Littérature scientifique sur le sujet « Romanticismo francese »
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Articles de revues sur le sujet "Romanticismo francese"
ISBELL, J. « Review. Immagini di Faust nel romanticismo francese. Balmas, Enea ». French Studies 45, no 4 (1 octobre 1991) : 470. http://dx.doi.org/10.1093/fs/45.4.470.
Texte intégralLLOYD, R. « Review. Licantropi e meteore. Saggi sul romanticismo francese. Contrappunti. Pompili, Bruno ». French Studies 40, no 4 (1 octobre 1986) : 474. http://dx.doi.org/10.1093/fs/40.4.474.
Texte intégralFarinella, Calogero. « Caleb Williams, o l’umamanità divisa : letteratura e politica in William Godwin ». ACME 74, no 1 (26 novembre 2021) : 99–116. http://dx.doi.org/10.54103/2282-0035/16794.
Texte intégralGuzmán Guzmán, María Aránzazu. « La literatura francesa decadentista, con textos inéditos de un ciclo de conferencias de Emilia Pardo Bazán ». Epos : Revista de filología, no 29 (1 janvier 2013) : 165. http://dx.doi.org/10.5944/epos.29.2013.15188.
Texte intégralGarcía Castañeda, Salvador. « Ana María Freire. “Índice bibliográfico de la Colección del Fraile”. Madrid : Ministerio de Defensa, 2008, 2ª. edición, 504 pp. ; “Entre la Ilustración y el Romanticismo. La huella de la Guerra de la Independencia en la literatura española”. Alicante, 2008. » BOLETÍN DE LA BIBLIOTECA DE MENÉNDEZ PELAYO 85, Único (14 septembre 2022) : 540–45. http://dx.doi.org/10.55422/bbmp.708.
Texte intégralDiaby, Bakary. « Counting the Bodies : Ferguson and Ferguson1 ». Essays in Romanticism 27, no 2 (1 octobre 2020) : 153–65. http://dx.doi.org/10.3828/eir.2020.27.2.5.
Texte intégralSchmidt-Welle, Friedhelm. « Traducción y transculturación del romanticismo europeo en Esteban Echeverría ». Cuadernos de Literatura 21, no 41 (22 juin 2017) : 114. http://dx.doi.org/10.11144/javeriana.cl21-41.ttre.
Texte intégralO'Grady, Deirdre. « Da Dante a Mercadante : Francesca da Rimini voce del belcanto ottocentesco ». Dante e l'Arte 8 (7 mars 2022) : 183–202. http://dx.doi.org/10.5565/rev/dea.145.
Texte intégralGladieu, Marie-Madeleine. « Resonancia de poemas franceses en Los heraldos negros ». Archivo Vallejo 4, no 4 (19 août 2019) : 347–59. http://dx.doi.org/10.34092/av.v4i4.99.
Texte intégralFERIA VÁZQUEZ, Miguel A. « El Modernismo en El Salvador y la asimilación de la poesía francesa ». Creneida. Anuario de Literaturas Hispánicas 5 (30 décembre 2017) : 333–45. http://dx.doi.org/10.21071/calh.v5i.10376.
Texte intégralThèses sur le sujet "Romanticismo francese"
REGGIANI, Greta. « Visioni dell'Altra : fascino e terrore, bellezza e fatalità della figura femminile nei racconti fantastici di Théophile Gautier e di altri maestri del Romanticismo francese ». Doctoral thesis, Università degli Studi di Verona, 2007. http://hdl.handle.net/11562/338159.
Texte intégralCucciniello, O. « MILANESI A PARIGI. LA FORTUNA CRITICA FRANCESE DEGLI ARTISTI DI FORMAZIONE LOMBARDA ALLE ESPOSIZIONI DI PARIGI NELLA SECONDA METÀ DELL'OTTOCENTO ». Doctoral thesis, Università degli Studi di Milano, 2016. http://hdl.handle.net/2434/373759.
Texte intégralFIACCADORI, CHIARA. « FRANCESCO SCARAMUZZA (SISSA, 1803 - PARMA, 1886) ». Doctoral thesis, Università Cattolica del Sacro Cuore, 2016. http://hdl.handle.net/10280/10488.
Texte intégralThis study aims to reconstruct, in a monographic dimension, the profile of Francesco Scaramuzza, a prolific artist who determined the new course of painting in Parma in the first half of the 19th century. Interpreter and bearer of an atypical Romanticism, in his artistic development he was inspired by the lessons of the Nazarenes as much as by the Lombard interest in contemporary subjects, without neglecting the beloved imprint of Correggio’s style. Throughout his career he went through three different patronages, from the restored regime of Marie Louise of Hapsburg, after the Napoleonic period, to the unhappy Bourbon interlude, ended quickly with the annexation to the reign of Vittorio Emanuele II. Under the Austrian sovereign he reached the peak of his career, suffering, however, a setback under the Bourbon government because of his well-known libertarian sympathies. His value was recognized eventually by the establishment of the united Italy, who entrusted him to illustrate the Divine Comedy, his most famous and successful work, which will mark, after seventeen years of strenuous work, the conclusion of his career as an artist.
FIACCADORI, CHIARA. « FRANCESCO SCARAMUZZA (SISSA, 1803 - PARMA, 1886) ». Doctoral thesis, Università Cattolica del Sacro Cuore, 2016. http://hdl.handle.net/10280/10488.
Texte intégralThis study aims to reconstruct, in a monographic dimension, the profile of Francesco Scaramuzza, a prolific artist who determined the new course of painting in Parma in the first half of the 19th century. Interpreter and bearer of an atypical Romanticism, in his artistic development he was inspired by the lessons of the Nazarenes as much as by the Lombard interest in contemporary subjects, without neglecting the beloved imprint of Correggio’s style. Throughout his career he went through three different patronages, from the restored regime of Marie Louise of Hapsburg, after the Napoleonic period, to the unhappy Bourbon interlude, ended quickly with the annexation to the reign of Vittorio Emanuele II. Under the Austrian sovereign he reached the peak of his career, suffering, however, a setback under the Bourbon government because of his well-known libertarian sympathies. His value was recognized eventually by the establishment of the united Italy, who entrusted him to illustrate the Divine Comedy, his most famous and successful work, which will mark, after seventeen years of strenuous work, the conclusion of his career as an artist.
Costello, Lauren Michelle. « A sociological study of the formation of the Romantic identity in France ». Thesis, Boston University, 2005. https://hdl.handle.net/2144/32860.
Texte intégralPLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.
2031-01-01
Cavalcante, Cristovam Bruno Gomes [UNESP]. « O perfeito mágico das letras francesas : aproximações entre o conto fantástico e a poesia de Théophile Gautier ». Universidade Estadual Paulista (UNESP), 2016. http://hdl.handle.net/11449/140151.
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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)
Este trabalho propõe-se a estudar as concepções poéticas do escritor francês Théophile Gautier (1811-1872), figura relevante para a arte de diversos outros poetas e de movimentos literários posteriores. Tendo em vista que ele participou tanto das tentativas de consolidação do movimento romântico na França em 1830 quanto do desenvolvimento da poética do Parnasse, busca-se compreender como se formou o seu estilo e como se firmou o seu pensamento, para, assim, partirmos ao objetivo principal do trabalho, que é o de assinalar a unidade de algumas obras em prosa de natureza fantástica e de sua obra poética, sobretudo da publicada em 1852, Émaux et Camées. Para esse fim, discorreremos, inicialmente, sobre as relações, por vezes conflituosas, entre o espírito burguês, os partidários de mudanças sociais e os artistas. Localizadas as questões que marcaram o poeta, que, particularmente, são a rejeição à demanda por utilidade social da arte e à necessidade de um posicionamento político do artista, partiremos à análise do corpus, aparentemente tão diverso, em busca de dados que comprovem a existência de uma unidade poética entre as obras escolhidas.
This work proposes a study from the poetic conceptions of the French writer Théophile Gautier (1811-1872), relevant name to the art of many other poets and later literary movements. Given that this poet attended both of the Romantic movement consolidation attempts in France in 1830 as the development of poetics of Parnassus, we seek to understand how his style was formed and how his thinking steadied in his composing, for thus we set the main objective of this study, which is to mark the unit inside some works in prose of fantastic nature and inside his poetic composition, especially the one published in 1852, Émaux et Camées. To that, we will discuss initially about conflictual relations between the bourgeois spirit, the supporters of social change and the artists. Once we located the issues that marked the poet, which in particular are the rejections to the social utility demand of art and to the need for a political position of the artist, we will analyze the corpus, apparently so diverse, in search of data to prove the existence of a poetic unity among the chosen works.
CNPq: 134128/2015-0
Mendes, Maria Lúcia Dias. « No limiar da História e da Memória : um estudo de \'Mes Mémoires\', de Alexandre Dumas ». Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8146/tde-01112007-143905/.
Texte intégralThe thesis revises the book Mes mémoires, written by Alexander Dumas, adopting Georges Gusdorf\'s vision of the writes of the self. The research assumes the initial premise that, even being a memory book, it brings together interests and techniques used by Dumas in other works. At the beginning, the ideas of Philippe Lejeune and Georges Gusdorf are presented and the concept of memory is explained. Because of the deep linking between memory and History, the changes occurred in French historiography and literature during the beginning of century XIX, influenced by Walter Scott and assimilated by Dumas, are studied. Further, it seeks to understand the narrative resources used to build the memories, the recurrent issues and the techniques that the author rescued from previous writes. It also analyses the image that Dumas desires to fix for himself and for his generation. Finally, the thesis presents a biography of Victor Hugo that, as others, was included in this multifaceted work of Dumas. The conclusion is that Mes mémoires of Alexander Dumas tells its trajectory putting together interests and characteristics already presents in his complete works, moved by the desire to eternize in his memories the Memories of France and of his time.
Baril, Joselle. « Quatre poètes au jardin des Oliviers ». Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79822.
Texte intégral1"Gethsemani ou la mort de Julia" d'Alphonse de Lamartine, "Le Mont des Oliviers" d'Alfred de Vigny, un extrait (strophes VI, VII et VIII du Chapitre intitule Jesus-Christ) de La Fin de Satan de Victor Hugo et "Le Jardin des Oliviers" de Gerard de Nerval.
Paixao, Grace Alves da. « Natureza e artificialidade nas mulheres das poesias de Victor Hugo e Charles Baudelaire ». Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8146/tde-12112010-161229/.
Texte intégralThe aim of this research is to compare the female figures of poems by Victor Hugo, Charles Baudelaire considering the expression of nature and artificiality as their center. The comparison applied to these works will take place especially through reading poems. In addition to a literature review of the comparisons between them previously undertaken and an overview of their work focused on the study of progress, the role of poet and landscape in relation to the context of the nineteenth century, the work allows correlations and differences in the images of women on their poetry to be analyzed.
Fossard, Stéphane. « Plaisirs du texte et plaisirs du sexe : l'érotisation de l'histoire dans les récits historiques de Paul Lacroix (1829-1835) ». Thesis, La Réunion, 2017. http://www.theses.fr/2017LARE0004/document.
Texte intégralThe 1830's are caracterized by the emergence of a young romantic generation. Among those new writers is Paul Lacroix, young ambitious man who desires to influence the litterature of his own time. He succeds to do so thanks to the historical novels he published under the pseudonym of « Bibliophile Jacob », old erudite book lover. He expresses through his work his will to give his public a taste for history, known to be an austere and demanding science. He also tries to stand out from his illustrious predecessors in becoming the « french Walter Scott ». Then, he plays on the attraction of eroticism and leads to his readers into the heart of the most intimate secrets of France history. By showing of the erotic side of history, Paul Lacroix gives his personal definition of the historical novel. That way, he brings up question about romantic aesthetic and expresses ideologicals claimings. This plural approach will enable to identify the issues of his writing and to show the limits of his project
Livres sur le sujet "Romanticismo francese"
Annarosa, Poli, dir. Rappresentazioni del sacro nel romanticismo francese. Moncalieri (Torino) : Centro interuniversitario di ricerche sul viaggio in Italia, 2001.
Trouver le texte intégralDissonanze del grottesco nel romanticismo francese. Roma : Bulzoni, 1988.
Trouver le texte intégralConvegno su Rappresentazioni del sacro nel romanticismo francese (2000 Verona, Italy). Rappresentazioni del sacro nel romanticismo francese. Moncalieri (Italie) : Centro interuniversitario di ricerche sul "Viaggio in Italia", 2002.
Trouver le texte intégralBalmas, Enea Henri. Immagini di Faust nel romanticismo francese. Fasano : Schena, 1989.
Trouver le texte intégralManzoni francese (1805-1810) : Dall'Illuminismo al Romanticismo. Rome : Laterza, 1993.
Trouver le texte intégralStrategie del fantastico : Berlioz e la cultura del romanticismo francese. Alessandria : Edizioni dell'Orso, 2002.
Trouver le texte intégralRandi, Elena. Anatomia del gesto : Corporeità e spettacolo nelle poetiche del romanticismo francese. Padova : Esedra, 2001.
Trouver le texte intégralRandi, Elena. Anatomia del gesto : Corporeità e spettacolo nelle poetiche del romanticismo francese. Padova : Esedra, 2001.
Trouver le texte intégralAdinolfi, Pierangela. Passione e virtù : L'idea di felicità nella prima stagione del romanticismo francese. Alessandria : Edizioni dell'Orso, 1999.
Trouver le texte intégralScavalla, Stefano. Dal Romanticismo tedesco all'Impressionismo francese : L'evoluzione stilistica e formale del linguaggio musicale nella letteratura pianistica. Rome] : Stamen, 2019.
Trouver le texte intégralChapitres de livres sur le sujet "Romanticismo francese"
Steiner, Enit K. « Romantic Education, Concealment, and Orchestrated Desire in Rousseau’s Emile and Frances Brooke’s Julia Mandeville ». Dans Romanticism, Rousseau, Switzerland, 21–37. London : Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137475862_2.
Texte intégralFiore, Arianna. « «Francisca de Rímini» di Vicente Colorado : una rilettura drammatica del tardo romanticismo iberico ». Dans L'illustre volgare, 89–110. Firenze : Società Editrice Fiorentina, 2022. http://dx.doi.org/10.35948/dilef/978-88-6032-685-0.06.
Texte intégralCoeckelbergh, Mark. « Romanticism ». Dans New Romantic Cyborgs. The MIT Press, 2017. http://dx.doi.org/10.7551/mitpress/9780262035460.003.0002.
Texte intégralDUGGAN, CHRISTOPHER. « Childhood, Youth, and Romanticism ». Dans Francesco Crispi 1818-1901, 9–34. Oxford University Press, 2002. http://dx.doi.org/10.1093/acprof:oso/9780198206118.003.0002.
Texte intégral« What Happens When Jane Austen and Frances Burney Enter the Romantic Canon ? » Dans Lessons of Romanticism, 376–91. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822399100-019.
Texte intégralGalperin, William. « What Happens When Jane Austen and Frances Burney Enter the Romantic Canon ? » Dans Lessons of Romanticism, 376–91. Duke University Press, 1998. http://dx.doi.org/10.1215/9780822399100-018.
Texte intégralGALPERIN, WILLIAM. « What Happens When Jane Austen and Frances Burney Enter the Romantic Canon ? » Dans Lessons of Romanticism, 376–91. Duke University Press, 1998. http://dx.doi.org/10.2307/j.ctv11cw5nd.21.
Texte intégralFlynn, Christopher. « Frances Trollope’s America : From Enlightenment Aesthetics to Victorian Class ». Dans Enlightening Romanticism, Romancing the Enlightenment, 163–78. Routledge, 2016. http://dx.doi.org/10.4324/9781315579832-10.
Texte intégral« 2. La ocupación francesa y el teatro ». Dans El teatro español entre la Ilustración y el Romanticismo, 45–70. Vervuert Verlagsgesellschaft, 2009. http://dx.doi.org/10.31819/9783954879106-004.
Texte intégralMorales Peco, Montserrat. « Napoleón, leyenda negra y dorada en la literatura francesa del Romanticismo ». Dans Literatura, crítica, libertad. Estudios en homenaje a Juan Bravo Castillo. Ediciones de la Universidad de Castilla-La Mancha, 2021. http://dx.doi.org/10.18239/homenajes_2020.13.10.
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