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AVCI, Halil Ersin. « Yalova : Atatürk's Laboratory of Urban Development and Republican Architecture ». International Journal of Social Sciences 7, no 30 (25 juin 2023) : 238–48. http://dx.doi.org/10.52096/usbd.7.30.16.
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This paper examines Yalova's significance as a laboratory for urban development and republican architecture during the early years of the Turkish Republic under Mustafa Kemal Atatürk. Focusing on the Atatürk Mansion, designed by Giulio Mongeri, and Yalova's comprehensive urban initiatives, the study explores Atatürk's vision for modernization and architectural identity. Drawing from primary and secondary sources, it analyzes the city's domestic and international influence, highlighting its lasting legacy in shaping Turkey's architectural heritage. Yalova stands as a testament to Atatürk's commitment to progress, modernization, and the ideals of the Turkish Republic. Keywords: Yalova, Atatürk, urban development, republican architecture, Atatürk Mansion, Turkish Republic, modernization, architectural identity.
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Harutyunyan, Martin. « The stages of development of architecture and observance of architectural heritage in the Republic of Armenia ». Sustainable Engineering and Innovation 4, no 2 (31 décembre 2022) : 217–26. http://dx.doi.org/10.37868/sei.v4i2.id182.
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There are a lot of scientific and research reports dedicated to Armenian architecture from the ancient times to nowadays. There are many interesting and thoroughly researched reports of architectural and historical value done by not only Armenian but also foreign historians, architects, and engineers. Exploring Armenian architecture’s chronology and research reports, we noticed that after independence of the Republic of Armenia (since 1991) there are few scientific reports which include the stages of development of architecture of newly independent Armenia, the current state of the architectural heritage and their observance. So we decided to study that period trying to show the problems and essential events as well as to introduce that period by the stages of development also including some examples of architectural heritage.
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Qiong, Liu. « Vernacular Architectural Culture Versus Concession in the Late Qings Dynasty : The Case of Tianjin and Shanghai ». Open House International 42, no 3 (1 septembre 2017) : 67–72. http://dx.doi.org/10.1108/ohi-03-2017-b0014.
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During the late Qing Dynasty, Western colonists plundered and divided the land as concession where they consequently built European and American architectures. These architectures, such as concession garden architectures, are a result of relevant cultural exchange. Thus, concession garden architectural culture should be studied. In this study, the historical records of the concession and the concession garden in the late Qing Dynasty and the Republic of China were examined on the basis of the representative architectures of Shanghai and Tianjin in China. The origin, classification, characteristic, and development of the concession garden architecture were regarded as the starting point, and the characteristics of the garden architecture in different regions were discovered. Further insights into the development of conservation concession garden buildings in China and the use of modern landscape architectures were provided, and new perspectives for studies on concession landscape architectures were presented through an in-depth understanding and analysis of concession landscape architectures.
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Dulić, Olivera. « A COMPARATIVE STUDY ON ARCHITECTURAL EDUCATION IN THE REPUBLIC OF SERBIA ». Journal of the Faculty of Civil Engineering and Architecture 38 (25 décembre 2023) : 41–51. http://dx.doi.org/10.62683/zrgaf38.41-51.
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Architecture plays a vital role in the development and transformation of societies, serving as a crucial component that requires highly skilled professionals. Architectural education holds immense significance as it plays a pivotal role in equipping students with the essential knowledge, skills, and competencies needed to meet the demands of the architectural profession. The particularity of teaching architecture lies in applying a unique learning model called design studio, which is entirely different from traditional forms of university education in its methodology. The research presented in this paper is a preliminary and exploratory study of teaching architectural design skills at academic institutions in the Republic of Serbia. To make an overview of the current situation in the field, the research uses the methods of document analysis and desk-based curriculum review with the aim of comparative assessment of the established structure of study programs. The research results presented in this paper represent the first step towards a comprehensive investigation of learning and teaching architecture in Serbia. Researchers still do not consider this topic adequately and systematically, although our country has a tradition of educating architects for almost two centuries.
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Akboy-İlk, Serra. « Ali Saim Ülgen : Building a Historiography of Turkish Architecture ». Turkish Historical Review 10, no 1 (7 juin 2019) : 71–97. http://dx.doi.org/10.1163/18775462-01001001.
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Ali Saim Ülgen (1913–63), a preservation architect, architectural historian, author, bureaucrat and educator, was a leading figure in the nascent field of heritage conservation during the early decades of the Republic of Turkey. This was a time when the Republican leaders sought to establish the national character of art and architecture by interpreting the “Turkishness” and uniqueness of the Ottoman heritage through the tenets of the Modern Movement. The reconciliation of the modernist rationale with nationalist historiography created contested paradigms in a nation searching for its cultural roots. Ülgen considerably contributed to the nationalist appropriation of the Ottoman heritage, but his taxonomical gaze stands out for its focus on contextual analysis. This essay addresses the dichotomy of documenting the Ottoman architectural patrimony through the lens of modernism, which is visible in Ülgen’s work, a remarkably understudied Republican intellectual.
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Bianco, Lino. « From Poetics to Metapoetics : Architecture Towards Architecture ». Balkan Journal of Philosophy 10, no 2 (2018) : 103–14. http://dx.doi.org/10.5840/bjp201810212.
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An undiscovered chapter in the history of architecture comes from the ex-Soviet Republic of Georgia. Poetics of Architecture is the name given to the studioworkshop at the Georgian Technical University set up by the Georgian architect Shota Bostanashvili (1948–2013). From 1990 until his death he delivered insightful, playful and rather provocative lectures on architecture at this university. He preferred to call his architectural philosophy, critical discourse on architecture. Themes ranged from poetics to metapoetics of architecture. His philosophy of architecture is illustrated by some of his designs and executed projects which demonstrate a drift from existentialism to the philosophy of play. This study includes reference to his last building, a project whose demolition Bostanashvili witnessed before passing away. Based on the concept of the return of the sacred, this edifice was a sort of counter movement to technogenic architecture.
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Klimkina, Tatiana V. « The Modern Religious architecture and monumental painting : synthesis (on the example of Russia and the Republic of Mordovia) ». Finno-Ugric World 10, no 4 (24 décembre 2018) : 88–97. http://dx.doi.org/10.15507/2076-2577.010.2018.04.088-097.
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Currently in Russia the development of church architecture poses many problems associated with the revival of the national school of monumental religious painting. The article analyzes the main features of the development of monumental decoration of church buildings. It also emphasizes importance of an integrated approach to the solution of the architectural and artistic ensemble of the cult construction. The synthesis of national religious architecture and monumental church painting is the object of research and its features аt the present stage is the subject. The goal of the article is the identification of the main tendencies of integrated approach to the religious architecture, both for Russia and the Republic of Mordovia. The empirical material of the work is the religious architecture and monumental church painting of Russia and the Republic of Mordovia. The research is based on observation, descriptive and comparative methods of analysis. The article is based on the published research on the church art of Russia and the Republic of Mordovia. The turn of the 21st century represents the active practice of creating a modern church decor. This is characterized by a complex multistage process of collective creativity, characterized by specific architectural environment of the building, development of the design of the decor and the means of monumental painting. The turn of the 21st century represents a new step in the development of religious architecture and monumental painting in Russia. It makes a conclusion that at the turn of the century the use of the artistic experience of the past is the leading tendency in the development of modern monumental church painting. The necessity of achieving the synthesis of the architectural building and its monumental and decorative solution is empasized.
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Weizman, Ines. « Palast der Republik (Palace of the Republic) ». Journal of Architectural Education 67, no 1 (5 mars 2013) : 135–37. http://dx.doi.org/10.1080/10464883.2013.767147.
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Andreeva, Olga P., Evelina V. Mikhailova et Svetlana P. Akhmetova. « ART NOUVEAU ARCHITECTURE IN THE MODERN URBAN IMAGE OF CHUVASHIA ». Arts education and science 2, no 35 (2023) : 128–35. http://dx.doi.org/10.36871/hon.202302128.
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Art Nouveau architecture attracts the interest of contemporary researchers with its formative natural elements, plastic ornament, decorative lines, and unique options complementing and organically fitting into the modern urban environment. The few buildings in medium and small towns with Art Nouveau features and links to the local architectural traditions, with their unique decorative elements, deserve special attention. This interest is primarily due to the aesthetic perception of architectural space, the study and preservation of modern monuments. Today, many buildings have lost their Art Nouveau decorative elements, and their original appearance has been changed as a result of alterations. The reason for such transformations were historical events that significantly influenced the architectural image of the towns. The analysis of Art Nouveau architecture in the towns of the Chuvash Republic, such as Cheboksary, Alatyr, and Yadrin, reveals the distinctive features of compositional solutions and decorative finishing of buildings, as well as changes in their image. The study relies on the architecture of the mansions of the merchants Yefremov in Cheboksary, the houses of the timber dealer Burashnikov and the merchant Talantsev in Yadrin, and the consumer culture buildings in Alatyr. Based on the study of Art Nouveau architecture, the authors try to show the irreversible changes made to the original appearance of the buildings by some reconstructions, and identify the problem of preserving the architectural heritage of the Art Nouveau style in the cities of the Chuvash Republic.
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Sunatovich Khayrullayev, Dilshod. « Rural architecture formation development principles of the traditions in Uzbekistan ». International Journal on Integrated Education 2, no 4 (7 octobre 2019) : 101–7. http://dx.doi.org/10.31149/ijie.v2i4.123.
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The traditions of rural architecture have formed and developed for centuries, taking into account the natural and climatic conditions of the territory, living conditions of the local population of the Republic of Uzbekistan. Preservation of pilgrimage places, mosques, bathhouses, national houses, historic architectural masterpieces in rural areas, which is consisted by almost half the population of the country, require a wider study of this area. Because architectural masterpieces are our national cultural heritage, our value and identity. The article gives an overview of the traditional methods as well as the harmony of modern architecture.
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Abdrashitova, Т. A., et A. Sh Chikanayev. « Analysis of educational programs of universities of the Republic of Kazakhstan, graduating specialists in designing the urban environment and its elements ». Bulletin of Kazakh Leading Academy of Architecture and Construction 79, no 1 (30 mars 2021) : 7–16. http://dx.doi.org/10.51488/1680-080x/2021.1-01.
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This article is devoted to the study of perspective direction and educational programs of higher education institutions of the Republic of Kazakhstan that produce specialists who are competent in the design of urban space, as well as its elements. The study was conducted on the basis of an analysis of educational programs (architectural design, landscape design, architecture, urban planning) for applicants entering higher educational institutions of the Republic of Kazakhstan in the 2020 academic year.
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Ardiansyah ; C. Sudianto Aly, Iqbal. « THE EXPRESSION OF NATION-BUILDING AND THE CHARACTER-BUILDING SPIRIT AS FORMS OF NATIONAL IDENTITY AS OBSERVED IN THE ISTIQLAL MOSQUE’S ARCHITECTURE ». Riset Arsitektur (RISA) 1, no 04 (18 octobre 2017) : 399–412. http://dx.doi.org/10.26593/risa.v1i04.2752.399-412.
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Abstract- A political regime generally possesses an identity and has insight into nationally idealistic cultural values. Its expression can be observed in the art and physical architecture that blossoms in its era. This insight gives birth to national identity. The formation of national identity itself originated from several dimensions, namely the sub-national dimension, the personal dimension, and the supra-national dimension. In the transition between the Netherland-East Indies and the Republic of Indonesia, Indonesia as a new country possessed ideals in the formation of physical architectures that can represent its national identity. This insight is realized in detail within nation-building and character-building ideas within several mega-projects pioneered by the Old-Order government. One of them was the Istiqlal Mosque as a national house of worship. The expression of Istiqlal Mosque architecture cannot be separated from the dimensions of national identity formation in architecture. The focus of this research is on the observation of Istiqlal Mosque architecture. Indicators of the national identity’s expression in Istiqlal Mosque architecture are: the discussion of national-identity dimensions in architecture (national-identity dimension – sub-national dimension, national-identity dimension – personal identity and national-identity dimension- supra-national identity). The discussions of expression in architecture that can be achieved through visual composition formation are (a) domination, (b) repetition, and (C) continuity in composition of one architectural object. The object of architecture was further examined, arranged by form and material, general design principles, contextual relations, and physical, semantic and spatial organization of an architectural object. The Istiqlal Mosque is one example of an architectural product from the previous political regime that can profoundly and critically sharpen our thoughts concerning the Indonesian nation’s identity on the national and state level. Keywords: national identity, nation-building and character-building, sub-national dimension, personal dimension, supra-national dimension, Istiqlal Mosque
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Yaldiz, Esra. « The Evaluation of 20th Century Architecture in Konya in the Context of Modern Architecture Heritage ». New Trends and Issues Proceedings on Humanities and Social Sciences 4, no 11 (28 décembre 2017) : 171–84. http://dx.doi.org/10.18844/prosoc.v4i11.2872.
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Understanding about conservation is limited to ‘monument’ or ‘old work of art’ in the past compared with today’s new concepts like ‘historical and cultural heritage’, ‘heritage of modern architecture’ and ‘heritage of industry’. Turkey’s 20th century modern architecture was started with the early modernism buildings constructed all over Turkey, especially in Ankara and İstanbul in the first years of the Republic. This period includes all the works of architecture that were produced until the late 1980s, carrying the traces of modern movement, rationalist, purist, transparent, reinterpreting the traditional architectural values by means of modern material and seeking of independent form. In this study, the Mevlana Axis between Alaaddin Hill and the historical city centre and the works of architecture in the modernisation period between the early 1900s and 1980s on this axis, contribute to the city identity and handled in the context of modern architectural heritage are evaluated. Keywords: Modern architecture heritage, evaluation criteria, Konya.
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Pereira, Paulo Manta. « “Urbanistic Architecture” according to Raul Lino ». Enquiry The ARCC Journal for Architectural Research 17, no 1 (19 juin 2020) : 1–27. http://dx.doi.org/10.17831/enq:arcc.v17i1.1064.
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Over a period of nearly one hundred years, Raul Lino (1879-1974) experienced the profound political, social and economic changes that marked the twentieth century in Portugal. Having been born during the Constitutional Monarchy (1822-1910), he lived through the First Republic (1910-1926), the Military Dictatorship (1926-1933), the Second Republic, or Estado Novo (New State, 1933-1974), and died shortly after the Carnation Revolution of 25 April 1974, at the dawning of the Third Republic. He was an architect who published prolifically in Portugal, having become known through his advocacy of the Campanha da casa Portuguesa (Portuguese House Campaign), which provoked a great deal of controversy. The debate peaked with the Polémica da casa Portuguesa (Polemic of the Portuguese house) at the Calouste Gulbenkian Foundation in 1970, after the inauguration of the retrospective exhibition on Raul Lino. He is less known for the quality of his transversal synthesis conceived between urbanism, architecture, the decorative arts, and its underlying affirmation of an idea of the city, which we conjecture from our analysis of his narrative. This analysis concentrates on eleven case studies that encompasses architectural projects, urbanistic plans and technical advice limited to the first half of the 20th century. The broad, cross-disciplinary position of Lino was defended in the same year as the First National Architecture Congress (1948), whose proposals ratified in Portugal the orthodoxy principles of modern architecture and urban planning for the new universal man-type, established in 1933 by the International Congresses of Modern Architecture (CIAM). Quoting Aristotle, Raul Lino conceived the city as the locus of happiness, shaping forms of consensus between tradition and modernity by means of an architecture at the scale of man and in proportion to his circumstance, consistently outlining a modern possibility of continuity.
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Erarslan, Alev. « The Art Déco Influence in the Modern Turkish Architecture of the Early Republican Period ». Prostor 30, no 2(64) (26 décembre 2022) : 154–67. http://dx.doi.org/10.31522/p.30.2(64).2.
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With the proclamation of the Republic, Atatürk, the founder of Modern Turkey, wanted a new model of politics that would bring about the establishment of the “nation state”, also symbolized by architecture. Having decided to make a transition to modern architecture in Turkey, Atatürk invited academics from Germany and Vienna to achieve this. Consequently, by the 1930s, architecture followed a functionalistrationalist path in both public buildings and in residences. Another architectural style that wielded a lot of influence on the trends in the Modern Movement in this period was Art Déco. The plastic effect of mass in Art Déco was accompanied by purism. The purpose of th is article is to explore the characteristics of the Art Déco style in modern Turkish architecture, tracing it back to the 1930s, the time when a culture of architecture first began to form in Turkey, as Art Déco, in combination with rationalism, proved to be an influential force in Republican Turkey. The effect of this style on the composition of structural masses shall be described through examples of public and residential buildings. At the same time, an attempt shall be made to explore the connotations of contemporaneity, progress, technology, and industry as expressed in the vocabulary of the Republican ideology that embraced the mass aesthetic of the formal style that was Art Déco.
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Yao, Yizhi. « The Relationship between Architecture and Politics : A Case Study of Ancient Roman Architecture ». Communications in Humanities Research 4, no 1 (17 mai 2023) : 164–69. http://dx.doi.org/10.54254/2753-7064/4/20220363.
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Politics cannot exist independently of architecture, and to a particular extent, architecture also serves politics. This paper examines the relationship between politics and architecture in ancient Rome through a study of the relevant academic literature, starting with the relationship between politics and architecture in the Etruscan period, the Roman Republic, and the Roman Empire, and combining the resulting theories with contemporary architecture. The relationship between politics and architecture can be summarised as inherited, social and national. The application of these three relationships in the present era has produced several representative buildings. There is a specific inheritance of architecture from the Etruscan period, architecture from the Roman Republic served the needs of society, and architecture from the Roman Empire became a symbol of state power. These elements are all reflected in architecture all around the world nowadays.
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BOHÎLȚEA-MIHUȚ, FLORICA. « L’ARCHITECTURE DE LA PEINTURE DOMESTIQUE DU IIe STYLE POMPÉIEN – UNE LECTURE CONTEXTUELLE ». Analele Universităţii din Bucureşti - Istorie 69, no 1-2/2020 (1 décembre 2022) : 57–70. http://dx.doi.org/10.62229/aubi/69/1-2_20/6.
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During the last two centuries of the Roman Republic the public building projects of the aristocrats as well as their private architectural accomplishments mirror the profound process of cultural exchanges that characterize the metamorphosis of the Roman world. Following this process and against the background of the generalized crisis of the Roman republic, the redefined discourse on power appropriates the architecture concept as a tool of communication. The paper aims to explore this meaningful relation of the Romans with the act of construction at the sunset of the Republic considering the Pompeian second style of painting as one of the artistic expressions of the elites’ agency.
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Ivanova, I. G. « Creative album of the 30–40s of the twentieth century as a source on the history of architecture and art of Kyrgyzstan (based on the materials of P.P. Ivanov's personal archive) ». Heritage and Modern Times 6, no 1 (9 juillet 2023) : 42–58. http://dx.doi.org/10.52883/2619-0214-2023-6-1-42-58.
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The article is devoted to the creative album of the 30-40s of the twentieth century from the personal archive of P.P. Ivanov, one of the first professional architects of Kyrgyzstan and one of the founders of architectural education in the republic. The main content of the album consists of samples of Kyrgyz felt ornamented carpets-shirdaks and architectural decor of the Dungan folk dwelling, as well as their creative interpretations of cultural heritage in the architecture of this period, which makes it a valuable source on the history of architecture and decorative and applied arts of Kyrgyzstan.
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MOROZOVA, YE. « ENVIRONMENTAL ASPECTS OF INDUSTRIAL ARCHITECTURE ». Herald of Polotsk State University. Series F. Civil engineering. Applied sciences, no 1 (15 avril 2024) : 28–33. http://dx.doi.org/10.52928/2070-1683-2024-36-1-28-33.
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The article is about the environmental approach in industrial design. The technological, technical and architectural environmental protection tools, their development and improvement, opportunities and prospects in the conditions of the Republic of Belarus are investigated.
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Shahinyan, S. M., et A. S. Shahinyan. « Contrast Harmony New Implementations In Interior Design Architecture in the Republic of Armenia ». Advanced Materials Research 1020 (octobre 2014) : 732–35. http://dx.doi.org/10.4028/www.scientific.net/amr.1020.732.
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In Armenia there are determined new tendencies for interior design in particular public areas. Here in the article we would like to emphasize on post soviet time national values declaim or dramatically extravagant contemporary solutions in the architecture, based on as called modern but out-of-taste restaurants, trading houses and especially luxury houses designed interior where modern and comfort environmental atmosphere is just adjusted for nowadays life. After all this tendency created a new way in architecture, where it could be seen different periods comprehensions expressed in the same area and possibility to create an atmosphere of new architectural historical environment where it is possible to detach modern and antique styles as well as create contrast in the harmony.
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Y.K. Duisebay et Y.Y Duisebay. « CULTURAL HERITAGE AND INNOVATIVE ARCHITECTURE OF KAZAKHSTAN OF THE XXI CENTURY ». Bulletin of Kazakh Leading Academy of Architecture and Construction 87, no 1 (15 mars 2023) : 25–34. http://dx.doi.org/10.51488/1680-080x/2023.1-03.
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The scientific program "Cultural Heritage" implemented in the Republic should have an outlet for the development of architecture in Kazakhstan. The ethno-cultural concept of the image is realized through the synthesis of traditions and modern experience of technical and technological achievements. Archaic brutality of Scythian art compositions and bionic semantics - plasticity of ornamental art of the Kazakhs will be a formative component of the architectural image.
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Friedrich, Jacek. « Modernist Architecture in Illustrative Art for Children and Teenagers in the People’s Republic of Poland ». Ikonotheka 28 (6 août 2019) : 199–231. http://dx.doi.org/10.5604/01.3001.0013.3379.
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Books and periodicals for children and teenagers constituted an important instrument of education and also social persuasion in the People’s Republic of Poland. In such publications, illustrations played a crucial role. Printed in several dozen or even several hundred thousand copies, such publications circulated among great numbers of young readers, therefore becoming a very effective medium for disseminating certain desired views. There can be no doubt that the messages directed at the youth largely reflected the opinions held by the adult section of the society: the authors and the people ordering and authorising the publication. The numerous topics presented in a form suitable for young readers included architecture. The nature of architecture-related themes was varied indeed; at times architecture (historical or contemporary) appeared in the foreground, but most often depictions of buildings served only as a visual backdrop for the narrated story. However, even presented in the background, the forms of architecture chosen by illustrators were not received indifferently by the readers, since they conveyed a certain model imagery of houses, flats, housing estates, or entire cities. Since such images were published by the thousand, a thorough analysis of the issue would not fit the spatial constraints of a single article. The aim of the text is, therefore, restricted to identifying the possibility for expanding the source material for studies on architectural culture; it focuses on a single theme, namely the methods in which publications for children and young readers issued in communist Poland presented, and often even propagated, modernist architecture. Due to the choice of the subject matter, the article mainly concentrates on the period of the post-Stalinist Thaw when modern forms gained a true monopoly in Polish architecture. The tendencies observable in architectural theory and practice at the time were reflected with considerable fidelity in publications for young audiences. Popular images included the vision of a modern metropolis with heavy pedestrian and automobile traffic, full of high-rise buildings, lit by lamps and neon lights after dark. Depictions of modernist housing estates with blocks of flats, as well as modern schools or playgrounds were equally common. The message conveyed by such imagery may easily be summarised by the title of one of the children’s rhymes analysed above, namely Nasz dom [Our home]. Both the texts and the visual depictions of the day constructed a vision in which modernist architecture became the natural habitat of contemporary people. The present article describes numerous depictions which corroborate such an interpretation of the phenomenon under analysis.
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Alfirevic, Djordje. « Customary rules of the Rajac wine cellars construction ». Spatium, no 24 (2011) : 51–56. http://dx.doi.org/10.2298/spat1124051a.
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This paper considers the possibility of implementing the customary rules of construction and organization of the Rajac wine cellars, as well as whether and to what extent they have been implemented so far. Wine cellars of the village of Rajac are a unique example of ethno-architecture in the Republic of Serbia and its surrounding. They are under the protection regime as a rare spatial cultural-historical entity, i.e. cultural property of exceptional importance to Serbia. The paper analyzes various elements of spatial development and structure, as well as specific characteristics of construction carried out by migrant workers. Considering that customary rules of construction are found in some other complexes of folk architecture in the immediate and broader surrounding of the Republic of Serbia (Korcula, Dubrovnik and Ilok in the Republic of Croatia), it has been indicated, based on comparative analysis, that it is possible that the same rules as those implemented during the foundation and development of the Rajac wine cellars have also been implemented later during their renovation by introducing new architectural principles through characteristic way of construction of Macedonian craftsmen-builders - migrant workers.
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Sedalishcheva, Sargylana Nikolaevna. « The role of the local history school expedition in the study of the national architecture of the wooden architecture of the Yansk Yakuts ». Педагогика и просвещение, no 4 (avril 2022) : 116–25. http://dx.doi.org/10.7256/2454-0676.2022.4.36851.
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The subject of the study is the national architecture of the wooden architecture of the Yan Yakuts, which were studied during the organization and conduct of local history research expeditions of schoolchildren under the project "Along the paths of ancestors". The article describes the content of the work of local history school expeditions that were carried out in the Verkhoyansky district of the Republic of Sakha (Yakutia) to fix wooden architecture, the methodology of the expedition, the history of the material traditional culture of the Yansk Yakuts. The purpose of the article is to familiarize with the uniqueness of the national architecture of the Yan Yakuts. The methods of studying the national architecture of wooden architecture in the conditions of local history school expeditions are field research, photofixation of wooden architecture, architectural measurements, sketching on the preserved remains of summer and winter estates. The scientific novelty of the research lies in the fact that the wooden architectures of antiquity are becoming relevant for the preservation as an ethnic cultural heritage, as an understanding of the preservation of ethnic components in modern society. Thus, the description and reconstruction of the traditional dwellings of the Yan Yakuts is not only the preservation of national architecture, but also the revival of ethnic and cultural traditions of the Yakuts as a whole in the era of globalization. Local history research expeditions of schoolchildren play an important role in the study of the small homeland. It is these forms of organizing local history expeditions that personally bring modern students closer to the history of their ancestors, their way of life.
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Von Beyme, Klaus. « Architecture and Democracy in the Federal Republic of Germany ». International Political Science Review 12, no 2 (avril 1991) : 137–47. http://dx.doi.org/10.1177/019251219101200204.
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Attia, Ahmed S. « Traditional Islamic House (Ottoman House) Architecture, in Old Fatimid Cairo and Rosetta Cities, Egypt - An Example of Sustainable Architecture ». International Journal of Sustainable Development and Planning 16, no 8 (30 décembre 2021) : 1509–17. http://dx.doi.org/10.18280/ijsdp.160812.
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The unique Traditional Islamic architecture characterizes some cities in the Arab Republic of Egypt. The purpose of the study is to highlight the significance of the Traditional Islamic house design, architectural elements, and the use of low-technology in house construction concerning sustainable architecture, in Old Fatimid Cairo and Rosetta (Rashid) cities. The study's method includes a literature review; with an overview of the history, the urban form, and the Islamic house design and architectural elements influenced by the local Islamic context (natural and cultural environments). A field survey included: the selection of eleven examples, five from Old Fatimid Cairo city and six examples from Rosetta (Rashid) city representing the most famous houses including the different architectural elements, and analyzing its components, the house design, spatial organization, building materials, house elements, courtyard, Mashrabiyah, wind catchers, and the construction system. Moreover, a comparative study for the selected Islamic houses illustrates the contexts' impact on the house design. In conclusion, the study highlighted the significance of Islamic house design and low-technology in house design and construction, which could be considered sustainable architecture and developed in the form of advanced technology in the future.
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Petanovski, Aleksandar, et Ivo Spiroski. « Macedonian Architecture From 19th Century in The Village of Leshok, Republic of Macedonia ». South East European Journal of Architecture and Design 2021 (3 avril 2021) : 1–7. http://dx.doi.org/10.3889/seejad.2021.10049.
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INTRODUCTION: The old rural architecture in Macedonia is insufficiently studied and in many villages is in the process of extinction, especially in Western Macedonia where there are many villages whose inhabitants have emigrated.
OBJECTIVES: The objective of this research is the folk architecture of the house in the village of Leshok, near Tetovo, and getting acquainted with the other types of objects that are part of the rural-economic yard and are inextricably linked to the daily work, life and customs of the peasant from this region.
MATERIAL AND METHODS: For analysis of the traditional architecture of the houses in the village of Leshok from the late 19th and early 20th centuries, 10 typical houses with different structure and location are chosen, which are identified and displayed by the Google Earth search engine.
RESULTS: The basic characteristics of the architecture of the village house in Leshok are explained, where the economic yard together with the economic objects are included. The functional solutions of the foundations of houses from the end of the 19th and the beginning of the 20th century are shown, the constructions used in the house of Leshok are described, as well as the materials that were used for their construction. In the end we get acquainted with the interior and the design of the premises in the old Macedonian house.
CONCLUSION: Leshok belongs to the group of mountain villages of compact type. The configuration of the terrain, the dead riverbed, dictated the way of construction, where the houses are placed one above the other and each has a clear view of the valley. In that way, the basic architectural features of the Leshok house are formed. It is a typical mountain house built of stone and wood, on two floors and with an open veranda.
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Makhmudova, Malika, et Muhayyo Makhmudova. « FORMATION OF THE RESTORATION SCHOOL IN UZBEKISTAN AND ITS ROLE IN PRESERVATION OF ARCHITECTURAL HERITAGE ». SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference 4 (25 mai 2018) : 459–69. http://dx.doi.org/10.17770/sie2018vol1.3078.
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The article considers the history of the origination of the restoration of the architectural heritage in Uzbekistan, the formation of a scientific methodology for the restoration of architectural monuments.Also, the article is devoted to the formation of the restoration school of Uzbekistan, information about the well-known architects-restorers and scientists who stood at the origins of the restoration work in the republic, such as M.F. Mauer, B.N. Zasypkin and others, as well as examples from their restoration practice is given in the article.The analytical method, generalization methods, systematization and practical experience were used in the article. In particular, the following were studied: (1) literature on the restoration of architecture in Uzbekistan, materials from the Central State Archives of Architecture of Uzbekistan, materials of the personal achieves of restorers; (2) practical experience of architects in the restoration of architectural monuments; (3) object of study: architectural heritage of Uzbekistan: minarets, mausoleums, mosques, madrasahs and other types of architectural objects; (4) subject of research: structures, domes, architectural decor of interiors and facades of monuments of architecture, as well as the activities of renowned architects-restorers and scientists of Uzbekistan.
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Tostões, Ana. « João Luís Carrilho da Graça interviewed by Ana Tostões ». Modern Lisbon, no 55 (2016) : 84–86. http://dx.doi.org/10.52200/55.a.uk2y3ecv.
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On July 2016, Ana Tostões interviewed João Luís Carrilho da Graça, one of the main Portuguese contemporary architects, in order to discuss the riverside projects that he has been developing for the future of Lisbon. João Luís Carrilho da Graça was born in 1952, Portalegre, and studied architecture at the Lisbon School of Fine Art (1977). He was assistant lecturer at the Lisbon School of Fine Art (1977-1992), full professor at the Universidade Autónoma de Lisboa (2001-2010) and the University of Évora (2005-2013). He coordinated the departments of Architecture in both institutions until 2010, and was responsible for the creation of the PhD in Architecture at the latter institution, which he also directed (2011-2013). He was professor at the University of Navarra (2005, 2007, 2010, 2014) and at the College of Architecture, Art, and Planning of Cornell University, New York (2015). Since 2014, he has been full professor at the School of Architecture, University of Lisbon. He is the principle of the architectural office João Luís Carrilho da Graça Arquitectos with an extensive work built. He was nominated and selected for the Mies van der Rohe European Prize in Architecture (1990, 1992, 1994, 1996, 2009, 2011, 2013, 2015) and received several awards, such as the AICA (1992), the Secil (1994), the FAD (1999), the Valmor (1998), the Pessoa (2008), the Order of Merit of the Portuguese Republic (1999), the Chevalier des Arts et des Lettres from the French Republic (2010) and the Medal of the Académie d’Architecture of France (2012). In 2013, he received an Honorary Doctorate degree from the School of Architecture of the University of Lisbon and in 2015 the Royal Institute of British Architects International Fellowship.
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Bianco, Lino. « From Idea to Realisation : The architecture of Jovan Stefanovsk ». Arta 30, no 1 (août 2021) : 87–97. http://dx.doi.org/10.52603/arta.2021.30-1.13.
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Although not widely acknowledged, the Republic of North Macedonia boasts a number of prolific architects who were often engaged in architectural education. Jovan Stefanovski, the author of the Millennium Cross and the National Theatre, both in the capital Skopje, is one such personality. Similar to former generations of architects, his design style conceptually recalls the traditional architecture of his homeland. Researching the Jovan Stefanovski Archive, a number of projects were identified – a sample from the case-studies covered in his doctorate thesis – and discussed with respect to the themes of ‘idea’ and ‘realisation’ in architecture. His notion of the former is akin to ‘concept’ as used in architectural design. While an idea is an expression of the unconscious, realisation is the conscious decision to execute the design idea. Stefanovski was a prolific architect and educator. His interest in traditional architecture was in line with the trends which developed in the late 1960s and early 1970s. Furthermore, in line with the architectural approaches being developed by Stefanovski’s teachers, the regionalist idiom which emerged in Macedonia, is contemporaneously evident in his work both in form and function.
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Kozyrenko, Nataliya Efremovna. « Architecture of the Stalin Empire in China ». Урбанистика, no 4 (avril 2020) : 1–17. http://dx.doi.org/10.7256/2310-8673.2020.4.30248.
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The subject of this research is the formation of large city planning ensembles in socialist cities during Great Leap Forward of the People’s Republic of China. The object of this research is architecture in the style of Stalin Empire 1950s – 1960s. The author examines the influence of Soviet architecture upon the emergence of Chinese styles, such as “Style 1959” and Communist Art Deco). Special attention is dedicated to stylistic peculiarities of the new architectural objects and Chinese interpretation of the Stalin Empire. In this context, both Chinese and Soviet architects contributed to determination of the architectural trend “Su-style”. The main conclusion lies in the statement that architecture of the Stalin Empire with the elements of classicism became the national style in socialist China. Chinese architects synthesized the new normative aesthetics and discovered new stylistic and imagery resources in architecture. The transition towards holistic Chinese “socialist culture” has not been completed and currently continues. The author’s special contribution is the research of socialist architecture of Harbin as a continuity of Russian traditions of the early XX century. The novelty of this work is defined by the first ever analysis of stylistic peculiarities of Harbin’s architecture that were built by the projects of Soviet architects.
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Steinhardt, Nancy Shatzman. « Chinese Architectural History in the Twenty-First Century ». Journal of the Society of Architectural Historians 73, no 1 (1 mars 2014) : 38–60. http://dx.doi.org/10.1525/jsah.2014.73.1.38.
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The impact of foreign building traditions on Chinese architecture had been limited until the beginning of the nineteenth century. In the twentieth century, dramatic changes in construction occurred as the result of the introduction of Western architectural practice and methods of architectural history, as China transformed from an imperial society to a republic to a communist state. In Chinese Architectural History in the Twenty-First Century, Nancy Shatzman Steinhardt examines the state of architectural history in China at the end of the twentieth century and the impact that recent social and cultural transformations are likely to have on the field in the future.
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Han, Nia Namirah, et Kemas Ridwan Kurniawan. « Brutalism : The Socio-Political and Technological Effect on Postcolonial Modern Architecture in Indonesia ». E3S Web of Conferences 65 (2018) : 01004. http://dx.doi.org/10.1051/e3sconf/20186501004.
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Brutalism, as a style in modern architecture, escaped from the architectural critic’s attention in Indonesia. This is due to the lack of building architecture influenced by this style, as well as the difficulty of distinguishing this style from monumentalism in architecture in Indonesia. Its existence cannot be separated from the development of the Architectural industry in Indonesia. The cement factory - which is the main raw material of concrete - has an impact on infrastructure growth in Indonesia. The establishment of the first cement factory in the Netherlands Indies (Indonesia) as well as in Southeast Asia named NV Nederlandsch Indisch Portland Cement Maatschaapij (NV NIPCM) in 1910 is one of the starting point of industrial development and architectural technology in the country. During the Old Order period, cement was the main raw material for infrastructure development. In line with the vision of the first President of the Republic of Indonesia, Ir. Soekarno, to build the character of a modern nation in the era of Guided Democracy (1957-1965), it must also be represented through the works of sturdy and durable monumental architecture. Meanwhile, during the New Order period, the development of Indonesian architecture was strongly influenced by the political condition and national stability, followed by the inclination to create Indonesian architectural identity with traditional concept. This paper attempts to discuss the link between modern architecture in Indonesia and Brutalism, in relation to the sociopolitical and technological aspects of the Old Order and the New Order. A Qualitative method that based on historical criticism was used to answer the question.
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Зарипова, А. Р., И. Р. Минниахметов, Р. И. Хусаинова, А. В. Тюрин, Н. А. Скрябин, Т. С. Короткая et Е. Ю. Захарова. « Genetic architecture of osteogenesis imperfecta in the Republic of Bashkortostan ». Nauchno-prakticheskii zhurnal «Medicinskaia genetika», no 8(217) (31 août 2020) : 57–58. http://dx.doi.org/10.25557/2073-7998.2020.08.57-58.
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Несовершенный остеогенез (НО) (МКБ-10: Q78.0, несовершенный остеогенез) - клинически и генетически гетерогенное наследственное заболевание соединительной ткани, в основе которого лежат генетические изменения, приводящие к нарушению структуры костной ткани. Идентифицирован 21 ген, вовлеченный в патогенез НО, но пока не выяснена степень генетической гетерогенности заболевания. Целью исследования являются поиск молекулярной причины НО и определение типа наследования и клинической формы заболевания на основе анализа клинико-генетических корреляций. Osteogenesis imperfecta (OI) is a clinically and genetically heterogeneous hereditary disease of the connective tissue, which is based on genetic changes leading to a violation of the structure of bone tissue. 21 genes are involved in the pathogenesis of OI have been identified, but the degree of genetic heterogeneity of the disease has not yet been clarified. The aim of the study is to search for the molecular cause of OI and determine the type of inheritance and the clinical form of the disease based on the analysis of clinical genetic correlations.
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Hafertepe, Kenneth. « Beauty and Convenience : Architecture and Order in the New Republic ». Agricultural History 79, no 3 (1 juillet 2005) : 381–83. http://dx.doi.org/10.1215/00021482-79.3.381.
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Vondráčková, Terezie, Vladimír Nývlt et Jan Plachý. « The Significance of Baroque Gothic Architecture in the Czech Republic ». Procedia Engineering 161 (2016) : 1757–62. http://dx.doi.org/10.1016/j.proeng.2016.08.772.
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Sperling, Joy. « Beauty and Convenience : Architecture and Order in the New Republic ». Journal of American Culture 27, no 3 (septembre 2004) : 338–39. http://dx.doi.org/10.1111/j.1537-4726.2004.141_7.x.
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Marian, Maria-Liliana. « THE TRADITIONAL MOLDOVAN DWELLING FROM THE SEC. XVIII-XX FROM THE PERSPECTIVE OF THE CONSTRUCTION MATERIALS AND SOLUTIONS USED ». Journal of Social Sciences 4, no 3 (septembre 2021) : 71–78. http://dx.doi.org/10.52326/jss.utm.2021.4(3).08.
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The article represents a research of the traditional houses from the Republic of Moldova specific to the period XVIII - XX centuries. Life, always conditioned by life, is a major program that, in the vernacular architecture of the Republic of Moldova, plays the role of the function of continuity. The main objectives of this article are to bring in heritage practice, beneficial information, both for the historical monument and for architects, specialists and the general public interested in the future of heritage objects, locally or nationally and how they influence the factors of decision involved. The slow transformations, recorded over the last two thousand years, in which we distinguish evidence of its evolution, are the result of slow transformations, both of techniques and instructional materials, as well as of the specific occupations and way of life sec. XVIII - XX. Starting from the semi-buried dwellings, the surface houses with a single level, constituted the architectural solutions with the widest spread on the whole territory of the country, until the middle of the century. XX. The architecture of traditional residential buildings - plan, size and appearance - were influenced by physical, social, historical, geographical conditions, the natural environment and the specifics of the household. The knowledge of the architecture of the traditional house contributes to the reconstruction of some aspects of the ancient culture, inextricably linked to the problem of the continuity of the local population on these lands. In the architecture of the traditional house, the normative thinking, common at the technical level of the society, is combined with the adaptation to the individual requirements. The lack of this information, especially important for those interested in the fate of the architectural heritage, can cause serious damage to the historical monument, namely the loss of structural elements, functional and stylistic elements, elements of composition, volume and structure. The ambiguities can distort the real value of the monuments and even the loss of the value of architectural heritage, so the historical monument becomes vulnerable in the future.
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Keneshov, T. S. « ORIGINS OF DEVELOPMENT OF ARCHITECTURAL AND URBAN PLANNING EDUCATION IN KYRGYZSTAN ». Herald of KSUCTA n a N Isanov, no 2-2-2022 (30 avril 2022) : 840–46. http://dx.doi.org/10.35803/1694-5298.2022.2.840-846.
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This year, 2022, marks 30 years since the formation of a separate higher educational institute for architecture and construction education. The beginning of the organization of such higher education in Kyrgyzstan is the mid-50s-60s of the last century, as a faculty at the Frunze Polytechnic Institute. The development of architecture and the construction sector in the republic is associated with the activities of the leadership of Kyrgyzstan, the organization of a special department for architecture, the formation of architectural personnel, directions for restoration, design, urban planning and other related specialties. The article discusses the activities of the Department of Urban Planning of KSUCTA named after N. Isanov for a ten-year period and the features of the specialty of urban planning and the tasks facing urban planners in the development of cities and the country.
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Ponomarev, Evgeny, Ekaterina Pokka et Anna Yudakova. « Effectiveness of the cluster approach for sustainable development of small historical towns and settlements of the Republic of Tatarstan ». E3S Web of Conferences 274 (2021) : 10019. http://dx.doi.org/10.1051/e3sconf/202127410019.
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One of the key issues of modern architecture and urban development is the decline of urban life in small towns and settlements, which are experiencing the negative consequences of the new socioeconomic reality. The urbanization process, characterized by rising large cities and mega-cities is provided by an increasing influx of migration from small historical cities and settlements. However, small urban settlements, preserving features of historical architecture, natural attraction and provincial coziness are important factors in restraining the uncontrolled growth of mega-cities and as a condition for the preservation of local culture and traditions of sustainable ecological balance of the regional settlement system. Obviously, the issue of integrated development of small historical settlements is coming to the fore. To solve this problem the authors propose a cluster approach that effectively develops the architectural environment of such cities and creates attractive living and tourism environments. The purpose of the research is to develop a method of the cluster approach for sustainable development of small historical towns and settlements, aimed at a comprehensive transformation of their architectural environment while preserving of valuable historical, cultural and architectural heritage. The limitation of the research is the Republic of Tatarstan.
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Roseneld, Gavriel D. « Architecture and the Memory of Nazism in Postwar Munich ». German Politics and Society 16, no 4 (1 décembre 1998) : 140–59. http://dx.doi.org/10.3167/104503098782487059.
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Few issues have possessed the centrality or sparked as much controversyin the postwar history of the Federal Republic of Germany(FRG) as the struggle to come to terms with the nation’s Nazi past.This struggle, commonly known by the disputed term Vergangenheitsbewältigung,has cast a long shadow upon nearly all dimensions ofGerman political, social, economic, and cultural life and has preventedthe nation from attaining a normalized state of existence inthe postwar period. Recent scholarly analyses of German memoryhave helped to broaden our understanding of how “successful” theGermans have been in mastering their Nazi past and have shed lighton the impact of the Nazi legacy on postwar German politics andculture. Even so, important gaps remain in our understanding ofhow the memory of the Third Reich has shaped the postwar life ofthe Federal Republic.
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Talovskaya, Evgeniya B., Irina N. Barsukova et Natalia Yu Kurochkina. « Architecture and life forms of Thymus jenisseensis (Lamiaceae) ». BIO Web of Conferences 24 (2020) : 00085. http://dx.doi.org/10.1051/bioconf/20202400085.
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Thymus jenisseensis is endemic to Southern Siberia. The structure of Thymus jenisseensis were studied with the use of an architectural approach. The architectural unit consist of branched compound skeletal axis of the 1st and 2nd order, and is repeated many times in the structure of adults. As a result of studying the architectural units of individuals growing in different sites of a coenopopulation, in the upper border of the forest belt (Tsagan-Shibetu, Republic of Tuva), differences were identified. An architectural unit consisting of branched orthotropic or ascending basisympodially accreting compound skeletal axes develops on a site of a dry riverbed; an architectural unit consisting of branched orthotropic or ascending acrosympodially accreting compound skeletal axes develops on a site of high-altitude steppe on a plain. The diversity of compound skeletal axes in the structure of architectural units contributes to the formation of two biomorphs (dwarf subshrub and dwarf shrub), changes in the vitality and duration of development of T. jenisseensis individuals. The identified features of architecture are morphological mechanisms of adaptation of the species to living conditions.
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Szczerski, Andrzej. « Sztuka i architektura dla II Rzeczypospolitej ». Prace Historyczne 147, no 4 (2020) : 869–81. http://dx.doi.org/10.4467/20844069ph.20.049.12503.
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Art and architecture for the Second Polish Republic The period of the Second Polish Republic was a time of dynamic processes of unification and modernisation. They were also reflected in art and architecture. This should not come as a surprise given the fact that Polish artists were involved in the struggle for independence on the battlefields, while they also documented Polish military efforts during the World War I. Later on, they held positions in the state administration, especially in the administrative structures responsible for art patronage and education; finally, they were also active in the field of national propaganda. The authorities of the Second Polish Republic appreciated the importance of modern art, especially that the restoration of independence coincided with a debate about the various definitions of the Polish national style. This debate, which involved supporters of vernacular stylisation and those who promoted modernism, found its complex reflection in the Polish General Exhibition in Poznańin 1929. The exhibition confirmed that the leading role in the process of modernisation was assumed by architecture and urban planning.
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Pfeifer, Marcel Rolf. « Development of a Smart Manufacturing Execution System Architecture for SMEs : A Czech Case Study ». Sustainability 13, no 18 (12 septembre 2021) : 10181. http://dx.doi.org/10.3390/su131810181.
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This study investigates the application of a smart manufacturing execution system (SMES) based on the current controlling structure in a medium-sized company in the Czech Republic. Based on existing approaches on the architecture of SMESs, this paper develops a sample architecture grounded in the current controlling structure of small and medium-sized enterprises (SMEs). While only a few papers on approaches to the given topic exist, this approach makes use of operative production controlling data and uses a standardisation module to provide standardised data. The sample architecture was validated with a case study on a Czech SME. This case study was conducted on two different entities of one production company suggesting differences in the entities due to the nature of production. The research showed that simple tasks with intelligent welding equipment allow for a working SMES architecture, while complex assembly works with a high extent of human labour, and a high number of components still remain an obstacle. This research contributes to gathering more understanding of SMES architectures in SMEs by making use of a standardisation module.
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Bozdoğn, SİBEL. « READING OTTOMAN ARCHITECTURE THROUGH MODERNIST LENSES : NATIONALIST HISTORIOGRAPHY AND THE “NEW ARCHITECTURE” IN THE EARLY REPUBLIC ». Muqarnas Online 24, no 1 (1 janvier 2007) : 199–221. http://dx.doi.org/10.1163/22118993-90000116.
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Bozdoğan, Sibel. « Reading Ottoman Architecture through Modernist Lenses : Nationalist Historiography and the “New Architecture” in the Early Republic ». Muqarnas Online 24, no 1 (22 mars 2007) : 199–221. http://dx.doi.org/10.1163/22118993_02401011.
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Pribadi, Tulus, et Syahrizal Dwi Putra. « PERANCANGAN ARSITEKTUR SISTEM INFORMASI MANAJEMEN PENYELESAIAN LAPORAN (SIMPeL v.3.0) DI OMBUDSMAN REPUBLIK INDONESIA ». Jurnal Manajamen Informatika Jayakarta 1, no 3 (18 juillet 2021) : 220. http://dx.doi.org/10.52362/jmijayakarta.v1i3.489.
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The Indonesian Ombudsman is a State Institution tasked with overseeing public services based on Law Number 37 of 2008 concerning the Ombudsman of the Republic of Indonesia. Based on this task, the Ombudsman of the Republic of Indonesia performs services in the form of receiving reports / complaints from the public regarding public services performed by service providers that must be resolved quickly and efficiently. To achieve this goal, the Ombudsman of the Republic of Indonesia must have an integrated Information System that can record and complete the report completion process. Taking into account the magnitude and complexity of the work in the Ombudsman of the Republic of Indonesia, the Management Information System for Completion of this Report must be well planned and based on the data needed by each user. The Architecture of the Management Report Management Information System Completion of the Community Report was built using the enterprise architecture planning model approach, especially the TOGAF ADM method with the hope that the SIMPeL v3.0 blueprint can be the basis for the development of the Report Settlement Management Information System (SIMPeL v3.0) in the Ombudsman of the Republic of Indonesia.
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Hafertepe, Kenneth. « Review of Beauty and Convenience : Architecture and Order in the New Republic by Nora Pat Small:Beauty and Convenience : Architecture and Order in the New Republic ». Agricultural History 79, no 3 (juillet 2005) : 381–83. http://dx.doi.org/10.1525/ah.2005.79.3.381.
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Lifchez, Raymond, et Luca Trolese. « A Digital Archive of the Architecture of Charity : Venice, c.1100–1797 ». Confraternitas 18, no 1 (1 janvier 2007) : 16–26. http://dx.doi.org/10.33137/confrat.v18i1.12466.
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The Architectural Visual Resources Library of the Department of Architecture, College of Environmental Design, University of California Berkeley, offers to scholars and students of Venetian social and architectural history a digital database of approximately a thousand images of 139 buildings and building sites once dedicated to acts of charity and public assistance and established by the confraternities (the Scuole), the Venetian Republic, churches and synagogues, and private donors. The images are catalogued and may be accessed at www.mip.berkeley.edu/spiro/ "Lifchez Gift” (location) “Venice.” The images of buildings mentioned here may be viewed using the “Look up Tables” with the image accession number given beside the building name. The authors’ research and field work leading to the establishment of the database began in 2002 and are ongoing.
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Vlasenko, Valerii. « Serhii Tymoshenko : Ukrainian Architect and Diplomat ». Diplomatic Ukraine, no XXIII (2022) : 469–79. http://dx.doi.org/10.37837/2707-7683-2022-32.
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This research is focused on the life and legacy of Serhii Tymoshenko (1881–1950), Ukrainian political emigrant, political activist, statesman, and a member of the Ukrainian national liberation movement in the early 20th century and the Ukrainian Revolution in 1917–21. In addition to his political involvement, Mr Tymoshenko was also famous for his achievements in architecture, engineering and arts. The research is based on the documents found in the National Archive of the Czech Republic, several Ukrainian national archives and the Manuscript Institute of the Vernadskyi National Library of Ukraine. Serhii Tymoshenko is considered one of the founders of Ukrainian Art Nouveau architecture in the early 20th century. He took active part in the Ukrainian state-building process as a member of the Ukrainian Social Democratic Labour Party, the Central Council of Ukraine, and by holding leadership positions in Ukrainian state institutions in Kharkiv region, as well as being appointed as a Minister of Roads of the Ukrainian People’s Republic and a member of the Council of the Republic in Tarnów. Moreover, he played an important role in the foreign policy of the Ukrainian People’s Republic. The research covers Tymoshenko’s artistic, scientific and political legacies in Poland (1921–3) and Czechoslovakia (1924–9), and his life trials and tribulations during World War II and emigration to the United States. Serhii Tymoshenko is presented as a public and political figure, the leader of the Ukrainian political emigration in Volyn, the head of the Volyn Ukrainian Association and the Lutsk Centre of the Ukrainian People’s Republic, a member of the Polish Sejm (since 1935) and Senate (since 1938), and the head of the Ukrainian Parliamentary Representation of Volyn. Keywords: Poland, Serhii Tymoshenko, Ukrainian emigration, Ukrainian architecture, Ukrainian People’s Republic.