Thèses sur le sujet « RESTAURO ARCHITETTONICO E MONUMENTALE »
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Banzola, Angelo. « Casa Caldesi. Un'ipotesi di restauro per il complesso architettonico faentino ». Master's thesis, Alma Mater Studiorum - Università di Bologna, 2015. http://amslaurea.unibo.it/8664/.
Texte intégralSarti, Emanuele. « Restauro monumentale e nascita di una identità nazionale : il caso San Marino ». Master's thesis, Alma Mater Studiorum - Università di Bologna, 2022. http://amslaurea.unibo.it/25204/.
Texte intégralSALVALAGGIO, MATTEO. « Soluzioni integrate con componenti in legno per la protezione sismica del patrimonio architettonico ». Doctoral thesis, Università degli studi di Padova, 2022. http://hdl.handle.net/11577/3460021.
Texte intégralThe research activities of Engineering and Restoration have recently moved towards the topics of seismic protection of buildings and selection of sustainable materials, from both hygrothermal performances (i.e., energy consumptions) and material points of view (e.g., Life Cycle Assessment). In such a contest, timber components have gained a renewed interest, thanks to their optimal structural characteristics per low mass, which make them suitable for seismic prone areas, and sustainability. Among these, Cross Laminated Timber (CLT) has a strong success in the construction market, mainly due to the dry assembling technique of such prefabricated panels, based on dry steel fasteners and brackets. Unfortunately, these are also related to possible reductions of acoustic comfort. To overcome it, insulation of joints is usually applied. The experimental and numerical research activity discussed in this Doctoral Thesis concerns the implementation of new timber-based integrated solutions, to be adopted in both new systems or built heritage. Integration theme concerns a double value, with reference to multiple performances addressed (structural, hygrothermal or acoustic) and potential embedment within other (existing) systems. Traditional and insulated connections have been characterized by junction-scale and building-scale specimens, through shear testing and dynamic identification, respectively. The updating of numerical model by mode parameters has led to the detection of joints influence on the overall behavior. Following, based on such local characterization, a yielding connection system has been designed, and its effectiveness assessed by pier-scale cyclic simulations. The acquired knowledge about timber (CLT) components and their simulation has led to the validation of a methodology for the refurbishment of masonry existing buildings. This is based on the assessment of integrated hygrothermal-structural performances of coupled CLT-masonry walls, and the further extension to a structural system. Such approach was named ‘Nested Building’ and applied to a masonry construction of XVII century, the so-called ‘Cattedra’ in the Italian Alpine region, which underwent various alterations during years.
Volpato, Emmanuele <1994>. « Valorizzazione di un bene culturale architettonico : il caso di studio della Chiesa di S. Margherita a Treviso ». Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15278.
Texte intégralPompili, Nicolò. « Conservazione e valorizzazione della chiesa di Santa Maria Nuova in Orciano (PU) : eccellenza di scuola rinascimentale Toscana nelle Marche ». Master's thesis, Alma Mater Studiorum - Università di Bologna, 2017.
Trouver le texte intégralBRUSCHI, GRETA. « Il calcestruzzo armato nel restauro architettonico in Italia : l'opera di Ferdinando Forlati tra le due guerre ». Doctoral thesis, Università IUAV di Venezia, 2016. http://hdl.handle.net/11578/278691.
Texte intégralTerenzi, Filippo. « Palazzo ducale di Sassuolo:unicum monumentale e paesaggistico. Prospettive per il restauro dei giardini e la valorizzazione del polo museale ». Master's thesis, Alma Mater Studiorum - Università di Bologna, 2020.
Trouver le texte intégralGaleotti, Claudia. « Il "Palatium Novum" in Imola : Valorizzazione, restauro e miglioramento sismico ». Master's thesis, Alma Mater Studiorum - Università di Bologna, 2016.
Trouver le texte intégralMariani, Vanessa. « Trattamenti autopulenti a base di nano-biossido di titanio per le superfici lapidee del patrimonio architettonico ». Master's thesis, Alma Mater Studiorum - Università di Bologna, 2020.
Trouver le texte intégralMasi, Margherita, Marta Ronzoni et Marco Barzanti. « Il complesso monumentale di Canossa : studi e proposte per il consolidamento delle rovine del castello e la valorizzazione del suo contesto ». Master's thesis, Alma Mater Studiorum - Università di Bologna, 2019.
Trouver le texte intégralBergamini, Erica. « La Chiesa di San Possidonio (Mo) dopo il sisma 2012 : problemi di consolidamento e ricerca di segni diacronici per la reintegrazione delle lacune ». Master's thesis, Alma Mater Studiorum - Università di Bologna, 2019.
Trouver le texte intégralTamerlani, Silvia. « Il valore unitario dei portici nelle trasformazioni urbane di Bologna : "Avvertenze d'arte" per la loro valorizzazione e restauro ». Master's thesis, Alma Mater Studiorum - Università di Bologna, 2019. http://amslaurea.unibo.it/19675/.
Texte intégralSTARA, MIRIAM. « Riqualificazione energetica dell'edilizia storica. Criticità e strategie d’intervento ». Doctoral thesis, Università degli Studi di Cagliari, 2014. http://hdl.handle.net/11584/266547.
Texte intégralMAIETTI, Federica. « Trasparenza e Restauro. Aspetti teorico-critici, metodologie, materiali e tecnologie per la protezione e la valorizzazione del patrimonio storico-architettonico : dal vetro ai materiali di sintesi ». Doctoral thesis, Università degli studi di Ferrara, 2009. http://hdl.handle.net/11392/2388694.
Texte intégralVerdier, Nicolas. « Conservazione e Valorizzazione dell'area archeologica di Santa Croce a Ravenna ». Master's thesis, Alma Mater Studiorum - Università di Bologna, 2016.
Trouver le texte intégralAmadio, Eleonora. « Recupero di Palazzo Rasponi dalle Teste a Ravenna. Analisi delle modalità e delle tecnologie di intervento ». Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2016. http://amslaurea.unibo.it/12200/.
Texte intégralRenard, Thomas <1980>. « Architecture et figures identitaires de l'Italie unifiée (1861-1921) ». Doctoral thesis, Università Ca' Foscari Venezia, 2012. http://hdl.handle.net/10579/1260.
Texte intégralThis dissertation questions the place and role of architecture in the Italian national building process at the turn of the twentieth century. We chose to isolate several paradigmatic figures of identity (such as Dante or some distinctive features of medieval architecture) and to study them through the prism of a number of commemorations held in Italy in the first decades after unification (1861-1921). The analysis of three commemorations bound together by the activity of the art historian Corrado Ricci constitutes the core of our study. The eighth centenary of the creation of the University of Bologna in 1888 and the architectural activity of Alfonso Rubbiani are studied as one of the first examples of a commemoration not marked by the construction of a new monument but by the reinvention of an old one. The careful consideration of the 1911 celebrations for the 50th anniversary of Italian unification and especially the regional and ethnographic exhibition held in Rome on this occasion allowed us to define a new articulation between national and regional identity, defined as a unity of national artistic genius through a multiplicity of genius loci “rediscovered” in the architecture of late Middle Ages and early Renaissance Commune. The third and main object of our analysis are the commemorations for the 600th anniversary of Dante's death in 1921. For this event many buildings were restored throughout Italy, especially in Florence and Ravenna. In both cities, the impact of commemorations reached an urban scale, leading to the creation of whole areas known as zone dantesche: spatial evidences of the powerful myth that the figure of Dante embodied in this historical conjuncture. Supported by the newly acquired value of heritage in the national building process, this commemoration was a crucial step in the invention of a neomedieval city and its mass diffusion through a set of visual stereotypes.
Ce travail porte sur la place et le rôle de l’architecture dans le processus de construction de la nation italienne au tournant des XIXe et XXe siècles. Pour cela, nous avons choisi d’isoler un certain nombre de figures identitaires et de les étudier à travers le prisme de commémorations organisées en Italie durant la première période de l’unification (1861-1921). Notre étude est rythmée par l’analyse de trois commémorations liées entre elles par l’activité de l’historien d’art Corrado Ricci. Le huitième centenaire de la création de l’université de Bologne en 1888 et les travaux architecturaux d’Alfonso Rubbiani nous offrent un des premiers exemples d’une fête marquée par la réinvention d’un monument ancien. Les célébrations du cinquantenaire de l’unité italienne en 1911, et plus particulièrement l’exposition régionale et ethnographique organisée à Rome, nous ont permis de définir une nouvelle articulation entre les identités régionales et l’identité nationale ; selon l’idée de l’époque l’unité du génie artistique national émergerait de la diversité des genius loci illustrée par l’architecture des communes de la fin du Moyen Âge et de la première Renaissance. Enfin, les commémorations du 600e anniversaire de la mort de Dante en 1921 constituent le pivot de notre étude. Au cours de ce centenaire, on restaura un grand nombre d’édifices dans toute l’Italie, et plus particulièrement à Florence et à Ravenne. Dans ces deux villes, les travaux s’étendirent à l’échelle urbaine, aboutissant à la création de zones dantesques et à la réinvention de l’image d’une architecture médiévale à vocation identitaire.
Bollettino, Annalisa. « Il palazzo della provincia di Ravenna : alcune riflessioni sul rapporto tra conservazione e sicurezza ». Master's thesis, Alma Mater Studiorum - Università di Bologna, 2021.
Trouver le texte intégralBortolotti, Laura. « La ricomposizione del rudere : un centro polifunzionale per Villa Sampieri - Talon di Casalecchio di Reno ». Master's thesis, Alma Mater Studiorum - Università di Bologna, 2019. http://amslaurea.unibo.it/17805/.
Texte intégralBILLI, ELIANA. « LA POLICROMIA DELLA SCULTURA ARCHITETTONICA MONUMENTALE DAL XII AL XIV SECOLO. Rilievo e analisi materiale delle coloriture nell’Italia centro-settentrionale e approfondimenti storici sul ruolo della policromia nella riscoperta ottocentesca del Medioevo in Francia ». Doctoral thesis, 2007. http://hdl.handle.net/11573/872299.
Texte intégralBERTI, MAURIZIO. « Conservazione del patrimonio architettonico di pietra corallina. Conoscenza, restauro e fruizione ». Doctoral thesis, 2010. http://hdl.handle.net/11573/351492.
Texte intégralConservation of the coral stone architectural heritage: knowledge, restoration and use. Abstract. In my studies about conservation of the coral stone architectural heritage, I’ve dealt with five main themes. The first one describes the organization method of the subjects concerning the natural and historical contexts. Nature and art form an important part of our cultural heritage and, as such, they can be critically interpreted. In the second theme I have developed the issue of how coral reefs have been studied and the interest they have raised, using the fundamental works of the naturalists, geologists and travellers of the 19th and early 20th centuries. In the third theme I have focused on the previous studies on the use of coral limestone in buildings. The fourth theme examines the methodologies aimed at conserving the historical settlements on the tropical coasts, giving special attention to the environmental aspects. Then, in the fifth and last theme I have analysed the experiences related to field studies. Particular attention has been given to coastal settlements in East Africa: Zanzibar, Lamu, Ilha do Ibo, Ilha de Mozambique, Inhambane, discussing the technology and methodology used, a field still relatively unexplored.
BERTI, MAURIZIO. « Conservazione del patrimonio architettonico di pietra corallina. Conoscenza, restauro e fruizione ». Doctoral thesis, 2009. http://hdl.handle.net/11573/917611.
Texte intégralMU, XINGYU. « Per la tutela delle città storiche in Cina : il caso di Wuhan, criteri di conservazione e sviluppo in riferimento ai principi del restauro architettonico e urbano italiano ». Doctoral thesis, 2016. http://hdl.handle.net/11573/1319957.
Texte intégralCAPERNA, Maurizio. « La basilica di S. Prassede in Roma : trasformazioni e restauri ». Doctoral thesis, 1993. http://hdl.handle.net/11573/501519.
Texte intégralMASI, ANDREA. « Problematiche di progetto e costruzione delle opere postume ». Doctoral thesis, 2013. http://hdl.handle.net/2158/923932.
Texte intégralMARTELLI, MILA. « Problematiche della Conservazione Programmata applicata agli apparati decorativi e scultorei dell'architettura monumentale Il caso dei protettivi idrorepellenti ». Doctoral thesis, 2019. http://hdl.handle.net/2158/1153832.
Texte intégralbranchi, maddalena. « Rielaborazioni in stile e "coraggiosi restauri" tra Ottocento e Novecento. Indagine storica e studi diagnostici per il restauro del complesso monumentale della SS. Annunziata di Firenze ». Doctoral thesis, 2022. https://hdl.handle.net/2158/1287677.
Texte intégralATOCHE, INTILI JAVIER. « Lima, la moderna : migrazioni europee e sviluppo dell’architettura peruviana del XX secolo (1937-1969). Gli edifici multipiano come patrimonio architettonico ». Doctoral thesis, 2021. http://hdl.handle.net/11573/1553520.
Texte intégralThis research studies the migration of Europeans to Lima between the 1930s and the late 1960s and analyses their influence on the evolution of architecture and urbanism in the Peruvian capital. The so-called Ciudad de los Reyes was the main administrative centre of the South American territories dominated by the Spanish Crown between the 16th and 19th centuries. The participation of Europeans in its urban planning has continued into the 20th century. This characteristic is the result of the centuries-old relations between the Andean country and the Iberian Peninsula and has not yet been a topic of interest for architectural historians. This research aims to fill this historiographical "gap" by analysing the channels through which Western modern culture migrated to the Latin American region. In order to understand the diffusion of modernism in Peru, firstly the historical relations between the Old and the New Continent have to be analysed. These relations have established an European cultural hegemony and have greatly influenced the changes of the last century in the city of Lima. Secondly, the research has focused on the study of the most active European architects and engineers in Peru. These are the German Paul Linder, the Italian Mario Bianco and the Swiss Theodor Cron, whose biographies document the political, economic and cultural motivations for their emigration. Despite the multiple Peruvian experiences of these figures in the fields of university teaching, urban planning and architectural design, their influence on local architects occurred mainly through their built work. Their heterogeneous design output includes examples of high-rise buildings whose construction has meant the introduction of a new architectural scale in the urban centre, originally mainly an example of the viceregal era. For this reason, the economic, political and cultural circumstances that led these architects to create such buildings have been investigated, from the emanation of urban norms to the participation of clients and construction companies of European origin. The high-rise buildings in Lima embody the economic and political project developed by the government and its advisors for the centre of the Peruvian capital. After a period of boom and widespread recognition, a period of neglect has followed in which many of these buildings have been remodelled, demolished or, in the best of cases, abandoned. For this reason, research has been carried out on the issues of protection, conservation and valorisation of the vast heritage built in the 20th century in Peru, with special attention to high-rise architecture designed by foreign and local architects. The approach of the present research has followed a modus operandi that combines the study of archives, textual, iconographic and oral sources with the direct analysis of buildings, characterised by the examination of construction techniques and materials. The co-supervision agreement signed between the Sapienza Università di Roma and the Università della Svizzera Italiana has been fundamental in giving the present work the Italian and Swiss historiographical framework.
La presente investigación estudia la migración de europeos a Lima, entre los años 30 y finales de los 60, y analiza su influencia en la evolución urbana y arquitectónica de la capital peruana. La participación de europeos en el planeamiento urbano de la llamada Ciudad de los Reyes, principal centro administrativo de los territorios sudamericanos dominados por la Corona española entre los siglos XVI y XIX, se ha mantenido en el siglo XX. Esta característica, fruto de las relaciones seculares entre el país andino y la Península Ibérica, no ha sido aún tema de interés para los historiadores de la arquitectura. La investigación se propone llenar este "vacío" historiográfico analizando los canales a traves de lo cuales la cultura moderna occidental ha migrado hacia la región latinoamericana. Para entender la difusión del modernismo en el Perú se ha analizado en primer lugar las relaciones históricas entre el Viejo y el Nuevo Continente que han establecido una hegemonía cultural europea y que han influido en gran medida en los cambios del siglo pasado en la ciudad de Lima. Posteriormente, la investigación se ha focalizado en el estudio de los arquitectos e ingenieros europeos más activos en Perú, el alemán Paul Linder, el italiano Mario Bianco y el suizo Theodor Cron, cuyas biografías documentaron las motivaciones políticas, económicas y culturales de su emigración. A pesar de sus múltiples experiencias en Perú, en los campos de la enseñanza universitaria, el urbanismo y el diseño arquitectónico, su cuantiosa obra construida ha sido la influencia más importante en los arquitectos locales. Su heterogénea producción proyectual presenta ejemplos de edificios en altura, cuya construcción ha significado la introducción de una nueva escala arquitectónica en el casco urbano de época virreinal. Por ello, se ha investigado las circunstancias económicas, políticas y culturales que llevaron a estos diseñadores a crear tales edificios, desde la emanación de las normas urbanas, a la participación de los clientes y empresas constructoras, con particular atención a la presencia de inmigrantes europeos. Los edificios en altura limeños representan concretamente el proyecto económico y político desarrollado por el gobierno y sus asesores para el centro de la capital peruana. A un periodo de auge y de amplio reconocimiento ha seguido otro de olvido en el que muchas de estas construcciones han sido remodeladas, demolidas o, en el mejor de los casos, abandonadas. Por ello, se han investigado los temas de protección, conservación y valorización del vasto patrimonio construido en el siglo XX en Perú, con especial atención a las arqutitecturas en altura diseñadas por arquitectos extranjeros y locales. El enfoque de la presente investigación ha seguido un modus operandi que combina el estudio de archivos, fuentes textuales, iconográficas y orales con el analisis directo del edificio, caracterizado por el examen de las técnicas y los materiales de construcción. El acuerdo de co-supervisión firmado entre la Sapienza Università di Roma y la Università della Svizzera Italiana ha sido fundamental para dar al presente trabajo el marco historiográfico italiano y suizo.
CINGOLANI, Sofia. « IL TEATRO ROMANO DI POLLENTIA-URBS SALVIA ». Doctoral thesis, 2018. http://hdl.handle.net/11393/251615.
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