Thèses sur le sujet « Révolutionnaires dans la littérature »
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Sevrain, Emilie. « Des pensées politiques subversives aux conduites révolutionnaires : les personnages feminins dans les littératures francophones de l'Afrique subsaharienne : (1975 à 2005) ». Paris 13, 2010. http://www.theses.fr/2010PA131009.
Texte intégralFurther to the violent colonial conquests and the postcolonial civil wars, many writers, men and women, applied themselves to depict contemporary Africa's political and cultural upheavals. Female figures emerge from these struggles of power and the underlying resistance movements. Holding political sponsibilities or commited in revolutionary missions, they scope of African societies’tendancies to corruption and despotism through subversive speeches and/or protesting reactions. Based on recent texts published between 1975 and 2005, this dissertation proposes to highlight the rhetorical and stylistic processes at work in the development of a women’s political imaginary. Following an interdisciplinary methodology, we will try to determine the cultural and ideological issues of these constant features and/or poetic innovations in the rewriting, modelling or subversion processes of African struggles’memory
Galal, Mohamed Ahmed. « Ecrire la révolution égyptienne de 2011 : entre témoignage et fiction ». Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCF029.
Texte intégralThis research focuses on narratological and stylistic issues in the writings that appeared at the end of the popular uprising in Egypt in 2011. It combines two axes, one notional and the other analytical. On the one hand, it deals with questions of literary genre, space, temporality and language of writing. On the other hand, it offers to compare five texts which will be examined at the literary as well as at the thematic level : Ayyām al-Taḥrīr (2011), Cairo: my city, our revolution (2012), al-Ṯawra 2.0 (2012), Aǧniḥat al-farāša and Sabʿat ayyām fī al-Taḥrīr (2011). These works are considered within the framework of what critics have called adab al-ṯawra or adabiyyāt al-ṯawra--"literature(s) of the revolution". I try to highlight the characteristics and peculiarities of this very young production. The challenge here is to study how contemporary Egyptian writers have produced narratives which reveal a process of wonderment, reconfiguration and transformation of the representation of the citizen, especially that of young people
Morel, Anne-Rozenn. « Les fictions utopiques pendant la Révolution française : enquête sur les interactions entre réalité révolutionnaire et modèles politiques imaginaires ». Phd thesis, Rennes 2, 2007. https://theses.hal.science/tel-00204479.
Texte intégralThe present work purports to demonstrate that utopian fictions were successful during the French Revolution, even if critical literature did not acknowledge that success. The analysis, based on a corpus of fifty five works, bears on the various aesthetic and political stakes involved in the recourse to utopias. Utopian fictions, as testament to the cultural and political crisis of the times, are marked by the diversity, relativity and perfectibility of the ideal societies they imagine. The characteristic of French Revolution utopias is to reduce the gap between the ideal world presented in fiction and contemporary society. But though utopian writers resort to fiction to represent the French Revolution, they nevertheless offer fully-fledged political models. They set out reflections on the foundations of ideal society, and they meditate over the best form of government possible, which should be able to safeguard political liberty while reconciling legal and practical equality. The dissertation finally investigates in what ways that utopian imagination might have influenced revolutionary beliefs and mindsets. Some utopian writers wished to see their social models realized. The revolutionary context, more than ever, encouraged people to think that such desires were possible
Roy, Daphnée. « (en) revenir suivi de Josée Yvon et ses Filles-commandos bandées : le potentiel révolutionnaire des marginales ». Master's thesis, Université Laval, 2020. http://hdl.handle.net/20.500.11794/66688.
Texte intégralMorel, Anne-Rozenn. « Les fictions utopiques pendant la Révolution française : enquête sur les interactions entre réalité révolutionnaire et modèles politiques imaginaires ». Phd thesis, Université Rennes 2, 2007. http://tel.archives-ouvertes.fr/tel-00204479.
Texte intégralFouladvind, Leyla. « La femme iranienne dans l'espace public post-révolutionnaire à travers les œuvres des romancières contemporaines (1990-2005) ». Paris, EHESS, 2012. http://www.theses.fr/2012EHES0009.
Texte intégralRelating to sociology, litterature and women's social status, the goal of this inter-disciplinary research is to analyze the social status of women in post-revolutionary Iran, through the work of eight contemporary novelists (F. Aghayi, T. Alavi, F. Hadj Seyyed Djavadi, Ch. Parsipour, Z. Pirzad, M. Ravanipour, P. Sani'i et F. Vafi) during 15 post-revolutionary years (1990-2005). As the first main part of this thesis, the interest about the private sphere (family, marital and personal privacy) and in the public space (urban, professional and social). In the second part, the detailed study of Iranian women's accessibility to public spaces (to education, to employement and to sozialisation) reveal that the female question, with all its ambivalences, is a major issue in the democratization of the Iranian society. The field of literature opens an area for novelists to express themselves. By playing with the close relationship between reality and fiction they bypass the censorship. With their different approaches, they all describe the socio-political disappointment of the post-revolutionary era. These "intermediate intellectuals", all women and writers, all women and writers at the same time, denounce the "unequal oppression" done against women and nourish the public debate around iconic themes such as democracy, individual freedom, community tolerance, etc. , and actively participate in the education of the civil society
Diallo, Oumar. « Remise en cause du processus révolutionnaire et projet de renouveau dans l'oeuvre romanesque de Pepetela ». Thesis, Université Clermont Auvergne (2017-2020), 2019. http://www.theses.fr/2019CLFAL013.
Texte intégralAffected by the death of the revolutionary utopia and the disappointment of the Angolan people, Pepetela’s work questions the Angolan identity: “a Angolanidade”. Through allegory, irony, humour, metonymy, parable and myth, Pepetela denounces the behaviour of the Angolan elite and reinstates certain cultural and ancestral African values long since wiped out by Portuguese colonialism. Pepetela’s work disseminates a strong critique of the post independence Angolan regime while seeking to establish links between tradition and modernity. Our work seeks to demonstrate this fictional reality, whilst giving an analysis of characters who are striving to match their ideology with the reality of the Angolan people. As Aventuras de Ngunga, Muana Puó, A Geração da Utopia, O Desejo de Kianda and Parábola do Cágado Velho are novels which bring into focus certain questions about Angolan identity.Key words: Pepeptela, Angola, revolution, utopia, identity, myth, ideology, tradition, modernity, post-independence
Marcada pela morte da utopia revolucionária e pelo desencanto do povo angolano, a obra de Pepetela questiona a identidade angolana: "a Angolanidade". Através de alegoria, ironia, humor, metonímia, parábola e mito, Pepetela denuncia o comportamento da elite angolana e reabilita certos valores culturais e ancestrais africanos muito tempo maltratados pelo colonialismo português. A obra de Pepetela transmite fortes críticas ao regime angolano pós-independência, procurando criar pontes entre a tradição e a modernidade. O nosso trabalho procura demonstrar esta realidade ficional, privilegiando a análise dos personagens que se esforçam em harmonizar a sua ideologia e a realidade do povo angolano. As Aventuras de Ngunga, Muana Puó, A Geração da Utopia, O Desejo de Kianda e Parábola do Cágado Velho são romances que evidenciam algumas interregações sobre a identidade angolana
Kompanietz, Paul-Adrien. « Les imaginaires romanesques de la Terreur (1793-1874). Des lettres trouvées dans des portefeuilles d'émigrés d'Isabelle de Charrière à Quatrevingt-Treize de Victor Hugo ». Thesis, Lyon, 2018. http://www.theses.fr/2018LYSES003.
Texte intégralFrom Isabelle de Charrière's lettres trouvées dans des portefeuilles d'émigrés ( 1793) to Victor Hugo's Quatrevingttreize(1874), which reinterprets the period in the mirror of the Commune, the Terror fed the imagination of manynovelists. Unprecedented surge of violence or unheard of democratic moment ? The fecundity of this revolutionary moment is in part due to its paradoxes and the tensions triggered by its memory. At the heart of the historical and ideological controversies that, to this day, have not been extinguished, the Terror was, throughout the 19th century, a subject even more topical than the revolutionary tremors of 1830 and 1848, particularly by reawakening the memory.Exceeding the historical nove! genre, the fictional treatment of the Terror is not the result of a simple fictional transposition of the historical reality, but can be envisaged as the fruit of a system of complex relationships between historiography, memorial literature and other literary genres.From the Revolution to the Commune, the fictional genre was one of the spaces where the invention of what we have chosen to call an "imagination of the Terror" - in homage to Daniel Arasse's great book - was not exhausted by the image of the guillotine. Looking at how the novel participated, in conjunction or competition with other types of writing, in discursive constructions and the development of this imagination, and how undertaking fictional figurationrevolved around ideological issues and political choices, is the challenge of this new investigation. From Ducray Duminilto Dumas, Sénac de Meilhan to Barbey d'Aurevilly, Germaine de Staël to George Sand, via Ballanche, Nodier, Balzac and even Vigny, this genealogy of fiction dissertation is supported by a large corpus oftexts and intends to makeway for little-known works, whose role was no less than that of the most canonical works in fictionalising the revolutionary Terror
Berthet, Dominique. « Les esthétiques révolutionnaires : théorie du reflet et imaginaire ». Paris 1, 1993. http://www.theses.fr/1993PA010650.
Texte intégralThe xixth century has seen the birth of modern socialism and the emergence of a new concept applied to art : modernity. From that period on, two types of socialism have developed, competed and incessantly argued. The origin of the conflict to date back to the argument between marx and proudhon. These two forms of socialism, as far as art and aesthetics are concerned, have made different and sometimescontrary propositions. However, Proudhon, Marx and Engels' aesthetics have in common the fact that they are ideological, they contemplate art in its direct relation to the social field. Consequently, marxist an libertarian aesthetics are to differentiate one from the other in the long run. Anarchist aesthetics have the peculiarity of being numerous and of offering very different approaches towards art. However, they come from statements that are very distinct from those that founded marxist aesthetics. The way they showed through social realism and jdanovism. Afterwards, in front of what had become state aesthetics, some marxists turned away from that kind of art to adopt some points of view borrowed from the libertarian aesthetics
Coste-Rooryck, Yolande. « Le réalisme militant dans le "Tableau de Paris" et le "Nouveau Paris" de Louis-Sébastien Mercier : une tentative de révolution esthétique et éthique ». Poitiers, 2006. http://www.theses.fr/2006POIT5012.
Texte intégralThe Picture of Paris and The New Paris, before and after the historical cut of French Revolution, compose a unique diptych that reflects a colourful capital ; but Mercier also wanted to show the misery, willing to reach possibly the leaders of the country ( particularly in the first picture) to make them " realize " what was really happening in the everyday life. He had clearly a political and moral aim. He set up a brandnew technic for observing, combining two necessities, convince and " make true ". This militant realism came also as a result of rejecting the academic litterature, and an ideal of democratic litterature that is to be related to the underlying realism in the novels and theater pieces at the time. Mercier provides a large range of styles, from comic to touching, and sometimes uses vehemence and visions. But reality very often is far from the philosophical ideal, so that Mercier always has to juggle with them both, what is not very conclusive
Yamamoto, Kenji. « Poétiques révolutionnaires du premier Verlaine ». Thesis, Rennes 2, 2021. http://www.theses.fr/2021REN20055.
Texte intégralOur thesis is based on analyses of “the revolutionary poetics of the early Verlaine” around poems in verse and prose, critical writings and versification, on their ideological aspects, their intertextuality and Verlaine’s political thinking. As for “poetics” in the plural, it’s about different stages of the poet’s development from 1860s to imprisonment of 1873. Our work consists of three chapters, each of which deal with different periods of the poet’s poetic creation. The first chapter addresses the genesis of the poet’s poetics by reflecting on the influence of Baudelaire to answer this question: “Verlaine is he simply Baudelaire’s son?” In the second chapter, we examine various figures of Verlaine. Verlaine is a multiple poet as “Parnassian”, “underground”, “republican and socialist”, “homosexual”, “zutiste” and “catholic” We show his radical processes by treating little studied texts. Finally, in the last chapter, we focus on his poetic blossoming, that is to say, Verlaine’s “System” influenced by poetic adventures with Rimbaud, by analyzing poems written in prison and intended for Cellulairement. Thus, our thesis aims to throw light on his poetic evolution, from “victim of Baudelaire” to “true poet”
Gaudebout, Jean-Claude. « L'influence de la pensée physiocratique dans les écrits pré-révolutionnaires de Condorcet ». Thesis, Paris 10, 2019. http://faraway.parisnanterre.fr/login?url=http://bdr.parisnanterre.fr/theses/intranet/2019/2019PA100019/2019PA100019.pdf.
Texte intégralCondorcet (september 1743-march 1794), mathematician and academician, entered politics well before the french Revolution. Installed in Paris from 1762, he begins by focusing mainly on mathematics, until his entry into 1769 at the Academy of Science, at the very time when the government is implementing reforms inspired by the Physiocraty (freedom of trade in grains, municipal reform of Laverdy) between 1764 and 1769. Two periods characterize the political activity of Condorcet before the french Revolution.Turgot, appointed controller general of Finance in August 1774 by Louis XVI, calls him as one of his advisors, with Dupont de Nemours and Morellet, and appoints him as currency inspector. Then, he did not cease, throughout the ministry of Turgot (august 1774-may 1776), to support the reforms undertaken by Turgot (freedom of the internal trade of grains, abolition of the chore), in writings largely inspired by the Physiocratic doctrine, without ever openly claiming it.After the fall of Turgot, he takes part in the political debates related to the creation of representative assemblies, from the Ministry of Calonne (1783-1787). It was then that he defended, in all his writings from the period up to the Revolution, the provincial assemblies that he largely reiterates the project of municipalities of Dupont de Nemours (1775), marking his clear opposition to the call for the Estates General. Unable to prevent them, at the same time as he proposes a bill of rights, he finally tries to get elected deputy of the nobility, without success
Cron, Adélaïde. « Mémoires féminins de la fin du XVIIe siècle à la période révolutionnaire : enquête sur la constitution d'un genre et d'une identité ». Thesis, Paris 3, 2011. http://www.theses.fr/2011PA030065.
Texte intégralStarting in the 1670s and throughout the 18th century, memoirs written by women, more so than those written by men, undergo important mutations. After the turmoil of the Fronde, as the political role of women tends to decline, they emphasize private life but also the personal itinerary of women who are thus creating an original form centred on the definition of their identity: these works develop a true autobiographic dimension. The influence and mediation of the memoir-novel play a crucial part in this women-led transformation of the memoirist genre, leading to the original creation of hybrid texts halfway between fiction and diction. But these texts are not mere imitations of the memoir-novel: by borrowing from diverse influences and traditions, women express their wish to write in an oblique manner, without labelling themselves as “learned ladies” or “women authors”. They also construct new representations of the female identity, both submissive and critical, most of the time indirectly, of the female roles which were deemed traditional at the time. The thesis examines the social profiles of this new kind of memoirists, as well as the formal and enunciative complexity of their texts, and the ambiguous representations of women and their personal identity which they develop
Rey, Nicolas. « Les ancêtres noirs "révolutionnaires" dans la ville caribéenne d'aujourd'hui : l'exemple de Livingston, Guatemala ». Paris 1, 2001. http://www.theses.fr/2001PA010657.
Texte intégralMatuszak, Céline. « Stratégies cybermédiatiques des mouvements anarchistes et nationalistes révolutionnaires : parcours sémiotique dans l'internet de mouvements transgressifs ». Lille 3, 2006. http://www.theses.fr/2006LIL3A003.
Texte intégralArthéron, Axel. « Les théâtres afro-caribéens d'expression française au XXème siècle face à la Révolution de Saint-Domingue : dramaturgies révolutionnaires et enjeux populaires ». Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030161.
Texte intégralThe appearance in the 50’ of afro-Caribbean’s pieces setting up the Dominican Revolution proves to be symbolic. Announced by the creation of La Tragedie du Roi Christophe from Aimé Césaire by Jean-Marie Serreau and the Toucan Troupe, these theatricals expressions will go towards defining a proper theatrical type- possessing his own characteristics, his writing codes, his connection with history and historical characters, and above all, his purpose, his finality : his political and popular function. The articulation between the choice of theater, the political theme of the Dominican Revolution and the stakes of the second half of the 20th Century will constitute the insignia of the historical revolutionary theater, both political and popular
Okuneva, Irina. « Mirabeau : écrivain, orateur, néologue ». Paris, EHESS, 2014. http://www.theses.fr/2014EHES0007.
Texte intégralHonoré-Gabriel de Riquetti, count of Mirabeau, nobleman from Provence, went down in history as an eminent orator and a major protagonist of the French Révolution in its first stage. As a resuit, most studies on Mirabeau have been written by historians focusing on the political activist and thinker, while his private life was being scrutinized by biographers, starting as early as the end of the 18th century. In our research, we put forward a différent approach. Mirabeau's figure cannot be fully apprehended if confined to the two years of his political prominence in the revolutionary assemblies. It is necessary to examine his rich, prolific, life-long career as a 'man of letters' belonging to the last génération of the Enlightenment. Mirabeau's many works are diverse in nature. They include erotic novels, essays, pamphlets, translations of ancient as well as modem authors, letters, and of course, political discourses ; in addition to those published works, manuscripts or fragments of manuscripts can be found in several archives, most notably in Aix-en-Provence and in the archives of the French Foreign Office. The présent dissertation covers the whole of Mirabeau's published and unpublished works. Against the prevailing notion of an undisciplined thinker, we aim at demonstrating the cohérence of Mirabeau's vision by making apparent the logical ties between his «philosophy» (as applied to history, langage or the arts), his théories on éducation, and his political analyses. Our approach, we hope, will shed a new light on the historical figure of the revolutionnary Mirabeau ; it can also help understand the reasons for Mirabeau's deep and lasting influence
Murcia, Thierry. « Jésus dans la littérature talmudique ». Thesis, Aix-Marseille, 2012. http://www.theses.fr/2012AIXM3076.
Texte intégralThis study presents a survey and a systematic analysis of the passages of Talmudic literature (Mishna – Tosefta – Palestinian Talmud – Babylonian Talmud – Midrashim), relative to Jesus or are supposed to be. The documents are examined, criticized and confronted to other sources of Jewish or Christian origin (Hellenistic Jewish literature, Jewish Apocrypha, rabbinic sources, Targumim, Toledot Yeshu – New Testament, Apostolic Fathers, Church Fathers). The investigation tries to answer to several questions: - What did the rabbis exactly know about Jesus? - Has their information any historical value? - Has their perception undergone some evolution? - Did the rabbis of the Talmud have access to the Gospels as a written source? The conclusion of this thesis is that all these documents are rooted in their Sitz im leben. They obviously attest – contra Peter Schäfer (Jesus in the Talmud, 2007) – that the rabbis had no direct acquaintance with the Gospels as written documents. This study also shows, concerning the Babylonian Talmud, that all the passages relative to Jesus belong to the last editorial layer of this corpus (VIIe-VIIIe century)
Eluther, Ena. « L'africanité dans la littérature caribéenne ». Thesis, Le Mans, 2013. http://www.theses.fr/2013LEMA3001.
Texte intégralCan the africanity of caribbean cultures come down to distant survivals, or constitute the foundation of these cultures ? Literature, as a mirror of peoples, as a painting of cultures, as art, allows to perceive the cultural and literary continuity between the african continent and its caribbean diaspora. The comparison of english-speaking and french-speaking novels from the Caribbean and from West Africa and Central Africa shows common cultural features and literary topoi from one area to the other : colonial trauma, protection and adaptation of ancestral legacy, common spiritual values, linguistic problematics, paintings of resistance struggles in which the writer himself is in the frontline. This comparative study, which sometimes draws from caribbean and african oral literature, as from caribbean spanish-speaking literature, suggests that one should view the afro-caribbean cultural expressions as an extension of african cultural expressions, offering in this way a large panorama of the cultural and literary black world. From 1921 to the early years 2000, this analysis takes into account the changes of african and caribbean literatures and the societies they represent. Have the changes definitively broken the african civilizational unity, the cultural links between Africa and the Americas ? On the contrary, the reading of the novels of the corpus shows an homogeneous and coherent picture of cultural and literary expressions of Africa and its caribbean diaspora, so doing putting Africa back into the center of caribbean culture
Mabo, Solenn. « Les citoyennes, les contre-révolutionnaires et les autres : participations, engagements et rapports de genre dans la Révolution française en Bretagne ». Thesis, Rennes 2, 2019. http://www.bu.univ-rennes2.fr/system/files/theses/2019_theseMaboS.pdf.
Texte intégralFocused on gender relations in the political field, this thesis revisits the traditional image of fanatical and counter-revolutionary Breton women by analysing the ways of their participation in the Revolution, whether they supported it, fought against it or got otherwise involved. From major actions to everyday interventions, their commitment is compared with that of men to observe how gendered political practices and identities are manifested and recomposed. After an introduction presenting the place of women in Breton society in the eighteenth century, the study proceeds along three major axes. The first presents how they participated in the pre-revolutionary sequence and then invested the new spaces of citizenship. The second explores the margins of political participation by observing how ordinary women were more or less voluntarily involved in revolutionary dynamics. The third and last part focuses on the resistance to the Revolution, from religious struggles to Chouannerie, and shows how some counter-revolutionary feminine destinies were forged. The present work is based on the exploitation of very scattered archives and engages in a reflection on the mechanisms of the highlighting or the occultation of women in the events and the documentation. By revealing a whole range of previously ignored or inconspicuous feminine interventions, this thesis offers another history of the Revolution in Brittany, which can foster a better understanding of the whole revolutionary process and enrich the history of gender relations in crisis or conflict situations
Cally, Jean William. « LA BÊTE DANS LA LITTÉRATURE FANTASTIQUE ». Phd thesis, Université de la Réunion, 2007. http://tel.archives-ouvertes.fr/tel-00457638.
Texte intégralDiop, Alioune. « L'imaginaire animalier dans la littérature arabe ». Paris 4, 1999. http://www.theses.fr/1999PA040180.
Texte intégralDubreuil, Philippe. « Les injures dans la littérature latine ». Perpignan, 2011. http://www.theses.fr/2011PERP1069.
Texte intégralThe subject of this thesis is the research of the contribution of the antique latin abusive literary practise to the social complexity and to the imaginative world. The thesis develops, in three distinct parts, a statistical, linguistic, literary and sociological study of the abusive terms in all the literary genres (125 texts and 50 authors) from IIIrd century BC to the fell of Rome in 475. It includes : - Abuses and Latin language (Volume I). Through a corpus of 1370 words and 2344 quotations, the author studies the different types of abusive words, their origins, constructions, senses and how they are employed in the latin sentences. - Abuses and latin literature (Volumes II and III). The author lists the uses (frequency and density) of abusive terms in theatre, in speeches, in poetry and in prose (philosophical or political studies, novels, correspondence. . . ). He studies the role and the functions of abuses in the texts and the connection they have with poetry, rhetoric and eloquence. - Abuses and antique roman Society (Volume IV) where is analyzed the social field of abuses according to the social groups, the Men/Women relations and the different forms of the practice of abusing naming. A special chapter is devoted to the antique roman imaginative world of abuses. The conclusion is about the civilizing role of abuses as welle in the antique Rome as in our collective unconscious. The corpus of words and quotations is detailed in a lexicon Latin-French and an index French-Latin (tome V). The lexicon is also available in. Pdf format as a CD-Rom
Benachir, Hynde. « Le "haiku" dans la littérature hispanique ». Thesis, Bordeaux 3, 2016. http://www.theses.fr/2016BOR30036/document.
Texte intégralThe purpose of this thesis is set at a crossroads between linguistics and literature since it is about the haiku in Hispanic literature, which we aim to characterize as a poetic form in the Spanish-speaking literary context and as a "prototype" of the brief from the perspective of its discursive and enunciative terms. Traditionally associated with Japanese culture, in which it takes root, the haiku is one of the shortest poetic forms in the world. With its seventeen syllables in all, it compels to the greatest thoroughness in the choice of words, a concise expression and a "condensation" of the meaning that make it a succint poem, often to be pondered after reading. Neither verse nor rhyme are part of the metrical constraints of the Japanese haiku. Its aesthetics, influenced by Zen Buddhism, aims to be contemplative, supported by the subjectivity of the poetic voice, which appears as a "witness of the world", only transposing facts that are sometimes "unimportant", often trivial, yet nonetheless a part of any person's daily life. In Western poetry, the haiku has no equivalent, owing as much to its brevity as to its "puristic" aesthetics. However, it should be noted that it is strongly represented in contemporary Hispanic literature. Neither the Orientalism from the beginning of the XXth century nor the poetic re-assessments started by the Modernists and carried on by the Avant-Garde movements are enough to explain this enthusiasm of the Spanish-speaking poets for this Japanese poem. Indeed, Hispanic literature took hold of this literary phenomenon as soon as the first translations of Japanese anthologies were published, in the 1910s. There is, however, no linguistic connection between the haiku and Spanish-speaking poets. Nevertheless, the first collections of haikus also date back to the 1910s, which indicates that there was no latency between the appearance of the haiku and its adaptation into Spanish. Starting from these observations, we attempted, through a multi-focal approach notably based on literal analysis, to retrace this poetic form's literary and linguistic path, from the Japanese rice paper rolls to the so-called "Hispanic" haiku
Vincent, Manon. « Les animaux dans la littérature hellénistique ». Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040225.
Texte intégralOur study focuses on animals in Hellenistic literature. We deliberately chose to work on a large text corpus in order to highlight the multiple representations of the animal appearing in the texts of the period. The first part of this study is devoted to animal imagery through which the authors describe the characters and human qualities, exposing, to a lesser extent, the analogue relationship between animals. The second part aims to show existing relationships, symbolic or real, between man and animal. The staging of the animals in the story reflects thepractices and ways of thinking of the Hellenistic society towards the animal. The last part of this study presents the attempts to objectify the behaviours and qualities of the animal. In that sense, it shows the rise of philosophical schools and sciences of the period by the philosophical and didactic approach to animal nature. In texts, Hellenistic thought reveals the continual tension between belief and knowledge, between cultural representations and "scientific data" of the animal. If the authors conceive man as belonging to the animal biological continuum, they stand out by the assertion of their superiority in an intellective perspective
Krieber, Janine. « Etudiants révoltés, intellectuels révolutionnaires : la dynamique socio-idéologique du terrorisme insurrectionnel dans trois pays occidentaux : République fédérale d'Allemagne, Italie, Etats-Unis ». Paris, Institut d'études politiques, 1992. http://www.theses.fr/1992IEPP0002.
Texte intégralThis dissertation explores the social and ideological dynamics of leftist insurrectional terrorism, as it gained momentum in Western societies during the 1970's. This study shows that in the cases of the Federal Republic of Germany, Italy and the United States, the combined social path and ideological structures have lead some fringe groups of the student uprising to choose terrorism as a revolutionary tool. Following the literature review we present a new theoretical synthesis adapted to the study of insurrectional terrorism. This synthesis gives a model, which links the social life of terrorist groups and their ideological structures. Our problematic lies on a central assumption that the action of the combined forces of ideological radicalization and group marginalization is a necessary condition for the first generation of Western terrorists. We have verified this assumption, showing that the terrorist phenomenon, in a given political context, is more the result of a process than the result of a single event
Quilhot-Gesseaume, Brigitte. « Les représentations de la littérature étrangère dans l'enseignement de littérature des lycées ». Aix-Marseille 1, 2000. http://www.theses.fr/2000AIX10072.
Texte intégralLevassort, Laurent. « La femme dans la littérature fantastique contemporaine ». Paris 10, 2000. http://www.theses.fr/2000PA100166.
Texte intégralLouviot, Myriam. « Poétique de l'hybridité dans les littératures postcoloniales ». Strasbourg, 2010. https://publication-theses.unistra.fr/public/theses_doctorat/2010/LOUVIOT_Myriam_2010.pdf.
Texte intégralSince the 80s, the postcolonial literatures have been raising increasing interest. Through a corpus of francophone and anglophone novels (from Chamoiseau, Condé, Kourouma, Waberi, Naipaul, Okri, Roy and Rushdie), this study intend to give a clear definition of the notion of hybridity, which is often associated to these literatures. Then, it analyses the way this hybridity is expressed in the novels and tries to show in which way it inscribes itself in an identity strategy. Postcolonial novels, with their diverse and sometimes contradictory heritage, are born on shaky ground, especially as their intended audience is often complex and as they often depend on recognition from Europe. They are peripheral literatures, whose place and legitimacy are not guaranteed. As such, they need to specify their context of enunciation all the more carefully and to develop a very specific scenography. It appears that these literatures rely on an ethos of loss, which is certainly felt as a suffering, but also as liberating. The hybrid also questions the notion of belonging. Embodiment of many identity aporias, it forces to think anew the traditional references. Finally, hybrid discourse, pervaded by perpetual negociation, sets itself up to be a new discourse, the reflection of the today’s changing world. Rather than to represent the identity crisis exclusively as the unhappy condition of the postcolonial individual, the postcolonial literatures turn it into a privileged position from which to elaborate new ways to be in the world
Moussa, Souleiman Obsieh. « L'oralité dans la littérature de la Corne de l'Afrique : traditions orales, formes et mythologies de la littérature pastorale, marques de l'oralité dans la littérature ». Phd thesis, Université de Bourgogne, 2012. http://tel.archives-ouvertes.fr/tel-00796155.
Texte intégralObsieh, Moussa Souleiman. « L'oralité dans la littérature de la Corne de l'Afrique : traditions orales, formes et mythologies de la littérature pastorale, marques de l'oralité dans la littérature ». Thesis, Dijon, 2012. http://www.theses.fr/2012DIJOL016/document.
Texte intégralThe Horn of Africa has a traditional oral literature which is rich and varied as the rest of the continent, starting from pastoral mythology to poetry, legend and storytelling. But with the social upheaval which occurred with the arrival of European settlers and the introduction of writing, the chain of transmission of the oral tradition is threatened. Many Europeans have sought to describe the habits and customs of these people. Whereas on the other hand, the writers from the Horn of Africa are often inspired by giving it (orality) and a new way of doing it. The following research work strives to reflect traditional forms of orality and their impact on modern literature
Lévesque, Geneviève. « Une écriture à l'oeuvre dans Malicroix d'Henri Bosco ». Thesis, Université Laval, 2010. http://www.theses.ulaval.ca/2010/27043/27043.pdf.
Texte intégralThis thesis schematizes, in Malicroix by Henri Bosco, the process that presides to the writing of the novel itself. Using a poietic approach, we consider the text as a writer’s poetic that takes a fictional form. A phenomenological perspective allows us to study the novel from the point of view of perception, and mythocritique enables us to reflect on the perception of the world – especially the world of the text – through the angle of the sacred and its symbols. Reconstructing the horizontal and vertical structures of the novel, we reflect on diverse aspects of the text and of the scriptural process. The reading horizon constitutes the first chapter of our thesis and offers a triple view on the novel: the story and the characters, the spatiotemporal context and the mythical point of view. In the second chapter are elaborated two central notions, the figures and the chronotopes. Two groups of figures emerge, one associated with the writer as creator of the text and the other, with the process of expression. The figures play distinct roles in the conception and expression and are represented in Malicroix by way of the characters. The chronotopes study divides the novel in eleven times-spaces that constitute the basis of the figures’ progression through the text. The third chapter details how the figures cross the chronotopes’ series, drawing the scriptural route inscribed in eleven successive situations in the text. The last chapter contains two parts. The first examines the writer’s poetic that Bosco published under the title « L’exaltation et l’amplitude ». The second, which constitutes the final objective of our study, integrates the elements of this writer’s poetic in the eleven successive situations, producing a description of the stages of the scriptural process followed by Bosco while writing Malicroix.
Closson, Marianne. « L'imaginaire démoniaque dans la littérature française (1550-1650) : genèse de la littérature fantastique ». Paris 10, 1998. http://www.theses.fr/1998PA100157.
Texte intégralLéontaridou, Théodora. « Le mythe troyen dans la littérature française ». Paris 3, 2008. http://www.theses.fr/2008PA030013.
Texte intégralFrom the 16th Century until the 20th, le troyan myth emerges in a variety of forms in French literature with famous or less known works but of equal significance as they convey the climate and the spirit of an era. The reason why all of these writers go into mythology could be partly explained by the imitation of ancients applied to the French letters of the 16th and 17th centuries. How this material is transformed, what the writers are expressing through the legends and the myths, which is the relationship of the transformed materiel with the initial, are some of the questions that this research is requested to explore. During the period of the Absolutism in which the freedom of expression is limited, the myth is proved to be a secure means which offers the security of the distance, the suitable frame and the flexibility of the mythological material which are processed by the creators. It becomes the vehicle of doubt and criticism of various grades against authority. The end of this political period removes from the myth this function. But it doesn’t stop its use in literature and the theater. This is because the myth is capable of putting again questions for the vital causes which deal with the human race, such as the woman, the war, the xenophobia
Ameziane, Amar. « Tradition et renouvellement dans la littérature kabyle ». Paris, INALCO, 2008. http://www.theses.fr/2008INAL0028.
Texte intégralJames-Raoul, Danièle. « La parole empêchée dans la littérature arthurienne ». Paris 4, 1992. http://www.theses.fr/1992PA040148.
Texte intégralThe arthurian romances are elaborated out of a kind of game on communication being broken or failing which the here will be commissioned to restore, clarify or impose. The ancient fund of celtic mythology together which tradition and variety of psychological and social codes combine to weig in turn upon the heroes' longues, thus makinf the hindered speech - in manifgold facets - onr of the central motifs of arthurian literature. It is all the more evident as the impeded world always sets its seal to the human destiny from sheere silence to a sibylin ot veiled discourse or else a temporarily impossibl utlerance: it is afantastic stepping-stone to the attainment of knowledge, to the happy development of personality, and to the revival of genuine and promising speech a recall of the divine model. Repress the flow of speech and it tells better: actually this is what all those romances paradoxically teach and this lesson is to foundin their advancingnarrative as well as in their rhetoric. Indeed, the writers themselves constantly seem to restain their discourse, to stopi to hold it in; but is pnlu have it guessed, or even supplied by the reader following an infernal process of addition. The paradox which appears between the huge amount of writing in the arthurian literature and the way words are refrained stands merely as a semblance: when performed in the fiction of romances the speech keeps being hindered and therefore the stream of the words used in the arthurien book runs endlessly
Couchaux, Brigitte. « Le mythe de Lilith dans la littérature ». Paris 4, 1991. http://www.theses.fr/1991PA040133.
Texte intégralRenaud, Jean. « Les archipels écossais dans la littérature norroise ». Paris 4, 1986. http://www.theses.fr/1986PA040012.
Texte intégralStepping stones of the viking expansion towards west, the scottish isles (shetland, orknney, hebrides) occupy a good place in old norse literature (sagas, scaldic poems). Among the numerous sources, there are especially orkneyinga saga (for orkney) and hakonar saga (for the hebrides). Besides, some poems were composed in the isles. The history of the scottish isles is presented as seen through the norse texts, often compared to scottish and irish sources, and like wise the different elements of civilisation (society, institutions). The scottish isles were at a cross-roads of the scandinavian world, but they also were a meeting-point of two cultures : nordic and celtic
Labrunye, Hélène. « La lecture fictive dans la littérature fantastique ». Rouen, 1998. http://www.theses.fr/1998ROUEL312.
Texte intégralBarrovecchio, Anne-Sophie. « Histoire de Bélisaire dans la littérature française ». Paris 4, 2005. http://www.theses.fr/2005PA040049.
Texte intégralThe Byzantine general Belisarius is simultaneously a great conqueror and a blind beggar, a historical personage and a figure of legend. He appears repeatedly in literature and the arts across Europe from the sixth century to the present. His importance has been noted before, but up till now he has never been the object of a broad and far-reaching synthesis. The present study, which is based on a vast bibliographical investigation of major and minor sources, retraces more than fifteen hundred years of history of the theme, emphasising in particular its legacy in French literature. It is important to show just how universal this forgotten figure once was, and this study maps out definitively the history of a hero who became a myth during his very long peregrinations. Its point of departure, still famous today, is the treatment of Belisarius during the Enlightenment
Gourmaud-Gonzáles, Aline. « Migrations et métissages dans la littérature caribéenne ». Thesis, Tours, 2012. http://www.theses.fr/2012TOUR2013/document.
Texte intégralThis research work deals with Caribbean literature and more precisely with the issue of narration. A literary corpus will be used to study migrations and amalgamations within societies living in Cuba, Puerto Rico and the Dominican Republic. Caribbean writers have always been very concerned with History, and their attempts to describe their own society have been a constant phenomenon since the early 20th century. Thanks to this thesis, we will try to see whether all the contributions brought along via migratory movements toward, inward and outward Caribbean have been acknowledged by the culture of the host countries. The study is divided in three parts: the first will present the concepts and the historical background alluded to in the novels and short stories, the second will consist in a textual analysis, the third will focus on some authors' points of view. Marta Rojas, Luis López Nieves and Marcio Veloz Maggiolo have been asked five questions about Caribbean literature, their own oeuvre and their sources of inspiration. Thanks to their answers, we will try to figure whether nowadays Caribbean literature should be considered as one or many
Heau, Catherine. « Une Révolution chantée : les corridos de Zapata ». Perpignan, 1986. http://www.theses.fr/1986PERP0003.
Texte intégralDanou, Gérard. « Le corps souffrant : littérature et médecine ». Paris 7, 1993. http://www.theses.fr/1992PA070132.
Texte intégralScientific medicine sees only mechanical bodies, it doesn't see the inner desires. Bodies live everyday trhough a number of obscure phenomenon : emotions, tiredness, pain. Literature, as born from the desires of the writing subject, on the entwined borders of world and language, gives us a subtle approach on life's experiments, through the analogical link reading is. Let us read jean reverzy's fatigue, marguerite duras' douleur, j. M. G. Le clezio's feverish emotions, or thomas mann. Literature's alchemy tells us about the pains of mind; what does it say about physical illnesses (cancer, aids)? with herve guibert and other writers, technical medicine comes into literature. Along with aids, irrationality, causality, fear of strangers are back, as in the time of plague and lepers. But what of the physician's pain, his disgust over the scarred body ? what can be his reaction to disgust ? to the other person's death, a forecast of his own ? the works of several doctor-writers explore the mysteries of patient-doctor relationship and restore that part of the physician's self which had been held back, day after day, by his medical practice. Doctor-writers stand on a tight line between caring for the others and caring for one self; bertween curing the ill and secretly fighting for his own salvation
Maravelia, Amanda-Alice. « Les astres dans les textes religieux en Egypte antique et dans les "hymnes orphiques" helléniques ». Limoges, 2004. http://www.theses.fr/2004LIMO2005.
Texte intégralMiskovsky, Isabelle. « La relation au lecteur dans le roman contemporain pour la jeunesse ». Paris 10, 2002. http://www.theses.fr/2002PA100102.
Texte intégralThe novel for young people has evolved since the 80ies toward a rich and complex relationship between the authors and their readers, perceptible in literary works. The ambivalent functions which have defined for long the specific novel style for young people, i. E. To untertain and to educate, are questioned nowadays. The writers are anxious to get away from a too simplistic reading agreement and to commit themselves to a wider social and artistic search concerning a larger audience. Starting from the two main objectives which however persist unsaid ( and which corresponde to the srong expectations of those who publish and prescribe). The thesis studies how the authors modify the rules of this style for young through subtle compromises and determined transgressions in order to make their own voice heard. .
Mihalovici, Florina-Liliana. « Le mythe de l'ogre dans la prose francophone contemporaine ». Limoges, 2013. http://aurore.unilim.fr/theses/nxfile/default/76db441e-32c6-4755-a9d3-19b424e209be/blobholder:0/2013LIMO2013.pdf.
Texte intégralBased on the features of mythological, historical and tradition ogres, this thesis questions the rehabilitation and timeliness of the myth of the ogre in a corpus of texts from the most varied French territories. The thesis is structured into five thematic chapters. The first chapter focuses on the birth of the ogre as myth and iconic character of culture and oral tradition in different territories. The second chapter discusses the regimes and tyrants which reign in the ogre: if "ogre" is the name for any tyrannical leader and dictator, he is represented in the texts by a variety of names and faces. In continuation of this research, the third chapter deals with the myth of the ogre from a social and familial perspective. The new avatars of the ogre in the contemporary are the fathers: destructive fathers, suffocating/degrading ones, and practitioners of a metaphorical cannibalism. Excessiveness lies in the violence with which they govern their families. In a Freudian perspective, the fourth chapter focuses on the relationship (sexual) impossible between parents and their offspring generated by symbolic castration, incest and sexual debauchery. The final chapter builds on the declination of the female ogre, ogress in the proposed body. Stunning character, which taking the most seductive forms, is inside only a monster ready to satisfy all her desires of any kind. The revival of the myth of the ogre in contemporary French prose is all too visible
Kim, Sun-Yi. « Illusion et réalité dans le théâtre de Molière ». Paris 3, 1999. http://www.theses.fr/1999PA030162.
Texte intégralDelangle, Lucrèce. « Le réalisme merveilleux : une révolution dans la représentation littéraire du réel ». Bordeaux 3, 2011. http://www.theses.fr/2011BOR30019.
Texte intégralMagical realism, real marvellous, marvellous realism: notions extremely misread in France nowadays, or completely amalgamated in a terminological confusion almost as wide as the lexical field they cover. With this alarming acknowledgement in mind, and having noticed the recurrence of numerous common characteristics in texts which were related to them equally, we had as ambition in our work to offer a synthetic definition, under a global appellation of marvellous realism, a literary mode in full measure, distinct from the fantastic or from the marvellous in which it thinks however they are so often attached. For this reason, and to have a corpus which illustrates this enlarging sphere of influence in a rather broad way geographically, we leans on the texts of five authors coming from very different horizons : Haitian René Depestre, Mexican Juan Rulfo, of the Ivory Coast Ahmadou Kourouma, the native Indian writer, Salman Rushdie and one of first Gypsy writers, Matéo Maximoff. Their peculiar writings allowed us to arrest the literary aim of this mode, its impact on the renewal of the codes of representation of the real and beyond, its interest as far as the evolution of contemporary literature is concerned
Sai͏̈da, Ilhem. « Mysticisme et désert à partir d'exemples dans la littérature française et la littérature maghrébine de langue française ». Grenoble 3, 1994. http://www.theses.fr/1994GRE39020.
Texte intégralThe purpose of this work is to study the relation which exists between the mystcism and the desert, taking as a base some examples from the french litterature and the maghrebean litterature in french language in the light of of both holy books : the bible and the coran as being the first spiritual source, of which i spoke about in the first part. This one is about the cosmic imperfection and the space of death as a consequence of drught where the human being learns about his condition : his finishing and his relation with his creator. Starting with the second main part the center of interest is the litterature in which remains the impact of the holly books concerning the travel and the originary truth azs well as the profane space and time which allow the passage to the initiation and the discovery of symbols of transcendance and the presence of the verb. In the third part, the absolute reality give way to the completness and the learning of the mystical act, conceived as a painful birth of the writing and therefore an exil to the life. At least the writing and therefore an exil to the life. At least the writing is a one-way trip, a destiny to take on and a light to reach in the alchimy of the perfect happiness
Gianino, Dominique. « Le thème du masque dans la littérature romantique ». Paris 12, 1997. http://www.theses.fr/1997PA120020.
Texte intégralSINCE A LONG TIME, MASK HAS BEEN THE MAN'S FAITHFUL FELLOW. FUNERAL, CEREMONIAL OR POMPES MASKS, GREEK THEATRE ONES, IT HAS BEEN WITH ALL MAN'S LIVE GREAT EVENTS, BEFORE ILLUSTRATE, MASTERLY WAY, CARNIVAL FRENZIES. THIS ANONYMOUS GUARANTUOR, SYNONYMOUS WITH MYSTERY, COULD ONLY FASCINATE AND INVADE EVERY THE ARTISTICS DOMAINS : PAINTING, OPERA OR MOVING PICTURES, BUT THERE IS A PLACE WHERE IT EXCELS : THE LITERATURE IN WHITCH IT HAS REIGNED FOR MANY CENTURIES. INDEED, MAKING-UP, FAKING, DISGUISES, DRESSING UP, NETS, SETS, JEWELLERY, ALL ARE WORKING TOWARDS REINFORCING ITS MYSTERY AND FASCINATING POWER. SCULPTURE AND PAINTING ARE USING MYSTERY AND FASCINATION, WHO ARE ONLY ABLE TO BETWITCH ROMANTIC LITERATURE AT A TIME IN WHICH MAN DOESN'T FEEL WELL HIMSELF, IN HIS LIFE, AND IS LOOKING FOR A LOOSING HIMSELF. FOR EXEMPLE TWINS, DOUBLES OR SPLITS INTO TWO PERSONALITIES. THIS DISTRAUGHT SEARCH FOR IDENTITY CAN BE DONE WITH OR without MASK'S HELP, BUT IT ALWAYS STAYS IN THIS FRANTIC SEARCH. ALSO IT'S THIS SEARCH THAT PURSUE EVERY DISFIGURED MEN, WHO ARE BEAUTY'S EXCLUDED, AND SOCIETY AND WORLD TOO. SOCIAL MEANING OF MASK, DISGUISE OR TRAVESTY, IS ALREADY VERY IMPORTANT. THIS EXCLUSION IS IN MAN'S CREATIONS WITHOUT REALLY KNOW REACH OF ITS ACTS. ALL THIS WHILE, DEVIL USE A DISPLAY OF MASKS AND METAMORPHOSIS WHICH EMERGE ON A MASK'S HORRIFIC VISION. ON ITS OWN, POPULAR NOVEL STAGE THIS PROPERTY, WELL KNOWN TO TAKE ONE'S REVENGE ON SOMEONE, DISPENSING JUSTICE OR, ON THE CONTRARY, TO ACCOMPLISH PIRATED ACTS. IT'S ALL THIS PALETTE, AT ONE AND THE SAME TIME, COLOURED AND DARK, WHIC H CONCERNS MASK IN PARTICULAR, AND THAT TWENTIETH CENTURY INHERITS, NOT ONLY IN LITERATURE PART BUT IN ONE WHO IS BORN WITH THIS CENTURY ; THE CINEMA