Bibliographies thématiques / San Domenico (Church : Foligno, Italy)

Littérature scientifique sur le sujet « San Domenico (Church : Foligno, Italy) »

Auteur : Grafiati
Publié le 25 juillet 2024

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Articles de revues sur le sujet "San Domenico (Church : Foligno, Italy)"

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Pruno, E., C. Marcotulli, G. Vannini et P. Drap. « UNDERWATER PHOTOGRAMMETRY METHODS FOR A PECULIAR CASE-STUDY : SAN DOMENICO (PRATO-ITALY) ». ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XL-5/W5 (9 avril 2015) : 171–76. http://dx.doi.org/10.5194/isprsarchives-xl-5-w5-171-2015.

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San Domenico Church (Prato, Tuscan, Italy) is a very peculiar case of terrestrial archaeology surveyed with underwater archaeological photogrammetric approach. The vault of the choir was completely filled by a very important numbers of potteries, which is very interesting building technique. To document this technique a complete photogrammetric survey was realized, layer by layer, following underwater archaeology system. It is interesting to note that in underwater archaeology such a case is quite rare, in fact or the wreck is in shallow water and the digging can be made (but this case is now unrealistic because in shallow water all the wreck have been stolen – or already excavated by archaeologist – !) or we are in deep water, with well conserved wreck but the depth doesn’t allow the excavation. In the last case only a surface survey is possible. Also for these reasons this particular case- study is very interesting in order to test underwater methods on real case. This experimentation is a good opportunity to develop and check methods, algorithm and software to obtain a relevant model of the site merging 3D measure and knowledge about the artefact as typology, theoretical model, spatial relationship between them. Even if this work started in 2006, with now obsolete digital camera and with a photographic campaign which not respect always the current constraints for building a dense cloud of point in photogrammetry,it is now used as a case-study for developing a relevant approach for underwater archaeology survey.
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Randazzo, Luciana, Matteo Collina, Michela Ricca, Loris Barbieri, Fabio Bruno, Anna Arcudi et Mauro F. La Russa. « Damage Indices and Photogrammetry for Decay Assessment of Stone-Built Cultural Heritage : The Case Study of the San Domenico Church Main Entrance Portal (South Calabria, Italy) ». Sustainability 12, no 12 (25 juin 2020) : 5198. http://dx.doi.org/10.3390/su12125198.

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In recent decades, increasing attention is being paid to the multidisciplinary approach that allows the performance of both a preventive conservation and a more invasive restoration action. In this context, the present study aims to acquire information and data from field surveys undertaken in San Domenico Church, Southern Calabria, in order to provide a tool for the recording and the inventory of damage and decay phenomena, and assess their causes and scale. The subsequent calculation of damage indices also provided useful information in order to allow the prioritization of conservation and preservation responses.
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Manzo, Elena. « Sacred Architecture in the Neapolitan Baroque Era. Space, Decorations, and Allegories ». Resourceedings 2, no 3 (12 novembre 2019) : 46. http://dx.doi.org/10.21625/resourceedings.v2i3.624.

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In Naples (Italy), the passage from Renaissance to Baroque architectonic language could be identified between 1580 and 1612. During this era, one of the most significant topics of the architectonic research on the sacred space was the right compromise among the Counter-Reformation patterns, the central space and the oval plan. Giovanni Antonio Dosio and Dionisio di Bartolomeo were the most representative architects of this passage. They provide the access to new experimental varieties. So, when the architect Cosimo Fanzago arrived in Naples in 1612, the city was almost ready to use the emblematic ellipse plan of the Baroque, such as the churches Santa Maria della Sanita` and San Giovanni dei Fiorentini by Fra’ Nuvolo prove. Fanzago’s architectonic research was followed by the studies by Bartolomeo and Francesco Antonio Picchiatti, father and son, up to Domenico Antonio Vaccaro that was the most representative director of the Baroque sacred space scene. Moving from the analysis and comparison of the most representative churches of Neapolitans Baroque era, the paper proposes an unedited studio about the evolution of sacred space’s idea related to decoration, symbology and allegory, with a focus on Domenico Antonio Vaccaro’s works, such as the churches of Santa Maria della Concezione in Montecalvario neighbourhood, San Michele Arcangelo in Naples’ Piazza Dante, San Michele in Anacapri (on Capri Island), the Palazzo Abbaziale di Loreto and Saviour Church in San Guglielmo al Goleto Monastery, both near Avellino.
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Rovella, Natalia, Stefania Bosco et Donatella Barca. « Archaeometric Study of the White Marbles from “Madonna Della Febbre” Altar in San Domenico Church (Cosenza, Southern Italy) ». Minerals 12, no 3 (24 février 2022) : 284. http://dx.doi.org/10.3390/min12030284.

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San Domenico Church was built between 1441 and 1468 and represents one of the most important historical buildings of the Cosenza area (Calabria, Southern Italy) thanks to its architectonic style and the works inside, such as the “Madonna della Febbre”, a notable marble altar dated back to the XVI century. The church, as well as the sculptural group, underwent various interventions over time, unfortunately scarcely documented; thus, in this paper, the characterization of six white marble samples coming from the altar, was carried out to determine their provenance. The samples were analyzed by means of complementary methodologies well known in the archaeometric field: polarized optical microscopy (POM); an electron probe micro analyzer coupled with an energy dispersive spectrometer (EPMA-EDS); inductively coupled plasma–mass spectrometry (ICP-MS); and isotope ratio mass spectrometry (IRMS). The results provided important information about the “Madonna della Febbre” altar, suggesting the presence of different typologies of marbles and hypothesizing their possible provenance, including Carrara and Docimium. It was not clear if these marbles were re-used materials but, regardless, the reported information adds precious elements to the history of the entire architectonic complex, providing new issues to be deepened.
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Ricca, Michela, Emilia Le Pera, Maurizio Licchelli, Andrea Macchia, Marco Malagodi, Luciana Randazzo, Natalia Rovella, Silvestro A. Ruffolo, Maduka L. Weththimuni et Mauro F. La Russa. « The CRATI Project : New Insights on the Consolidation of Salt Weathered Stone and the Case Study of San Domenico Church in Cosenza (South Calabria, Italy) ». Coatings 9, no 5 (22 mai 2019) : 330. http://dx.doi.org/10.3390/coatings9050330.

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This paper presents the results of a laboratory experimentation carried out on stone materials in the framework of the CRATI project (Knowledge and Restoration through Advanced Integrated Technologies) aimed at testing new products with consolidating properties by means of an integrated methodological approach. After the preliminary characterization of stone materials collected in the pilot site, the second stage of the activities within the project were focused on the formulation and testing of products for the conservation of the same materials against decay, especially salt crystallization, one of the most aggressive and common degrading processes. The San Domenico Church, located in the old town of Cosenza (Calabria, Southern Italy) has been chosen as the pilot site and for the in situ tests. Several specimens with the same features of the stone materials used in San Domenico church were collected from a historical quarry near the city of Cosenza. These specimens were treated and then artificially degraded by salt crystallization tests in order to evaluate their susceptibility to weathering intensity. Three different consolidating products were used; respectively, two commercial and another one formulated in laboratory: (a) a suspension of nanosilica (Nano Estel®); (b) a suspension of nanolime (CaLoSiL®), and (c) a suspension of nano calcium-hydroxide dispersed in isopropyl alcohol and then mixed with diammonium hydrogen phosphate. A systematic approach, including minero-petrographic, geochemical and physico-mechanical techniques, was applied to evaluate (a) the nature and main features of materials; (b) the efficacy of consolidating treatments, and (c) the resistance of treated stone to the salt crystallization processes. The tested products demonstrated a significant efficiency to consolidate and protect stone material samples, enhancing their resistance to salt crystallization. Thus, such a case history may be useful in order to plan appropriate restoration interventions that consider the interactions between the building stone and the protective/consolidating product.
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Livres sur le sujet "San Domenico (Church : Foligno, Italy)"

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Buccolo, Antonio. Alba : Chiesa di San Domenico. Alba : Famija Albeisa, 2001.

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Dodsworth, Barbara W. The Arca di San Domenico. New York : P. Lang, 1995.

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Alce, Venturino. Il coro intarsiato di San Domenico in Bologna. Bologna : Edizioni Studio domenicano, 2002.

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Claudia, Pedrini, et Musei civici di Imola, dir. Arte gotica a Imola : Affreschi ritrovati in San Francesco e in San Domenico. Imola (Bo) [i.e. Bologna, Italy] : Musei civici di Imola, Museo di San Domenico, Rocca sforzesca, Palazzo Tozzoni, 2008.

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Cortesi, Alessandro, et Alberto Coco. Un convento, una città : San Domenico di Pistoia. Firenze : Nerbini, 2011.

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Crespi, Marcella. Il complesso conventuale di S. Domenico in Lodi. Lodi : A cura dell'"Archivio storico lodigiano", 1990.

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Brunetti, Oronzo, et Francesco Lofano. La chiesa di San Domenico a Monopoli : Storia, architettura, arte. Roma : Artemide, 2022.

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Alessandro, Cortesi, et Giaconi Elettra, dir. Arte e storia nel Convento San Domenico di Pistoia. Firenze : Nerbini, 2008.

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San Domenico all'Aquila : Il restauro del complesso monumentale. Pescara : Carsa, 2011.

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Bettini, Sergio. Baldassarre Peruzzi e la Cappella Ghisilardi : Origine, occultamento e recupero di un'opera nella Basilica di San Domenico a Bologna. Reggio Emilia : Diabasis, 2004.

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Actes de conférences sur le sujet "San Domenico (Church : Foligno, Italy)"

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Ricca, Michela, Raffaella Greca, Carlo Riente, Donatella Barca, Luciana Randazzo, Silvestro A. Ruffolo et Mauro F. La Russa. « Diagnostic study and efficiency evaluation of treatments against rising damp and salts crystallization in ornamental stones : the case of the green stone sacristy washbasin in the Church of San Domenico in Cosenza (Calabria, Italy) ». Dans 2023 IMEKO TC4 International Conference on Metrology for Archaeology and Cultural Heritage. Budapest : IMEKO, 2023. http://dx.doi.org/10.21014/10.21014/tc4-arc-2023.180.

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Ricca, Michela, Raffaella Greca, Carlo Riente, Donatella Barca, Luciana Randazzo, Silvestro A. Ruffolo et Mauro F. La Russa. « Diagnostic study and efficiency evaluation of treatments against rising damp and salts crystallization in ornamental stones : the case of the green stone sacristy washbasin in the Church of San Domenico in Cosenza (Calabria, Italy) ». Dans 2023 IMEKO TC4 International Conference on Metrology for Archaeology and Cultural Heritage. Budapest : IMEKO, 2023. http://dx.doi.org/10.21014/tc4-arc-2023.180.

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