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1
Kang, Jin-A. The Guangdong Model and Taxation in China. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland : Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463729833.
Texte intégralRésumé :
This book explores the formation, development, and characteristics of modern China's finance, focusing especially on Guangdong province as a case study to illustrate both the macro-level trends and the micro-level reality. The chronological range of this book is mainly from the late Qing period to the early Republican Era ending in 1937, when the full-scale Second Sino-Japanese War broke out. After the concept of modern finance was introduced to China for the first time in the late Qing period, the efforts to build modern finance continued in the Republican Era both nationally and locally. But this process was interrupted by the outbreak of the war against Japan in 1937 and, having been derailed, did not subsequently recover due to the subsequent civil war between the Kuomintang and the Chinese Communist Party. This interrupted process of financial modernization was resumed with Reform and Opening-up, launched in 1978. Therefore, in order to illustrate the structural transformation and persistent characteristics of China’s fiscal system, this book also includes discussions of the early Qing period and current Chinese finance.
2
Leonard, Suzanne, et Diane Negra. After Ever After. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039577.003.0011.
Texte intégralRésumé :
This chapter explores how Bethenny Frankel's stabilization as an icon coincided with a sharp increase in reality television's encouragement for stars to monetize their so-called “personal lives” and with a distinctive phase of capitalistic production where entrepreneurship of the self reaped a compelling combination of economic and affective reward. In this respect, what may appear as the rising stardom of a singular, idiosyncratic personality should instead be read as having particular ramifications for feminized media culture. Dovetailing with an early-twenty-first-century cultural moment dominated by a worldwide economic recession, Frankel's success illustrates that economies of self can be leveraged as platforms on which to model female self-actualization, a pathway that inevitably involves the accrual of monetary gain.
3
Renker, Elizabeth. After Wings. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198808787.003.0004.
Texte intégralRésumé :
This chapter focuses on selected poems that Sarah Piatt published between 1866 and the mid-seventies. This period was simultaneous to the evolving debates about reality categories traced in Chapter 2 but prior to the oft-construed advent or high point of realism in the eighties and nineties. Even at this relatively early stage of her career, Piatt articulated a consistent realist counterpoetics that challenged the conventions of romantic idealism from the inside—that is, from within the culture in which she was simultaneously pursuing her career. These poems reproduce conventions of genteel poetry in complex forms of reiteration that function as replication or indictment. This poetic practice is also one of the keys to Piatt’s realism.
4
D'Costa, Gavin. Catholic Doctrines on the Jewish People after Vatican II. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198830207.001.0001.
Texte intégralRésumé :
The book explores Roman Catholic doctrines after the Second Vatican Council regarding the Jewish people (1965–2015). It establishes the emergence of the teaching that God’s covenant with the Jewish people is irrevocable. What does this mean for Catholics regarding Jewish religious rituals, the land, and mission? The book examines early magisterial documents that seem to contradict current teachings. The apparent contradiction is historically contextualized. It argues two points. First, that earlier teachings accept the positive value of Jewish rituals within certain conditions. This can be applied, in principle, to contemporary religious Jewish rituals. These earlier traditions also show a positive valuation of Jewish cultic practices within the early Christian church. The book examines new Catholic approaches to the Old Testament. Despite different New Testament teachings about the land, it is argued that the promise of the Land to the Jewish people, with various conditions, can be regarded as valid for Catholics. The book also examines the Holy See’s shifting attitude to the modern State of Israel and its pragmatic silence on the theology of land. The book proposes a form of minimalist Catholic Zionism: affirming the land without excluding a just Palestinian resolution. The book explores unresolved Catholic teachings on ‘mission’ and ‘witness’. The centre of this debate concerns the new assumption that Christians should not erase God-given Jewish identity. The book asks: could Hebrew Catholics witness to this reality while also testifying to the compatibility and unity of the two covenants?
5
Das, Veena. Textures of the Ordinary. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823287895.001.0001.
Texte intégralRésumé :
Textures of the Ordinary: Doing Anthropology after Wittgenstein is an exploration of everyday life in which anthropology finds a companionship with philosophy. Based on two decades of ethnographic work among low-income urban families in India, Das shows how the notion of texture allows her to align her ethnography with stunning anthropological moments in Wittgenstein and Cavell as well as in literary texts from India. Das poses a compelling question—how might we speak of a human form of life when the very idea of the human has been put into question? The response to this question, Das argues, does not lie in some foundational idea of the universal as that of human nature or the human condition but in a close attention to the diverse ways in which the natural and the social mutually absorb each other within overlapping forms of life. The book shows how reality as ordinary and domestic is impaired not only by catastrophic events but also by the repetitive and corrosive soft knife of everyday violence and deprivation. It advances a view of ordinary ethics as attentiveness to the other and the ability of small acts of care to stand up to horrific violence. The book also presents a picture of thinking in which concepts and experience are shown to be mutually vulnerable and ethnography is treated as intimately connected to autobiography as a form of reflection emanating from the impersonal regions of the self.
6
Horwich, Paul. Wittgenstein’s Global Deflationism. Sous la direction de Herman Cappelen, Tamar Szabó Gendler et John Hawthorne. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199668779.013.35.
Texte intégralRésumé :
This article explores Ludwig Wittgenstein’s ideas about the nature of philosophy, with particular emphasis on his rejection of “T-philosophy”—a traditionally dominant form of philosophy that, although self-consciosly a priori, is shaped by theoretical goals and methods of reasoning that closely resemble those of the sciences. After discussing the goals and methods that characterize T-philosophy, the article presents a formidable Wittgensteinian argument against that practice. It proceeds to describe the sort of treatment of particular philosophical problems that is called for by this argument; and it assesses the common complaint against Wittgenstein that his overall position is self-undermining—an anti-theoretical theory. It goes on to consider whether Wittgenstein’s perspective involves an objectionable prioritization of language over reality, that is, an objectionable “linguistic turn”. Finally, it compares Wittgenstein’s arguments with the Oxonian “ordinary language philosophy” of philosophers such as Austin, Ryle, and Strawson.
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Tomlinson, Jim. Unemployment. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198786092.003.0007.
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This chapter examines the underpinnings of full employment policy, and the popular understandings of economic life that went along with it. It examines how and why the defeat of unemployment achieved such importance, and how the policy was understood and represented from the 1940s onwards. Next it looks at the tensions surrounding this policy aim from the 1970s, and how it unravelled in the 1980s. The downgrading of the significance given to full employment was accomplished by a variety of strategies to reshape understanding, from the questioning of the ‘reality’ behind official enumeration of unemployment in the early 1970s through to the revival of ‘scrounger’ narratives. It looks at how the Conservative government after 1979 reacted to the surge in unemployment, and how they tried to establish a new popular understanding of the causes of job losses.
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Jones, Christina, et Richard D. Griffiths. Post-Traumatic Stress Disorder Following Critical Illness. Oxford University Press, 2014. http://dx.doi.org/10.1093/med/9780199653461.003.0021.
Texte intégralRésumé :
Post-traumatic stress disorder (PTSD) has been shown to be a significant problem for both patients and relatives after critical illness. For patients the recall of delusional memories from the period in ICU can be a powerful trigger for the development of PTSD. Such memories are described by patients as very vivid and difficult to separate from reality. Early recognition and treatment of PTSD, where needed, can reduce the long term effects. Chronic PTSD, where symptoms have been present for three months after the traumatic event, is associated with a number of long term health problems such as chronic pain. It can also have profound effects on relationships, financial status and overall wellbeing. The provision of an ICU diary has been shown to reduce the incidence of PTSD in patients and reduce the level of PTSD-related symptoms in family members. For the majority of patients this relatively simple intervention helps them to fill in memory gaps and combat any delusional memories they may recall.
9
Cavender, Gray, et Nancy C. Jurik. Prime Suspect and Women in Policing. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037191.003.0003.
Texte intégralRésumé :
The early absence of women police protagonists from novels and television programs was an accurate reflection of social reality. Women were largely excluded from the majority of police patrol and crime investigation jobs until the 1970s. Despite their integration into a wider range of police duties, women continued to struggle to remain and advance in their positions and often were relegated to police work that was behind the scenes of street patrol and investigation. This chapter begins with a discussion of the experiences of real-world women working in policing after the 1970s integration period. It then elaborates the ways in which Prime Suspect 1 brought the feminist genre to the television police procedural form, a subgenre that has been especially resistant to women in lead roles. The final section reflects on how the portrayal of women police officers in the Prime Suspect series comports with the lived experiences of actual policewomen, in particular, those who occupy high ranks in police organizations.
10
Cruz, Gabriela. Grand Illusion. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190915056.001.0001.
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Grand Illusion is a new history of grand opera as an art of illusion facilitated by the introduction of gaslight illumination at the Académie Royale de Musique (Paris) in the 1820s. It contends that gas lighting and the technologies of illusion used in the theater after the 1820s spurred the development of a new lyrical art, attentive to the conditions of darkness and radiance, and inspired by the model of phantasmagoria. Karl Marx, Walter Benjamin, and Theodor Adorno have used the concept of phantasmagoria to arrive at a philosophical understanding of modern life as total spectacle, in which the appearance of things supplants their reality. The book argues that the Académie became an early laboratory for this historical process of commodification, for the transformation of opera into an audio-visual spectacle delivering dream-like images. It shows that this transformation began in Paris and then defined opera after the mid-century. In the hands of Giacomo Meyerbeer (Robert le diable, L’Africaine), Richard Wagner (Der fliegende Holländer, Lohengrin, and Tristan und Isolde), and Giuseppe Verdi (Aida), opera became an expanded form of phantasmagoria.
11
Humphrey, Carol Sue. The Revolutionary Era. Greenwood Publishing Group, Inc., 2003. http://dx.doi.org/10.5040/9798216008477.
Texte intégralRésumé :
From 1776 to 1800, the United States ceased to be a fantastic dream and became a stable reality. Newspapers were increasingly the public's major source of information about people and events outside of their community. The press reflected the issues of the day. Its foremost concern was naturally the armed struggle with Britain. The press covered the conflict, providing both patriot and loyalist interpretations of the battles and personalities. Yet after the British withdrew, a host of new challenges confronted the United States, including the Articles of Confederation, Shay's Rebellion, the Bill of the Rights, the Whiskey Rebellion, slavery, women's roles, the French Revolution, the XYZ Affair, the Sedition Act, and more. Again, the press not only purveyed the facts. It became a political tool trumpeting the viewpoint of Republicans and Federalists, ushering in a new era of American journalism. Beginning with an extensive overview essay of the period, this book focuses on 26 pressing issues of the war and the early republic. Each issue is presented with an introductory essay and multiple primary documents from the newspapers of the day, which illustrate both sides of the debate. This is a perfect resource for students interested in the Revolutionary War, the birth of the new nation, and the actual opinions and words of those involved.
12
Costambeys, Marios. Archives and Social Change in Italy, c.900–1100. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198777601.003.0021.
Texte intégralRésumé :
Chris Wickham’s chapter on ‘Land disputes and their social framework in Lombard- Carolingian Italy’ set the tone for a generation of scholarship, revealing, like other chapters in the same book, the utility of dispute records for writing the social history of early medieval Europe. Societal changes are nowhere more obvious than in the disputes to which they give rise. It is no accident, therefore, that documents generated by law courts have been central to historiography concerned with the nature and sharpness of social change in the post-Carolingian West, to which Chris has also contributed significantly. Increasingly after c.800, however, Italian law court records look to become less useful as social documents because they come to follow a very limited number of formulaic templates, which erased any points in dispute and cast claims in court as undefended. This chapter argues that social changes can still be detected in such documents, though less through their texts than through their patterns of preservation. It shows how in two cases—the abbey of Monte Amiata and the ecclesiastical institutions in Piacenza—the shape of archives of law court documents mirrors and is related to the crystallization of local power into the hands of restricted elite groups focused on single families. In doing so it addresses the current debate, arising largely out of French examples, about the appearance and reality of a ‘transformation’ in Western society around the year 1000.
13
Archer-Parré, Caroline, et Malcolm Dick, dir. James Watt (1736-1819). Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789620818.001.0001.
Texte intégralRésumé :
James Watt (1736-1819) was a pivotal figure of the Enlightenment and Industrial Revolution. His career as a scientific instrument maker, inventor and engineer developed in Scotland, the land of birth. His prominence as a scientist, technologist and businessman was forged in the Birmingham area. His pumping and rotative steam engines represent the summit of technological achievement in the late-eighteenth and early-nineteenth centuries which led to future developments in locomotive and steamship design and mechanical engineering such as the steam hammer. This is the traditional picture of James Watt. After his death, his son, James Watt junior, projected his father’s image through commissioning sculptures, medals, paintings and biographies which celebrated his reputation as a ‘great man’ of industry and science. Though some academic appraisals have sought to move beyond the heroic image of Watt, there is still a tendency to focus on his steam technology. This collection of ten chapters breaks new ground by looking at Watt in new ways: by exploring his philosophical and intellectual background; the relevance of his Greenock environment; the influence of his wives, Peggy and Ann; Watt’s political fears and beliefs; his links with other scientists such as Thomas Beddoes, Davies Giddy, Humphry Davy, Joseph Black and James Keir; Watt and the business of natural philosophy; his workshop in the Science Museum and what it reveals; the myth or reality of his involvement with organ making and the potential of Birmingham’s Watt Papers for further exploration of his personality, family and domestic and business activities.
14
McManus, Laurie. Brahms in the Priesthood of Art. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190083274.001.0001.
Texte intégralRésumé :
Brahms in the Priesthood of Art: Gender and Art Religion in the Nineteenth-Century German Musical Imagination explores the intersection of gender, art religion (Kunstreligion), and other aesthetic currents in Brahms reception of the nineteenth and early twentieth centuries. In particular, it focuses on the theme of the self-sacrificing musician devoted to his art, or “priest of music,” with its quasi-mystical and German Romantic implications of purity seemingly at odds with the lived reality of Brahms’s bourgeois existence. While such German Romantic notions of art religion informed the thinking on musical purity and performance, after the failed socio-political revolutions of 1848/49, and in the face of scientific developments, the very concept of musical priesthood was questioned as outmoded. Furthermore, its essential gender ambiguity, accommodating such performing mothers as Clara Schumann and Amalie Joachim, could explain why Brahms never married while leaving the composer open to speculation about his health and masculinity. Supportive critics combined elements of masculine and feminine values with a muddled rhetoric of prophets, messiahs, martyrs, and other art-religious stereotypes to account for the special status of Brahms and his circle. Detractors tended to locate these stereotypes in more modern, fin-de-siècle psychological frameworks that scrutinized the composer’s physical and mental well-being. In analyzing these receptions side by side, this book revises the accepted image of Brahms, recovering lost ambiguities in his reception. It resituates him not only in a romanticized priesthood of art but also within the cultural and gendered discourses overlooked by the absolute music paradigm.
15
Snider, Jill D. Lucean Arthur Headen. University of North Carolina Press, 2020. http://dx.doi.org/10.5149/northcarolina/9781469654355.001.0001.
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Born in Carthage, North Carolina, Lucean Arthur Headen (1879-1957) grew up amid former slave artisans. Inspired by his grandfather, a wheelwright, and great-uncle, a toolmaker, he dreamed as a child of becoming an inventor. His ambitions suffered the menace of Jim Crow and the reality of a new inventive landscape in which investment was shifting from lone inventors to the new “industrial scientists.” But determined and ambitious, Headen left the South, and after toiling for a decade as a Pullman porter, risked everything to pursue his dream. He eventually earned eleven patents, most for innovative engine designs and anti-icing methods for aircraft. An equally capable entrepreneur and sportsman, Headen learned to fly in 1911, manufactured his own “Pace Setter” and “Headen Special” cars in the early 1920s, and founded the first national black auto racing association in 1924, all establishing him as an important authority on transportation technologies among African Americans. Emigrating to England in 1931, Headen also proved a successful manufacturer, operating engineering firms in Surrey that distributed his motor and other products worldwide for twenty-five years. Though Headen left few personal records, Jill D. Snider recreates the life of this extraordinary man through historical detective work in newspapers, business and trade publications, genealogical databases, and scholarly works. Mapping the social networks his family built within the Presbyterian church and other organizations (networks on which Headen often relied), she also reveals the legacy of Carthage's, and the South's, black artisans. Their story shows us that, despite our worship of personal triumph, success is often a communal as well as an individual achievement.