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Littérature scientifique sur le sujet « Regionalism – Ireland »

Auteur : Grafiati
Publié le 10 mars 2023

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Articles de revues sur le sujet "Regionalism – Ireland"

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Keane, Damien. « Contrary Regionalisms and Noisy Correspondences : The BBC in Northern Ireland circa 1949 ». Modernist Cultures 10, no 1 (mars 2015) : 26–43. http://dx.doi.org/10.3366/mod.2015.0096.

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This essay examines the limits and possibilities of the mid-century broadcasting field in Northern Ireland, by attending to the dynamic interplay at the BBC's Belfast station of three competing regional formations: the political regionalism of the Northern Irish state; the cultural regionalism of a coterie of Northern Irish writers and intellectuals; and the broadcasting regionalism instituted as part of the BBC's policy of national programming. These contrary regionalisms each had different and, at times, competing criteria for what constituted particular and typical details of life in the North, and broadcasters had to negotiate the inexact correspondences among them with ears tuned to the political relations triangulated by Belfast, Dublin, and London. Beginning with a consideration of how broadcasters in Northern Ireland produced forms of mediated actuality both in and beyond the studio, the essay concludes with Sam Hanna Bell's This is Northern Ireland (1949), a feature that explores the tension of overspill and containment effected less by the partition of Ireland than by the contradictions inherent to the broadcasting field.
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Adams, Bluford. « New Ireland : The Place of Immigrants in American Regionalism ». Journal of American Ethnic History 24, no 2 (1 janvier 2005) : 3–33. http://dx.doi.org/10.2307/27501561.

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Dyck, Reginald, et Cheryl Temple Herr. « Critical Regionalism and Cultural Studies from Ireland to the American Midwest ». American Literature 70, no 1 (mars 1998) : 216. http://dx.doi.org/10.2307/2902492.

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Carragáin, Tomás Ó. « Regional Variation in Irish Pre-Romanesque Architecture ». Antiquaries Journal 85 (septembre 2005) : 23–56. http://dx.doi.org/10.1017/s0003581500074369.

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This paper demonstrates that the five Irish early medieval church types have markedly differential distributions. In particular, most of those with antae are in the east, while most of those without antae are in the west. It is shown that this regionalism cannot be interpreted as a deliberate strategy of material differentiation on the part of particular politico-cultural groups. A reconsideration of the chronology suggests that many of the antae-less churches are relatively late, and so the division is primarily indicative of differences in the period and rate of mortared church construction, something that is influenced by both environmental and cultural factors. It is suggested that differences in church dimensions between east and west are indicative of subtle economic differences; and a range of archaeological evidence is used to sketch other economic and cultural variations. These patterns highlight the importance of exploring regionality, even when studying relatively cohesive entities such as early medieval Ireland.
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Schwetman, John D. « ‘Nowhere to hide’ : Regionalism and memory in Lisa McGee’s Derry Girls ». Journal of Popular Television 9, no 2 (1 juin 2021) : 195–210. http://dx.doi.org/10.1386/jptv_00049_1.

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Derry Girls (2018‐present) playfully satirizes regionalism and first-person narrative while re-enacting a collective memory of the Troubles. A close reading of the series’ opening montage provides the basis for a fuller understanding of the programme’s nuanced critique of efforts to look back on Northern Ireland in the 1990s and make sense of it all with the benefit of hindsight. In lieu of the reassurances of authoritative extradiegetic commentary, the series’ opening monologue provides a humorous account of the unresolved tribulations of adolescence and, in the larger political frame, a community’s continuing inability to situate itself as a region within the United Kingdom.
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McElroy, Ruth, et Caitriona Noonan. « ‘Rooting’ the BBC : An interview with Rhodri Talfan Davies, Director of BBC nations ». Critical Studies in Television : The International Journal of Television Studies 17, no 1 (mars 2022) : 32–45. http://dx.doi.org/10.1177/17496020211061307.

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In early 2021, Rhodri Talfan Davies was appointed Director of Nations, a role which would see him lead all the BBC’s work across Scotland, Wales, England and Northern Ireland, alongside his responsibilities as Director of BBC Wales. Shortly after this appointment, and the announcement of further commitments by the BBC to nations and regions, the authors interviewed Talfan Davies to understand the decisions that flow from translating the often abstract concept of national regions and English regionalism into a coherent set of organisational strategies, commissioning priorities and local production. A second purpose was to explore the value of local programming in an era of global television.
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Auers, Daunis. « Book Review : Britain and Ireland : The Re-invention of the European Radical Right : Populism, Regionalism and the Italian Lega Nord ». Political Studies Review 11, no 3 (7 août 2013) : 460–61. http://dx.doi.org/10.1111/1478-9302.12028_113.

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Gibson, Andrew. « Beckett, Vichy, Maurras, and the Body : Premier amour and Nouvelles ». Irish University Review 45, no 2 (novembre 2015) : 281–301. http://dx.doi.org/10.3366/iur.2015.0177.

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This essay is about the relation between the treatment of the body in Beckett's major French texts of 1945–6 and the Vichy regime. It examines Vichy conceptions of physical life and their effect on Beckett's texts, considering those texts as responses to them. It addresses the ideological construction of the body in France 1940–4 and its connection with Vichy pastoralism, folkloric regionalism, natalism, familialism, and paternalism; the historical materiality of mutilated, impoverished, ‘inferior’, and expelled bodies and their significance under Vichy; and the influence on the Vichyite conception of the body of Le Play, Barrès, and above all Maurras, his nationalism, provincialism, and reactionary aesthetics. Beckett's letters show him to have been dismissive of these influences. Premier amour and the Nouvelles repeatedly evoke certain features of the experience of bodily life under Vichy. They also conduct a war on Vichyite, Pétainist, and Maurrasian body politics and its moral terrorism, not least because the ideological construction of the body in Vichy France was strikingly close to that in de Valera's Ireland. The texts are a weird, ironical hymn to incapacity, to the ‘second-rate’ or ‘defective’ body. This in turn dictates the specific character of Beckett's break with representation at this time.
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Makieła, Zbigniew. « Przedsiębiorczość w Polsce w układzie regionalnym ». Przedsiębiorczość - Edukacja 3 (1 janvier 2007) : 18–23. http://dx.doi.org/10.24917/20833296.3.2.

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Entrepreneurship is a process which proceeds in stages and is characterized by variableintensity. That is why we need methods and measurement instruments that help us to follow itsimage with precision and in particular stages. According the studies conducted by GlobalEntrepreneurship Monitor, two groups of people who are involved in a new economic enterpri-se, can be identified. The first group consists beginning entrepreneurs, active in developing oftheir companies run for 3–4 years. People from the second group are trying to start their busi-ness and independently or together with their partners undertake some definite activities (suchas looking for location of the company, working out the strategy of their activity, looking forfunds and business partners).Basal measurement or so called coefficient of entrepreneurship (the engagement rate in a neweconomic enterprise) reckons sum of two indexes for two groups. In 2004 the entrepreneurshipcoefficient in Poland amounted 8,3%. It means that among thousand Poles at the age of 18–64,almost 90 are involved in starting or developing their business. The value of this coefficient hasincreased to 1,6% in comparison with the previous 2000/2001 years. The value of this entrepre-neurship coefficient in Poland is high and is higher than similar one in Ireland, Norway, Israel,Great Britain, France, and Greece. Only such countries as Canada, Argentina, Australia and Brazil have higher value of the coefficient. Comparing the value of analyzed coefficient amongthe countries of European Union, only Ireland gets ahead Poland and at the same time therewasn’t statistically essential difference between coefficient of value in Poland and Ireland.Among countries in political system transformation, except Poland, only Hungary had a highcoefficient of value, however Croatia, Slovenia and Russia accepted the lowest value amongEuropean countries.
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Kitishat, Amal Riyadh. « Riders to the Sea between Regionalism and Universality : A Cultural Perspective ». Theory and Practice in Language Studies 9, no 3 (1 mars 2019) : 255. http://dx.doi.org/10.17507/tpls.0903.01.

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This study aims at discussing Riders to the Sea; it aims to investigate nationalism and cultural identity as two significant ways against the English cultural colonialism. Though many critics regard J.M. Synge as; and thus consider him as an example of regional dramatist because his works are related to the local Irish material. However; this study aims to correct this vision of Synge as only about Irish Celtic culture, but as an innovator of the Irish theatre and as a culturalist who shifted Irish theatre into a universal scope. Thus, though Synge's fame is due to his treatment of the "folk" drama; still, he finds in Ireland’s folk tales, myths, and traditional legends a rich source for universal interests. By tracing the reinforcement of the Irish setting and oral culture for a cultural function which aims at establishing the Irish identity and reviving its national heritage, the study argues that Synge's dramatic presentations were not only of regional or local value; but also of international and cultural significance. That is though J.M. Synge introduces his theme in a local Irish context, with a particular focus on peasants; he was able to transform the Irish theatre from the local context to universality.
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Thèses sur le sujet "Regionalism – Ireland"

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McVeigh, Emma. « Regionalism, modernism and identity : sculpture in Northern Ireland, 1921-51 ». Thesis, University of Ulster, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.593877.

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An essential purpose of this thesis is to map the practice and profession of sculpture in Northern Ireland 1921-51, with the view to discerning the possible development of a 'regional modernism' in the province. This survey and analysis of sculpture pays particular attention to publically exhibited works, state-endorsed commissions and war memorials, as well as examples of ecclesiastical and architectural sculpture in the province. In this study 'regional modernism' is defined as a strand of modernism that draws from the local tradition and influence of the region, while simultaneously engaging with a 'contemporary spirit'. Various approaches and strategies adopted by Northern Irish sculptors are discussed, such as; the use of local materials; the commissioning of local artists; the development of artist groups; the occurrence of regional subjects in sculpture; and the significance of native art infrastructures, in determining their role in the fostering of a regional modern art. With the aim of illuminating the previously under-estimated extent of scu.lptural practice in Northern Ireland, this study is concerned with the works of better-known artists, such as Sophia Rosamond Praeger and Morris Harding, alongside examples by lesser-known sculptors including Elisabeth Clements and James Edgar Winter. The British Empire Exhibitions in 1924 and 1938, the building of Stormont, the Ulster Unit exhibition 1934 and the Festival of Britain in 1951 were thoroughly researched and a number of primary resources and unpublished images have been uncovered. The complete absence of academic studies on Northern Irish sculpture has resulted in the need to focus on original sources from the period including: private and public archive material, business records, newspaper articles, exhibition catalogues, institutional reports, and prospectuses. In conclusion, the findings contribute to the creation of a wider and more balanced picture of sculpture, and indeed modern art, in the emerging years of Northern Ireland's history.
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Burgess, Mary Ann. « Inventing 'Northern Ireland' : partition and the limits of Ulster regionalism ». Thesis, University of Cambridge, 2002. https://www.repository.cam.ac.uk/handle/1810/284013.

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A Northern dimension to Irish literature did not spring fully-formed into existence in 1968. This thesis retrieves from the canonical shadows the range of the Northern contribution to the Literary Revival in Ireland. Further, it attempts to show how the achievements of such writers and cultural activists as Alice Milligan, Francis Joseph Bigger, Gerald MacNamara and Joseph Campbell intersected with and critiqued the Revival as it was unfolding in Dublin, particularly in the development of a national drama. This small Northern intelligentists, largely based in Belfast, played a vital role in the development of an Irish cultural manifesto which was intended to be pluralist, modern and anti-sectarian. Belfast, the only city in Ireland to have undergone an Industrial Revolution, was in many ways the most ‘modern’ of Irish cities, and its nationalist writers faced very different political circumstances from their Southern counterparts. Their work reflected this. Milligan, Bigger and MacNamara were all Ulster protestants: they sought (unsuccessfully in the end) to secure Ulster protestantism’s place in the Revival. Milligan combined republicanism with poetry, history, drama and journalism. Bigger constructed a material past for the North in his work as an antiquarian and writer. Macnamara satirized the occult excesses of Yeatsian Celticism, and wrote plays which were hugely popular, yet formally innovative. He was strongly influenced by developments in European drama, particularly expressionism. Joseph Campbell, one of the few catholics prominent in the cultural Revival in the North, wrote a poetry which prefigured that of Padraic Pearse, Thomas MacDonagh and Patrick Kavanagh, but also of poets of the ‘second’ Northern Revival, John Montague and Seamus Heaney. The second part of the dissertation and the introductory chapter argue that the advent in Ireland and Partition in 1921 was the reason that this Northern aspect to the Revival has been all but forgotten. Not only did these writers disappear from the Irish literary scene, later the canon, but their main achievement - the creation of a strong Ulster regionalism which was nonetheless firmly nationalist - was assimilated and re-developed by an Ulster Unionist establishment busy inventing Northern Ireland.  Thus, after 1921, now divested of its national foundations, Ulster regionalism became a cultural ballast to partition. The poetry of John Hewitt is examined in this context, alongside the development of a partitionist geography, archaeology and historiography. Finally, it is argued that the nationalist legacies of these early Ulster regionalists were recuperated and reconfigured in the work of Northern catholic John Montague in the 1950s and 60s, culminating in his long poem The Rough Field (1972). In many ways, then, this dissertation seeks in the library and cultural-political history of the North of Ireland during the Revival a proper and hitherto unexplored context in which to read post-1968 Northern poetry.
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O'Sullivan, Bernard. « The new European regionalism : mobilising identity for development at the meso level ». Thesis, University of the West of England, Bristol, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.244293.

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Marsh, Robert Gerald. « John Hewitt and theories of Irish culture : cultural nationalism, cultural regionalism, and identity in the North of Ireland ». Thesis, Queen's University Belfast, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.337020.

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Gledhill, James. « Into the past : nationalism and heritage in the neoliberal age ». Thesis, University of St Andrews, 2017. http://hdl.handle.net/10023/12114.

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This thesis examines the ideological nexus of nationalism and heritage under the social conditions of neoliberalism. The investigation aims to demonstrate how neoliberal economics stimulate the irrationalism manifest in nationalist idealisation of the past. The institutionalisation of national heritage was originally a rational function of the modern state, symbolic of its political and cultural authority. With neoliberal erosion of the productive economy and public institutions, heritage and nostalgia proliferate today in all areas of social life. It is argued that this represents a social pathology linked to the neoliberal state's inability to construct a future-orientated national project. These conditions enhance the appeal of irrational nationalist and regionalist ideologies idealising the past as a source of cultural purity. Unable to achieve social cohesion, the neoliberal state promotes multiculturalism, encouraging minorities to embrace essentialist identity politics that parallel the nativism of right-wing nationalists and regionalists. This phenomenon is contextualised within the general crisis of progressive modernisation in Western societies that has accompanied neoliberalisation and globalisation. A new theory of activist heritage is advanced to describe autonomous, politicised heritage that appropriates forms and practices from the state heritage sector. Using this concept, the politics of irrational nationalism and regionalism are explored through fieldwork, including participant observation, interviews and photography. The interaction of state and activist heritage is considered at the Wewelsburg 1933-1945 Memorial Museum in Germany wherein neofascists have re-signified Nazi material culture, reactivating it within contemporary political narratives. The activist heritage of Israeli Zionism, Irish Republicanism and Ulster Loyalism is analysed through studies of museums, heritage centres, archaeological sites, exhibitions, monuments and historical re-enactments. These illustrate how activist heritage represents a political strategy within irrational ideologies that interpret the past as the ethical model for the future. This work contends that irrational nationalism fundamentally challenges the Enlightenment's assertion of reason over faith, and culture over nature, by superimposing pre-modern ideas upon the structure of modernity. An ideological product of the Enlightenment, the nation state remains the only political unit within which a rational command of time and space is possible, and thus the only viable basis for progressive modernity.
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O'NEILL, Claire Marie. « Transnational institution building for local development : the case of European Union cohesion policy in Ireland and Sardinia ». Doctoral thesis, 2005. http://hdl.handle.net/1814/5343.

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Defence date: 22 April 2005
Examining Board: Prof. Martin Rhodes (EUI, supervisor) ; Prof. Yves Mény (EUI, co-supervisor) ; Prof. John Loughlin (University of Cardiff) ; Prof. Simona Piattoni (University of Trento)
First made available online on 31 January 2017.
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Livres sur le sujet "Regionalism – Ireland"

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Leon, Litvack, Hooper Glenn 1959- et Society for the Study of Nineteenth-Century Ireland., dir. Ireland in the nineteenth century : Regional identity. Dublin : Four Courts Press, 2000.

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Critical regionalism and cultural studies : From Ireland to the American Midwest. Gainesville : University Press of Florida, 1996.

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Proinsias, Ó Drisceoil, dir. Culture in Ireland--regions : Identity and power : proceedings of the Cultures of Ireland Group Conference, 27-29 November, 1992. Belfast : Institute of Irish Studies, Queen's University of Belfast, 1993.

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P, Cuddy Michael, Boylan Thomas A et University College, Galway. Centre for Regional and Rural Development Studies., dir. The Future of regional policy in the European Communities : Its implication for Ireland. Galway : Social Sciences Research Centre, University College, 1987.

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Lenehan, Fergal. Intellectuals and Europe : Imagining a Europe of the Regions in twentieth century Germany, Britain and Ireland. Trier : WVT Wissenschaftlicher Verlag Trier, 2014.

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The bibliography of regional fiction in Britain and Ireland, 1800-2000. Hants, England : Ashgate, 2002.

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M, Snell K. D., dir. The regional novel in Britain and Ireland, 1800-1990. Cambridge : Cambridge University Press, 1998.

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No man's land : Irish women and the cultural present. Bern : Peter Lang, 2011.

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Ireland in the Nineteenth Century, Regional Identity : Regional Identity. Four Courts Press, 2000.

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(Editor), John Coakley, Brigid Laffan (Editor) et Jennifer Todd (Editor), dir. Renovation or Revolution ? : New Territorial Politics in Ireland And the Uk (Perspectives in British-Irish Studies). University College Dublin Press, 2005.

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Chapitres de livres sur le sujet "Regionalism – Ireland"

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Keating, Mary A., Gillian S. Martin et Christian J. Resick. « Intercultural Ethical Leadership Competence : Contrasting Ireland and Germany ». Dans Firm-Level Internationalization, Regionalism and Globalization, 216–32. London : Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230305106_14.

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Cuny, Lara. « A Regionalist Agenda in Northern Ireland ? » Dans The History of the Arts Council of Northern Ireland, 1943–2016, 131–41. Cham : Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-13409-8_7.

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« Northern Ireland St Andrews – the long Good Friday Agreement ». Dans Devolution, Regionalism and Regional Development, 81–108. Routledge, 2007. http://dx.doi.org/10.4324/9780203356678-11.

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Bellamy, Liz. « Regionalism and nationalism : Maria Edgeworth, Walter Scott and the definition of Britishness ». Dans The Regional Novel in Britain and Ireland, 54–77. Cambridge University Press, 1998. http://dx.doi.org/10.1017/cbo9780511597688.003.

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McEvoy, Tara. « Voicing ‘the native tang of idiom’ : Lagan Magazine, 1943–1946 ». Dans The Modern Short Story and Magazine Culture, 1880-1950, 273–92. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474461085.003.0014.

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This chapter analyses the short-lived Northern Irish periodical Lagan, published annually between 1943 and 1946. Edited by John Boyd, the magazine, over its limited run of only four issues, sought to foster a vital tradition of Ulster writing. Short stories published in Lagan served to promote Ulster idiom as the basis for a new regional literature. While regionalism could often be perceived as insularism, which perhaps contributed to the magazine’s limited success, Lagan arguably provided a cultural touchstone for Northern Irish writers, thus proving influential for a post-war generation that included the likes of Seamus Heaney, James Simmons, and Derek Mahon. In spite of being short-lived, therefore, Lagan and its editor successfully sought to promote a creative tradition and writing community in Northern Ireland.
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