Littérature scientifique sur le sujet « Romanzo cavalleresco »
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Articles de revues sur le sujet "Romanzo cavalleresco"
Stroppa, Sabrina. « Differire o uccidere : la morte tra i duelli del "Furioso" ». AOQU (Achilles Orlando Quixote Ulysses). Rivista di epica 2, no II (30 décembre 2021) : 93–113. http://dx.doi.org/10.54103/2724-3346/17259.
Texte intégralCifarelli, Paola. « Marco Maulu, La cerva bianca e la fata. Dal ‘récit bref’ al romanzo cavalleresco ». Studi Francesi, no 166 (I | LVI) (1 avril 2012) : 117. http://dx.doi.org/10.4000/studifrancesi.4578.
Texte intégralFekete, Monica. « La rigenerazione del poema cavalleresco : da centro epico-narrativo a margine del moderno, da trionfo idealistico a spazio del romanzo contemporaneo ». Caietele Echinox 33 (20 octobre 2017) : 311–27. http://dx.doi.org/10.24193/cechinox.2017.33.23.
Texte intégralMusacchio, Enrico. « La voce del narratore nel poema cavalleresco rinascimentale italiano ». Quaderni d'italianistica 29, no 1 (1 janvier 2008) : 39–72. http://dx.doi.org/10.33137/q.i..v29i1.8493.
Texte intégralFiumara, Francesco. « La biblioteca italiana dei romanzi cavallereschi spagnoli e il suo genere editoriale ». Romanistisches Jahrbuch 61, no 1 (20 novembre 2011) : 373–413. http://dx.doi.org/10.1515/9783110236323.373.
Texte intégralSoler, Abel. « Les fonts clàssiques de Curial e Güelfa ». SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 12 (21 décembre 2018) : 152. http://dx.doi.org/10.7203/scripta.12.13670.
Texte intégralArtico, Davide. « Buovo d’Antona fra originale veneziano e suo adattamento yiddish : la narrazione cavalleresca veicolo delle ideologie ». Romanica Silesiana 17 (29 juin 2020) : 43–54. http://dx.doi.org/10.31261/rs.2020.17.04.
Texte intégralMolteni, Ilaria. « Lo spazio del foglio. Sulla mise en page dei romanzi cavallereschi di origine italiana (xiii-xiv secolo) ». Convivium 3, no 2 (juillet 2016) : 126–41. http://dx.doi.org/10.1484/j.convi.4.000018.
Texte intégralMolteni, Ilaria. « High cultures e low cultures visualizzate : le metamorfosi del “Sacro Catino” di Genova tra temi cavallereschi e miti di fondazione ». Eikon / Imago 11 (1 mars 2022) : 107–18. http://dx.doi.org/10.5209/eiko.78846.
Texte intégralFiumara, Francesco. « Anna Bognolo, Giovanni Cara, and Stefano Neri.Repertorio delle continuazioni italiane ai romanzi cavallereschi spagnoli : Ciclo di Amadis di Gaula. Rome : Bulzoni, 2013. 664 pp. » Symposium : A Quarterly Journal in Modern Literatures 69, no 3 (3 juillet 2015) : 172–74. http://dx.doi.org/10.1080/00397709.2015.1067062.
Texte intégralThèses sur le sujet "Romanzo cavalleresco"
D'Arienzo, Domenico. « La sezione aurea del poema cavalleresco in Italia. Come un’ideologia di potere diventa romanzo popolare : alcune caute ipotesi ». Doctoral thesis, Universita degli studi di Salerno, 2015. http://hdl.handle.net/10556/2130.
Texte intégralA good title should speak for itself. And a subtitle, even better, center the subject is meant to treat, especially in a work as a doctoral thesis. Why, in fact, this is not a text that seeks a commercial purpose, but the systematic development of a research, covering an area of study that has tried to analyze the course of at least three years. The temptation, however, to "mine" the beautiful construct that seals the most fascinating among the truths of geometry and apply it to an idea, certainly not new, but it has stayed with me constantly during those years, was too strong . With the clear desire not to bore with explanations unnecessarily sophisticated, and without too overestimate this "idea", I can briefly say that, imagining the whole history of Italian literature, from its very first steps early Middle Ages, as a straight line, and the advent the press as the point which divides it into two segments of different lengths of time, it seemed to find in matter "of arms and of love", which accompanied closely, more than any other literary form, the development of social our literature, contributing decisively to spread in all strata of the population, with no difference of "caste", the constant that has allowed the proportion "divine" in the past, popular and aristocratic set, which was in danger of being forgotten and placed between the antiquities at the end of the sixteenth century, and the modern, through the insistent requests of what by now had become the "public" of the readers, could not and would not do without the poems of chivalry for a long time... [edited by author]
XII n.s.
Foltz, Cinzia <1976>. « Il topos dei "Neuf Preux" nell'immaginario cavalleresco medievale ». Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2008. http://amsdottorato.unibo.it/831/1/Tesi_Foltz_Cinzia.pdf.
Texte intégralFoltz, Cinzia <1976>. « Il topos dei "Neuf Preux" nell'immaginario cavalleresco medievale ». Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2008. http://amsdottorato.unibo.it/831/.
Texte intégralVILLORESI, MARCO. « Esiti del romanzo cavalleresco fra Quattro e Cinquecento ». Doctoral thesis, 1995. http://hdl.handle.net/2158/1075853.
Texte intégralNERI, Stefano. « Le architetture meravigliose nel romanzo cavalleresco spagnolo del Cinquecento ». Doctoral thesis, 2005. http://hdl.handle.net/11562/373416.
Texte intégralThe thesis studies the overall theme of the magic building as a narrative topos of enormous fortune in the Spanish chivalric novel of the sixteenth century. The textual corpus examined consists of 22 works belonging to the literary genre of the libros de caballerías published between 1508 and 1588. The study of the elements of continuity within the theme revealed the presence of 'standard' structures on different levels, from the concretion of the magic space to its functions in the text, from the setting of the narrative sequences to their combination and arrangement in the plot. The identification of deviations from the standard models has highlighted some sensitive elements involved in the evolution of the genre. The first volume closes with an appendix which contains, in alphabetical order, the summaries of 147 magic buildings belonging to the set of texts examined. The second volume is an anthology composed of a selection of 15 magic buildings of particular interest to the research undertaken.
BOGNOLO, Anna. « I cronotopi della corte e dell’avventura nei libros de caballerías : «Amadís de Gaula» e «Palmerín de Olivia» ». Doctoral thesis, 1991. http://hdl.handle.net/11562/435419.
Texte intégralStudy of the fundamental chivalresque romances of Spanish literature, Amadis of Gaul and Palmerin de Olivia, in relation with arthurian tradition
Trovato, Sonia. « Ariosto nell'epoca dei voli spaziali ». Doctoral thesis, 2016. http://hdl.handle.net/11562/941398.
Texte intégralThe present study analyzes the Orlando Furioso’s reuse in contemporary literature. It starts from the late XIX century works of Italo Svevo, author of an uncompleted comedy dedicated to Ariosto the Governor. Then, it goes through the literary experiences of two great Italian novelists of the second postwar, namely Italo Calvino and Beppe Fenoglio. The last chapter focuses on “the persistence of the Furioso” by analyzing Stefano Jossa’s studies, two recent exhibitions dedicated precisely to Ariosto’s reception in contemporary art and several narrative and theatrical reworking of Ariosto’s masterpiece, which are mainly dedicated to the characters of Angelica and Orlando. The work is aimed in detecting the double influence produced by Ludovico Ariosto, who has become a model both for the matter (due to a dense series of narrative situations, themes and ideas centered on a relativism which strongly affirms itself after the lacerations produced by the recent dark totalitarianisms) and for the style (due to a programmatic use of narrative techniques, such as suspension, deferment and resume). Overcoming the impasse of Benedetto Croce’s rigid interpretation, Ariosto can finally become the undisputed master of a fantastic and ironic literature, which has not to be considered disengaged or unconcerned.
Cipolla, Sara, Margerita Ganeri et Squarotti Giovanni Barberi. « Les nef preux. La fortuna italiana di un tema letterario e iconografico francese ». Thesis, 2013. http://hdl.handle.net/10955/138.
Texte intégralLivres sur le sujet "Romanzo cavalleresco"
Babbi, A. M. Paris e Vienna : Romanzo cavalleresco. Venezia : Marsilio, 1991.
Trouver le texte intégralAurelia, Forni Marmocchi, dir. Romanzo cavalleresco inedito : British Library Add. MS 10808. Bologna : Pa tron, 1989.
Trouver le texte intégralBritish Library. Romanzo cavalleresco inedito : British Library Add. ms 10808. Bologna : Pàtron, 1989.
Trouver le texte intégralL'eroe alla prova : Architetture meravigliose nel romanzo cavalleresco spagnolo del Cinquecento. Pisa : ETS, 2007.
Trouver le texte intégralBognolo, Anna. La finzione rinnovata : Meraviglioso, corte e avventura nel romanzo cavalleresco del primo Cinquecento spagnolo. Pisa : ETS, 1997.
Trouver le texte intégralI viaggi dei cavalieri : Tempo e spazio nel romanzo cavalleresco castigliano, secoli XIV-XVI. Soveria Mannelli (Catanzaro) : Rubbettino, 2009.
Trouver le texte intégralBabbi, A. M. Paris et Vienne : Romanzo cavalleresco del XV secolo : Parigi, Bibliothèque nationale, ms. fr. 20044. Milano : FrancoAngeli, 1992.
Trouver le texte intégralRajna, Pio. Due scritti inediti : Le leggende epiche dei longobardi ; Storia del romanzo cavalleresco in Italia. Roma : Salerno, 2004.
Trouver le texte intégralCarolina, Cupane, dir. Romanzi cavallereschi bizantini. Torino : Unione tipografico-editrice torinese, 1995.
Trouver le texte intégralZambon, Francesco, Adele Cipolla et Mariantonia Liborio. Il Graal : I testi che hanno fondato la leggenda. Milano : A. Mondadori, 2005.
Trouver le texte intégralChapitres de livres sur le sujet "Romanzo cavalleresco"
Baumgarten, Jean. « Elia Levita and the Romanzo Cavalleresco ». Dans Introduction to Old Yiddish Literature, sous la direction de Jerold C. Frakes, 163–206. Oxford University Press, 2005. http://dx.doi.org/10.1093/acprof:oso/9780199276332.003.0007.
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