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Littérature scientifique sur le sujet « Socialists – Italy – 20th century »

Auteur : Grafiati
Publié le 10 mars 2023

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Articles de revues sur le sujet "Socialists – Italy – 20th century"

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Cerasi, Laura. « From corporatism to the “foundation of labour” : notes on political cultures across Fascist and Republican Italy ». Tempo 25, no 1 (avril 2019) : 239–55. http://dx.doi.org/10.1590/tem-1980-542x2018v250113.

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Abstract: Until the mid-1930s, corporatism represented the main vehicle of self-representation that fascism gave to its own resolution of the crisis of the modern state; the investment in corporatism involved not only the attempt to build a new institutional architecture that regulated the relations between the State, the individual and society, but also the legal, economic and political debate. However, while the importance of corporatism decreased in the last years of the regime, the labour issue to which it was genetically linked found new impetus. After Liberation Day, the labour issue was not abandoned along with corporatism, but it was laid down in Article 1 of the Constitution. The aim of this paper is to acknowledge the political cultures that in interwar years faced the above-mentioned processes, with particular reference to the fascist “left”, the reformist socialists and, above all, Catholics of different orientations, in order to examine some features of the relationship between the labour issue and statehood across the 20th century.
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Ferri, Enrico. « The Armenian Diaspora in Italy ». Oriente Moderno 95, no 1-2 (7 août 2015) : 277–99. http://dx.doi.org/10.1163/22138617-12340082.

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Taking inspiration from some analytical paths in a recent book by Agop Manoukian—Presenza Armena in Italia. 1915-2000, Milano, Guerini e Associati, 2014)—the author traces some significant moments of the Armenian diaspora in Italy during the 20th century including its complex relations with socio-political Italy, in context with Middle Eastern and international relations, which during the World Wars also involves the United States. In particular, the author considers the relations of the Italian Armenian diaspora with the kingdom of Italy in the first instance and then with the fascist regime, during the period when racial laws involved the small Armenian community. Then the author focuses on the new realities of Republican Italy and the Socialist Republic of Armenia and the debate that developed during the second half of last century, between those who believed it possible to preserve the Armenian identity and those in the diaspora who supported a political initiative in favour of the re-conquest of Armenia’s historic lands. Particular attention is reserved for the genocide of 1915 and the new entity of the Republic of Armenia.
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Petrilli, Enrico, et Franca Beccaria. « The Italian “alcohol question” from 1860 to 1930 : Two opposing scientific interpretations ». International Journal of Alcohol and Drug Research 4, no 1 (22 juin 2015) : 37–43. http://dx.doi.org/10.7895/ijadr.v4i1.193.

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Petrilli, E., & Beccaria, F. (2015). The Italian “alcohol question” from 1860 to 1930: Two opposing scientific interpretations. The International Journal Of Alcohol And Drug Research, 4(1), 37-43. doi:http://dx.doi.org/10.7895/ijadr.v4i1.193Background: In recent years, English-speaking and Northern European alcohol researchers have turned a historical gaze towards their subject, and in particular have explored how a medical view attempted to describe and explain phenomena such as alcohol abuse and addiction. Although there was a heated and prolific debate in Italy in the late 19th and early 20th centuries, there are few historical studies of the first scholars’ thoughts on alcohol-related problems.Aims: The article depicts how the Italian scientific community interpreted and explained alcohol-related concerns following the emergence of the alcohol issue in the late 19th century. Specifically, the stances of the two main groups of scientists who dealt with the issue, the Positive School of Criminology and Legal Socialism, are examined.Method: The article is based on the materials collected by the Italian research group during a comparative study carried out as part of the ALICE RAP project. More than 40 books and five scientific journals were consulted.Results: Medical-related concerns were never predominant in the late 19th-century Italian debate on the alcohol question, but were addressed in the broader discussion of criminality, where positivists’ and legal socialists’ perspectives both focused mainly on social consequences, albeit with differing interpretations of causalities and remedies.
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Kozerska, Ewa, et Tomasz Scheffler. « EDWARDA MUSZALSKIEGO KONCEPCJA NARODOWEGO PRAWA CYWILNEGO ». Zeszyty Prawnicze 11, no 4 (19 décembre 2016) : 237. http://dx.doi.org/10.21697/zp.2011.11.4.10.

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Edward Muszalski’s Idea of National Private LawSummary The paper presents the views of Polish lawyer Edward Muszalski on the state of private law in Europe and Poland of the interwar period and his proposals for changes. Muszalski assumed that the law was shaped by two schools of thought : liberal and socialist. In the 18th and 19th century the liberal school dominated, the result of which was the creation of the Napoleonic Code and the BGB. In the 19th century, socialism also influenced the law, which resulted in the creation of labor legislation and trade unions. In the 20th century, the bad qualities of both schools came together in the law of the Soviet Union. However it was possible to combine the good qualities of liberal and socialist law by assuming that the fundamental category of private law is the nation. According to Muszalski, national private law assumes, among others, the dominance of common law over statues, limitation of property rights, strengthening of family stability, limiting rights of will making and abandoning the principle of the will of the parties as the basis for interpreting contracts. Attempts to create national private law were made in Germany under the rule of Hitler and in Italy under the rule of Mussolini. However in both cases full-range law reforms failed, and in both countries private law remains liberal.
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Goncharenko, A. V., et T. O. Safonova. « Great Britain and the tvolution of the colonial system (end 19th – beginning 20th centuries) ». SUMY HISTORICAL AND ARCHIVAL JOURNAL, no 35 (2020) : 60–71. http://dx.doi.org/10.21272/shaj.2020.i35.p.60.

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The article investigates the impact of Great Britain on the evolution of colonialism in the late ХІХ and early ХХ centuries. It is analyzed the sources and scientific literature on the policy of the United Kingdom in the colonial question in the late ХІХ – early ХХ century. The reasons, course and consequences of the intensification of British policy in the colonial problem are described. The process of formation and implementation of London’s initiatives in the colonial question during the period under study is studied. It is considered the position of Great Britain on the transformation of the colonial system in the late XIX – early XX centuries. The resettlement activity of the British and the peculiarities of their mentality, based on the idea of racial superiority and the new national messianism, led to the formation of developed resettlement colonies. The war for the independence of the North American colonies led to the formation of a new state on their territory, and the rest of the “white” colonies of Great Britain had at the turn of the XIX-XX centuries had to build a new policy of relations, taking into account the influence of the United States on them, and the general decline of economic and military-strategic influence of Britain in the world, and the militarization of other leading countries. As a result, a commonwealth is formed instead of an empire. With regard to other dependent territories, there is also a change in policy towards the liberalization of colonial rule and concessions to local elites. In the late ХІХ – early ХІХ centuries the newly industrialized powers (Germany, Italy, and Japan) sought to seize the colonies to reaffirm their new status in the world, the great colonial powers of the past (Spain, Portugal, and the Netherlands) sought to retain what remained to preserve their international prestige, and Russia sought to expand. The largest colonial empires, Great Britain and France, were interested in maintaining the status quo. In the colonial policy of the United Kingdom, it is possible to trace a certain line related to attempts to preserve the situation in their remote possessions and not to get involved in conflicts and costly measures where this can be avoided. In this sense, the British government showed some flexibility and foresight – the relative weakening of the military and economic power of the empire due to the emergence of new states, as well as the achievement of certain self-sufficiency, made it necessary to reconsider traditional foreign policy. Colonies are increasingly no longer seen as personal acquisitions of states, and policy toward these territories is increasingly seen as a common deal of the international community and even its moral duty. The key role here was to be played by Great Britain, which was one of the first to form the foundations of a “neocolonial” system that presupposes a solidarity policy of Western countries towards the rest of the world under the auspices of London. Colonial system in the late ХІХ – early ХІХ century underwent a major transformation, which was associated with a set of factors, the main of which were – the emergence of new industrial powers on the world stage, the internal evolution of the British Empire, changes in world trade, the emergence of new weapons, general growth of national and religious identity and related with this contradiction. The fact that the First World War did not solve many problems, such as Japanese expansionism or British marinism, and caused new ones, primarily such as the Bolshevik coup in Russia and the coming to power of the National Socialists in Germany, the implementation of the above trends stretched to later moments.
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Maxim V., Medovarov. « Feudal and Christian Socialism in British Public Thought in the Second Half of the 19 — Early 20 Centuries and Its Perception in Russia ». Almanac “Essays on Conservatism” 4 (30 octobre 2022) : 160–82. http://dx.doi.org/10.24030/24092517-2022-0-4-169-182.

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The article is devoted to further stages in the development of British feudal and/or Christian socialism in the second half of the 19th century. The socio-economic teaching and practical achievements of J. Ruskin and the evaluation of his activities in European and Russian / Soviet historiography are considered in detail. An assessment is made of the views and activities of W. Morris. A brief description of the British feudal socialists of the 20th century is presented. The personal and ideological connections of Carlyle, Ruskin, Morris with Russian conservatives are considered. Attention is paid to the reception of English Christian socialism by both right-wing and left-wing Russian thinkers in the era of the industrial revolution at the turn of the 19th–20th centuries. The significance of S. Bulgakov’s lectures and research on the British feudal socialists for the history of Russian social thought is considered in detail.
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Vershinin, A. « Halfway to Social Democracy:French Socialists in the Early 21st Century ». World Economy and International Relations, no 9 (2014) : 45–54. http://dx.doi.org/10.20542/0131-2227-2014-9-45-54.

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The article examines the problem of the French socialist party political evolution in the late 20th – early 21st centuries. Analyzing the recent history of the party the author considers the key contradiction of its contemporary development – the inability of the French socialism to reshape its identity in an age of the communist parties' collapse and the European social democracy transformation according to the “Third Way” concept. The prospects of overcoming of this contradiction in light of François Hollande’s election win in 2012 are emphasized.
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Fogazzi, G. « Italy, 20th century. The first percutaneous renal biopsies in Italy ». Nephrology Dialysis Transplantation 14, no 2 (1 février 1999) : 507. http://dx.doi.org/10.1093/ndt/14.2.507.

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Shishkin, V. I. « Ex-Socialists as Human Resources for the Communist Party between February and October Revolutions (March — October 1917) ». Modern History of Russia 11, no 4 (2021) : 857–70. http://dx.doi.org/10.21638/11701/spbu24.2021.402.

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At the end of the 19th century and the first quarter of the 20th century, political parties became the main actors for Russia’s social and economic processes and events. During the last three decades, they have been the focus of scholars’ efforts since classified sources of the Soviet period were opened for public access at the end of the 20th century. Intense scholarship shaped two main approaches to the topic. One focuses on each political party individually, and the other focuses on interactions between all of them. The second approach, even considering its merits, remains limited because relationships are explained mainly through competition between political parties, whereas in reality, connections were more diverse. This article makes a first attempt to show at personal and group levels the transition of former socialists to the Bolshevik party between the February and October revolutions. It identifies specific party leaders and groups that changed their political views and positions; establishes the time and motives for their break with their former parties to join the Bolsheviks; and clarifies the impact of their joining the Bolshevik party. Based on an analysis of questionnaires of delegates who participated in the Sixth Congress of the Russian Social Democratic Labor Party (Bolsheviks), the article concludes that by the end of the summer of 1917, the Bolshevik political elite consisted of almost 43 % of former socialists, among whom there was a large proportion of professional revolutionaries. Such human resources, mostly consisting of “left-socialists,” contributed to the radicalization of the RSDLP(b), reorienting the political struggle from democratic and political methods to violence and militarism.
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Paniga, Massimiliano. « Public Health Institutions in Italy in the 20th Century ». Athens Journal of Mediterranean Studies 8, no 2 (15 mars 2022) : 117–34. http://dx.doi.org/10.30958/ajms.8-2-3.

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Only recently studied by Italian historiography, public health is one of the most important sectors of a modern Welfare system. During the Twentieth century Italy faced the hygienic and sanitary problem often with different ways and tools than other European countries. The aim of this article is to understand better the attitude and the development of the main public health institutions, both at the central and peripheral level, during the three great phases that marked the history of Italy in the last century: the liberal age, fascism and the Republic, as well as to highlight the organisations, men and structures that exercised decisive functions in the bureaucratic and administrative State machine. The essay focuses on the most significative legislative measures (for example, the “Testi Unici” of 1907 and 1934) and the turning points that have changed the sector on the institutional plan, from the creation of the Directorate-General for Public Health inside the Ministry of the Interior, and destined to remain for the entire Fascist period, to the birth, in the post-war years, of the High Commission for Hygiene and Public Health, then replaced by the Ministry of Health, until the establishment of the National Health Service in 1978. Keywords: Welfare State, social policies, public health, assistance, institutions
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Thèses sur le sujet "Socialists – Italy – 20th century"

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Gaudenzi, Bianca. « Commercial advertising in Germany and Italy, 1918-1943 ». Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609367.

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WITKOWSKI, Victoria Margaret. « Remembering fascism and empire : the public representation and myth of Rodolfo Graziani in 20th-century Italy ». Doctoral thesis, European University Institute, 2021. https://hdl.handle.net/1814/72739.

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Defence date: 24 September 2021; Examining Board: Professor Lucy Riall (European University Institute); Professor Alexander Etkind (European University Institute); Professor John Foot (University of Bristol); Professor Marla Stone (Occidental College)
My PhD has utilised the cultural representation of Italy’s most popular military figure from the Fascist period to account for the myth-making and warped remembrance of Rodolfo Graziani in Modern-day Italy. By proving himself to Mussolini with his brutal tactics, namely, mass hangings, the erection of concentration camps, and utilisation of poison gas during the Italian ‘pacification’ of Libya in the 1920’s and the Fascist conquest of Ethiopia in 1936, my project highlights that Graziani was chosen by the Fascist government to be a national imperial war hero. Facilitated by the dawn of totalitarianism and mass consumption, the propaganda campaign to promote the Fascist Empire utilised Graziani as a modern-day celebrity, through many mediums, which became the source base for my research. Images of Graziani filtered back to Italy in the 1930s through postcards, books, magazines, film, radio, busts and the like. During the Second World War, collaboration with the Nazis under the Salò Republic led to his trial in 1948, but his colonial crimes remained unquestioned, testament to the effect of heroisation for his previous colonial career. Since then, this manipulation of historical consciousness has continued to pervade Italian society as the state searched for a collective ‘usable’ past from the remnants of the Fascist dictatorship. As Mussolini’s most popular enterprise, colonial ambition remained a shared goal across the political spectrum in the immediate post-war period. By countering national insecurities through the utilisation of male symbols, men like Graziani provided an opportunity to promote such ideals through untainted virtues of masculinity. Institutionally therefore, the role of individuals in bringing ‘civilisation’ to its African colonies continued to be revered in post-fascist and post-colonial Italy. Moreover, most recently, a regionally funded monument that was built in Graziani’s honour near Rome in 2012 only led to public outcry abroad and from interested national parties with almost no negative response from the Italian public. Graziani’s memory thus remains a fervent, multifaceted one and signifies tension in popular attitudes to Italy fascist and colonial history. It is with this timely and noteworthy case-study that I aim to shed light on the persistently neglected darker aspects of Italy’s recent past.
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Totaro, Genevois Mariella. « Foreign policies for the diffusion of language and culture : the Italian experience in Australia ». Monash University, Centre for European Studies, 2001. http://arrow.monash.edu.au/hdl/1959.1/8828.

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Diazzi, Alessandra. « The reception of psychoanalysis in Italian literature and culture, 1945-1977 : Ottiero Ottietri, Edoardo Sanguineti, Giorgio Manganelli, Andrea Zanzotto ». Thesis, University of Cambridge, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709511.

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BARATIERI, Daniela. « Italian colonialism : memories and silences : 1930s-1960s ». Doctoral thesis, European University Institute, 2007. http://hdl.handle.net/1814/10393.

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Defence date: 26 October 2007
Examining Board: Professor Luisa Passerini (EUI and Università di Torino); Professor Bo Strath (EUI); Professor Nicola Labanca (Università di Siena); Professor David Forgacs (University College London)
PDF of thesis uploaded from the Library digital archive of EUI PhD theses
no abstract available
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BALABAN, Ioan. « International and multinational banking under Bretton Woods (1945-1971) : the experience of Italian banks ». Doctoral thesis, European University Institute, 2021. https://hdl.handle.net/1814/69996.

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Defence date: 11 February 2021
Examining Board: Professor Youssef Cassis (European University Institute); Professor Federico Romero (European University Institute); Professor Catherine Schenk (Oxford University); Professor Stefano Battilossi (University of Carlo III)
Business economists and financial historians distinguish between a first and a second wave of international and multinational banking. The Great Depression and the two World Wars interrupted the first wave which began in the mid 19th century. The second wave began in the 1960s and was triggered by the advent of the Euromarkets under the international monetary regime of Bretton Woods (1944-1971). The thesis investigates the determinants of the internationalization of European commercial banks under Bretton Woods by focusing on the experience of Italian banks. I argue that Italian banks re-entered international and multinational banking from the late 1940s onwards in order to contribute to establish Italy as a commercial power. Competition between the banks in the international arena led them to integrate Eurodollar deposits into their international and domestic banking strategies in the 1950s and the 1960s thus contributing to the globalization of finance. The big European continental commercial banks internationalized in parallel to Italian banks and for the same reasons. Nevertheless, in contrast to latter, the former became major actors in the Euromarkets as a result of the American challenge after 1965. The thesis argues that the growth of the Euromarkets in the second half of the 1960s was sponsored by the Federal Reserve of the United States. The Federal Reserve encouraged the growth of the Euromarkets, and the role of American banks in the market, in order to defend the US official gold stock and the US balance of payments. Sources are drawn from bank and central bank archives in Italy, France and the United States.
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Di, Lillo Ivano. « Opera and nationalism in Fascist Italy ». Thesis, University of Cambridge, 2011. https://www.repository.cam.ac.uk/handle/1810/283883.

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White, Brook. « ANOTHER FORGOTTEN ARMY : THE FRENCH EXPEDITIONARY CORPS IN ITALY,1943-1944 ». Master's thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2595.

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The French Expeditionary Corps that fought in Italy during World War II was a French army, but that description must be qualified. Therefore this thesis asks two questions: how did France manage to send the equivalent of an army to Italy if French military leadership in 1943 had no direct access to French manpower resources; and the most important question since it is unique to the historical debate, why were the troops that were sent to Italy so effective once there when compared to the 1940 French army? To answer the first question, it was a French colonial army – soldiers mainly from Africa – that enabled France to send an army to Italy. The second question was not so easily addressed and is actually composed of two parts: current scholarship finds that at the tactical level French troops of 1940 no less capable than the troops in Italy, but more importantly it was the French military leadership's willingness to expend the lives of their colonial solders with little regard that allowed the French Expeditionary Corps to allow the United States Fifth Army to enter Rome just days before the Allied invasion of Normandy. And in order to understand why the French military was willing to expend the lives of its African soldiers, this thesis also had to examine the French colonial system dating to the eighteenth and nineteenth centuries. Finally, this paper explores the different components of leadership that each army, which were African (primarily from North Africa and French West Africa) and metropolitan (mostly from European France), used to lead and direct their men. Thus, this study is more than just a pure military history. It is also a cultural and social history of France in relation to its colonies.
M.A.
Department of History
Arts and Humanities
History MA
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Lavenda, Daniel. « Disenchanted engagement : the philosophy and political praxis of Massimo Cacciari ». Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:b322a1d4-2ec9-4d24-a847-4388832f5ba9.

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Several commentators have argued that the focus within political theory in recent decades on abstraction rather than 'reality' has left it with has nothing to say to political actors. On these grounds, some have even expressed concern regarding the discipline's future. As a reply to these concerns, I introduce in this thesis the scholarship and political career of the Italian philosopher Massimo Cacciari. Cacciari shares many goals with Anglophone political theorists, but neither his scholarship nor his practice have engaged in the kind of intellectual abstraction which they now find so troubling. Drawing from Cacciari's philosophy, political career, and interventions as a public intellectual, I show how his understanding of real-world conflicts and contradictions begins with a commitment to what I call his 'geophilosophy of the archipelago', which regards the foundations of human knowledge to be irreducibly plural. A commitment to irreducibly plural foundations means that philosophers and political actors must discard what Cacciari views as 'enchantment' with the possibility of ultimate or absolute resolution of all political discord. In return, however, he argues that hopeful political engagement is still possible, because political actors remain able to cope in material and semiotic terms with the complex realities they face. I suggest that serious consideration of Cacciari's example of recognising irreducible plurality, coupled with a disenchanted engagement with both the material and the semiotic dimensions of political life, offers a compelling alternative orientation to the world that may suggest new ways forward in political theory.
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Archer, Carol, University of Western Sydney, of Performance Fine Arts and Design Faculty et School of Design. « Skin to work : shifting materialities, ambiguous boundaries ». THESIS_FPFAD_SD_Archer_C.xml, 1998. http://handle.uws.edu.au:8081/1959.7/380.

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This thesis challenges existing readings of paintings by Alberto Burri which discuss the work in relation to matter or the body or the psyche. The reading of Burri's Ferro, Sacco, Combustione Legno and Grande Legno G59 demonstrates how the work effects a dynamic quality of alternation between the skin and 'brute' matter. The signification of the work shifts between two types of materiality - that of sheet metal, hessian, plastic and plywood and that of the wounded human skin and psyche.It is argued that the ambiguity of the materiality of Burri's paintings effects a dynamic reciprocity between subject and object. The author argues that Burri's painting alerts the viewer to the reciprocities between industrial materials, corporeal surfaces and subjectivities, to the continuities and ambiguities with and between the skin and work
Master of Arts (Hons) (Visual Arts)
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Livres sur le sujet "Socialists – Italy – 20th century"

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Totalitarian art : In the Soviet Union, the Third Reich, fascist Italy and the People's Republic of China. London : Collins-Harvill, 1990.

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Negri on Negri. New York : Routledge, 2004.

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Collection, Estorick, dir. Still life in 20th century Italy. Milano : Mazzotta, 2004.

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Ferdinando, Meacci, dir. Italian economists of the 20th century. Cheltenham, England : E. Elgar, 1998.

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Modern Italy. New York : Palgrave Macmillan, 2003.

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Moelli, Francesca Romana. Faces 3 : From 17th to 20th century. Roma : Galleria Carlo Virgilio & Co. arte moderna e contemporanea, 2020.

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Vasta, Michelangelo, et Andrea Colli. Forms of enterprise in 20th century Italy : Boundaries, structures and strategies. Cheltenham, UK : Edward Elgar, 2010.

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Hans-Jürgen, Urban, Buckmiller Michael et Deppe Frank, dir. "Antagonistische Gesellschaft und politische Demokratie" : Zur Aktualität von Wolfgang Abendroth. Hamburg, Germany : VSA-Verlag, 2006.

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Gallegati, M. Le fluttuazioni economiche in Italia, 1861-1995, ovvero, Il camaleonte e il virus dell'influenza. Torino : G. Giappichelli, 1998.

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Jameux, Dominique. Fausto Coppi : L'échappée belle, Italie 1945-1960. Paris : ARTE éditions, 1996.

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Chapitres de livres sur le sujet "Socialists – Italy – 20th century"

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Faralli, Carla. « Chapter 11 Legal Philosophy in Italy in the 20th Century ». Dans A Treatise of Legal Philosophy and General Jurisprudence, 369–409. Dordrecht : Springer Netherlands, 2016. http://dx.doi.org/10.1007/978-94-007-1479-3_11.

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Gava, Gabriele, et Tullio Viola. « Pragmatism in Britain and Italy in the Early 20th Century ». Dans The Routledge Companion to Pragmatism, 128–37. New York : Routledge, 2022. http://dx.doi.org/10.4324/9781315149592-22.

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Pellegrini, Emanuele. « 7. Göring in Italy. The Ventura Case ». Dans Transfer of Cultural Objects in the Alpe Adria Region in the 20th Century, 145–62. Köln : Böhlau Verlag, 2022. http://dx.doi.org/10.7788/9783412518899.145.

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Thanailaki, Polly. « Spreading the ‘Word of God’. Women-Missionaries and Protestant Education in the Balkans, Greece and Italy ». Dans Gender Inequalities in Rural European Communities During 19th and Early 20th Century, 73–90. Cham : Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-75235-8_4.

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Thanailaki, Polly. « ‘Caught in the Spider’s Web’. Women’s Schooling in the Rural Communities in Italy and in Parts of the Balkans ». Dans Gender Inequalities in Rural European Communities During 19th and Early 20th Century, 27–47. Cham : Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-75235-8_2.

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Ferrari, Ivan, et Aurora Quarta. « San Cataldo (Lecce, Italy) : The Historical Evolution Of The Coastal Landscape ». Dans Proceedings e report, 58–68. Florence : Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-147-1.07.

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San Cataldo is located on the Adriatic sea about 10 km east from Lecce (Italy). Since ancient times it was a port and the remains of a Roman pier are visible: the study illustrate the evolution of its coastal landscape from historical origins until today. The port was renovated in medieval times and also between the 19th and 20th centuries with the construction of a lighthouse, a new pier and a tramway with Lecce. During the last century emerged the tourist vocation of San Cataldo with events of overbuilding characterizing the nowadays coastal landscape.
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Gariano, Stefano Luigi, Olga Petrucci et Fausto Guzzetti. « The Role of Rainfall and Land Use/Cover Changes in Landslide Occurrence in Calabria, Southern Italy, in the 20th Century ». Dans Advancing Culture of Living with Landslides, 339–45. Cham : Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-53483-1_40.

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« ROME, ITALY ». Dans Encyclopedia of 20th-Century Architecture, 340–53. Routledge, 2004. http://dx.doi.org/10.4324/9780203483886-25.

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Dogliani, Patrizia. « CHAPTER 4 From Allies to Enemies : Prisoners of the Third Reich in Italy – The Case of the Rimini Enclave, 1945–1947 ». Dans Wartime Captivity in the 20th Century, 65–73. Berghahn Books, 2022. http://dx.doi.org/10.1515/9781785332593-010.

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« Keynesianism in Italy. Before and after the General Theory ». Dans The Impact of Keynes on Economics in the 20th Century, 131–52. Edward Elgar Publishing, 1999. http://dx.doi.org/10.4337/9781035303762.00018.

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Actes de conférences sur le sujet "Socialists – Italy – 20th century"

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Fratini, Fabio, Silvia Rescic, Mara Camaiti et Manuela Mattone. « Traditional buildings for tobacco processing in Val Tiberina (Tuscany-Italy) ». Dans HERITAGE2022 International Conference on Vernacular Heritage : Culture, People and Sustainability. Valencia : Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.14373.

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This paper focuses on the analysis of buildings used for tobacco processing, built in the first half of the 20th century in Tuscany (province of Arezzo), by studying construction techniques, materials, and preservation issues. Since the 16th century, in Tuscany, the sites involved in the cultivation of tobacco are both the upper Val Tiberina and Val di Chiana (in particular Arezzo and Siena areas). At first, tobacco was used either for medical purposes or as snuff and pipe powder. It soon became the most renowned cultivation throughout the Tiberina Valley, due to the excellent quality of the tobacco produced. The first significant crops date back to the early 17thcentury. The drying process took place in specific buildings named "tabaccaie", where tobacco leaves were placed over an oak wood fire to dry. This process was adopted until the 1970s. Subsequently, a profound crisis in the agricultural sector determined the falling into disuse and abandonment of numerous "tabaccaie". In some cases, these buildings have been reused as luxury hotels for tourism purposes, but many of them have been demolished or are in a state of ruin. They represent the testimony of agro-industrial vernacular architectures nowadays at great risk. Indeed, most of the recovery interventions have often completely obliterated the original structure to make the former “tabaccaie” able to satisfy housing and comfort requirements. The study aims to deepen the knowledge of these buildings to preserve cultural identities and transfer inherited values.
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Romano, Lia. « Architecture and Proto Industry. Watermills in the historic peri-urban landscape of Benevento (Italy) ». Dans HERITAGE2022 International Conference on Vernacular Heritage : Culture, People and Sustainability. Valencia : Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.14567.

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The landscape of Benevento is historically characterised by the presence of vernacular architectures which exploited the driving power of water for productive purposes. The abundance of watercourses and natural resources coupled with the large quantity of agricultural products enabled the development of a real proto-industrial centre, which was particularly active in southern Italy between the 18th and 19th centuries. Production activities linked to the manufacture of textiles and leather were flanked by a dense system of watermills. Situated in the proximity of the city walls and the city's main rivers, such watermills and their inherent complex network of canals have shaped the historic peri-urban landscape of the city over centuries.Thanks to the availability of numerous historical maps and archival drawings of mills, a link can be established between the past and what is currently visible in the area. The recognition of the physical traces of the mills and of the remains of the water adduction system deepens the knowledge of an unresolved strip of city territory that still retains a peri-urban character, being delimited on one side by the historic walls and on the other by the 20th century expansion of the city.In light of these considerations, this paper offers a new contribution to the study of the proto-industrial architectural heritage of Benevento, focusing on the interpretation of material traces of the past: their recognition will strengthen the identity of this part of the city.
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De Marco, Paolo, et Antonino Margagliotta. « La construcción del lenguaje en el Teatro Popular de Sciacca de Giuseppe y Alberto Samonà. *** The construction of language in the Sciacca popular Theatre by Giuseppe and Alberto Samonà. » Dans 8º Congreso Internacional de Arquitectura Blanca - CIAB 8. Valencia : Universitat Politècnica València, 2018. http://dx.doi.org/10.4995/ciab8.2018.7580.

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El Teatro popular de Sciacca de Giuseppe Samonà y su hijo Alberto –dos importantes guras de la arquitectura italiana– es una de las más significativas obras italianas de la segunda mitad del siglo XX. Inaugurado en 2015, después de una larga construcción de cuarenta años, el teatro tiene una original implantación con doble sala; está compuesto por tres grandes volúmenes (un paralelepípedo, un cono y una pirámide) y expresa una arquitectura de la imagen, una idea de un espacio determinado por formas puras y del uso de un único material (el hormigón visto). El uso de tres formas arquetípicas es una vuelta a los orígenes, una idea casi clásica y racional de la arquitectura; al mismo tiempo es la evocación de una perfección arcaica. Para esta idea es fundamental el empleo del hormigón, conceptualmente entendido como material primordial, que participa en la expresión de estabilidad y duración. El edificio se convierte en icono y se inserta en el paisaje como un monumento. En este sentido, esta arquitectura es un homenaje a Le Corbusier, construida a través de la interpretación del lenguaje del gran maestro. El Teatro de Sciacca representa, probablemente, el más notable ejemplo de arquitectura le corbuseriana en Italia.***The Sciacca Popular Theatre by Giuseppe Samonà and his son Alberto - two important figures of Italian architecture - is one of the most significant Italian building of the second half of the 20th century. Inaugurated in 2015, after a forty years long construction, the building has an original layout with two auditoriums; composed by three big volumes (a parallelepiped, a cone and a pyramid) and expresses an architecture of image, an idea of space determined by pure forms and using a single material (the raw concrete). The use of three archetypal forms is a return to the origin, an idea al- most classical and rational of architecture; at the same time is the evocation of an archaic perfection. Within this context, the use of raw concrete is also fundamental. Understood as primitive material, it participates to the expression of stability and durability across the building. As a result, the building is converted to an icon that sits in the landscape like a monument. In this sense, this architecture is a tribute to Le Corbusier, built through the interpretation of the great master language. The Sciacca Theatre represents, probably, the most remarkable example of architecture by Le Corbusier in Italy.
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Soares, Liliana, et Ermanno Aparo. « The Concept of Tantra as Meta-Design to Create Sustainability ». Dans 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001422.

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This article is an ongoing research and takes Tantra (Saraswati, 1981) to present an academic project that refers to the expansion of knowledge, understanding the body of an object through as a supreme shelter link. On the one hand, the female element represents the a whole as the beginning of everything and the supreme power of creation. On the other hand, the male element is associated with transcendence.Similar to designing, from the perspective of tantrism, the union of the two energies - feminine and masculine – is crucial and for this reason, the care of the object's body is essential.Phenomenologically, as Feuerstein (2005) states the tantric point of view does not deny the world of experiences, but views positively the culture of potential intrinsic psychophysical body and mind. This thesis comprises not only time and space, but also the external factors that cross-fertilize reality and, for this reason, enter into design process. In this sense, objects’ body is full of organs, but visible only to designers, requiring guidance from a master.In art, in early 20th century, there were similarities between the abstractions of Paul Klee, Piet Mondrian or Robert Delaunay. After that, Neo Tantrism emerged in the 1960s with the indian artist K. C.S. Paniker (1911-1977).In design, it seems Tantra contest divisions between opposites by teaching that everything is respected and incorporated, which includes the concept of marginal in society. For instance, Bauhaus (Germany, 20’s), Memphis (Italy, 60’s), Droog Design (Netherlands, 90’s) seem to represent it, as this is more about change in the world, via the body, rather than transcendence of it. In design Tantra can be understood as a moment of reflection on the nature of design and an occasion to continually think and get to know design, for instance, a process-oriented process. A reality that enhances scenario hypotheses, but without reaching a productive result.This ongoing research is non-interventionist and interventionist. The non-interventionist phase consists of the analysis and interpretation of concepts, contents from the past as well as visual imagery of Tantra. The interventionist phase resides on a pilot project.Thus, thinking about method in design means thinking about a phenomenological process such as interpretation. A path that is inductive like self-production, deductive like engineering, abductive intelligently linking hypotheses through experience, and also intuitive, imaginative, inventing, telling the story of material culture in another way. An alternative that needs to die and to live again, a process that, between analysis, intuition and experience, appeals to the dialectical reflection of design as an interlocutor between the individual and material culture in order to create sustainability.
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