Littérature scientifique sur le sujet « Singing »
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Articles de revues sur le sujet "Singing"
LUMBAN GAOL, DEDI BENSAMAS. « ANALISIS TEKNIK BERNYANYI DIANA DAMRAU PADA OPERA “THE MAGIC FLUTE ARIA QUEEN OF THE NIGHT” KARYA WOLFGANG AMADEUS MOZART ». Grenek Music Journal 7, no 2 (11 octobre 2018) : 224. http://dx.doi.org/10.24114/grenek.v7i2.10987.
Texte intégralPanza, Costantino, et Maddalena Marchesi. « Il canto nelle cure primarie pediatriche ». QUADERNI ACP 28, no 4 (2021) : 166. http://dx.doi.org/10.53141/qacp.2021.166-169.
Texte intégralMacDiarmid, Frazer. « De Utilitate Cantorum : Unitive Aspects of Singing in Early Christian Thought ». Anglican Theological Review 100, no 2 (mars 2018) : 291–309. http://dx.doi.org/10.1177/000332861810000204.
Texte intégralNorthoff, Thomas. « Lautloses Singen : LiedGraffiti / Soundless Singing, SongGraffiti ». Lied und populäre Kultur / Song and Popular Culture 47 (2002) : 171. http://dx.doi.org/10.2307/3595189.
Texte intégralBorčak, Lea Wierød, et Katrine Frøkjær Baunvig. « Sang og syngning i skolen ». Tidsskriftet SANG 4 (16 mai 2024) : 1–28. http://dx.doi.org/10.7146/sang.v4i.145310.
Texte intégralPhyllis Sweitzer. « Singing ». Gestalt Review 5, no 3 (2001) : 218. http://dx.doi.org/10.5325/gestaltreview.5.3.0218.
Texte intégralHajar, Rachel. « Singing ». Heart Views 22, no 3 (2021) : 233. http://dx.doi.org/10.4103/heartviews.heartviews_95_21.
Texte intégralSwann, Brian. « Singing ». College English 50, no 3 (mars 1988) : 284. http://dx.doi.org/10.2307/378133.
Texte intégralLinton, Otha. « Singing ». Academic Radiology 12, no 4 (avril 2005) : 529. http://dx.doi.org/10.1016/j.acra.2005.01.003.
Texte intégralSmith, Brenda. « Lifelong Singing : Choral Singing and Children ». Perspectives on Voice and Voice Disorders 12, no 1 (mars 2002) : 31. http://dx.doi.org/10.1044/vvd12.1.31.
Texte intégralThèses sur le sujet "Singing"
Curtis, Sandra L. « Singing subversion, singing soul, women's voices in feminist music therapy ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ44871.pdf.
Texte intégralRaffoul, Bernadette. « Go down singing ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ52644.pdf.
Texte intégralStanley, Denise. « English Gypsy singing ». Thesis, City University London, 1989. http://openaccess.city.ac.uk/7672/.
Texte intégralParupudi, Aarti. « Singing wine glasses ». Kansas State University, 2015. http://hdl.handle.net/2097/19706.
Texte intégralComputing and Information Sciences
Daniel A. Andresen
One among the many inventions of Benjamin Franklin is the Glass Armonica, a musical instrument whose sound source was a series of resonating glass vessels. However, the Irish musician Richard Pockrich is typically credited as the first to play an instrument composed of glass vessels, called the Glass Harp in 1741, by rubbing his fingers around the rims. In this project “Singing Wine Glasses”, the principle of Franklin’s glass armonica is demonstrated with a wine glass. One hand is used to hold the glass steady at the base. The rim of glass is gently pressed with a moistened finger of the other hand and drawn in a circle around. When the pressure and amount of moisture are just right, the slight friction between the finger and the rim of glass causes vibrations in the sides of the glass. At a particular frequency, called the resonant frequency, the sides of the glass will vibrate most easily. The resonant frequency of wine glasses is typically within the range of human hearing (20-20,000 Hz), so the resulting resonant vibration is heard as a tone. The glass starts to sing when the vibration gets the molecules moving at their natural frequency. The resonant frequency changes with the amount of water filled in the glass. This android application deals with virtual glasses that serve the purpose of wine glasses filled with different amounts of water. Swiping on the glass edges would produce music, as per Franklin’s principle. The users would be free to select the number of glasses they want to play, and the amount of water-level in each glass. This application would also come with an enhanced feature of sustaining a particular note until the finger is released from the glass.
Mann, Susan 1967. « One tongue singing ». Master's thesis, University of Cape Town, 2002. http://hdl.handle.net/11427/11534.
Texte intégralone tongue singing is a novel which unfolds in two time-frames. In the first, a young unmarried French nurse comes to South Africa with her father and her small daughter during the closing years of apartheid. The family settles amongst a small wine-growing community in the Western Cape where they become involved in the lives of victims of the System. In the second frame, the daughter, now about nineteen years old, is a talented artist who enrols at the exclusive Art School of a womanising painter. The man walks a tightrope between popular success and a deep-seated fear of failure (linked to a growing awareness of being a fake). He has started to suffer from panic attacks.
BARNHART, MICHAEL ROBERT. « THE SINGING BRIDGE ». University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1195667467.
Texte intégralKim, Yu-Jin. « How to prepare for foreign art songs : an innovative method for beginning singers / ». Thesis, Connect to this title online ; UW restricted, 2007. http://hdl.handle.net/1773/11221.
Texte intégralHale, Connie Lou. « Primary students' attitudes towards their singing voice and the possible relationship to gender, singing skill and participation in singing activities / ». Search for this dissertation online, 2006. http://wwwlib.umi.com/cr/ksu/main.
Texte intégralKleinberger, Rébecca (Rébecca Henrietta Marie Franca). « Singing about singing : using the voice as a tool for self-reflection ». Thesis, Massachusetts Institute of Technology, 2014. http://hdl.handle.net/1721.1/95607.
Texte intégralCataloged from PDF version of thesis.
Includes bibliographical references (pages [93]-106).
Our voice is an important part of our individuality. From the voice of others, we are able to understand a wealth of non-linguistic information, such as identity, social-cultural clues and emotional state. But the relationship we have with our own voice is less obvious. We don't hear it the same way others do, and our brain treats it differently from any other sound we hear. Yet its sonority is highly linked to our body and mind, and is deeply connected with how we are perceived by society and how we see ourselves. This thesis defends the idea that experiences and situations that make us hear, see and touch our voice differently have the potential to help us learn about ourselves in new and creative ways. We present a novel approach for designing self-reflective experiences based on the voice. After defining the theoretical basis, we present four design projects that inform the development of a framework for Self-Reflective Vocal Experiences. The main objective of this work is to provide a new lens for people to look at their voice, and to help people gain introspection and reflection upon their mental and physical state. Beyond this first goal, the methods presented here also have extended applications in the everyday use of technology, such as personalization of media content, gaming and computer-mediated communication. The framework and devices built for this thesis can also find a use in subclinical treatment of depression, tool design for the deaf community, and the design of human-computer interfaces for speech disorder treatment and prosody acquisition.
by Rébecca Kleinberger.
S.M.
Krige, Willie. « An HMM-based automatic singing transcription platform for a sight-singing tutor ». Thesis, Stellenbosch : Stellenbosch University, 2008. http://hdl.handle.net/10019.1/2687.
Texte intégralA singing transcription system transforming acoustic input into MIDI note sequences is presented. The transcription system is incorporated into a pronunciation-independent sight-singing tutor system, which provides note-level feedback on the accuracy with which each note in a sequence has been sung. Notes are individually modeled with hidden Markov models (HMMs) using untuned pitch and delta-pitch as feature vectors. A database consisting of annotated passages sung by 26 soprano subjects was compiled for the development of the system, since no existing data was available. Various techniques that allow efficient use of a limited dataset are proposed and evaluated. Several HMM topologies are also compared, in analogy with approaches often used in the field of automatic speech recognition. Context-independent note models are evaluated first, followed by the use of explicit transition models to better identify boundaries between notes. A non-repetitive grammar is used to reduce the number of insertions. Context-dependent note models are then introduced, followed by context-dependent transition models. The aim in introducing context-dependency is to improve transition region modeling, which in turn should increase note transcription accuracy, but also improve the time-alignment of the notes and the transition regions. The final system is found to be able to transcribe sung passages with around 86% accuracy. Finally, a note-level sight-singing tutor system based on the singing transcription system is presented and a number of note sequence scoring approaches are evaluated.
Livres sur le sujet "Singing"
Singing. Minneapolis, Minnnesota : Jump!, Inc., 2015.
Trouver le texte intégralSutherland, Susan. Singing. Lincolnwood, Ill : NTC Pub. Group, 1995.
Trouver le texte intégralSinging. Lincolnwood, Ill : NTC Pub. Group, 1995.
Trouver le texte intégralSinging. New York : Ecco Press, 1985.
Trouver le texte intégralShipton, Alyn. Singing. Austin, Tex : Raintree Steck-Vaughn, 1994.
Trouver le texte intégralNeate, Ken. Great singing : Common sense in singing. Königslutter : Slices of Life, 2001.
Trouver le texte intégralDillon, Margaret. Simply singing : An introduction to teaching singing. Cork : Cumann Náisiúnta na gCór, 1996.
Trouver le texte intégral1932-, Schiff Ellen, dir. Awake & singing. New York : Applause, 2003.
Trouver le texte intégralAlfaro, Ms Barbara. Singing magic. [Place of publication not identified] : Lulu Com, 2011.
Trouver le texte intégralStern, Maggie. Singing Diggety. New York : Orchard Books, 2001.
Trouver le texte intégralChapitres de livres sur le sujet "Singing"
Turner, Kathleen. « Singing out, singing up ». Dans The Artist and Academia, 219–22. Abingdon, Oxon ; New York, NY : Routledge, 2021. | Series : SEMPRE series : Routledge, 2021. http://dx.doi.org/10.4324/9780429433917-22.
Texte intégralWeik, Martin H. « singing ». Dans Computer Science and Communications Dictionary, 1594. Boston, MA : Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_17490.
Texte intégralHoegaerts, Josephine. « Singing the Nation, Singing the Self ». Dans Masculinity and Nationhood, 1830–1910, 95–122. London : Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137392015_4.
Texte intégralWhitla, Becca. « Border Singing ». Dans New Approaches to Religion and Power, 163–92. Cham : Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-52636-8_6.
Texte intégralTheorell, Töres. « Singing Together ». Dans SpringerBriefs in Psychology, 79–86. Dordrecht : Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-017-8920-2_8.
Texte intégralWeik, Martin H. « singing device ». Dans Computer Science and Communications Dictionary, 1594. Boston, MA : Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_17491.
Texte intégralWeik, Martin H. « singing margin ». Dans Computer Science and Communications Dictionary, 1594. Boston, MA : Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_17492.
Texte intégralWeik, Martin H. « singing point ». Dans Computer Science and Communications Dictionary, 1594. Boston, MA : Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_17493.
Texte intégralKeys, Suzanne. « Singing Out ». Dans Experiences of Counsellor Training : challenge, surprise and change, 71–79. London : Macmillan Education UK, 2004. http://dx.doi.org/10.1007/978-1-137-10133-4_7.
Texte intégralFoletti, Ivan. « Singing Doors ». Dans Icons of Sound, 19–35. New York : Routledge, 2020. : Routledge, 2020. http://dx.doi.org/10.4324/9781003007463-2.
Texte intégralActes de conférences sur le sujet "Singing"
Cotton, Kelsey, Ozgun Kilic Afsar, Yoav Luft, Priyanka Syal et Fehmi Ben Abdesslem. « SymbioSinging : Robotically transposing singing experience across singing and non-singing bodies ». Dans C&C '21 : Creativity and Cognition. New York, NY, USA : ACM, 2021. http://dx.doi.org/10.1145/3450741.3466718.
Texte intégralSisman, Berrak, Karthika Vijayan, Minghui Dong et Haizhou Li. « SINGAN : Singing Voice Conversion with Generative Adversarial Networks ». Dans 2019 Asia-Pacific Signal and Information Processing Association Annual Summit and Conference (APSIPA ASC). IEEE, 2019. http://dx.doi.org/10.1109/apsipaasc47483.2019.9023162.
Texte intégralWang, Tao, Ruibo Fu, Jiangyan Yi, Zhengqi Wen et Jianhua Tao. « Singing-Tacotron ». Dans MM '22 : The 30th ACM International Conference on Multimedia. New York, NY, USA : ACM, 2022. http://dx.doi.org/10.1145/3552466.3556534.
Texte intégralRosenbaum, Eric, et Jay Silver. « Singing Fingers ». Dans the 9th International Conference. New York, New York, USA : ACM Press, 2010. http://dx.doi.org/10.1145/1810543.1810599.
Texte intégralGoto, Masataka, Takeshi Saitou, Tomoyasu Nakano et Hiromasa Fujihara. « Singing information processing based on singing voice modeling ». Dans 2010 IEEE International Conference on Acoustics, Speech and Signal Processing. IEEE, 2010. http://dx.doi.org/10.1109/icassp.2010.5495212.
Texte intégralSaino, Keijiro, Makoto Tachibana et Hideki Kenmochi. « A singing style modeling system for singing voice synthesizers ». Dans Interspeech 2010. ISCA : ISCA, 2010. http://dx.doi.org/10.21437/interspeech.2010-752.
Texte intégralWang, Yan, Zhuying Li, Robert Jarvis, Rohit Ashok Khot et Florian 'Floyd' Mueller. « The Singing Carrot ». Dans CHI PLAY '18 : The annual symposium on Computer-Human Interaction in Play. New York, NY, USA : ACM, 2018. http://dx.doi.org/10.1145/3270316.3271512.
Texte intégralBramah, Oliver, Xiaoling Cheng et Fabio Morreale. « The Singing Gallery ». Dans AM '21 : Audio Mostly 2021. New York, NY, USA : ACM, 2021. http://dx.doi.org/10.1145/3478384.3478396.
Texte intégralOliver, William, John Yu et Eric Metois. « The Singing Tree : ». Dans the conference. New York, New York, USA : ACM Press, 1997. http://dx.doi.org/10.1145/263552.263619.
Texte intégralGoto, Masataka. « Singing information processing ». Dans 2014 12th International Conference on Signal Processing (ICSP 2014). IEEE, 2014. http://dx.doi.org/10.1109/icosp.2014.7015431.
Texte intégralRapports d'organisations sur le sujet "Singing"
Li, Yipeng, et DeLiang Wang. Separation of Singing Voice from Music Accompaniment for Monaural Recordings. Fort Belvoir, VA : Defense Technical Information Center, septembre 2005. http://dx.doi.org/10.21236/ad1001211.
Texte intégralLy, Lena, Jennifer Philip, Peter Hudson et Natasha Smallwood. Singing for people with advance chronic respiratory diseases : a qualitative meta-synthesis. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, août 2022. http://dx.doi.org/10.37766/inplasy2022.8.0017.
Texte intégralBiassoni, Nicoletta, Patrick J. Miller et Peter L. Tyack. Preliminary Results of the Effects of SURTASS-LFA Sonar on Singing Humpback Whales. Fort Belvoir, VA : Defense Technical Information Center, mai 2000. http://dx.doi.org/10.21236/ada378666.
Texte intégralPack, Adam A., J. Potter, L. M. Herman, M. Hoffmann-Kuhnt et M. H. Deakos. Determining Source Levels Sound Fields and Body Sizes of Singing Humpback Whales (Megaptera novaeangliae) in the Hawaiian Winter Ground. Fort Belvoir, VA : Defense Technical Information Center, octobre 2003. http://dx.doi.org/10.21236/ada421803.
Texte intégralDawson, Greer, Gai Moore, Anton du Toit, Rebecca Gordon, Susie Thompson, Haitham Taha et Shallu Sharma. Update : What is known about aerosol transmission of SARS-CoV-2 ? The Sax Institute, octobre 2020. http://dx.doi.org/10.57022/onai3530.
Texte intégralRangiwai, Byron, Marcel Croul, Allanna Goldsmith, Manaaki Fletcher et Atareta Moses. Using Kaupapa Māori Research to Inform Practice. Unitec ePress, octobre 2023. http://dx.doi.org/10.34074/ocds.104.
Texte intégralBerlanga, Cecilia, Emma Näslund-Hadley, Enrique Fernández García et Juan Manuel Hernández Agramonte. Hybrid parental training to foster play-based early childhood development : experimental evidence from Mexico. Inter-American Development Bank, mai 2023. http://dx.doi.org/10.18235/0004879.
Texte intégralIsinika, Aida, John Jeckoniah, Ntengua Mdoe et Kizito Mwajombe. Sunflower Commercialisation in Singida Region : Pathways for Livelihood Improvement. Institute of Development Studies (IDS), septembre 2021. http://dx.doi.org/10.19088/apra.2021.026.
Texte intégralMdoe, Ntengua S. Y., Gilead Mlay, Gideon Boniface, Aida Isinika et Christopher Magomba. Livestock, Crop Commercialisation and Poverty Reduction Among Rural Households in the Singida Region, Tanzania. Institute of Development Studies (IDS), septembre 2021. http://dx.doi.org/10.19088/apra.2021.024.
Texte intégralIsinika, Aida, et John Jeckoniah. The Political Economy of Sunflower in Tanzania : A Case of Singida Region. Institute of Development Studies (IDS), février 2021. http://dx.doi.org/10.19088/apra.2021.002.
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