Articles de revues : « Santa Maria (Cistercian Abbey) »

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De la Peña, J. L., M. De la Peña, M. Salgot et Ll Torcal. « The Water in the Royal Monastery of Santa Maria De Poblet, Tarragona, Spain ». Water Supply 7, n^o 1 (1 mars 2007) : 261–67. http://dx.doi.org/10.2166/ws.2007.030.

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The history and water-related features in the Poblet Cistercian Monastery, located in Tarragona province, Spain are described. The study is undertaken with the main purpose of obtaining data for the establishment of an integrated water management system inside the walls of the abbey, which is suffering water scarcity due to increasing demands and the prevalent semiarid conditions.

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Wang, Weiqiao. « Comparative Review of Worship Spaces in Buddhist and Cistercian Monasteries : The Three Temples of Guoqing Si (China) and the Church of the Royal Abbey of Santa Maria de Poblet (Spain) ». Religions 12, n^o 11 (8 novembre 2021) : 972. http://dx.doi.org/10.3390/rel12110972.

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Although the two parallel architectural forms, Han Buddhists and the Cistercian monasteries, seem, on the surface, to be very different—belonging to different religions, different cultural backgrounds, and different ways of construction—they share many similarities in the internal institutional model of monks’ lives and the corresponding architectural core values. The worship space plays the most significant role in both monastic life and layout. In this study, the Three Temples of Guoqing Si and the Church of the Royal Abbey of Santa Maria de Poblet are used as examples to elucidate the connotations behind the architectural forms, in order to further explore how worship spaces serve as an intermediary between deities, monks, and pilgrims. Based on field research and experience of monastic life, this comparative study highlights two fundamental similarities between the Three Temples and the Church: First, both worship spaces are derived from imperial prototypes, have a similar priority of construction, occupy the most important place in both sacred venues, and both serve as a reference for the development of monastic layout. Second, both worship spaces are composed of a similar programmed functional layout, including similar space dominators as well as itineraries. Beyond the surface similarities, this article further analyzes the reasons behind the three differences found. Due to their different understanding of deities, both worship spaces show different ways of worship, images of deities, and distances towards them.

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Federici, Angelica. « Politics, Power, and Prestige in Female Conventual Communities of Medieval Latium : The Exemplary Case of Santa Maria in Viano (Frosinone) ». Mediaevalia 44, n^o 1 (2023) : 185–214. http://dx.doi.org/10.1353/mdi.2023.a913479.

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Abstract: The renewed academic interest in religious women has not resulted in any overarching or detailed study of Latium. A thorough historiography is still lacking for the region's late medieval convents. This is surprising as the region was densely populated by female monastic settlements between the thirteenth and fourteenth centuries. An emblematic case in this regard is the convent of Santa Maria in Viano in Sgurgola (Frosinone). By the fourteenth century, almost half of the Conti family estate in Sgurgola was owned by the nunnery of Santa Maria in Viano. The convent played a pivotal role in shifting the delicate power balance between feudal lords in the region. What emerges is the prominent and strategic role of female monastic communities whose political agency casts a new light on an overlooked but historically dynamic period. Rural monastic settlements functioned as strategic frontiers, which were crucial to regional baronial land interests during the earlier period. Unsurprisingly, the presence of innovative architectural and artistic elements inside the church of Santa Maria in Viano also showcases the synthesis of Cistercian architectural models and local building traditions.

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Engh, Line Cecilie. « Imaginative immersion in the Cistercian Cloister ». Acta ad archaeologiam et artium historiam pertinentia 31 (31 décembre 2019) : 133–60. http://dx.doi.org/10.5617/acta.7804.

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This article uses analytical concepts from cognitive science to explore and deepen our understanding of how medieval monastics imagined themselves as characters within biblical narratives. It argues that Cistercian monks - and in particular Bernard of Clairvaux - used techniques of imaginative immersion to enter and blend themselves into biblical viewpoints and events, thereby engaging the monks in epistemically and personally transformative experiences. The article concludes that this served to build community and to enculture monks and converts. Specifically, the article offers a close reading of two of Bernard's liturgical sermons, Sermon Two for Palm Sunday and Sermon Two on the Resurrection, to show how his sermons 1) traverse time and space and 2) blend viewpoints. Examples are also taken from texts by John Cassian, Augustine, Gregory the Great, and William of St. Thierry. Keywords: Bernard of Clairvaux, blended viewpoint, deictic displacement, lectio divina, liturgical time and space. On cover:Monks singing the Office and decorated initial A[sperges me.]. Gradual Olivetan Master (Use of the Olivetan Benedictines), illuminated manuscript on parchment ca. 1430-1439. Italy, Monastero di Santa Maria di Baggio near Milan, Ca 1400-1775.Beinecke Ms1184: The olivetan Gradual. Gradual. General Collection, Beinecke Rare Book and Manuscript Library, Yale University.

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Muralha, Vânia S. F., Catarina Miguel et Maria João Melo. « Micro‐Raman study of Medieval Cistercian 12–13th century manuscripts : Santa Maria de Alcobaça, Portugal ». Journal of Raman Spectroscopy 43, n^o 11 (18 septembre 2012) : 1737–46. http://dx.doi.org/10.1002/jrs.4065.

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Mursia, Antonio. « Signorie e monasteri nella Sicilia normanna ». Quellen und Forschungen aus italienischen Archiven und Bibliotheken 103, n^o 1 (1 novembre 2023) : 167–82. http://dx.doi.org/10.1515/qufiab-2023-0010.

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Abstract This essay reflects on the role of monasteries in the process of defining the structure of the aristocracy in Norman Sicily, with the aim of contributing to scholarship on this theme on the island in the 12th century. The topic is addressed starting from an analysis of the political and devotional choices made by the Aleramici, the most important Sicilian lords of the 12th century, within their domains, where they founded or restored churches and monasteries linked to the Benedictine order and to Palestinian shrines. This made it possible to examine the processes underlying the establishment of the monastery of Santa Maria di Licodia in 1143, on the initiative of Simone del Vasto. As can be deduced from the study of the privilege issued by the island lord, this foundation had a multiplicity of motivations, principally religious and devotional, but also linked to the control and management of the vast Aleramic lordship. Established as a family monastery, this cenoby was granted by Simone to the abbey of Sant’Agata in Catania, one of the most important monastic and episcopal sees of Sicily in the 12th century. The extent of the lands assigned by the Aleramico, the rights granted to goods and men, combined with the initiative shown by the priors of the monastic community of Licodia, must have allowed Santa Maria to become an abbey in the early thirteenth century. Over the following centuries, it thus became one of the most important meeting places for the Sicilian aristocratic élite.

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Reus Planells, Guillem Alexandre. « New Perspectives for an Architectural Study of the Cistercian Monastery of Santa Maria la Real, in Mallorca ». Medievalia 23, n^o 2 (4 décembre 2020) : 41. http://dx.doi.org/10.5565/rev/medievalia.535.

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Streit, Jessica Renee. « Penitence and Crusade in the Assumption Chapel of the Real Monasterio de Las Huelgas, Burgos ». Medieval Encounters 26, n^o 6 (11 février 2021) : 578–606. http://dx.doi.org/10.1163/15700674-12340089.

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Abstract This study aims to interpret the visual qualities of the Assumption Chapel, located in the Cistercian monastery of Santa Maria La Real de Las Huelgas, Burgos. Rejecting the “mudejar” paradigm often used to explain the chapel’s connections to Andalusi architecture, the article instead considers its relationships to a group of twelfth- and thirteenth-century domed churches in Iberia and the French Pyrenees, as well as to Las Huelgas’s adjacent, late-Romanesque cloister. In so doing, it situates the Assumption Chapel in a broader context of monuments related to penitence and crusade in the Holy Land and Iberia. It also considers the chapel’s form and function in the light of Las Huelgas’s ritual topography. Most broadly, this study shows how seemingly incongruent visual languages—in this case Romanesque and Andalusi—can comprise a coherent program of imagery.

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Dominici, Tamara. « Quentin Metsys e l’Italia : immagini di un viaggio ». Studiolo 13, n^o 1 (2016) : 10–29. http://dx.doi.org/10.3406/studi.2016.1023.

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Quentin Metsys and Italy : Pictures of a Trip The hypothesis that Quentin Metsys went for a trip to Italy has only been suggested by Limentani Virdis, who gives the painter the authorship of the fresco in the Oratory of Santa Maria di Rovegnano Abbey. Beyond its Italian features, the master of Antwerp’s artistic production shows proximity to Leonardo’s painting, both in the use of iconography of grotesque and in the sentimentalism expressed in depictions of the Madonna and Child, hardly explainable since there is not a direct, even short, experience in the peninsula. It is therefore possible that Metsys saw Italy with his own eyes : Ecce Homo of Venice could corroborate this hypothesis, a trait d’union between Erasmus, Metsys, Cardinal Grimani and Italy.

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Garde, Juan Manuel. « La botica del monasterio cisterciense de Santa María de La Oliva (Navarra) ». Príncipe de Viana, n^o 276 (20 octobre 2020) : 165–97. http://dx.doi.org/10.35462/pv.276.6.

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RESUMEN Este trabajo recupera la historia de la botica del monasterio cisterciense de La Oliva desde su fundación en el siglo xvi hasta su definitiva desaparición en el xix. Aunque nada queda de aquella botica, los documentos acreditan que tuvo un desarrollo y funcionamiento acorde con la importancia de la abadía, atendiendo la salud de la comunidad monástica y de sus criados, así como de los vecinos de varios pueblos colindantes y otras personas necesitadas. Finalmente se transcribe y analiza el inventario de fármacos y efectos de la botica, confiscados y entregados al Cuerpo de Sanidad Militar (Farmacia) en 1836 tras la desamortización de Mendizábal. LABURPENA Lan honek La Olivako monasterio zistertarreko botikaren historia berreskuratzen du, xvi. mendean sortu zenetik xix. mendean behin betiko desagertu zen arte. Botika haren ezer geratzen ez den arren, dokumentuek frogatzen dute abadiaren garrantziaren araberako garapena eta funtzionamendua izan zuela, komunitate monastikoaren eta haren morroien osasuna zainduz, baita inguruko herrietako bizilagunena eta beste pertsona behartsu batzuena ere. Azkenik, Mendizabalen desamortizazioaren ondoren 1836an konfiskatu eta Farmazia Militarrari emandako botiken eta botikako gauzen inbentarioa transkribatzen eta aztertzen da. ABSTRACT This paper retrieves the history of the apothecary of the Cistercian monastery of La Oliva since its establishment in the 16th century until its final disappearance in the 19th century. Nothing remains of that apothecary but some documents prove that it had a development and was operated in accordance with the importance of the abbey, by taking care of the health of the monastic community and its servants, as well as of the neighbours of several neighbouring towns and other needy people Finally, the inventory of drugs and effects of the apothecary is transcribed and analyzed, confiscated and delivered to the Military Pharmacy in 1836 after the confiscation of Mendizábal.

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Vasco, Giovanna, Antonio Serra, Daniela Manno, Giovanni Buccolieri, Lucio Calcagnile et Alessandro Buccolieri. « Investigations of byzantine wall paintings in the abbey of Santa Maria di Cerrate (Italy) in view of their restoration ». Spectrochimica Acta Part A : Molecular and Biomolecular Spectroscopy 239 (octobre 2020) : 118557. http://dx.doi.org/10.1016/j.saa.2020.118557.

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Vasco, Giovanna, Antonio Serra, Giovanni Buccolieri, Daniela Manno, Lucio Calcagnile, Gianluca Quarta et Alessandro Buccolieri. « Mortar Characterization and Radiocarbon Dating as Support for the Restoration Work of the Abbey of Santa Maria di Cerrate (Lecce, South Italy) ». Heritage 5, n^o 4 (15 décembre 2022) : 4161–73. http://dx.doi.org/10.3390/heritage5040215.

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During the restoration work promoted by the FAI foundation (Fondo Ambiente Italiano) of the abbey of Santa Maria di Cerrate (Lecce, Apulia, South Italy), multidisciplinary analyses have been realized to support conservators and art historians for the safeguard and valorization of the most important byzantine evidence (12th–13th century) in Apulia. In this paper, mortar samples have been investigated using scanning electron microscopy (SEM-EDX) and X-ray diffraction (XRD) to characterize the observed materials, directing conservators for the integration interventions with compatible realizations. Moreover, the samples were compared with specimens taken from local quarries and the nearest coastline area, and vegetal fibers, embedded into the mortars were analyzed by applying radiocarbon dating by accelerator mass spectrometry (AMS). It was thus possible to give a contribution to the historical-artistic research related to the building techniques, the ratio aggregates/binder and the employed materials of the mortars and the dating of the mural paintings between the end of the 12th century and the first half of the 13th century.

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Serrano-Coll, Marta. « Peter IV of Aragon (1336–1387) ». Encyclopedia 1, n^o 4 (2 novembre 2021) : 1155–65. http://dx.doi.org/10.3390/encyclopedia1040086.

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Peter IV king of Aragón (1336–1387). He was the seventh king of the Crown of Aragon, and father of Juan I (1387–1396) and Martín I (1396–1410), the last members of the dynasty to take the throne. When Martín died, the Trastámara branch occupied the throne of the kingdom. Peter IV was dazzling in his ability to use art as a tool of authority and sovereignty. With the aim of exalting the dynasty, he patronised various enterprises, among the most important of which was the abbey of Santa Maria de Poblet, which he intended to be a burial place for himself and his successors, a wish that was fulfilled, without exception, down to Juan II, the predecessor of the Catholic Monarchs. A perfectionist and zealot, he endowed important religious events with profound political significance, and promoted works of great symbolism such as the genealogy of the new saló del tinell, or the ordinacions de la casa i cort, to which he added an appendix establishing how the kings of Aragon were to be crowned.

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Carrero Santamaría, Eduardo. « The creation and use of space in the Abbey of Santa María la Real de Las Huelgas, Burgos : architecture, liturgy, and paraliturgy in a female Cistercian monastery ». Journal of Medieval Iberian Studies 6, n^o 2 (3 juillet 2014) : 169–91. http://dx.doi.org/10.1080/17546559.2014.920098.

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Martens, Didier. « Un disciple tardif de Rogier de la Pasture : Maître Johannes (alias Johannes Hoesacker?) ». Oud Holland - Quarterly for Dutch Art History 114, n^o 2-4 (2001) : 79–106. http://dx.doi.org/10.1163/187501701x00406.

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AbstractThe triptych which has hung above the main altar of Our Lady of the Immaculate Conception at Maria-ter-Heide (Brasschaat, near Antwerp) since the nineteenth century unfolds a highly unusual iconographical programme. The representation on the central panel is a 'Holy Kinship' with Saint Anne; the left and right shutters show a 'Tree of Jesse', and the 'Kinship of Effra and Ismeria' respectively. This unusual combination of themes, and the coat of arms of the abbey at Tongerlo on the staff of the kneeling donor on the left shutter, enable us to identify the triptych from an old description, predating 1615, of the art treasures in the abbey at Tongerlo. As early as 1888 canon Van Spilbeek was able to demonstrate on the basis of two entries in the abbey's ledgers that the retable was made around 1513-1515. It was commissioned by the then abbot of Tongerlo, Antonius Tsgrooten. The painter's name appears on both bills of payment of 1513-1515. He was called Johannes, and he was married to Marie Hoesacker. His apparent lack of a surname might intimate that he was a foundling. Hitherto, the triptych in Maria-ter-Heide was the only known work by 'Johannes'. The author suggests that he also painted the monumental triptych with scenes from the lives of Christ and Mary which has been on loan to the museum at Àvila since 1971 from the Provincial Council. In 1968 Karel G. Boon attributed this work to an anonymous North-Netherlandish painter. According to Boon the same artist painted two wings with John the Baptist and Saint Agnes (Paris, private collection) and a 'Baptism of Christ' (Madrid, private collection). 'Johannes' could be the maker of these three works. What is more, the painter of the triptych in Maria-ter-Heide could be credited with two retable wings which have been in the Museo de Santa Cruz in Toledo since the 19608. Their subjects are 'Saint Andrew with Saint Francis' and 'Saint James with Saint Antony of Padua'; on the back of these panels is a 'Visitation'. Judging by the numerous figures he borrowed from Rogier van der Weyden, 'Johannes' seems to have been fascinated by the great Brussels master. His interest in Van der Weyden's art and the fact that he worked for the abbot of Tongerlo suggest that he was active in Brabant. The Dutch elements which Boon claimed to recognise on the Àvila triptych are quite inconspicuous, proving how dangerous it is to determine an artist's provenance solely on the basis of aesthetic impressions. The iconographic programme on the triptychs in Maria-ter-Heide and Avila and the retable wings in Toledo is highly unusual. This indicates that they were not made for the open market on the painter's own initiative, but were ordered specially. Perhaps 'Johannes' ability to convert such iconographic programmes into pictures was one of the reasons for his success a success which, in view of the presence of two of his works in Castile, assumes an international dimension.

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Martínez Lema, Paulo. « O Cartulário de Fiães enquanto corpus toponímico : acerca de alguns nomes de lugar na fronteira galego-portuguesa ». Zeitschrift für romanische Philologie 134, n^o 2 (8 juin 2018) : 487–520. http://dx.doi.org/10.1515/zrp-2018-0029.

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AbstractThe chartulary of the Monastery of Santa Maria de Fiães consists of documentation dating mostly back to the 12th century which concerns the process of constitution of the land patrimony of the Benedictine abbey located on the Galician-Portuguese border. This documentary source offers several interesting aspects for linguistic research. In particular, it is worth highlighting the fact that this source contains some of the earliest records (or even, in some cases, the only ones) available for the analysis of a significant number of place-names in the extensive geographic area (the Portuguese Minho land as well as the southern and southwestern regions of Galicia) in which the monastery had a greater number of properties. Therefore, the purpose of this paper is to explore this line of research, by collecting the records in the chartulary for a micro-corpus of four place-names (one being Portuguese and three Galician) and by using them to identify both their etymon and their formal and semantic evolution. Moreover, we will establish, when necessary, their possible relations with other toponymic items, finally analyzing certain dynamics and phenomena (essentially phonetic ones). Their research interest stems from their relatively rare nature in the context of Galician-Portuguese toponymy.

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Räsänen, Marika. « Ecce novus : Saint Thomas Aquinas and Dominican Identity at the End of the Fourteenth Century ». Acta ad archaeologiam et artium historiam pertinentia 31 (31 décembre 2019) : 161–76. http://dx.doi.org/10.5617/acta.7805.

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Thomas Aquinas (1224/25-1274) joined the Order of Preachers around the year 1244 and became one of the most famous friars of this own time. He died in 1274 at the Cistercian monastery of Fossanova where his remains were venerated for almost a hundred years. The Dominicans, who had desired the return of the body of their beloved brother, finally received it by the order of Pope V in 1368. The Pope also ordered that the relics should have been transported (translatio) to Toulouse, where they arrived on 28 January 1369. In this article, I argue that his joining the Order was considered Thomas's first coming, and the transportation of his relics to Toulouse was his second coming to the Order. I will analyse the Office of Translatio (ca.1371) in the historical contexts of the beginning of the Observant reform of the Dominican Order in a period which was extremely unstable regarding both the papacy itself and politics between France and Italy. I will propose that the Office of Translatio inaugurated Thomas as the leader of a new era and the saviour of good Christians in a Christ-like manner. The liturgy of Translatio appears to offer a new interpretation of new apostles, the Dominicans, and the construction of eschatological self-understanding for the Dominican identity. On cover:Monks singing the Office and decorated initial A[sperges me.]. Gradual Olivetan Master (Use of the Olivetan Benedictines), illuminated manuscript on parchment ca. 1430-1439. Italy, Monastero di Santa Maria di Baggio near Milan, Ca 1400-1775.Beinecke Ms1184: The olivetan Gradual. Gradual. General Collection, Beinecke Rare Book and Manuscript Library, Yale University.

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Tostões, Ana. « Gonçalo Byrne interviewed by Ana Tostões ». Modern Lisbon, n^o 55 (2016) : 78–82. http://dx.doi.org/10.52200/55.a.3nsva8ux.

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On July 2016, Ana Tostões interviewed the architect Gonçalo Byrne who has been deeply reflecting, writing and interviewing in the city through projects of reference, in order to broadly understand the evolution of the city, with an emphasis on the modernity of the 1758 Baixa Pombalina Plan, and its contemporary and future potential, grounded in its roots. Gonçalo Byrne was born in 1941, Alcobaça, studied architecture at the Lisbon School of Fine Art (1968) and is Doctor Honoris Causa (2005) from the Technical University of Lisbon and the University of Alghero. He has been professor in several universities such as the University of Navarra, the University of Alghero, the Accademia di Architettura di Mendrisio, the Katholieke Universiteit Leuven, the École Polytechnique Federale de Lausanne, the Università IUAV di Venezia, the Harvard University, the Politecnico di Milano and the University of Coimbra. He is the principal of Gonçalo Byrne Arquitectos, in Lisbon, with an extensive work both in terms of scale, program and context, including urban planning and building design, urban renewal and project management such as the renewal of the Bank of Portugal headquarters (with João Pedro Falcão de Campos), the renewal of the Thalia Theatre in Lisbon (with Barbas Lopes Arquitectos), the renewal of the Machado de Castro National Museum in Coimbra, the renewal of the Trancoso Castel and the renewal of the Santa Maria Abbey surroundings in Alcobaça. He has received the AICA Award (1988), the Valmor Award (2000), the Gold Medal from the France’s Académie d’architecture Française (2000) and the Piranesi Prix de Rome (2014).

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Dincă, Adinel C., et Chris Schabel. « The Cistercian Mission in Transylvania ». Frankokratia, 4 décembre 2020, 1–32. http://dx.doi.org/10.1163/25895931-12340007.

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Abstract Just before 1200 and just after 1240 two Cistercian abbeys, first a male house at Cârța, not far from Sibiu (Sancta Maria in Kerz), and then a nunnery in Brașov (Sancta Katherina), were established in Transylvania, a borderland of the territories ruled by the Hungarian crown inhabited by Eastern-rite Christians, especially Romanians. Conventionally, often following the model of older historiography on Frankish Greece, modern scholars have understood the arrival of the Cistercian Order in this remote area as an effort at conversion initiated by the papal see. Reassessing older evidence within a new historiographical paradigm and adding newly discovered documentary sources, this paper argues instead that the Cistercian mission in Transylvania was tied to local factors, cultural, social, and economic, and thus the White Monks endured as long as their cooperation with the elite of the German colonists in southern Transylvania remained fruitful. In the light of the evidence, and similar to parallel developments in Frankish Greece, neither ethnic conflict nor a desire to convert non-Latins played a determining role in the historical evolution of the Cistercian presence in Transylvania.

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Carrasco Lazareno, María Teresa. « In vulneratis libris memoriam et reditus asservare. Notas sobre la biblioteca perdida del monasterio de Villanueva de Oscos ». ISIMU 18 (25 mai 2017). http://dx.doi.org/10.15366/isimu2015-2016.18-19.017.

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El monasterio asturiano de Santa María de Villanueva de Oscos, vinculado al Císter desde 1203, contó con una notable biblioteca conocida a través de varios inventarios elaborados entre fines del siglo XVI y la primera mitad del siglo XIX, que se conservan en el Archivo Histórico Nacional de Madrid. De la biblioteca medieval sólo quedan, al presente, algunos “testigos” aislados, membra disiecta y fragmentos de viejos códices de pergamino. Los libros caídos en desuso, volúmenes rotos y maltratados, se reutilizaron para encuadernar otros libros de archivo y proteger documentos en la Edad Moderna. Estos fragmentos procedentes de códices pregóticos son elocuente sobre tales prácticas archivísticas, al tiempo que nos proporcionan los primeros indicios para “reconstruir” la biblioteca perdida de la abadía de Oscos.Palabras clave: Asturias, Villanueva de Oscos, monasterio cisterciense, archivo monástico, biblioteca, códice pregótico, fragmentos y membra disiecta, Biblia, breviario, textos hagiográficos, siglo XIII.AbstractThe monastery of Santa María de Villanueva de Oscos in Asturias, affiliated to the Cistercian order in 1203, had a large library known through several inventories made between the Late Sixteenth Century and the first half of the Nineteenth Century, that are kept in the National Archives in Madrid. At present, there are only some isolated “witnesses” of this ancient library, i.e. membra disiecta and fragments of old parchment manuscripts. The obsolete books, broken and ill-treated volumes were used to bind other archive books or to protect documents in the Modern Age. These fragments from pre-Gothic codices show such archival practices while providing some clues “to reconstruct” the lost library of the Abbey of Oscos.Keywords: Asturias, Villanueva de Oscos, Cistercian monastery, monastic archive, library, pre-Gothic codex, fragments and membra disiecta, Bible, breviary, hagiographic texts, Thirteenth Century.

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Dionigi, G., et R. Dionigi. « Goiter in a fresco by i Fiammenghini, 1615 (Abbey of Santa Maria di Rovegnano, Chiaravalle, Italy) ». Journal of Endocrinological Investigation, 16 février 2022. http://dx.doi.org/10.1007/s40618-022-01763-0.

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Cozzolino, Marilena, Andrea Di Meo et Vincenzo Gentile. « The contribution of indirect topographic surveys (photogrammetry and laser scanner) and GPR investigations in the study of the vulnerability of the Abbey of Santa Maria a Mare, Tremiti Islands (Italy) ». Annals of Geophysics 61, Vol 61 (2018) (16 mai 2019). http://dx.doi.org/10.4401/ag-7987.

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