Littérature scientifique sur le sujet « Seicento bolognese »
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Consultez les listes thématiques d’articles de revues, de livres, de thèses, de rapports de conférences et d’autres sources académiques sur le sujet « Seicento bolognese ».
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Articles de revues sur le sujet "Seicento bolognese"
Fanti (book author), Mario, et Paul V. Murphy (review author). « La Chiesa e la Compagnia del Poveri in Bologna. Una istituzione di mutuo soccorso nella società bolognese fra il Cinquecento e il Seicento ». Confraternitas 5, no 1 (1 janvier 1994) : 25–26. http://dx.doi.org/10.33137/confrat.v5i1.13474.
Texte intégralFarneti, Fauzia. « Il quadraturismo in Pallazzo Pitti da Cosimo II a Cosimo III de' Medici ». Varia Historia 24, no 40 (décembre 2008) : 369–86. http://dx.doi.org/10.1590/s0104-87752008000200002.
Texte intégralIseppi, Giulia. « A Bolognese collector rediscovered ». Journal of the History of Collections, 27 novembre 2020. http://dx.doi.org/10.1093/jhc/fhaa019.
Texte intégralThèses sur le sujet "Seicento bolognese"
Piazzi, Maria Ludovica <1984>. « Il lascito di Agostino Mitelli ai quadraturisti e ai decoratori del secondo Seicento bolognese attraverso le testimonianze grafiche ». Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2014. http://amsdottorato.unibo.it/6707/1/tesi_dottorato_MLP.pdf.
Texte intégralAgostino Mitelli (1609-1660) is a key figure in Bolognese art evolution. In fact he refurbished quadratura fresco, the field he used to work more in, and became a landmark for the following generations. He had many pupils who became exponents of his style and his works had been studied till late 18th century. Agostino was also an excellent draughtsman and granted a great importance to the graphic medium as a verification and practice instrument. This predilection influenced also his followers: after his death there was a great demand of his drawings, used as ornamental and quadratura's repertoires. They were also used as a mean of study, in fact there is a large amount of copies and exercises in his style, that I have systematically analyzed. Therefore I was able to identify some of the most important followers of Agostino: Domenico Santi, Giacomo Antonio Mannini and Marc'Antonio Chiarini. To assess the influence of Agostino's work on following generations the chalcographic production is also important. I analyzed this production from his four ornamental etchings sets, which have been reprinted several times, even in France. After his death other sets were printed and they were very close to his work. The first one was made by his son, Giuseppe Maria Mitelli, who engraved some of Agostino's drawings. Santi, Buffagnotti, Mannini, Chiarini and several others' sets followed and those also included quadratura and view and this sets were very often re-assembled by editors and collectors. Also contemporary sources discussed the dependence of following generations from Agostino Mitelli's work, it is the case of the unpublished manuscripts of Giovanni Mitelli, the other son of Agostino, that provided a lot of new information.
Piazzi, Maria Ludovica <1984>. « Il lascito di Agostino Mitelli ai quadraturisti e ai decoratori del secondo Seicento bolognese attraverso le testimonianze grafiche ». Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2014. http://amsdottorato.unibo.it/6707/.
Texte intégralAgostino Mitelli (1609-1660) is a key figure in Bolognese art evolution. In fact he refurbished quadratura fresco, the field he used to work more in, and became a landmark for the following generations. He had many pupils who became exponents of his style and his works had been studied till late 18th century. Agostino was also an excellent draughtsman and granted a great importance to the graphic medium as a verification and practice instrument. This predilection influenced also his followers: after his death there was a great demand of his drawings, used as ornamental and quadratura's repertoires. They were also used as a mean of study, in fact there is a large amount of copies and exercises in his style, that I have systematically analyzed. Therefore I was able to identify some of the most important followers of Agostino: Domenico Santi, Giacomo Antonio Mannini and Marc'Antonio Chiarini. To assess the influence of Agostino's work on following generations the chalcographic production is also important. I analyzed this production from his four ornamental etchings sets, which have been reprinted several times, even in France. After his death other sets were printed and they were very close to his work. The first one was made by his son, Giuseppe Maria Mitelli, who engraved some of Agostino's drawings. Santi, Buffagnotti, Mannini, Chiarini and several others' sets followed and those also included quadratura and view and this sets were very often re-assembled by editors and collectors. Also contemporary sources discussed the dependence of following generations from Agostino Mitelli's work, it is the case of the unpublished manuscripts of Giovanni Mitelli, the other son of Agostino, that provided a lot of new information.
Cristalli, Flavia. « Bartolomeo Cesi (1556-1629). Catalogo delle pitture ». Doctoral thesis, 2023. https://hdl.handle.net/2158/1295775.
Texte intégralLivres sur le sujet "Seicento bolognese"
Elisabetta Sirani : Una virtuosa del Seicento bolognese. Bologna : Compositori, 2004.
Trouver le texte intégralRepertorio per lo studio del collezionismo bolognese del Seicento. Bologna : Pàtron, 1997.
Trouver le texte intégral(Gallery), Maurizio Nobile, dir. Fogli barocchi : Disegni bolognesi tra Seicento e Settecento. Bologna : Maurizio Nobile, 2016.
Trouver le texte intégralCorti e diplomazia nell'Europa del Seicento : Correggio e Ottavio Bolognesi (1580-1646). Mantova (MN), Italy : Universitas studiorum, 2014.
Trouver le texte intégral