heavily shape the promotion and reception of these novels: only the ‘beur’ authors who use a realist style to write about the challenges faced by the North African immigrant population in France—and who engage on-air with French identity politics and immigration—receive multiple invitations to participate in interviews. Previous scholarship has taken a necessary first step by analyzing the social and political stakes of this literature (using labels such as ‘beur’ and/or ‘banlieue,’ to designate its urban, economically distressed setting), but this book argues that this approach reproduces the selection criteria deployed by the media that determine which texts receive commercial and critical support. By demonstrating how minority-based literary labels such as ‘francophone’ and ‘postcolonial’ are always already defined by the socio-political context in which such works are published and promoted, this book establishes that these labels are tautological and cannot reflect the thematic and stylistic richness of beur (and other minority) production in France.
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Džalto, Davor. Anarchy and the Kingdom of God. Fordham University Press, 2021. http://dx.doi.org/10.5422/fordham/9780823294381.001.0001.
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Anarchy and the Kingdom of God presents the reader with a unique critique of both traditional and contemporary political theologies that have rationalized and justified power structures and oppression of various kinds. The book advances an “anarchist” theological approach to the socio-political sphere, which is based on some of the basic presuppositions of Orthodox Christian anthropology and metaphysics. Developing a coherent critique of power structures and oppression, as one of the most prominent forces in human history, Davor Džalto advances human freedom as a foundational theological principle. Building on insights and arguments ranging from New Testament texts and Church Fathers, to modern religious and political thinkers such as Nikolai Berdyaev, Jacques Ellul, and Sheldon Wolin, Džalto contextualizes the political realm as primarily the realm of power, which is rooted in a specific logic of being. This logic, based on self-affirmation and the power dynamics of domination/submission, is confronted here with a different (eschatological) mode of existence based on freedom and love. Developing an “anarchist” political theology, the book offers a method for dealing with a variety of contemporary social and political issues. With a genuine theological approach to the issues of human freedom and power dynamics, the book enables a fresh re-examination of the problem of democracy and justice in the age of global (neoliberal) capitalism.
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Froese, Marc D. Formal International Institutions and the Regulation of Flows of Goods and Services. Oxford University Press, 2017. http://dx.doi.org/10.1093/acrefore/9780190846626.013.399.
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Trade governance rests upon certain economic assumptions and the ensuing political compromises made possible by the growth of an incremental legal consensus. The main economic assumptions are that trade will deliver upon the objectives of socio-economic development, stable, long-term employment opportunities and poverty reduction. These assumptions are theoretically sound, but are increasingly challenged by the complex political realities of global trade. The study of trade in the field of international political economy (IPE) has deep roots in the postwar disciplines of economics and political science. The literature on the history of trade regulation places the current system, with its emphasis on the legitimizing imprimatur of political power and the significance of binding treaty, into a more nuanced context in which present practices, while sometimes novel, are frequently older than most policy makers realize. In the two decades since the finalization of the Uruguay Round and the creation of the World Trade Organization (WTO), a host of significant issues have arisen as scholars and policy makers attempt to implement the WTO’s mandate and navigate the political waters of trade regulation as it relates to domestic law and policy. These include the set of issues raised by the broadening of trade regulation post-Uruguay Round to include trade related intellectual property rights and trade in services, the contentious issue of trade and economic development, and the issue of WTO reform.
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Stavans, Ilan, dir. Border Culture. ABC-CLIO, LLC, 2010. http://dx.doi.org/10.5040/9798400620744.
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The border between the United States and Mexico, despite attempts at containment, remains a vast and uniquely malleable yet indefinable region. With Border Culture, Ilan Stavans has collected essays representative of the tangled experiences and issues central to life between cultures. Divided into two sections, Border Culture covers topics essential to better understanding this often misunderstood region and state-of-mind. The first section, "Considerations," culls essays covering socio-economic and political topics illustrating the hyper reality of life and living on La Frontera. Section two, "Testimonios," takes careful consideration of lives affected by the border, either as a finite place, alternate universe, or the framework of the border as a state-of-mind, through various historic and literary accounts of La Frontera. This enlightening and comprehensive collection will no doubt help readers better understand border culture.
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Nagar, Richa. Hungry Translations. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042577.001.0001.
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The dominant landscape of knowledge and policy rests on a fundamental inequality: bodies who are seen as hungry are deemed available for the interventions of experts, but those experts often obliterate the ways that hungry people actively create politics and knowledge by living dynamic visions of what is ethical and what makes the good life. Hungry Translations approaches this socio-political and epistemic injustice by embodying a radically vulnerable collective praxis of unlearning and relearning that interweaves critical epistemology with critical pedagogy as an ongoing movement of relationships, visions, and modes of being. It argues for an ever-evolving quest that refuses imposed frameworks and that seeks to open up spaces for embracing the serendipitous and the untranslatable in the relation between self and other. Through storytelling, poems, diaries, songs, and play, Nagar theorizes lessons from journeys undertaken with thousands of co-travellers in three interrelated realms of embodied learning: the first comprises Sangtin Kisan Mazdoor Sangathan, a movement of 8000 small farmers and mazdoors working in Sitapur District of Uttar Pradesh. The second sphere involves a partnership with Parakh Theatre to collectively interrogate Hindu Brahmanical patriarchy, casteism, hunger, and death with 20 amateur and professional actors in Mumbai. Third, these interlayered journeys birth "Stories, Bodies, Movements: A Syllabus in Fifteen Acts," a course that grapples with continuous relearning of our worlds by reimagining the classroom through theatre.
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Napolitano, David, et Kenneth J. Pennington, dir. A Cultural History of Democracy in the Medieval Age. Bloomsbury Publishing Plc, 2021. http://dx.doi.org/10.5040/9781350042766.
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The Middle Ages are not generally associated with democracy. The term was never widely employed during this period, the dominant attitude towards democracy was outright hostility, and none of the medieval polities thought of itself as a democracy. Nevertheless, this volume claims that the Middle Ages deserve to be included in a general history of democracy. To this end, it highlights a wide variety of ideas, practices, procedures, and institutions that, although different from their ancient predecessor (direct democracy) or modern successor (liberal representative democracy), played a significant role in the history of democracy. This volume covers almost 1,000 years and a wide range of territories. It deals with different political spheres (ecclesiastical and secular) and socio-political settings (courtly, urban, and rural) and examines the phenomenon from the local level up to the universal realm. This volume adopts a broad cultural approach and is structured thematically. Each chapter takes a theme as its focus: sovereignty; liberty and the rule of law; the common good; economic and social democracy; religion and the principles of political obligation; citizenship and gender; ethnicity, race, and nationalism; democratic crises, revolutions, and civil resistance; international relations; and the scalability of democracy beyond the limits of a single city. These ten themes add up to an extensive, synoptic coverage of the subject.
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Mittelman, James H. The Development Paradigm and Its Critics. Oxford University Press, 2018. http://dx.doi.org/10.1093/acrefore/9780190846626.013.421.
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Development cannot be separated from global political economy, but it is an inherent component of the latter. The concept of development was popularized through expansion of colonization, and underwent various transformations as the socio-political structure of the world changed over time. Thus, the central task of development theory is to determine and explain why some countries are underdeveloped and how these countries can develop. Such theories draw on a variety of social science disciplines and approaches. Accordingly, different development paradigms have emerged upon which different scholars have shown profound interests and to which they gave extensive criticisms—modernization, dependency, Marxism, postcolonialism, and globalization. With the recent emergence of the post-modern critique of development, power has become an important subject in the discourse of development. Nevertheless, a full theoretical understanding of the relations between power and development is still in its fledgling stage. Though highly apparent in human societies, social power per se is a polylithic discourse with no unified definition and implication, which has led different proponents of development paradigms to understand power differently. Although there is a dialectic contradiction between the different dialogic paradigms, the reality of development theory is that there is a large choice of theories and models from which field practicioners will draw pragmatically the most appropriate elements, or they will create their own model adapted to the situation.
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Fischer, Frank. Climate Crisis and the Democratic Prospect. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199594917.001.0001.
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Can contemporary democratic governments tackle climate crisis? Some say that democracy has to be a central part of a strategy to deal with climate change. Others say that experience shows it not to be up to the challenge in the time frame available—that it will require a stronger hand, even a form of eco-authoritarianism. This work seeks to sort out and assess the competing answers to a question that is not easily resolved. While the book supports the case for environmental democracy, it argues that establishing and sustaining democratic practices will be difficult during the global climate turmoil ahead, especially if confronted with permanent states of emergency. This inquiry undertakes a search for an appropriate political-ecological strategy capable of preserving a measure of democratic governance during hard times. Without ignoring the global dimensions of the crisis, the analysis finds an alternative path in the theory and practices of participatory environmental governance embodied in a growing relocalization movement, and a form of global eco-localism. Although these movements largely operate under the radar of the social sciences, the media, and the political realm generally, such vibrant socio-ecological movements not only speak to the crisis ahead, but are already well established and thriving on the ground, including ecovillages, eco-communes, eco-neighborhoods, and local transition initiatives. With the help of these ideas and projects, the task is to shift the discourse of environmental political theory in ways that can assist those who will face the climate crisis in its full magnitude in real terms.
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McManus, Laurie. Brahms in the Priesthood of Art. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190083274.001.0001.
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Brahms in the Priesthood of Art: Gender and Art Religion in the Nineteenth-Century German Musical Imagination explores the intersection of gender, art religion (Kunstreligion), and other aesthetic currents in Brahms reception of the nineteenth and early twentieth centuries. In particular, it focuses on the theme of the self-sacrificing musician devoted to his art, or “priest of music,” with its quasi-mystical and German Romantic implications of purity seemingly at odds with the lived reality of Brahms’s bourgeois existence. While such German Romantic notions of art religion informed the thinking on musical purity and performance, after the failed socio-political revolutions of 1848/49, and in the face of scientific developments, the very concept of musical priesthood was questioned as outmoded. Furthermore, its essential gender ambiguity, accommodating such performing mothers as Clara Schumann and Amalie Joachim, could explain why Brahms never married while leaving the composer open to speculation about his health and masculinity. Supportive critics combined elements of masculine and feminine values with a muddled rhetoric of prophets, messiahs, martyrs, and other art-religious stereotypes to account for the special status of Brahms and his circle. Detractors tended to locate these stereotypes in more modern, fin-de-siècle psychological frameworks that scrutinized the composer’s physical and mental well-being. In analyzing these receptions side by side, this book revises the accepted image of Brahms, recovering lost ambiguities in his reception. It resituates him not only in a romanticized priesthood of art but also within the cultural and gendered discourses overlooked by the absolute music paradigm.
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Voigt, Rüdiger, dir. Aufbruch zur Demokratie. Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://dx.doi.org/10.5771/9783845298726.
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The Weimar Constitution marked Germany’s first sortie into democracy, with the Republic intended to be democratic, humane and constitutional and based on the principle of popular sovereignty. However, its election system of proportional representation favoured small parties and impeded the formation of a government, with its final governments being presidential cabinets. Constitutions are often analysed by various academic fields. While philosophy and historiography set the framework for this analysis, constitutional law may be regarded as the principal discipline in this regard. The social sciences are first and foremost concerned with constitutional reality, and there is indeed strong evidence that it was the Weimar Republic’s lack of socio-economic foundations that ultimately caused its demise. This volume is divided into twelve parts (perspectives) and will appeal to readers interested in politics, law, (contemporary) history, sociology and philosophy. With contributions by Stefan Bajohr, Wolfgang Bergem, Sabine Berghahn, Ursula Büttner, Norbert Campagna, Wolfgang Elz, Heiner Fechner, Helmut Gebhardt, Michael Geistlinger, Christoph Gusy, Volker Haug, Franz Hederer, Tobias Herbst, Peter Hilpold, Marcus Höreth, Ernst-Ulrich Huster, Eckhard Jesse, Herbert Kalb, Daniel-Erasmus Khan, Franz Kohout, Skadi Siiri Krause, Volker Kruse, Stefan Kutzner, Hans-Joachim Lauth, Oliver Lembcke, Matthias Lemke, Thomas Leuerer, Josef Marko, Reinhard Mehring, Martin H.W. Möllers, Martin Morlok, Robert Chr. van Ooyen, Martin Otto, Jürgen Pirker, Monika Polzin, Emanuel Richter, Claus von Rosen, Frank Schale, Stephanie Schiedermair, Theo Schiller, Kamila Staudigl-Ciechowicz, Stefan Storr, Heinz-Elmar Tenorth, Lars Viellechner, Rüdiger Voigt, Christian Waldhoff, Heinrich de Wall und Anita Ziegerhofer.
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Ishida, Toru, et Katherine Isbister. Digital Cities : Technologies, Experiences, and Future Perspectives. Springer London, Limited, 2003.
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(Editor), T. Ishida, et K. Isbister (Editor), dir. Digital Cities : Technologies, Experiences, and Future Perspectives (Lecture Notes in Computer Science). Springer, 2000.
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Monstrous Ontologies : Politics Ethics Materiality. Vernon Art and Science Inc., 2021.
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Monstrous Ontologies : Politics Ethics Materiality. Wilmington, Delaware : Vernon Press, 2021.
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